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String Orchestra - Level 4 - Digital Download

SKU: A0.1286698

Composed by James Nathaniel Holland. 21st Century,Broadway,Contemporary,Musical/Show,Opera. Score and Parts. 146 pages. James Nathaniel Holland #877732. Published by James Nathaniel Holland (A0.1286698).

INDIVIDUAL INSTRUMENTS PARTS 2 of 2 (Harp and Strings).  This four act contemporary opera, original libretto and music, by 21st century American composer James Nathaniel Holland is the story of the triumph of Love over Evil, however delayed, and the power of keeping steadfast to one’s righteous promise.  

Based on the German fairy tale The Six Swans, in a kingdom, during Saxon times, the murderous daughter of an evil entity, Ravia, infiltrates and takes over the lives of a royal family due to the King’s rash promise to marry her many years before. 

The royal children are sent away by their father for safety to a hidden, woodland cottage, but Ravia discovers where they are and hexes the younger siblings, turning them into swallows.  Usha, the eldest, escapes and flees to the wilderness and is visited by the apparition of her dead mother who explains what is going on and that Usha must swear an oath of silence for six years to break the spell and change her siblings back into human form.

Five years pass and a dashing and kind king, Rohric, of another kingdom, finds Usha while hunting, falls in love with and marries her, but Usha must remain silent and cannot reveal who she is.  Ravia, who now is sole queen of the old kingdom, is invited by Rohric’s nobles with hope to secure a “proper†wedding for Rohric.  Usha is accused falsely of killing her own child by the two and is sentenced to be burned at the stake, but as the bell tolls she finally can declare her innocence.  To the crowd’s amazement her siblings change back, all truth is revealed, and for Ravia’s failure, she is dragged back to hell by demons.  

Singers:  King Alfred (bass), Ravia (soprano), Princess Usha (mezzo), Queen Mother Arna (soprano), the royal siblings (children’s/boy’s chorus), King Rohric (Tenor), The Evil Noble (baritone), An angel/a demon (bass), SATB Chorus

Scored for full orchestra.  Instrumentation:  picc/treble recorder, fl12, ob12, eh, cl12, bsn12, hrn 123, tpt123, trom12, tba, timp, perc.12 (bd, crash cym, ride cym with soft mallets and stick, small gong, wood blk, glk, chimes, snar, tri), hrp, strings

Duration:  2 hours
Full Orchestral Score (concert pitch), Piano Vocal Score and Instruments Parts 1 (woodwinds, brass, perc.) and Parts 2 (harp and strings) sold separately.

The Oath of Silence, An Opera in Four Acts, Individual Instrument Parts 2 of 2 (Harp and Strings)
Orchestre à Cordes

$24.65 23.34 € Orchestre à Cordes PDF SheetMusicPlus

String Orchestra - Level 3 - Digital Download

SKU: A0.1491876

By Keith Terrett. By Irish Folk Song. Arranged by Keith Terrett. 20th Century,Celtic,Contest,Festival,Irish,Multicultural,Traditional,World. 10 pages. Keith Terrett #1068558. Published by Keith Terrett (A0.1491876).

There is no official anthem which represents only Northern Ireland.

Two pieces of music are used to represent Northern Ireland in a sporting context:

Londonderry Air is played as the anthem of Northern Ireland at the Commonwealth Games. Danny Boy is a popular set of lyrics to the tune.
God Save the King, the national and royal anthem of the United Kingdom, is played as the anthem of Northern Ireland at association football.
Ireland's Call is used by the Ireland rugby union team, Ireland rugby league team, Ireland cricket team and Ireland field hockey teams. All of these teams represent the entire island of Ireland.

Amhrán na bhFiann (The Soldier's Song), the national anthem of the Republic of Ireland, is used by some organisations operating on the island of Ireland, such as the Gaelic Athletic Association.

Northern Irish Anthem for String Orchestra
Orchestre à Cordes
Keith Terrett
$8.99 8.51 € Orchestre à Cordes PDF SheetMusicPlus

String Orchestra - Level 5 - Digital Download

SKU: A0.942953

Composed by Geoffrey Peterson. Contemporary. Score and parts. 43 pages. Geoffrey Peterson #4267231. Published by Geoffrey Peterson (A0.942953).

Link to complete recording: https://soundcloud.com/geoffrey-peterson/sets/the-edmund-fitzgerald-concerto On November 9th, 1975, the S.S. Edmund Fitzgerald left port in Superior, Wisconsin. The 729-foot-long iron ore carrier, loaded with 26 thousand tons of taconite pellets for the auto industry, was bound for Detroit. Earlier that day, the weather service had issued a gale warning. This was not unusual, considering that gale storms are typical during November on Lake Superior. The Fitzgerald’s Captain, Ernest McSorley, and her 29-member crew headed northeast unaware of the maelstrom they would soon encounter. At around 2 a.m., Bernie Cooper, captain of the Arthur M. Andersen, another freighter which was following a few miles behind the Fitzgerald, radioed Captain McSorley to consult with him about the worsening storm. They had both decided to take a more northerly route along the Canadian shore, which they hoped would provide some shelter from the violent gale winds and waves. The Fitzgerald’s long-range radar stopped working the following day and was needed in order to avoid Six-Fathom Shoal, a shallow area of Lake Superior that could rupture the ship’s hull. McSorley soon radioed the Anderson to report that the Fitzgerald had sustained some topside damage...a fence rail down, two vents lost or damaged, and a starboard list. A list meant that the Fitzgerald was taking on too much water and was causing it to lean to one side. The short-range radar also stopped working, and the radio direction beacon from nearby Whitefish Point vanished. This would make it impossible for the Fitzgerald to reach the lee waters of Whitefish Bay and escape the 80 mph winds churning 20 to 30-foot waves. At 7:10 p.m. that night, First Mate Morgan Clark of the Andersen radioed the Fitzgerald to see how they were doing. Captain McSorley replied, We’re holding our own. This was the last contact anyone would have with the Fitzgerald. Shortly thereafter, the Edmund Fitzgerald disappeared from the Anderson’s radar screen. All 29 of her crew were lost on November 10th, 1975. The Edmund Fitzgerald chronicles the tragic final voyage of the well-known shipwreck in 4 movements; Embarkment, The Gales, Six-Fathom Shoal (We’re holding our own.) and Entombment-Dirge. The concerto makes use of several musical quotes. The first is Spanish Ladies, an English sea chantey, which appears in both the 1st and 3rd movements. The second is the funeral march theme from the 2nd movement of Beethoven’s 3rd Symphony which is heard in the 4th movement of the concerto. In addition, a chime is rung 29 times during the final bars of the concerto to memorialize the men who lost their lives. The Crew of the S.S. Edmund Fitzgerald: Michael E. Armagost, Frederick J. Beetcher, Thomas D. Bentsen, Edward F. Bindon, Thomas D. Borgeson, Oliver J. Champeau, Nolan S. Church, Ransom E. Cundy, Thomas E. Edwards, Russell G. Haskell, George J. Holl, Bruce L. Hudson, Allen G. Kalmon, Gordon F. MacLellan, Joseph W. Mazes, John H. McCarthy, Ernest M. McSorley, Eugene W. O'Brien, Karl A. Peckol, John J. Poviach, James A. Pratt, Robert C. Rafferty, Paul M. Riippa, John D. Simmons, William J. Spengler, Mark A. Thomas, Ralph G. Walton, David E. Weiss, Blaine H. Wilhelm.

The Edmund Fitzgerald - Concerto for Piano and Strings
Orchestre à Cordes

$9.99 9.46 € Orchestre à Cordes PDF SheetMusicPlus

String Orchestra - Level 5 - Digital Download

SKU: A0.861931

Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 46 pages. Mark O'Connor Musik International #6208107. Published by Mark O'Connor Musik International (A0.861931).

The American Seasons (violas part – violin and string orchestra) MO148F

Violas Part (score and parts available)

Music by Mark O’Connor

42 pages - 38:00 minutes in length

 

The American Seasons
(Seasons Of An American Life)


The American Seasons (Seasons Of An American Life) is a concerto for Violin And Chamber Orchestra. Composed in 1999, the music celebrates the various stages of an American life at the waking of the 21st century. Constructed in four movements and representing four stages of life, birth, adolescence, maturity and old age, the music also pays homage to Shakespeare's Seasons Of Man His acts being seven ages, incorporated throughout the work.

Spring introduces the ideas of birth and infancy. After the principal theme has been stated, there is a violin cadenza encountering all twelve major keys and a 13/8 time signature representing the ancient golden ratio. These elements recall birth with all the possibilities a new life offers. Ending the movement, the principal theme is repeated with more complexity... as if posing life's questions.

Summer represents the excitement and bravado of youthful adolescence and young adulthood. For the style of this movement I use a happy-go-lucky Blues voice which melds into Swing. I identify swing rhythm in all of 20th century American music culture as a common thread that runs through Ragtime through Rock and Roll on to Rap. Swing means testing the waters and pushing the envelope for lovers and soldiers.

Fall is the slow movement symbolizing the wisdom of maturity. It is a peaceful theme with nostalgic strokes. It is a time for sincere reflection and enjoying ones accomplishments in life.

Winter embodies the complexities and knowledge of an older person and that of a dying person. The movement begins with the principal them from Spring, but with a dissonance that emanates from a lifetime full of emotions and responsibilities. In the middle of the movement is a transition to an old world. I use my personal ancestry from Ireland as a foundation from which to rediscover one's lineage and explore the meaning and value of a cultural legacy.

The exploration evolves into a four- and five-part fugue with a reel, jig, air, countered bass and the motif from the principal theme. All these elements, dances and melodies appear simultaneously and converge to form a unique insight to life's consequences from a historical perspective. Following the fugue, the principal theme finds its way back in. It sounds much as it did at birth. In the end, the solo violin cadenza carries the last earthly breaths before the violin and orchestra once again join in harmony to focus on a new life being transformed somewhere else. Life's four seasons in perpetuity.

 

Original music printed from the composer’s manuscripts.

Music editing, copying and engraving by Mark O’Connor

using Finale on Apple Macintosh 1999

 

Composed by Mark O’Connor

Commissioned by the Troy Savings Bank Concert Hall for their 2000 Celebration

 

Can be heard on American Seasons Sony Classical and The Essential Mark O’Connor Sony Classical

Mark O’Connor - violin, Metamorphosen Chamber Orchestra, Scott Yoo

 

Catalogue Number MO148F

Copyright © 1999 by Mark O’Connor Music International

 

For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visit

www.markoconnor.com

 

For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:

The American Seasons (violas part – violin and string orchestra)
Orchestre à Cordes

$15.00 14.2 € Orchestre à Cordes PDF SheetMusicPlus

String Orchestra - Level 5 - Digital Download

SKU: A0.861927

Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 102 pages. Mark O'Connor Musik International #6208091. Published by Mark O'Connor Musik International (A0.861927).

The American Seasons (score – violin and string orchestra) MO148A

Score (parts available)

Music by Mark O’Connor

99 pages - 38:00 minutes in length

 

The American Seasons
(Seasons Of An American Life)


The American Seasons (Seasons Of An American Life) is a concerto for Violin And Chamber Orchestra. Composed in 1999, the music celebrates the various stages of an American life at the waking of the 21st century. Constructed in four movements and representing four stages of life, birth, adolescence, maturity and old age, the music also pays homage to Shakespeare's Seasons Of Man His acts being seven ages, incorporated throughout the work.

Spring introduces the ideas of birth and infancy. After the principal theme has been stated, there is a violin cadenza encountering all twelve major keys and a 13/8 time signature representing the ancient golden ratio. These elements recall birth with all the possibilities a new life offers. Ending the movement, the principal theme is repeated with more complexity... as if posing life's questions.

Summer represents the excitement and bravado of youthful adolescence and young adulthood. For the style of this movement I use a happy-go-lucky Blues voice which melds into Swing. I identify swing rhythm in all of 20th century American music culture as a common thread that runs through Ragtime through Rock and Roll on to Rap. Swing means testing the waters and pushing the envelope for lovers and soldiers.

Fall is the slow movement symbolizing the wisdom of maturity. It is a peaceful theme with nostalgic strokes. It is a time for sincere reflection and enjoying ones accomplishments in life.

Winter embodies the complexities and knowledge of an older person and that of a dying person. The movement begins with the principal them from Spring, but with a dissonance that emanates from a lifetime full of emotions and responsibilities. In the middle of the movement is a transition to an old world. I use my personal ancestry from Ireland as a foundation from which to rediscover one's lineage and explore the meaning and value of a cultural legacy.

The exploration evolves into a four- and five-part fugue with a reel, jig, air, countered bass and the motif from the principal theme. All these elements, dances and melodies appear simultaneously and converge to form a unique insight to life's consequences from a historical perspective. Following the fugue, the principal theme finds its way back in. It sounds much as it did at birth. In the end, the solo violin cadenza carries the last earthly breaths before the violin and orchestra once again join in harmony to focus on a new life being transformed somewhere else. Life's four seasons in perpetuity.

 

Original music printed from the composer’s manuscripts.

Music editing, copying and engraving by Mark O’Connor

using Finale on Apple Macintosh 1999

 

Composed by Mark O’Connor

Commissioned by the Troy Savings Bank Concert Hall for their 2000 Celebration

 

Can be heard on American Seasons Sony Classical and The Essential Mark O’Connor Sony Classical

Mark O’Connor - violin, Metamorphosen Chamber Orchestra, Scott Yoo

 

Catalogue Number MO148A

Copyright © 1999 by Mark O’Connor Music International

 

For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visit

www.markoconnor.com

 

For information on the O’Connor Method – instructional book series for vi.

The American Seasons (score – violin and string orchestra)
Orchestre à Cordes

$37.50 35.5 € Orchestre à Cordes PDF SheetMusicPlus

String Orchestra - Level 5 - Digital Download

SKU: A0.861933

Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 44 pages. Mark O'Connor Musik International #6208117. Published by Mark O'Connor Musik International (A0.861933).

The American Seasons (double basses part â€“ violin and string orchestra) MO148H

Double Basses Part (score and parts available)

Music by Mark O’Connor

40 pages - 38:00 minutes in length

 

The American Seasons
(Seasons Of An American Life)


The American Seasons (Seasons Of An American Life) is a concerto for Violin And Chamber Orchestra. Composed in 1999, the music celebrates the various stages of an American life at the waking of the 21st century. Constructed in four movements and representing four stages of life, birth, adolescence, maturity and old age, the music also pays homage to Shakespeare's Seasons Of Man His acts being seven ages, incorporated throughout the work.

Spring introduces the ideas of birth and infancy. After the principal theme has been stated, there is a violin cadenza encountering all twelve major keys and a 13/8 time signature representing the ancient golden ratio. These elements recall birth with all the possibilities a new life offers. Ending the movement, the principal theme is repeated with more complexity... as if posing life's questions.

Summer represents the excitement and bravado of youthful adolescence and young adulthood. For the style of this movement I use a happy-go-lucky Blues voice which melds into Swing. I identify swing rhythm in all of 20th century American music culture as a common thread that runs through Ragtime through Rock and Roll on to Rap. Swing means testing the waters and pushing the envelope for lovers and soldiers.

Fall is the slow movement symbolizing the wisdom of maturity. It is a peaceful theme with nostalgic strokes. It is a time for sincere reflection and enjoying ones accomplishments in life.

Winter embodies the complexities and knowledge of an older person and that of a dying person. The movement begins with the principal them from Spring, but with a dissonance that emanates from a lifetime full of emotions and responsibilities. In the middle of the movement is a transition to an old world. I use my personal ancestry from Ireland as a foundation from which to rediscover one's lineage and explore the meaning and value of a cultural legacy.

The exploration evolves into a four- and five-part fugue with a reel, jig, air, countered bass and the motif from the principal theme. All these elements, dances and melodies appear simultaneously and converge to form a unique insight to life's consequences from a historical perspective. Following the fugue, the principal theme finds its way back in. It sounds much as it did at birth. In the end, the solo violin cadenza carries the last earthly breaths before the violin and orchestra once again join in harmony to focus on a new life being transformed somewhere else. Life's four seasons in perpetuity.

 

Original music printed from the composer’s manuscripts.

Music editing, copying and engraving by Mark O’Connor

using Finale on Apple Macintosh 1999

 

Composed by Mark O’Connor

Commissioned by the Troy Savings Bank Concert Hall for their 2000 Celebration

 

Can be heard on American Seasons Sony Classical and The Essential Mark O’Connor Sony Classical

Mark O’Connor - violin, Metamorphosen Chamber Orchestra, Scott Yoo

 

Catalogue Number MO148H

Copyright © 1999 by Mark O’Connor Music International

 

For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visit

www.markoconnor.com

 

For information on the O’Connor Me.

The American Seasons (double basses part – violin and string orchestra)
Orchestre à Cordes

$15.00 14.2 € Orchestre à Cordes PDF SheetMusicPlus

String Orchestra - Level 5 - Digital Download

SKU: A0.861932

Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 50 pages. Mark O'Connor Musik International #6208111. Published by Mark O'Connor Musik International (A0.861932).

The American Seasons (cellos part – violin and string orchestra) MO148G

Cellos Part (score and parts available)

Music by Mark O’Connor

46 pages - 38:00 minutes in length

 

The American Seasons
(Seasons Of An American Life)


The American Seasons (Seasons Of An American Life) is a concerto for Violin And Chamber Orchestra. Composed in 1999, the music celebrates the various stages of an American life at the waking of the 21st century. Constructed in four movements and representing four stages of life, birth, adolescence, maturity and old age, the music also pays homage to Shakespeare's Seasons Of Man His acts being seven ages, incorporated throughout the work.

Spring introduces the ideas of birth and infancy. After the principal theme has been stated, there is a violin cadenza encountering all twelve major keys and a 13/8 time signature representing the ancient golden ratio. These elements recall birth with all the possibilities a new life offers. Ending the movement, the principal theme is repeated with more complexity... as if posing life's questions.

Summer represents the excitement and bravado of youthful adolescence and young adulthood. For the style of this movement I use a happy-go-lucky Blues voice which melds into Swing. I identify swing rhythm in all of 20th century American music culture as a common thread that runs through Ragtime through Rock and Roll on to Rap. Swing means testing the waters and pushing the envelope for lovers and soldiers.

Fall is the slow movement symbolizing the wisdom of maturity. It is a peaceful theme with nostalgic strokes. It is a time for sincere reflection and enjoying ones accomplishments in life.

Winter embodies the complexities and knowledge of an older person and that of a dying person. The movement begins with the principal them from Spring, but with a dissonance that emanates from a lifetime full of emotions and responsibilities. In the middle of the movement is a transition to an old world. I use my personal ancestry from Ireland as a foundation from which to rediscover one's lineage and explore the meaning and value of a cultural legacy.

The exploration evolves into a four- and five-part fugue with a reel, jig, air, countered bass and the motif from the principal theme. All these elements, dances and melodies appear simultaneously and converge to form a unique insight to life's consequences from a historical perspective. Following the fugue, the principal theme finds its way back in. It sounds much as it did at birth. In the end, the solo violin cadenza carries the last earthly breaths before the violin and orchestra once again join in harmony to focus on a new life being transformed somewhere else. Life's four seasons in perpetuity.

 

Original music printed from the composer’s manuscripts.

Music editing, copying and engraving by Mark O’Connor

using Finale on Apple Macintosh 1999

 

Composed by Mark O’Connor

Commissioned by the Troy Savings Bank Concert Hall for their 2000 Celebration

 

Can be heard on American Seasons Sony Classical and The Essential Mark O’Connor Sony Classical

Mark O’Connor - violin, Metamorphosen Chamber Orchestra, Scott Yoo

 

Catalogue Number MO148G

Copyright © 1999 by Mark O’Connor Music International

 

For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visit

www.markoconnor.com

 

For information on the O’Connor Method – instructional.

The American Seasons (cellos part – violin and string orchestra)
Orchestre à Cordes

$15.00 14.2 € Orchestre à Cordes PDF SheetMusicPlus

String Orchestra - Level 5 - Digital Download

SKU: A0.861928

Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 50 pages. Mark O'Connor Musik International #6208099. Published by Mark O'Connor Musik International (A0.861928).

The American Seasons (guitar part – violin and string orchestra) MO148C

Guitar Part (score and parts available)

Music by Mark O’Connor

46 pages - 38:00 minutes in length

 

The American Seasons
(Seasons Of An American Life)


The American Seasons (Seasons Of An American Life) is a concerto for Violin And Chamber Orchestra. Composed in 1999, the music celebrates the various stages of an American life at the waking of the 21st century. Constructed in four movements and representing four stages of life, birth, adolescence, maturity and old age, the music also pays homage to Shakespeare's Seasons Of Man His acts being seven ages, incorporated throughout the work.

Spring introduces the ideas of birth and infancy. After the principal theme has been stated, there is a violin cadenza encountering all twelve major keys and a 13/8 time signature representing the ancient golden ratio. These elements recall birth with all the possibilities a new life offers. Ending the movement, the principal theme is repeated with more complexity... as if posing life's questions.

Summer represents the excitement and bravado of youthful adolescence and young adulthood. For the style of this movement I use a happy-go-lucky Blues voice which melds into Swing. I identify swing rhythm in all of 20th century American music culture as a common thread that runs through Ragtime through Rock and Roll on to Rap. Swing means testing the waters and pushing the envelope for lovers and soldiers.

Fall is the slow movement symbolizing the wisdom of maturity. It is a peaceful theme with nostalgic strokes. It is a time for sincere reflection and enjoying ones accomplishments in life.

Winter embodies the complexities and knowledge of an older person and that of a dying person. The movement begins with the principal them from Spring, but with a dissonance that emanates from a lifetime full of emotions and responsibilities. In the middle of the movement is a transition to an old world. I use my personal ancestry from Ireland as a foundation from which to rediscover one's lineage and explore the meaning and value of a cultural legacy.

The exploration evolves into a four- and five-part fugue with a reel, jig, air, countered bass and the motif from the principal theme. All these elements, dances and melodies appear simultaneously and converge to form a unique insight to life's consequences from a historical perspective. Following the fugue, the principal theme finds its way back in. It sounds much as it did at birth. In the end, the solo violin cadenza carries the last earthly breaths before the violin and orchestra once again join in harmony to focus on a new life being transformed somewhere else. Life's four seasons in perpetuity.

 

Original music printed from the composer’s manuscripts.

Music editing, copying and engraving by Mark O’Connor

using Finale on Apple Macintosh 1999

 

Composed by Mark O’Connor

Commissioned by the Troy Savings Bank Concert Hall for their 2000 Celebration

 

Can be heard on American Seasons Sony Classical and The Essential Mark O’Connor Sony Classical

Mark O’Connor - violin, Metamorphosen Chamber Orchestra, Scott Yoo

 

Catalogue Number MO148C

Copyright © 1999 by Mark O’Connor Music International

 

For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visit

www.markoconnor.com

 

For information on the O’Connor Method – instructional.

The American Seasons (guitar part – violin and string orchestra)
Orchestre à Cordes

$15.00 14.2 € Orchestre à Cordes PDF SheetMusicPlus

String Orchestra - Level 5 - Digital Download

SKU: A0.861929

Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 42 pages. Mark O'Connor Musik International #6208101. Published by Mark O'Connor Musik International (A0.861929).

The American Seasons (1st violins part – violin and string orchestra) MO148D

1st Violins Part (score and parts available)

Music by Mark O’Connor

38 pages - 38:00 minutes in length

 

The American Seasons
(Seasons Of An American Life)


The American Seasons (Seasons Of An American Life) is a concerto for Violin And Chamber Orchestra. Composed in 1999, the music celebrates the various stages of an American life at the waking of the 21st century. Constructed in four movements and representing four stages of life, birth, adolescence, maturity and old age, the music also pays homage to Shakespeare's Seasons Of Man His acts being seven ages, incorporated throughout the work.

Spring introduces the ideas of birth and infancy. After the principal theme has been stated, there is a violin cadenza encountering all twelve major keys and a 13/8 time signature representing the ancient golden ratio. These elements recall birth with all the possibilities a new life offers. Ending the movement, the principal theme is repeated with more complexity... as if posing life's questions.

Summer represents the excitement and bravado of youthful adolescence and young adulthood. For the style of this movement I use a happy-go-lucky Blues voice which melds into Swing. I identify swing rhythm in all of 20th century American music culture as a common thread that runs through Ragtime through Rock and Roll on to Rap. Swing means testing the waters and pushing the envelope for lovers and soldiers.

Fall is the slow movement symbolizing the wisdom of maturity. It is a peaceful theme with nostalgic strokes. It is a time for sincere reflection and enjoying ones accomplishments in life.

Winter embodies the complexities and knowledge of an older person and that of a dying person. The movement begins with the principal them from Spring, but with a dissonance that emanates from a lifetime full of emotions and responsibilities. In the middle of the movement is a transition to an old world. I use my personal ancestry from Ireland as a foundation from which to rediscover one's lineage and explore the meaning and value of a cultural legacy.

The exploration evolves into a four- and five-part fugue with a reel, jig, air, countered bass and the motif from the principal theme. All these elements, dances and melodies appear simultaneously and converge to form a unique insight to life's consequences from a historical perspective. Following the fugue, the principal theme finds its way back in. It sounds much as it did at birth. In the end, the solo violin cadenza carries the last earthly breaths before the violin and orchestra once again join in harmony to focus on a new life being transformed somewhere else. Life's four seasons in perpetuity.

 

Original music printed from the composer’s manuscripts.

Music editing, copying and engraving by Mark O’Connor

using Finale on Apple Macintosh 1999

 

Composed by Mark O’Connor

Commissioned by the Troy Savings Bank Concert Hall for their 2000 Celebration

 

Can be heard on American Seasons Sony Classical and The Essential Mark O’Connor Sony Classical

Mark O’Connor - violin, Metamorphosen Chamber Orchestra, Scott Yoo

 

Catalogue Number MO148D

Copyright © 1999 by Mark O’Connor Music International

 

For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visit

www.markoconnor.com

 

For information on the O’Connor M.

The American Seasons (1st violins part – violin and string orchestra)
Orchestre à Cordes

$15.00 14.2 € Orchestre à Cordes PDF SheetMusicPlus

String Orchestra - Level 5 - Digital Download

SKU: A0.886673

Composed by Panagiotis Theodossiou. 20th Century,Concert,Contemporary,Standards. Score and parts. 63 pages. Panagiotis Theodossiou #3073729. Published by Panagiotis Theodossiou (A0.886673).

Theme and Variations, for string orchestra (2005). The work is written especially for the composer’s final composition diploma and has been his second attempt to write a work in a large scale (the first was a cello concerto - fantasia).
The theme, on which ten variations lead to the grandiose finale, is written by a composer’s good friend, Nikos Drelas. The strict polyphonic writing of the earlier serial works as well as the free homophonic style of the last almost tonic are here altogether in a almost progressive idiom. The programmatic nature of this composition coexists with the absolute musical sound form. Titles of variations like Waltz funebre or Jazz Polka, in an austere musical text give the point for a new direction in composer’s creative thinking. Parts of the work have been performed by Philothei - Psychico Youth Orchestra under the direction of the composer at Benetatou Cultural Center in October 2014.
https://www.youtube.com/watch?v=yFJX5DXQaiA
https://www.youtube.com/watch?v=ASIC4x8BV_4&t=2s
https://www.youtube.com/watch?v=ijsl8qz8Q5Q
https://www.youtube.com/watch?v=LiitDuH4wCk
https://www.youtube.com/watch?v=YeVUcJUIbFA&t=2s 

Theme and Variations for String Orchestra
Orchestre à Cordes

$35.00 33.14 € Orchestre à Cordes PDF SheetMusicPlus

String Orchestra - Level 2 - Digital Download

SKU: A0.1032995

Composed by David France. Instructional. Score and parts. 15 pages. David France #5988577. Published by David France (A0.1032995).

DO YOU WANT A RICHER SOUND ON THE VIOLIN?

If you want a warmer sound and an even tone in all parts of the bow then Bow Exercises for the Expressive Violinist is for you.

These 14 fundamental exercises are the perfect warm-up studies for the professional or the advanced beginner violinist.

Benefits of this Book
Play with greater ease and virtuosity
Improve your tone
Play with an increased palette of colors
Develop a nuanced amplitude of dynamics

The study of these exercises gives the serious student an increased speed with which new music can be played with beauty and expression.

The regular practice of bow technique exercises makes the musician’s palette richer thereby increasing their capacity to bring joy to others. This book series is intended as a precursor to the Sevcik Bowing Books for violin.

Perfect for collegiate violinists looking for a thorough set of etudes to continue to nurture a solid foundation, the symphony professional looking for a fast warm up, and also perfect for the Suzuki or traditional student who can play with all 4 fingers in first position who wants to develop the sound of their dreams.

These exercises were developed in Bermuda and have been taught all over the world to students who’ve marveled at how fast their sound improved.

Play the violin the way you’ve always dreamed. Buy your copy TODAY!

Bow Exercises for the Expressive Violinist
Orchestre à Cordes

$14.95 14.15 € Orchestre à Cordes PDF SheetMusicPlus

String Orchestra - Level 3 - Digital Download

SKU: A0.835543

Composed by Vincent Vitale. Contemporary. Score and parts. 11 pages. Vincent Vitale #3125251. Published by Vincent Vitale (A0.835543).

Being of Italian heritage I especially thought it would be fun to compose The Godmother  which contains very small hints of the theme from The Godfather throughout.  See if you can pick them out. Thinking back into my past I visualized all my Italian relatives in the family and the life style we led which helped give the composition that Italian flair. I truly believe you, your students and your audience will enjoy this piece. Written for the Intermediate level the composition includes full score and parts for Violin 1, Violin 2, Viola, Cello and St. Bass. If this piece appeals to you please try others in this string series by typing VINCENT VITALE in the search bar located on the home page. Thank you very much for your consideration and I wish you and your students much musical success.

THE GODMOTHER
Orchestre à Cordes

$24.00 22.72 € Orchestre à Cordes PDF SheetMusicPlus

String Orchestra - Digital Download

SKU: AX.00-PR-0004993

Score. By Trans-Siberian Orchestra. By Paul O'neill. Arranged by Bob Phillips. Rock; Sacred. Score. 32 pages. Alfred Music - Digital Sheet Music #00-PR-0004993. Published by Alfred Music - Digital Sheet Music (AX.00-PR-0004993).

UPC: 038081508009.

Celebrate the season with energy and excitement! As seen in the Trans-Siberian Orchestra stage show, these beloved Christmas carols will shine at any concert. An optional electric violin part provides the perfect spot to feature an electric instrument. If you haven't seen TSO, check them out online and then share this one with your students. Perhaps include a field trip to see the band live with lights and effects.

The March of the Kings / Hark the Herald Angels Sing: Score
Orchestre à Cordes
Trans-Siberian Orchestra
$10.00 9.47 € Orchestre à Cordes PDF SheetMusicPlus


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