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String Orchestra - Level 4 - Digital Download SKU: A0.878900 Composed by Eric Moore. Contemporary,Instructional,Standards. Score and parts. 83 pages. Cello Loft #3420919. Published by Cello Loft (A0.878900). Written for an advanced high school cellist to play with his/her own school orchestra. This is a great way to feature a fantastic cellist while introducing the whole orchestra (and audience) to some accessible trends in contemporary music. The orchestra students were *very* excited and engaged with this piece, and the audience absolutely loved it.Compositional goals included:Accessible introduction to contemporary music.Fun and engaging parts for each section of the orchestraHighlight both cellist and orchestra with parts that sound difficult but are relatively simple.Clear-cut form and motivic material as a starting point for discussion of composition.Circles is 11:00 long, in 4 movements with no breaks.Mvt I. Circles begins high-energy and includes sweeping arpeggio figures and measured tremolo oscillations. The energy dissipates and a simple lyrical theme emerges, battling complications as they arise in the orchestra.Mvt II. Passacaglia is built over an exotic vamp and includes jete (to imitate castanets), col legno, snap pizz and instrument slaps. Mvt III. Lament begins with the soloist doing slow pizzicato arpeggiations while the orchestra bows weeping chords. Eventually, everyone is pizzicato, echoing and transforming the solo line. A cello cadenza recalls material from the Passacaglia. The soloist introduces triple-stop string crossings that lead into the fourth movement.Mvt IV. Coda is fast, with the triple stops in the solo part as a moto perpetuo, while the string sections come in one-by-one underneath. By the end, everyone is bowing and we circle back to the opening material of the 1st movement. The Soloist should be fluent through 3 octaves.Orchestra parts are easier and generally require fluency through 4th position. Written in 2011-12 and premiered by Eric with the Mountain View High School (Loveland, CO), Peter Toews conducting. Recording is of that premier. Eric can provide a MIDI if desired.Eric is happy to work with the orchestra and/or soloist via Skype (or a similar arrangement).
Circles - Concerto for Cello & (H.S.) String Orchestra
Orchestre à Cordes
the end, everyone is bowing and we circle back to the opening material of the 1st movement

The Soloist should be fluent through 3 octaves
$20.00 16.93 € Orchestre à Cordes PDF SheetMusicPlus

String Orchestra - Level 2 - Digital Download SKU: A0.1292763 Composed by Dr. John Bull. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,Renaissance,Traditional. Score and Parts. 10 pages. Jmsgu3 #883326. Published by jmsgu3 (A0.1292763). John Bull was an English composer, organist, virginalist, and organ builder who lived from 1562/63 to 1628. He was educated as a chorister of the Chapel Royal in London and later became a Doctor of Music at both Oxford and Cambridge Universities. Bull was one of the most famous composers of keyboard music of the early 17th century, and most of his compositions were written for the virginal, a keyboard instrument popular in the Renaissance period. He was known for his outstanding technical ability and keyboard virtuosity, and his music is distinguished by unfailing resourcefulness in devising new musical ideas. Bull's reputation rests on his extensive compositions for virginals and organ, some 150 extant pieces published in Musica Britannica. He was also one of the contributors to Parthenia, a collection of keyboard music published in 1611. Bull wrote an anthem, God the Father, God the Son, for the 1613 wedding of the princess and the Elector Palatine, in addition to his keyboard compositions, verse anthems, canons, and other works. Bull's music ranked among the foremost composers along with Byrd, Gibbons, and Tomkins.John Bull had several contemporaries who were also prominent composers during the Renaissance period. Some of these composers include:William Byrd: Byrd was an English composer and one of the most influential figures in English Renaissance music. He was a contemporary of John Bull and is considered one of the greatest composers of his time. Byrd's compositions include sacred choral music, keyboard works, and consort music.Orlando Gibbons: Gibbons was an English composer and organist who lived during the same period as John Bull. He was known for his sacred choral music, particularly his anthems and verse anthems. Gibbons' compositions are characterized by their expressive harmonies and intricate counterpoint.Thomas Tomkins: Tomkins was another English composer who was active during the same time as John Bull. He was known for his sacred choral music, including anthems and services. Tomkins' compositions are notable for their rich harmonies and expressive melodies.Jan Pieterszoon Sweelinck: Sweelinck was a Dutch composer and organist who was highly regarded during the Renaissance period. He was known for his keyboard music, particularly his variations and fantasias. Sweelinck's compositions had a significant influence on Bull and other composers of the time.These composers, along with John Bull, were influential figures in the development of Renaissance music and significantly contributed to the repertoire of keyboard and choral music during that era.
Bull: A Gigge - Doctor Bull's my selfe for String Orchestra
Orchestre à Cordes

$36.95 31.29 € Orchestre à Cordes PDF SheetMusicPlus

String Orchestra - Level 2 - Digital Download SKU: A0.1292762 Composed by Dr. John Bull. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,Renaissance,Traditional. 5 pages. Jmsgu3 #883325. Published by jmsgu3 (A0.1292762). John Bull was an English composer, organist, virginalist, and organ builder who lived from 1562/63 to 1628. He was educated as a chorister of the Chapel Royal in London and later became a Doctor of Music at both Oxford and Cambridge Universities. Bull was one of the most famous composers of keyboard music of the early 17th century, and most of his compositions were written for the virginal, a keyboard instrument popular in the Renaissance period. He was known for his outstanding technical ability and keyboard virtuosity, and his music is distinguished by unfailing resourcefulness in devising new musical ideas. Bull's reputation rests on his extensive compositions for virginals and organ, some 150 extant pieces published in Musica Britannica. He was also one of the contributors to Parthenia, a collection of keyboard music published in 1611. Bull wrote an anthem, God the Father, God the Son, for the 1613 wedding of the princess and the Elector Palatine, in addition to his keyboard compositions, verse anthems, canons, and other works. Bull's music ranked among the foremost composers along with Byrd, Gibbons, and Tomkins.John Bull had several contemporaries who were also prominent composers during the Renaissance period. Some of these composers include:William Byrd: Byrd was an English composer and one of the most influential figures in English Renaissance music. He was a contemporary of John Bull and is considered one of the greatest composers of his time. Byrd's compositions include sacred choral music, keyboard works, and consort music.Orlando Gibbons: Gibbons was an English composer and organist who lived during the same period as John Bull. He was known for his sacred choral music, particularly his anthems and verse anthems. Gibbons' compositions are characterized by their expressive harmonies and intricate counterpoint.Thomas Tomkins: Tomkins was another English composer who was active during the same time as John Bull. He was known for his sacred choral music, including anthems and services. Tomkins' compositions are notable for their rich harmonies and expressive melodies.Jan Pieterszoon Sweelinck: Sweelinck was a Dutch composer and organist who was highly regarded during the Renaissance period. He was known for his keyboard music, particularly his variations and fantasias. Sweelinck's compositions had a significant influence on Bull and other composers of the time.These composers, along with John Bull, were influential figures in the development of Renaissance music and significantly contributed to the repertoire of keyboard and choral music during that era.
Bull: A Gigge - Doctor Bull's my selfe for String Orchestra - Score Only
Orchestre à Cordes

$32.95 27.9 € Orchestre à Cordes PDF SheetMusicPlus

String Orchestra - Level 1 - Digital Download SKU: A0.1201534 Composed by Andrew R. Guarrine. Children,Christmas,Holiday. Score and parts. 12 pages. GuarrineMusic #800154. Published by GuarrineMusic (A0.1201534). Santa’s Midnight Visit  (Guarrine)Close your eyes tight and listen for the reindeer and then the big guy himself on the roof,  down the chimney and gets to work with as little noise as possible.  He is quick so you need to listen carefully.  And as fast as he started, you can hear him cross the roof, put his pack back into the sleigh and his reindeer take him to the next house on his rounds. 3-part string orchestra (opt. piano)  Key of D major, 4/4 time uses notes:D, E, F#, G, A, B. All bowing are marked, only dynamics used f and mf.  Grade .5, has half notes, quarter notes and multiple rests.
Santa's Midnight Visit
Orchestre à Cordes

$12.95 10.97 € Orchestre à Cordes PDF SheetMusicPlus

String Orchestra - Digital Download SKU: AX.00-PR-0005586 Score. Arranged by Sandra Dackow. Folk. Score. 11 pages. Alfred Music - Digital Sheet Music #00-PR-0005586. Published by Alfred Music - Digital Sheet Music (AX.00-PR-0005586). UPC: 038081517179.Get ready to stamp your feet for fearless fun in this great piece for younger players. Everyone gets the line and each section can play fearlessly and with a sense of fun. Towards the end, don't be surprised if there is a quote from Tchaikovsky and a whiff of Brandenburg---it's all in the spirit of a good time! The Sailor's Hornpipe, arranged by Sandra Dackow, is familiar to many listeners through its opening words, With a yo heave ho---and a slap upon the knee, and it is easy to imagine foot stomps and slaps upon the knees of sailors accompanying their singing. This classic hornpipe will help your students with dexterity, playing in the lower half of the bow, and bow lifts! (2:25)Concert/Contest; Festival.
The Sailor's Hornpipe: Score
Orchestre à Cordes

$8.00 6.77 € Orchestre à Cordes PDF SheetMusicPlus

String Orchestra - Digital Download SKU: AX.00-PC-0017307_VC1 Cello. Arranged by Sandra Dackow. Folk. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0017307_VC1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017307_VC1). UPC: 038081517179.Get ready to stamp your feet for fearless fun in this great piece for younger players. Everyone gets the line and each section can play fearlessly and with a sense of fun. Towards the end, don't be surprised if there is a quote from Tchaikovsky and a whiff of Brandenburg---it's all in the spirit of a good time! The Sailor's Hornpipe, arranged by Sandra Dackow, is familiar to many listeners through its opening words, With a yo heave ho---and a slap upon the knee, and it is easy to imagine foot stomps and slaps upon the knees of sailors accompanying their singing. This classic hornpipe will help your students with dexterity, playing in the lower half of the bow, and bow lifts! (2:25)Concert/Contest; Festival.
The Sailor's Hornpipe: Cello
Orchestre à Cordes

$5.99 5.07 € Orchestre à Cordes PDF SheetMusicPlus

String Orchestra - Level 2 - Digital Download SKU: A0.889429 Composed by Luis Anjos Teixeira. Christmas,Concert,Contemporary,Easter,Standards. Score and parts. 17 pages. Luis Anjos Teixeira #4727333. Published by Luis Anjos Teixeira (A0.889429). „Improvisation On Tchaikovsky`s Cherubic Hymn. It is an original Harp improvisation to be accompanied by an adaptation for strings inspired by Tchaikovsky`s choir piece „Cherubic Hymn. The harmonic structure of Tchaikowky`s original work has been faithfully reproduced, so all credits for this piece goes to him. Rather than an arrangement, the outcome of this adventurous experience resulted in an improvisation for the Harp. With the added melodies on the Harp and the stringed instrumental caracter of the orquestral adaptation, the piece gains a stronger tone contrast, keeping at the same time its deep spiritual beauty, thus bringing it to a wider range of public and performance choices. it is very easy to perform, yet it moves deeply both performer and public. The piece is appropriate for beginner students. It can be used in serious concerts and all kinds of cultural events. It is a very Spiritual piece, it induces a wonderful mood in Baptism or Christmas celebrations. One can get married to it. The piece is also appropriate to honor someone in a funeral. Although this score was composed in full intent to be performed as written, the Harp part can be played by itself and the orquestral arrangement from the Hymn can also be performed without the Harp. This score was conceived so that without adaptations, the Harp the orchestra and the original Choir could perform at the same time. Or intercalated „Ad Lieb, the Harp with the choir, or the orquestra with the choir. Instead of a full string orquestra one can also use just a string quartet and a doublebass. A Little Historical Note. „The Cherubic Hymn is part of the Liturgy of St. John Chrysostom written in the fourth century by the Byzantine saint, honored as such by both Eastern Orthodox and Roman Catholic churches.  In the context of the liturgy, the hymn is sung during the most mystical and spiritual part of the service as a prelude to the transubstantiation of bread and wine into the real presence of Our Lord. Pyotr Ilyich Tchaikovsky, the inspiring Master and genial composer with whom I had the happy causality to write this improvisation or „collab was born in; 25 April/7 May 1840 – 25 October/6 November 1893, was a Russian composer of the late Romantic period, he created an outstanding number of unique musical masterpieces. Tchaikovsky was honored in 1884, by Emperor Alexander III, and awarded a lifetime pension. Thanks to Claudia Eppelt for the all the Love the wonderful painting and cover design, this work is dedicated to her. Special Thanks to Tchaikovsky, Nina and Stray Queen Mimi, Carlinhos, Maria Pontinha, Maria Joaninha, Schwarzenegger, Maria Koboldinha. For all Living beings on Earth, for all our Ancestors, Thank You for all of You All Your Love and Compassion. Love Forever. Disclaimer: The score was written on Finale and the sound file was produced with Garritan instruments. Thank You very much that You toke Your Time to read this text and to listen the file. I hope You enjoy it, Sheers…
Improvisation On Tchaikovsky`s Cherubic Hymn
Orchestre à Cordes

$9.99 8.46 € Orchestre à Cordes PDF SheetMusicPlus

String Orchestra - Level 5 - Digital Download SKU: A0.1389128 Composed by Gabriel Faure. Arranged by Kenneth Atkins. 19th Century,Classical,Romantic Period. 90 pages. RēsFacta Editions #972651. Published by RēsFacta Editions (A0.1389128). Gabriel Fauré's Pelléas et Mélisande, Op. 80, is a suite of incidental music composed in 1898 for Maurice Maeterlinck's play of the same name. Fauré's composition is renowned for its delicate and evocative portrayal of the mysterious and tragic atmosphere of Maeterlinck's symbolist drama.The suite consists of four movements:    Prélude: The Prelude sets the mood for the entire piece, introducing listeners to the ethereal and melancholic world of Pelléas et Mélisande. Fauré's masterful orchestration creates an otherworldly atmosphere, with shimmering strings, delicate woodwinds, and haunting harmonies.    Fileuse: This movement, often translated as Spinning Song, depicts Mélisande at her spinning wheel. The music captures the hypnotic rhythm of spinning, with gentle, flowing melodies and a sense of introspection.    Sicilienne: The Sicilienne is perhaps the most famous movement of the suite. Its graceful melody, accompanied by a gentle dance-like rhythm, evokes a sense of nostalgia and longing. Fauré's use of the Sicilian rhythm lends the piece a timeless quality, transporting listeners to a world of beauty and sorrow.    Mort de Mélisande: The suite concludes with the Death of Mélisande. This movement is a powerful culmination of the emotional journey depicted throughout the music. Fauré's music reflects the tragic climax of Maeterlinck's play, with poignant melodies and rich harmonies conveying a sense of grief and finality.Overall, Fauré's Pelléas et Mélisande Op. 80 is a masterpiece of impressionistic music, capturing the emotional depth and beauty of Maeterlinck's timeless tale.
Pelleas et Mélisande Suite, Op. 80
Orchestre à Cordes

$65.00 55.04 € Orchestre à Cordes PDF SheetMusicPlus

String Orchestra - Level 4 - Digital Download SKU: A0.1390619 Composed by Gabriel Faure. Arranged by Kenneth Atkins. 19th Century,Classical,Romantic Period. 36 pages. RÄ?sFacta Editions #974179. Published by RÄ?sFacta Editions (A0.1390619). Gabriel Fauréâ??s â??Pelléas et Mélisande,â? Op. 80, is a suite of incidental music composed in 1898 for Maurice Maeterlinckâ??s play of the same name. Fauréâ??s composition is renowned for its delicate and evocative portrayal of the mysterious and tragic atmosphere of Maeterlinckâ??s symbolist drama.  The Prélude sets the mood for the entire piece, creating and otherworldly atmosphere and introducing listeners to the ethereal and melancholic world of Pelléas et Mélisande.The full suite arranged for string orchestra is also available from the publisher, catalogue number 006CC012524AA.
Prélude from Pelleas et Mélisande, Op. 80
Orchestre à Cordes

$40.00 33.87 € Orchestre à Cordes PDF SheetMusicPlus

String Orchestra - Level 3 - Digital Download SKU: A0.805313 By Scott Walker. By Traditional. Arranged by Scott Walker. Celtic,Irish,Standards,Traditional. Score and parts. 38 pages. S'got Possiblities #412347. Published by S'got Possiblities (A0.805313). The Walker Street Fiddlers Ireland Tour 2007 is a collection of tunes that my group, “The Walker Street Fiddlers†played on their trip to Ireland in the summer of ‘07! We performed this music at a variety of venues, including several pubs, in the youth hostels where we stayed, on the street, and at the unique “Teach Ceoil†(Gaelic for Music House) in Tully Cross, County Galway. Starting with traditional Irish tunes, it continues with some Old Time American tunes and songs. There are some rags and some bluegrass. The Tunes are: Okeefe;s, Bring Back the Child, Padraig OKeefe’s, The Maid of Armagh, Britches full of Stitches, Sullivan’s, Ten Penny Bit, The Old Favorite, Dinkies, Rollin’ in the Rye Grass, Southwind, Fairwind, Julia Delaney, Star of Muster, Old Hag You Have Killed Me, Morrison’s, Father Kelly’s, Congress Reel, Ducks on the Pond, Shady Grove, Simple Gifts, Keep on the Sunny Side, Back up and Push, Stone’s Rag, Pig Ankle Rag, Billy in the Lowground, Devil’s Dream. Included here is a quick listen Mp3 to hear how the tunes are presented, and a Youtube link to the first set of tunes in the collection. A Youtube link to the playlist that includes all the tunes in their entirety performed by Scott Walker on fiddle and guitar https://youtube.com/playlist?list=PL1QxSodsD2nF1Zi26R7hhVr1lw-o3Xpla.
Walker Street Fiddlers Ireland Tour 2007 Cello
Orchestre à Cordes
Scott Walker
$15.00 12.7 € Orchestre à Cordes PDF SheetMusicPlus

String Orchestra - Level 3 - Digital Download SKU: A0.780284 By Scott Walker. By Traditional. Arranged by Scott Walker. Celtic,Irish,Standards,Traditional. Score and parts. 33 pages. S'got Possiblities #387720. Published by S'got Possiblities (A0.780284). The Walker Street Fiddlers Ireland Tour 2007 is a collection of tunes that my group, “The Walker Street Fiddlers†played on their trip to Ireland in the summer of ‘07! We performed this music at a variety of venues, including several pubs, in the youth hostels where we stayed, on the street, and at the unique “Teach Ceoil†(Gaelic for Music House) in Tully Cross, County Galway. Starting with traditional Irish tunes, it continues with some Old Time American tunes and songs. There are some rags and some bluegrass. The Tunes are: Okeefe;s, Bring Back the Child, Padraig OKeefe’s, The Maid of Armagh, Britches full of Stitches, Sullivan’s, Ten Penny Bit, The Old Favorite, Dinkies, Rollin’ in the Rye Grass, Southwind, Fairwind, Julia Delaney, Star of Muster, Old Hag You Have Killed Me, Morrison’s, Father Kelly’s, Congress Reel, Ducks on the Pond, Shady Grove, Simple Gifts, Keep on the Sunny Side, Back up and Push, Stone’s Rag, Pig Ankle Rag, Billy in the Lowground, Devil’s Dream. Included here is a quick listen Mp3 to hear how the tunes are presented, and a Youtube link to the first set of tunes in the collection. A Youtube link to the playlist that includes all the tunes in their entirety performed by Scott Walker on fiddle and guitar https://youtube.com/playlist?list=PL1QxSodsD2nF1Zi26R7hhVr1lw-o3Xpla.
Walker Street Fiddlers Ireland Tour 2007 Fiddle
Orchestre à Cordes
Scott Walker
$15.00 12.7 € Orchestre à Cordes PDF SheetMusicPlus


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