String Orchestra - Level 5 - Digital Download SKU: A0.834330 Composed by Ludwig van Beethoven. Arranged by Steven Shade. Classical. Score and parts. 19 pages. Steve Shade #3240731. Published by Steve Shade (A0.834330). This is an arrangement of the main themes from Beethoven's, Piano Concerto No. 3 in C minor. This arrangement is for a string quartet. A bass player could play the cello part and turn this into a string orchestra. Beethoven's original intents have been kept as true as possible. As such, this is an arrangement for advanced players. The rhythms are simple, but players should expect a variety of shifts, key modulations, etc. This piece generates a huge amount of energy that would captivate the audience. This piece would be a great showpiece for an advanced high school orchestra, or for other advanced and more matured groups. Includes a conductor's score and individual parts for each player.Length: About 3 min 40 sec. (less time if taken at a faster tempo than the attached MP3)Difficulty: Advanced.

String Orchestra - Level 4 - Digital Download SKU: A0.1209097 Composed by Ludwig van Beethoven (1770 – 1827). Arranged by James M. Guthrie, ASCAP. 19th Century,Classical,Contest,Festival,Instructional,Traditional. Score and Parts. 19 pages. Jmsgu3 #807198. Published by jmsgu3 (A0.1209097). 5. Allegro ma non troppo.Beethoven's Bagatelles Op. 33 are pretty typical of his early style, retaining many compositional features of the early Classical period.  The first bagatelle is arguably one of Beethoven's most well-known pieces. While they may seem light-hearted and not to be taken too seriously, they are still well-crafted works that embody the younger Beethoven's style. The Bagatelles Op. 33 were composed by Beethoven in 1801-02 and published in 1803. Bagatelles are shorter and less complex than sonatas, often consisting of a single movement. They were intended to be played as light entertainment or as encores at the end of a concert.Bagatelle No. 5 of Beethoven's Op. 33 is a short piece that showcases the composer's mastery of melody and harmony. The piece is in the key of C major and is written in a simple ternary form, with a lively and playful opening theme that is followed by a contrasting middle section in the homotonic key of C minor. The opening theme is characterized by its use of syncopation, which give it a lively and energetic feel. The middle section, on the other hand, is more introspective and lyrical, with a more subdued and melancholic mood. The piece ends with a return to the opening theme, which is now played in a surprising and forceful manner. Overall, Bagatelle No. 5 is a charming and delightful piece that showcases Beethoven's skill in creating memorable melodies and harmonies within a concise and compact form.

String Orchestra - Digital Download SKU: A0.933521 Composed by Ludwig van Beethoven, Cees Nieuwenhuizen. Arranged by Upstream Music. Classical. Score and parts. 18 pages. Upstream Music #6353295. Published by Upstream Music (A0.933521). Both the Adagio molto (Hess 40) and the unfinished, originally intended Fugue date from November, 1817. It was the publisher Tobias Haslinger who requested a prelude and fugue for a publication in line with works published earlier. Beethoven completed the prelude but with the fugue he stopped after merely four bars of music. The short original fugue theme was later inserted into the second part (Molto vivace) of the Ninth Symphony (Opus 125).The prelude (Beethoven did not give any time indication) starts with 37 bars of solemn music followed by 12 bars Allegro. In terms of form, rhythm, and key, this material shows great similarity to the Molto vivace from Opus 125 referred to above. The present version has been arranged for a string orchestra instead of for a string quintet, thus being the first publication which enables it to be performed in its entirety. In order to balance the foundation, I opted for introducing a contrabass part, which largely follows the cello part composed by Beethoven. As regards the phrasing, dynamics, and rests as well as the time indication, this publication follows those in Willy Hess’ publication. So the prescribed time ‘Adagio molto’ is not that of Beethoven himself.The arguments to link the Maestoso to the Fugue in D major (Opus 137) published later are multiple. In the first place, the Fugue also dates from 1817. Secondly, the key is the same as is the number of instruments for a string quintet with two separate alto parts. Not only does the original fugue theme start at the tone a, but the timing too is the same, that is 3/8. So it seems reasonable to assume that Beethoven intended both works as a couple.The abnormal rhythmics of the bars 38 up to and including 49 is remarkable. I have preserved it because the part has been authentically composed by Beethoven, while it did not seem logical to me to have it immediately followed by the Fugue completed by myself. I have composed a number of bars of music based on the beginning of the prelude by way of a smooth transition.In the Fugue, I closely adhere to Beethoven, at the same time introducing a contrabass part here as well, so as to support the cello. At a number of places in the score, Beethoven recorded neither music nor rests. This refers to the bars 5 (second viola and cello), 11, 12, 25 and 26 (first and second violins), 39 to 41 (all parts), 43 and 44 (all parts except the first violin), 45 (first viola) and finally 45 and 46 (second violin). As in Willy Hess’ publication, I have just inserted rests here.

String Orchestra - Level 4 - Digital Download SKU: A0.1209299 Composed by Ludwig van Beethoven (1770 – 1827). Arranged by James M. Guthrie, ASCAP. 19th Century,Classical,Contest,Festival,Instructional,Traditional. Score and Parts. 23 pages. Jmsgu3 #807414. Published by jmsgu3 (A0.1209299). 7. Presto.Beethoven's Bagatelles Op. 33 are pretty typical of his early style, retaining many compositional features of the early Classical period.  The first bagatelle is arguably one of Beethoven's most well-known pieces. While they may seem light-hearted and not to be taken too seriously, they are still well-crafted works that embody the younger Beethoven's style. The Bagatelles Op. 33 were composed by Beethoven in 1801-02 and published in 1803. Bagatelles are shorter and less complex than sonatas, often consisting of a single movement. They were intended to be played as light entertainment or as encores at the end of a concert.Bagatelle No. 7 of Beethoven's Op. 33 is a charming and playful piece, typical of Beethoven's early style. The piece is in A-flat major and marked Presto, which means fast. The main theme is catchy, fragmentary, and light, with a playful character that is maintained throughout the piece. The middle section is more lyrical and expressive, providing a sostenuto contrast to the playful character of the main theme. The piece is well-crafted and attractive. Overall, Bagatelle No. 7 is a delightful example of Beethoven's early style and a testament to his skill as a composer.

String Orchestra - Level 3 - Digital Download SKU: A0.1017713 Composed by Ludwig van Beethoven. Arranged by Thomas Duboski. Classical. Score and parts. 8 pages. Thomas Duboski #6231191. Published by Thomas Duboski (A0.1017713). This is a reduced score of Ludwig van Beethoven’s Symphony No. 9 for 6 individual string parts: 5 violas and 1 cello but it can be played for the instrumentation of your choice.  It is the opening theme of the third movement Adagio molto e cantabile.

String Orchestra - Level 1 - Digital Download SKU: A0.919912 Composed by Ludwig van Beethoven. Arranged by William E. Moats. Classical,Concert,Instructional. Score and parts. 12 pages. William E. Moats #4365406. Published by William E. Moats (A0.919912). This arrangement of the well known theme from Beethoven's ninth symphony, fourth movement for Young Orchestra is about two minutes long at the marked tempo. It is written in the key of G and requires an occasional F natural in the upper strings and a D# in the lower strings. First position players can access this arrangement.  Some pizzicato is used and the cellos and violas have a section of bowed melody. This arrangement can be played without a double bass. The piano part is not necessary for performance but can add reinforcement to the string parts and add rhythmic stability. The parts included are: Score, 1st Violin, 2nd Violin, Viola, Cello, Double Bass, and Piano.  

String Orchestra - Digital Download SKU: A0.826974 Composed by Ludwig van Beethoven. Arranged by Elizabeth Skola Davis. Classical,Instructional,Standards. Score and parts. 9 pages. Elizabeth Ann Davis #3213599. Published by Elizabeth Ann Davis (A0.826974). An arrangement of the Ode to Joy for mixed skill levels - Beginner Violin is the simple arrangement of the tune, then other parts split out to accompaniment parts as in the original orchestra.

String Orchestra - Level 2 - Digital Download SKU: A0.1449401 Composed by Ludwig van Beethoven. Arranged by Orion Mendenall. Classical,Romantic Period. 20 pages. Amos 5.8 #1029175. Published by Amos 5.8 (A0.1449401). This iconic theme from Beethoven's Symphony No. 9 has become one of the most recognizable melodies in all of Western music.  This arrangement is based on the themes as they first appear in the symphony; the themes are passed around the orchestra, while the melodies and rhythms are relatively simple.  This is a great piece to teach counting rests, dynamics, and stylistic variety.Grade: 2Running time: 2:47.

String Orchestra - Level 3 - Digital Download SKU: A0.511704 Composed by L.v.Beethoven. Arranged by Han-Ki Kim. Holiday,Instructional,Standards,Wedding. Score and parts. 10 pages. Han-Ki Kim #4408388. Published by Han-Ki Kim (A0.511704). Adapted theme is world famous beautiful theme of L.v.Beethoven's lied. This work is arranged for Educational purpuse and for concert, wedding etc. Shown bowing and fingering sign(Vn and Va), will be helpful. Arranger is very experienced(with I Musici), and his works are very loved world widely.

String Orchestra - Level 2 - Digital Download SKU: A0.1411894 Composed by Ludvig van Beethoven. Arranged by Duo.Hansen. 19th Century,Classical,Romantic Period. 33 pages. Duo.Hansen #994125. Published by Duo.Hansen (A0.1411894). This arrangement of Beethoven's iconic Allegretto allows students to explore professional quality music at a relatively early stage.  Much of the music is exactly what Beethoven wrote, which gives young players some added excitement as they learn it!  All dynamics and tempos have been maintained, and only the small fugal section leading back to the first theme has been cut due to difficulty.  The transition, however, is very smooth, and most listeners won't notice it missing.  Perfect for middle and high school orchestral concerts, and a real crowd pleaser!

String Orchestra - Level 5 - Digital Download SKU: A0.942953 Composed by Geoffrey Peterson. Contemporary. Score and parts. 43 pages. Geoffrey Peterson #4267231. Published by Geoffrey Peterson (A0.942953). Link to complete recording: https://soundcloud.com/geoffrey-peterson/sets/the-edmund-fitzgerald-concerto On November 9th, 1975, the S.S. Edmund Fitzgerald left port in Superior, Wisconsin. The 729-foot-long iron ore carrier, loaded with 26 thousand tons of taconite pellets for the auto industry, was bound for Detroit. Earlier that day, the weather service had issued a gale warning. This was not unusual, considering that gale storms are typical during November on Lake Superior. The Fitzgerald’s Captain, Ernest McSorley, and her 29-member crew headed northeast unaware of the maelstrom they would soon encounter. At around 2 a.m., Bernie Cooper, captain of the Arthur M. Andersen, another freighter which was following a few miles behind the Fitzgerald, radioed Captain McSorley to consult with him about the worsening storm. They had both decided to take a more northerly route along the Canadian shore, which they hoped would provide some shelter from the violent gale winds and waves. The Fitzgerald’s long-range radar stopped working the following day and was needed in order to avoid Six-Fathom Shoal, a shallow area of Lake Superior that could rupture the ship’s hull. McSorley soon radioed the Anderson to report that the Fitzgerald had sustained some topside damage...a fence rail down, two vents lost or damaged, and a starboard list. A list meant that the Fitzgerald was taking on too much water and was causing it to lean to one side. The short-range radar also stopped working, and the radio direction beacon from nearby Whitefish Point vanished. This would make it impossible for the Fitzgerald to reach the lee waters of Whitefish Bay and escape the 80 mph winds churning 20 to 30-foot waves. At 7:10 p.m. that night, First Mate Morgan Clark of the Andersen radioed the Fitzgerald to see how they were doing. Captain McSorley replied, We’re holding our own. This was the last contact anyone would have with the Fitzgerald. Shortly thereafter, the Edmund Fitzgerald disappeared from the Anderson’s radar screen. All 29 of her crew were lost on November 10th, 1975. The Edmund Fitzgerald chronicles the tragic final voyage of the well-known shipwreck in 4 movements; Embarkment, The Gales, Six-Fathom Shoal (We’re holding our own.) and Entombment-Dirge. The concerto makes use of several musical quotes. The first is Spanish Ladies, an English sea chantey, which appears in both the 1st and 3rd movements. The second is the funeral march theme from the 2nd movement of Beethoven’s 3rd Symphony which is heard in the 4th movement of the concerto. In addition, a chime is rung 29 times during the final bars of the concerto to memorialize the men who lost their lives. The Crew of the S.S. Edmund Fitzgerald: Michael E. Armagost, Frederick J. Beetcher, Thomas D. Bentsen, Edward F. Bindon, Thomas D. Borgeson, Oliver J. Champeau, Nolan S. Church, Ransom E. Cundy, Thomas E. Edwards, Russell G. Haskell, George J. Holl, Bruce L. Hudson, Allen G. Kalmon, Gordon F. MacLellan, Joseph W. Mazes, John H. McCarthy, Ernest M. McSorley, Eugene W. O'Brien, Karl A. Peckol, John J. Poviach, James A. Pratt, Robert C. Rafferty, Paul M. Riippa, John D. Simmons, William J. Spengler, Mark A. Thomas, Ralph G. Walton, David E. Weiss, Blaine H. Wilhelm.

String Orchestra - Digital Download SKU: AX.00-PC-0014440_VN3 3rd Violin (Viola [TC]). Composed by Ludwig van Beethoven. Arranged by Douglas E. Wagner. Classical. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0014440_VN3. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014440_VN3). UPC: 038081376752.Beethoven's resplendent Ode to Joy, from the last movement of his Symphony No. 9, is brought to life in an exciting arrangement designed to foster instant success for ensembles of less experienced players. The solid scoring will boost confidence and help to insure a secure performance. An added feature of this work is that all instruments have some part of the main theme to play throughout its course. Audiences will thrill to the instantly recognizable tune, and players will be amazed at how quickly they master their parts. This title is available in SmartMusic.Concert/Contest; Festival.

String Orchestra - Digital Download SKU: AX.00-PC-0014440_SB String Bass. Composed by Ludwig van Beethoven. Arranged by Douglas E. Wagner. Classical. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0014440_SB. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014440_SB). UPC: 038081376752.Beethoven's resplendent Ode to Joy, from the last movement of his Symphony No. 9, is brought to life in an exciting arrangement designed to foster instant success for ensembles of less experienced players. The solid scoring will boost confidence and help to insure a secure performance. An added feature of this work is that all instruments have some part of the main theme to play throughout its course. Audiences will thrill to the instantly recognizable tune, and players will be amazed at how quickly they master their parts. This title is available in SmartMusic.Concert/Contest; Festival.