String Orchestra - Level 4 - Digital Download SKU: A0.742492 Composed by George Frideric Handel. Arranged by Arte Nova Music Lab. Baroque,Concert,Standards,World. Score and parts. 57 pages. Arte Nova Music Lab #5041947. Published by Arte Nova Music Lab (A0.742492). Around the year 1726, John Walsh, a London music publisher, created a wonderful forgery in order to run around the copyright laws of the day: he pretended to pirate an edition supposedly published by the House of Roger in Amsterdam. This forgery included 12 Sonatas for solo instrument and continuo which had been composed by one George Frideric Handel (1685-1759). Around 1793 the House of Arnold published the same set, omitting two of the original 12 and replacing them with two others by Handel. So at this point there were a total of 14 solo sonatas available to the public.In the year 1879 Friedrich Chrysander issued these 14 works and several others in volume 27 of the German Handel Society’s Gesamtausgabe of Handel’s works. Since then they have been edited from this scholarly work many times, and afflicted by all sorts of permutations which reflect the various styles of performance in vogue over the years. One finds editions stripped of ornamentation but loaded with articulation and dynamic markings at one end of the spectrum, and editions with modest stenographic and florid ornamentation at the other. The Sonata in C Minor (London: 1712) is a pure example of the middle phase of the solo sonata da chiesa [church sonata]. The first three movements are indicative of the style found in sonatas derived from the disruptive canzona of the early 17th century. An initial slow movement with walking bass is followed by an imitative movement (in this case, a fugue with a chromatic subject), which in turn leads to an Adagio. This latter movement in the relative major is a ricercare containing several imitative entrances. The finale is a spirited binary-form Bourrée angloise, an item taken over from the French ordre or dance suite. The extraordinarily short length of this movement seems to indicate that a trio is missing here; therefore, I have added the bourrée from the Royal Fireworks Music of 1749 to act as a trio, but players are certainly free to omit it. Adding a series of variations based on the chord changes of the Bourrée angloise would be an alternative way to lend weight to this final movement.Taken from https://www.idrs.org/scores/Lehrer/DRArch/69HandelSonataCm.html

String Orchestra - Level 1 - Digital Download SKU: A0.1267093 By Martin Garrix & Bebe Rexha. By Bebe Rexha, Ilsey Anna Juber, Martin Garritsen, Matt Radd, Rutn Anne Cunningham, Steve James, and Yael Nahar. Arranged by Paulo Henrique. 21st Century,Contemporary,Multicultural,Pop,Wedding,World. Score and Parts. 21 pages. Paulo Henrique #859726. Published by Paulo Henrique (A0.1267093). In The Name Of Love, Martin Garrix & Bebe Rexha, Arrangement for String Orchestra, Score, Violin 1, Violin 2, Viola, Cello, Bass, Chords and Drum Set, Pop, Progressive House, Big Room House, Future Bass, Dance-Pop, DJ, Wedding, Lounge Music.

String Orchestra - Level 3 - Digital Download SKU: A0.1176717 Composed by Simon Franglen. Arranged by Lisa Ochoco. Contemporary,Film/TV. Score and parts. 19 pages. Lisa L Ochoco #776796. Published by Lisa L Ochoco (A0.1176717). Avatar: The Way of Water, is the long-awaited sequel to the award-winning film from 2009.  The soundtrack for the new film was written by Simon Franglen, who originally wrote 5 hours of music to cover any and all situations in the almost 3-hour movie.  From Darkness to Light is a beautiful instrumental piece in the movie that shows off the beauty of the water.  On paper, the music seems a little too simple, but the chord progressions together with the moving parts make for quite a beautiful and memorable piece.  This arrangement is scored for string orchestra - 3 violins, 2 violas, 2 cellos and double bass.One of the most important parts of this piece is what helps create the mood, which is where the part called “Shimmer� comes in.  In an interview, Simon Franglen said that an important part of the music is the feeling of light, and he achieved that by including shimmering sounds into his tunes.  The Shimmer part could be played by wind chimes.  Franglen mentioned that they used keys hanging from strings (car keys, house keys, etc) to create this effect among other creative objects-turned-instruments.Duration: 3.75 minutes.