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String Orchestra - Level 3 - Digital Download SKU: A0.1122396 Composed by Claude Francois, Jacques Revaux, and Lucien Thibaut. Arranged by Thomas Graf. Broadway,Film/TV,Jazz,Musical/Show,Pop. Score and parts. 18 pages. Thomas Graf - the-hit-factory.com #723553. Published by Thomas Graf - the-hit-factory.com (A0.1122396). Comme d'habitude, French for As usual is a French song about routine in a relationship falling out of love, composed in 1967 by Jacques Revaux, with lyrics by Claude François and Gilles Thibaut [fr]. In 1968 the song was adapted by Paul Anka and given new lyrics to create the song that became My Way, Frank Sinatras signature song. About this arrangement: Instrumentation: Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987 E-Mail: info@the-hit-factory.com. www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic.
Comme D'habitude
Orchestre à Cordes

$50.00 42.67 € Orchestre à Cordes PDF SheetMusicPlus

String Orchestra - Level 5 - Digital Download SKU: A0.942953 Composed by Geoffrey Peterson. Contemporary. Score and parts. 43 pages. Geoffrey Peterson #4267231. Published by Geoffrey Peterson (A0.942953). Link to complete recording: https://soundcloud.com/geoffrey-peterson/sets/the-edmund-fitzgerald-concerto On November 9th, 1975, the S.S. Edmund Fitzgerald left port in Superior, Wisconsin. The 729-foot-long iron ore carrier, loaded with 26 thousand tons of taconite pellets for the auto industry, was bound for Detroit. Earlier that day, the weather service had issued a gale warning. This was not unusual, considering that gale storms are typical during November on Lake Superior. The Fitzgerald’s Captain, Ernest McSorley, and her 29-member crew headed northeast unaware of the maelstrom they would soon encounter. At around 2 a.m., Bernie Cooper, captain of the Arthur M. Andersen, another freighter which was following a few miles behind the Fitzgerald, radioed Captain McSorley to consult with him about the worsening storm. They had both decided to take a more northerly route along the Canadian shore, which they hoped would provide some shelter from the violent gale winds and waves. The Fitzgerald’s long-range radar stopped working the following day and was needed in order to avoid Six-Fathom Shoal, a shallow area of Lake Superior that could rupture the ship’s hull. McSorley soon radioed the Anderson to report that the Fitzgerald had sustained some topside damage...a fence rail down, two vents lost or damaged, and a starboard list. A list meant that the Fitzgerald was taking on too much water and was causing it to lean to one side. The short-range radar also stopped working, and the radio direction beacon from nearby Whitefish Point vanished. This would make it impossible for the Fitzgerald to reach the lee waters of Whitefish Bay and escape the 80 mph winds churning 20 to 30-foot waves. At 7:10 p.m. that night, First Mate Morgan Clark of the Andersen radioed the Fitzgerald to see how they were doing. Captain McSorley replied, We’re holding our own. This was the last contact anyone would have with the Fitzgerald. Shortly thereafter, the Edmund Fitzgerald disappeared from the Anderson’s radar screen. All 29 of her crew were lost on November 10th, 1975. The Edmund Fitzgerald chronicles the tragic final voyage of the well-known shipwreck in 4 movements; Embarkment, The Gales, Six-Fathom Shoal (We’re holding our own.) and Entombment-Dirge. The concerto makes use of several musical quotes. The first is Spanish Ladies, an English sea chantey, which appears in both the 1st and 3rd movements. The second is the funeral march theme from the 2nd movement of Beethoven’s 3rd Symphony which is heard in the 4th movement of the concerto. In addition, a chime is rung 29 times during the final bars of the concerto to memorialize the men who lost their lives. The Crew of the S.S. Edmund Fitzgerald: Michael E. Armagost, Frederick J. Beetcher, Thomas D. Bentsen, Edward F. Bindon, Thomas D. Borgeson, Oliver J. Champeau, Nolan S. Church, Ransom E. Cundy, Thomas E. Edwards, Russell G. Haskell, George J. Holl, Bruce L. Hudson, Allen G. Kalmon, Gordon F. MacLellan, Joseph W. Mazes, John H. McCarthy, Ernest M. McSorley, Eugene W. O'Brien, Karl A. Peckol, John J. Poviach, James A. Pratt, Robert C. Rafferty, Paul M. Riippa, John D. Simmons, William J. Spengler, Mark A. Thomas, Ralph G. Walton, David E. Weiss, Blaine H. Wilhelm.
The Edmund Fitzgerald - Concerto for Piano and Strings
Orchestre à Cordes

$9.99 8.53 € Orchestre à Cordes PDF SheetMusicPlus

String Orchestra - Level 2 - Digital Download SKU: A0.1251651 Composed by E. Vera Bahdy. Arranged by Andrew R. Guarrine. Children,Classical,Folk,Traditional. Score and Parts. 12 pages. GuarrineMusic #845910. Published by GuarrineMusic (A0.1251651). Old MacDonald- This classic melody is attributed to Thomas d’Ufrey (late 1600’s) with changes in the lyrics several times over the last couple hundred years. This adaption for 3-part string orchestra (violin 2/ viola) and optional piano is in the key of G and uses quarter, half, dotted half, 2 eighths and 4 eighths rhythms. Violin 1 does go up to C natural (L2), ‘cello and bass go up to B and down to C natural. Dynamics used are p, mf and f and there are several bow lifts. Tempo is ‘Moderato at 108’. Great piece for end of the first year or the fall concert of the second year. Suggested grade: 1/1+.
Old MacDonald
Orchestre à Cordes

$12.99 11.09 € Orchestre à Cordes PDF SheetMusicPlus

String Orchestra - Digital Download SKU: AX.00-PR-0004489 Score. Composed by Benny Thomasson. Arranged by Renata Bratt. Instructional. Score. 8 pages. Alfred Music - Digital Sheet Music #00-PR-0004489. Published by Alfred Music - Digital Sheet Music (AX.00-PR-0004489). UPC: 038081342382.A famous, majestic, mid-tempo fiddle tune sure to please any audience! Easy and accessible, this Texas waltz features beautiful Americana harmonies. In D Major, all instruments stay in first position. Since the arranger teaches beginners and performs fiddle-style music regularly as a cellist, she believes that every section should have a turn playing the tune as well as the accompaniment, so there is plenty here for all sections to enjoy!
Midnight on the Water: Score
Orchestre à Cordes

$7.00 5.97 € Orchestre à Cordes PDF SheetMusicPlus

String Orchestra - Level 4 - Digital Download SKU: A0.912503 Composed by Thomas R. Schadl. 20th Century,Concert,Contemporary,Instructional,Standards. Score and parts. 49 pages. Thomas R. Schadl #5206103. Published by Thomas R. Schadl (A0.912503). Fantasia On TRSCH For String Orchestra is based on the composer’s initials (B flat, D, E flat, C B -but composed using E, G# A F# F), and explores various contrapuntal techniques that involve rhythmic diminution and augmentation, and inversion and retrograde motions. Further, the work shows how a thematic material varies in regard to articulation and phrasing; in other words, the main theme does not always use the same articulation throughout the piece. The tempo indications are suggestions and gives the performers and listeners an impression of energy building up at the beginning and slowing toward the end of the work. Fantasia On TRSCH For String Orchestra is suitable for both recital and educational purposes.
Fantasia On TRSCH For String Orchestra
Orchestre à Cordes

$11.99 10.23 € Orchestre à Cordes PDF SheetMusicPlus

Soprano solo or unison treble choir, violin, harp, and organ or string orchestra - Medium - Digital Download SKU: MQ.8103-E Composed by David Conte. 9/11 Service, Funeral. Instrument part. 8 pages. Duration 12 minutes, 30 seconds. E. C. Schirmer Music Company - Digital #8103-E. Published by E. C. Schirmer Music Company - Digital (MQ.8103-E). Latin.Commissioned by the American Music Research Center, Boulder, Colorado, Thomas Riis, director, in loving memory of Don Campbell. The work received its premiere performance at l’Église de la Sainte-Trinité, Paris, on October 24, 2013 by Alexis Galpérine, violin, Magali Léger, soprano, Saori Kikuchi, harp, and Carolyn Shuster Fournier, organist. The work consists of  three Latin texts from the Requiem Mass. The first, Exaudi, is in “Larghetto†tempo and serves as a prelude. The second, Dies Iræ, marked “Allegro agitato,†is an intense and dark scherzo in D minor with chromatic runs in the organ and violin which accompany the soprano. A central, more lyrical section follows based on the “Lacrymosa†text in a slower tempo, leading to the song’s only serene moment: “Pie Jesu Domine.†The “Dies Irae†music returns, and the song ends violently and decisively. The third song, In Paradisum, introduces the harp. The soprano melody is modeled very closely on the Gregorian chant based on this text. A gentle climax occurs on the text “habeas eternam,†and the song slowly winds down to its end, having laid to rest life’s struggles in the eternity of heaven. Duration: 12:30.
In paradisum from Requiem Songs (Downloadable Choral/Full Score)
Orchestre à Cordes

$2.25 1.92 € Orchestre à Cordes PDF SheetMusicPlus






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