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String Orchestra - Level 5 - Digital Download

SKU: A0.533700

Composed by Carson Cooman. Baroque,Contemporary,Standards. Score and parts. 38 pages. Musik Fabrik Music Publishing #3038895. Published by Musik Fabrik Music Publishing (A0.533700).

Concerto for Portatif Organ and Strings (2006) was commissioned by the Harvard
Baroque Chamber Orchestra and its director, Robert Mealy. The work is dedicated
to organist Nancy Granert, for whom the solo part was written. The work was
commissioned in celebration of the von Clemm Chamber Organ at The Memorial
Church, Harvard University, built in 2006 by Klop Organ Builders.
As with many of my works, relationships between old and new musical concepts are
explored. In this piece, musical aspects of the Baroque organ concerto tradition
(and Baroque style string playing) co-exist with more contemporary musical
elements. In particular, the directness of expression found in many Baroque
concertante works is present throughout. Musical material is shared between the
movements in a motivic fashion.
The title of the first movement, Bricolage, is defined as “something made or put
together using whatever materials happen to be available.†Thus, the musical
material for the movement is of varying characters; these elements are assembled
together in ways that allow them to comment on and inform each other. Some of
these musical elements include: a traditional “overture†texture, a Basse de
Trompette texture (with an organ reed stop in the left hand) common in French
Baroque organ music, and the French keyboard toccata style.
The second movement, Elegia, is dark and searching in tone. It begins with a
rageful roar before quieting down to introduce its basic musical material – a simple
“lament†theme in a folk-inflected style. This material is used for further explorations,
building to passionate climaxes. Finally, the opening music returns, but this time
with a whisper. The movement winds down to a sad conclusion.
After the soul-searching of the second movement, the third movement, Rondeau, is
sprightly and energetic. The basic material is a set of Baroque and Classical-style
figurations (with a few American gospel inflections thrown in), firmly grounded in G
major. After minor diversions, the original material continues to return and ends the
work with unfettered joy.

This item is the score only.  The score and complete parts are available for sale as another item.

Carson Cooman: Concerto for Portatif Organ and Strings, score only
Orchestre à Cordes

$25.95 24.64 € Orchestre à Cordes PDF SheetMusicPlus

String Orchestra - Level 5 - Digital Download

SKU: A0.533701

Composed by Carson Cooman. Baroque,Contemporary,Standards. Score and parts. 77 pages. Musik Fabrik Music Publishing #3038897. Published by Musik Fabrik Music Publishing (A0.533701).

Concerto for Portatif Organ and Strings (2006) was commissioned by the Harvard Baroque Chamber Orchestra and its director, Robert Mealy. The work is dedicated to organist Nancy Granert, for whom the solo part was written. The work was commissioned in celebration of the von Clemm Chamber Organ at The Memorial Church, Harvard University, built in 2006 by Klop Organ Builders.

As with many of my works, relationships between old and new musical concepts are explored. In this piece, musical aspects of the Baroque organ concerto tradition (and Baroque style string playing) co-exist with more contemporary musical elements. In particular, the directness of expression found in many Baroque concertante works is present throughout. Musical material is shared between the movements in a motivic fashion.

The title of the first movement, Bricolage, is defined as “something made or put together using whatever materials happen to be available.†  Thus, the musical material for the movement is of varying characters; these elements are assembled together in ways that allow them to comment on and inform each other. Some of these musical elements include: a traditional “overture†texture, a Basse de Trompette texture (with an organ reed stop in the left hand) common in French Baroque organ music, and the French keyboard toccata style.

The second movement, Elegia, is dark and searching in tone. It begins with a rageful roar before quieting down to introduce its basic musical material – a simple “lament†theme in a folk-inflected style. This material is used for further explorations, building to passionate climaxes. Finally, the opening music returns, but this time with a whisper. The movement winds down to a sad conclusion.

After the soul-searching of the second movement, the third movement, Rondeau, is sprightly and energetic. The basic material is a set of Baroque and Classical-style figurations (with a few American gospel inflections thrown in), firmly grounded in G major. After minor diversions, the original material continues to return and ends the work with unfettered joy.


Carson Cooman: Concerto for Portatif Organ and Strings (2006), score and complete parts
Orchestre à Cordes

$64.95 61.68 € Orchestre à Cordes PDF SheetMusicPlus

String Orchestra - Level 5 - Digital Download

SKU: A0.1350504

By Apostolos Paraskevas. By Apostolos Paraskevas. 21st Century,Contemporary,Multicultural,World. 30 pages. Silver Sickle Publications #935314. Published by Silver Sickle Publications (A0.1350504).

In the echoes of history, where the ravages of war leave indelible scars on the fabric of humanity, there emerges a haunting melody that seeks to articulate the unspeakable pain and devastation wrought by the shadow of falling lead. The Shadow of the Falling Lead is a musical composition born out of a deep and poignant reflection on the profound impact of bombing during wartime.

As the symphony unfolds, it endeavors to traverse the emotional landscape of those whose lives have been forever altered by the relentless rain of destruction. Each note serves as an empathetic brushstroke, painting the canvas of despair with the hues of sorrow, resilience, and the human spirit's enduring will to survive.

The title itself evokes the grim reality of warfare, where the shadow of falling lead becomes an ominous specter, casting darkness over the lives it touches. This composition seeks to transcend the boundaries of language, inviting listeners to immerse themselves in the somber beauty of the music and connect with the shared humanity that unites us all.

As we embark on this musical journey, may The Shadow of the Falling Lead serve as a solemn reminder of the cost of conflict and the imperative to strive for a world where the echoes of such devastation become but distant memories, replaced by the harmonious chords of peace and understanding.

A solo violin ends this journey as a mother lamenting for her lost children.
 
 

The Shadow of the Falling Lead - Score Only
Orchestre à Cordes
Apostolos Paraskevas
$25.00 23.74 € Orchestre à Cordes PDF SheetMusicPlus

String Orchestra - Level 5 - Digital Download

SKU: A0.533709

Composed by Carson Cooman. 20th Century,Contemporary,Standards. Score and parts. 71 pages. Musik Fabrik Music Publishing #3041103. Published by Musik Fabrik Music Publishing (A0.533709).

I. Chaconne: ...a continuum of dreams...
II. Cadenza
III. Toccata

Concerto for Bass Saxophone and Strings (1999) was commissioned by bass
saxophonist Andreas van Zoelen (with generous support from the Broeker Fund for
New Music) and is dedicated with appreciation and admiration to him. Van Zoelen is
committed to enhancing the very small existing bass saxophone repertoire through
supporting the creation and performance of new works. The subtitle of the first
movement (...a continuum of dreams...) could be seen as a sort of subtitle for the
entire work that sets the mood and provides unification for the entire piece. The first
movement is a slow and ethereal chaconne. The strings and the saxophone interact in
various ways throughout this movement in non-traditional form. There are actually
two ground bass themes; one is introduced at the beginning with pizzicato strings
but soon moves to the background (although it is almost always present). The second
is presented near the end of the work and eventually the two are combined. The
interval of an augmented fourth (tritone) has special use throughout the movement
as a variety of themes and motifs are transformed throughout. The second movement
is a cadenza for the unaccompanied saxophone. The third movement is a fast and
wild toccata. The saxophone plays almost without rest for the entire movement. A
middle section recalls the theme of augmented fourths from the first movement.
Heavy use is made of pizzicato strings. The saxophone part for this movement is
highly virtuosic, exploring the full possibilities and range of the instrument.

This is the score and solo part only.  The parts are on rental from the publisher.

Carson Cooman: Concerto for Bass Saxophone and Strings (1999), score and solo part
Orchestre à Cordes

$29.95 28.44 € Orchestre à Cordes PDF SheetMusicPlus

String Orchestra - Level 4 - Digital Download

SKU: A0.533280

Composed by Carson Cooman. Contemporary,Folk. Score and parts. 83 pages. Musik Fabrik Music Publishing #2329773. Published by Musik Fabrik Music Publishing (A0.533280).

  1. I. Highland Ballad (Scotland)
  2. II. Ceremonial (Nigeria)
  3. III. Circle Dance (America)
Folk Fantasies (2013) for solo violin, percussion, and string orchestra is a concert piece inspired
by folk traditions. Although this work draws upon folk music styles, it does not quote or use any
actual folk tunes or material directly. For each of the three movements, I began by composing
an “original folk tune†within that musical style. Each movement of the work is then a simple
arrangement in my own musical style of my original tunes. The formal and harmonic language
of the work is very simple, direct, and uncluttered throughout, as is appropriate for folk music.
The first movement, Highland Ballad (Scotland), begins and ends with lyrical music. The middle
sections contain settings of the basic melody—first presented over a bagpipe-like drone (with
interjections) and then in a full harmonization.
The second movement, Ceremonial (Nigeria), combines a harmonic refrain along with a simple
melody in the Nigerian/Yoruba folk style. As the movement progresses, the violin plays the role
of a song-leader, adding increasingly impassioned countermelodies and textures over the basic
refrains.
The third movement, Circle Dance (America), is jubilant—alluding to the songs of the
This item contains the score, solo part and the complete orchestral parts (percussion plus 43321). A set of the score plus the solo part only is available as another item.

Carson Cooman: Folk Fantasies for solo violin, percussion, and string orchestra, score and complete
Orchestre à Cordes

$39.95 37.94 € Orchestre à Cordes PDF SheetMusicPlus

String Orchestra - Level 4 - Digital Download

SKU: A0.533281

Composed by Carson Cooman. Contemporary,Folk,Standards. Score and parts. 43 pages. Musik Fabrik Music Publishing #2329775. Published by Musik Fabrik Music Publishing (A0.533281).

I. Highland Ballad (Scotland)
II. Ceremonial (Nigeria)
III. Circle Dance (America)
Folk Fantasies (2013) for solo violin, percussion, and string orchestra is a concert piece inspired
by folk traditions. Although this work draws upon folk music styles, it does not quote or use any
actual folk tunes or material directly. For each of the three movements, I began by composing
an “original folk tune†within that musical style. Each movement of the work is then a simple
arrangement in my own musical style of my original tunes. The formal and harmonic language
of the work is very simple, direct, and uncluttered throughout, as is appropriate for folk music.
The first movement, Highland Ballad (Scotland), begins and ends with lyrical music. The middle
sections contain settings of the basic melody—first presented over a bagpipe-like drone (with
interjections) and then in a full harmonization.
The second movement, Ceremonial (Nigeria), combines a harmonic refrain along with a simple
melody in the Nigerian/Yoruba folk style. As the movement progresses, the violin plays the role
of a song-leader, adding increasingly impassioned countermelodies and textures over the basic
refrains.
The third movement, Circle Dance (America), is jubilant—alluding to the songs of the Shakers. A
basic rondo structure alternates the principal melody with contrasting excursions.  The set contains the score and solo part only.  This score, solo part and complete orchestral parts for 43221 are available as a seperate item.

Carson Cooman: Folk Fantasies for solo violin, percussion, and string orchestra, score and solo part
Orchestre à Cordes

$25.95 24.64 € Orchestre à Cordes PDF SheetMusicPlus

String Orchestra - Level 3 - Digital Download

SKU: A0.533278

Composed by Carson Cooman. Contemporary,Standards. Score and parts. 58 pages. Musik Fabrik Music Publishing #2329759. Published by Musik Fabrik Music Publishing (A0.533278).

I. Estampie
II. Aria
III. Echo Gigue (and Cadenza)
IV. Ground (in memoriam Lee Hoiby)
V. Estampie da capo

Sinfonia Concertante (2011) for solo violin and string orchestra is dedicated to Walter Simmons and
Ronnie Halperin. The five movements of the work draw primarily upon stylistic elements of Medieval
and Renaissance music, though viewed within a contemporary context. The title “Sinfonia†is used in
one of its 17th century senses: a small collection of modest instrumental movements. This item contains the score, the solo part and orchestral parts for 43321. The score plus the solo part only is sold as another item

Carson Cooman: Sinfonia Concertante for solo violin and string orchestra, score and parts
Orchestre à Cordes

$39.95 37.94 € Orchestre à Cordes PDF SheetMusicPlus

String Orchestra - Level 3 - Digital Download

SKU: A0.775953

Composed by Carson Cooman. Contemporary,Standards. Score and parts. 27 pages. Musik Fabrik Music Publishing #2033577. Published by Musik Fabrik Music Publishing (A0.775953).

Concerto in modo antico (2011) for recorder and strings was commissioned by and is dedicated to recorderist John Turner. The five movements of the work draw upon stylistic elements of Medieval and Renaissance music. I. Estampie II. Aria III. Echo Gigue IV. Ground (in memoriam Lee Hoiby) V. Estampie da capo Orchestra details: A small string orchestra is suggested. String quintet may be used if necessary (although the first violin part in the second movement will be nearly entirely double stops). Though it is not preferred, the recorder may be discretely amplified if necessary, particularly if using a large string orchestra. A piano reduction is provided primarily for rehearsal purposes. If absolutely necessary, the work may be performed in concert with piano, although the string scoring is vastly preferred.

Carson Cooman - Concerto in modo antico (2011) for recorder (soprano or tenor) and strings, full sco
Orchestre à Cordes

$16.85 16 € Orchestre à Cordes PDF SheetMusicPlus

String Orchestra - Level 4 - Digital Download

SKU: A0.533446

Composed by Carson Cooman. Contemporary. Score and parts. 6 pages. Musik Fabrik Music Publishing #2915727. Published by Musik Fabrik Music Publishing (A0.533446).

Shawkemo Dreaming (2009) for string orchestra is dedicated to Robert Moran. The
title refers to Shawkemo, a region of Nantucket Island, Massachusetts. This work is
one of a variety of pieces deeply connected to the landscape of Nantucket.
Overlooking the harbor and conservation preserves, Shawkemo imparts a sense of
peace, amidst gentle wind and sky. The work begins with bell-like tolling through
which a freely lyrical melody is unfolded. This melodic material is developed, building
to small climaxes, before the work settles into a reposed conclusion.

Carson P. Cooman : Shawkemo Dreaming for string orchestra, score
Orchestre à Cordes

$19.95 18.94 € Orchestre à Cordes PDF SheetMusicPlus

String Orchestra - Level 3 - Digital Download

SKU: A0.775954

Composed by Carson Cooman. Contemporary,Standards. Score and parts. 52 pages. Musik Fabrik Music Publishing #2033579. Published by Musik Fabrik Music Publishing (A0.775954).

Concerto in modo antico (2011) for recorder and strings was commissioned by and is dedicated to recorderist John Turner. The five movements of the work draw upon stylistic elements of Medieval and Renaissance music. I. Estampie II. Aria III. Echo Gigue IV. Ground (in memoriam Lee Hoiby) V. Estampie da capo Orchestra details: A small string orchestra is suggested. String quintet may be used if necessary (although the first violin part in the second movement will be nearly entirely double stops). Though it is not preferred, the recorder may be discretely amplified if necessary, particularly if using a large string orchestra.

Carson Cooman : Concerto in modo antico (2011) for recorder (soprano or tenor) and strings, score, s
Orchestre à Cordes

$38.95 36.99 € Orchestre à Cordes PDF SheetMusicPlus

String Orchestra - Level 4 - Digital Download

SKU: A0.533447

Composed by Carson Cooman. Contemporary,Instructional. Score and parts. 14 pages. Musik Fabrik Music Publishing #2915731. Published by Musik Fabrik Music Publishing (A0.533447).

Shawkemo Dreaming (2009) for string orchestra is dedicated to Robert Moran. The
title refers to Shawkemo, a region of Nantucket Island, Massachusetts. This work is
one of a variety of pieces deeply connected to the landscape of Nantucket.
Overlooking the harbor and conservation preserves, Shawkemo imparts a sense of
peace, amidst gentle wind and sky. The work begins with bell-like tolling through
which a freely lyrical melody is unfolded. This melodic material is developed, building
to small climaxes, before the work settles into a reposed conclusion.

Carson P. Cooman : Shawkemo Dreaming for string orchestra, score and parts
Orchestre à Cordes

$51.95 49.33 € Orchestre à Cordes PDF SheetMusicPlus






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