Cello,Piano - Level 1 - Digital Download

SKU: A0.810226

Composed by Anonymous, John Newton, and William Walker. Arranged by Daniel C. M. Christian,Concert,Standards. Score and part. 3 pages. Daniel C. M. #5800781. Published by Daniel C. M. (A0.810226).

This arrangement is based on the original publication from William Walker's Southern Harmony where the music is basically a 3 voices choral and this arrangement is almost just a transcription to piano and cello . The melody has little changes as the way it is interpreted today but keeps almost the same harmony from the original. It is written in a straight easy way for players to enjoy. Although the title of the piece comes from the hymn written by John Newton this is only an instrumental arrangement.

Cello,Piano - Level 3 - Digital Download

SKU: A0.1142844

Composed by Charles-François Gounod. Arranged by Piacere Music Sheets. Instructional,Praise & Worship,Romantic Period,Standards,Wedding. Score and part. 12 pages. Piacere Music Sheets #743214. Published by Piacere Music Sheets (A0.1142844).

Opus/Catalog Number: CG 89
Key/Tone: C major
Movements/Sections: Andante semplice
Year/Date of Composition: 1853
Difficulty: Grade 6/12 (Intermediate)
Obs.: This piece is based on Gounod's original 1853 instrumental version of Ave Maria.
Gounod's original instrumental version was set for violin and piano in the key of C Major. This score is a transcription for Cello and piano, remaining in the original key of C Major. Gounod entitled this instrumental version Méditation sur le 1er Prélude de piano de J.S. Bach (Meditation on the first Piano Prelude by J.S. Bach).
In Gounod's original edition, the diminuendo and piano in measures 28 and 29 are replaced by a sempre crescendo upon playing the piece for the second time.
Included: Full score and separated parts for each instrument.

Instrumental Duet Cello,Instrumental Duet,Piano - Digital Download

SKU: A0.962291

Composed by Sergio Roberto de Oliveira (1970 - 2017). 20th Century,Contemporary. Score and parts. 21 pages. Sergio Roberto de Oliveira #2613325. Published by Sergio Roberto de Oliveira (A0.962291).

Falls House Press has published his works  Faces and Mot pour Laura in the United States. Various articles in specialized journals and sites have cited the composer, such as the Flutist Quarterly (Circus Brasilis - The flute music of Sergio Roberto de Oliveira), Early Music America (Something New for Early Music), Andante.com (The heirs of Villa-Lobos), 21st Century Music, Musicabrasileira.org, etc. Sergio Roberto de Oliveira has frequently been invited to lecture at American universities, and has spoken at more than a dozen institutions including Princeton and Duke. In 2009 he was Artist-in-Residence at Duke University. In addition the USA and the UK, Oliveira's music has also been played in many countries, with invitations for concerts exclusively with his music in México, Italy and Holland (Amsterdam).  The Spanish Magazine Sonograma has published 2 interviews with Sergio.

Sergio is the founder and a member of the group of composers Prelúdio 21. The group is one of the most active worldwide. It holds a distinguished place in Brazilian contemporary music, having been active for 15 consecutive seasons, with a permanent series of monthly concerts since 2008. In 2011 the group released the CD String Quartets, with performances by the Quarteto Radamés Gnattali. Oliveira is also a member of the group of composers Vox Novus, based in New York.

To commemorate 15 years of activity as a composer, Oliveira released a box set with 4 CDs, as well as a CD with composer Mark Hagerty, and produced the series QUINZE, with 13 concerts including his works, between July and October of 2012.  More than 130 musicians, including 28 composers, participated of QUINZE (CDs and series).

His discography includes 14 CDs as producer, 14 as composer, 22 as general producer, 2 as arranger and 2 as pianist. His catalog of compositions includes approximately 115 works for various ensembles, including Symphony Orchestra.  

Sergio Roberto de Oliveira is a member of the Latin Academy of the Arts and Science of Recording.

He died from pancreatic cancer in 2017.

Cello,Piano - Level 3 - Digital Download

SKU: A0.1270687

By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Glauco Fernandes. Chamber,Film/TV,Pop,Wedding. Score and part. 8 pages. Glauco Fernandes #863061. Published by Glauco Fernandes (A0.1270687).

Title: Cello and Piano Arrangement with Chords of What Was I Made For - Barbie Soundtrack | Billie Eilish

Description:

Immerse yourself in the enchanting musical world of the 2023 film Barbie with our captivating cello and piano arrangement with chords of the heartwarming song What Was I Made For performed by the talented Billie Eilish. This intermediate-level arrangement is perfectly suited for cellists and pianists, allowing them to bring the beauty and melody of the beloved soundtrack to life in their performances.

Arrangement Highlights:

- Intermediate-level arrangement for cello and piano, accommodating musicians with various skill levels.
- Sheet music with chords provided for easy reading and interpretation.
- Captures the essence and emotion of the original song, enabling you to recreate the magical atmosphere of the Barbie film during your performance.
- Carefully crafted details ensure an enriching and authentic musical experience.

Why Choose Our Arrangement:

1. Professionalism: Our arrangement has been meticulously crafted by experienced musicians, ensuring exceptional quality and accuracy.
2. Flexibility: Perfect for intermediate-level cellists and pianists, offering a captivating duet performance opportunity.
3. Popularity: As part of the Barbie film soundtrack, the song What Was I Made For has garnered tremendous popularity and has captivated a large fan base.
4. Musical Magic: The arrangement captures the essence of the song, allowing you to emotionally connect with the melody and the poignant message it conveys.

Embrace the captivating allure of What Was I Made For through our cello and piano arrangement with chords and delight your audience with the heartwarming music of Billie Eilish from the cherished Barbie film soundtrack. Unlock the potential to infuse your performances with the enchanting essence of this magical melody. Purchase now and embark on a musical journey inspired by the wonderful world of Barbie!

Cello and piano - intermediate - Digital Download

SKU: S9.Q15267

From the Idyll At Twilight. Composed by Zdenek Fibich. Arranged by Wolfgang Birtel. This edition: Sheet music. Edition Schott - Single Edition. Downloadable. Op. 39. Schott Music - Digital #Q15267. Published by Schott Music - Digital (S9.Q15267).

The reputation of the Bohemian composer Zdenek Fibich (1850-1900) has always been somewhat overshadowed by that of Bedrich Smetana and Antonín Dvorák. This is a pity, for Fibich, though he died young, made an equally important contribution to the emerging Czech national styl with his wide range of compositions. After starting piano lessons with his mother as his first teacher, the boy went on to music school in Prague and then to the Leipzig Conservatoire, where he learned his craft as a composer. He spent a few months teaching piano in Paris and then continued his studies with Vinzenz Lachner in Mannheim. Prague was eventually to become the centre for Fibich's musical activities: as his dream of a post at the Conservatoire remained unfulfilled, his main employment was giving private music lessons and as a composer Zdenek Fibich wrote works for many musical genres: vocal and chamber music, piano pieces and orchestral works, operas, stage music and melodramas, literary recitals with orchestral accompaniment to which he gave a new lease of life. There are biographical traces to be found in the 376 piano pieces of the collection 'Moods, Impressions and Reminiscences' Op. 41, written in 1892-98: this tells of his love for his pupil Anezka Schulzová in the form of a 'piano diary'. Its four volumes were frequently a source of material for other works, such as the symphonic poem 'In the Evening' Op. 39 (also known as 'A Summer's Evening' and 'At Twilight'), written in 1893. For his second subject in this 'Idyll' Fibich used the minature no. 139, entitled 'Lento', from his collection of piano pieces. The violinst Jan Kubelík played the melody from 1908 onwards with the title 'Poème', and the work is still known today under this title: its easy charm has made it a favourite tune in the classical repertoire. This arrangement is based on the orchestral version from which other material was adapted for the Prelude.

Cello and piano - difficult - Digital Download

SKU: S9.Q19875

For cello and piano. Composed by Detlev Mueller-Siemens. This edition: performance score. Downloadable, performance score. Duration 18 minutes. Schott Music - Digital #Q19875. Published by Schott Music - Digital (S9.Q19875).

The title '…called dusk' quotes the last line of the prose fragment 'Lessness' by Samuel Beckett: 'Figment dawn dispeller of figments and the other called dusk'. As regards the compositional structure, the three movements of the work written 'in memoriam György Ligeti' are based on the tones of a Kaddish which, however, cannot literally be heard but, with the fingertips placed on the cello strings, generate artificial harmonics of totally different sequences of tones.

Cello,Instrumental Solo,Piano - Level 4 - Digital Download

SKU: A0.987858

Composed by Robert M. Greenberg. 20th Century,Contemporary. Score and individual part. 32 pages. Robert M. Greenberg #115605. Published by Robert M. Greenberg (A0.987858).

Preferred Contact Information: RMonteverdi@comcast.net Performing Rights Organization: BMI Website: robertgreenbergmusic.com Facebook Band Page: facebook.com/RobertGreenbergMusic Video: https://mail.google.com/mail/?tab=wm#inbox/14f3cea616cb0a88?projector=1 Duration: ca. 12 minutes Year of composition: 2014 Program Note: I. Overture II. Nigun no. 9 III. Molad’ti IV. Gilu Hagalilim V. Y’mey Hanoar VI. The Gigue Is Up My apologies upfront for all the first person pronouns in this program note! A few years back, Nina Flyer asked me to write for her a piece of music that would contain or make reference to Jewish/Yiddish/Hebrew dance music and/or folk songs. The more I thought about it, the more difficult I realized the challenge would be. As best as I could tell, I had three options. Option one: I could set said dance music/songs for cello and piano, with the result being a series of arrangements: nice, but artlessly unoriginal (meaning dull). Option two: I could weave the tunes into a single narrative and in doing so write another version of Schlomo (a self-proclaimed Hebraic work for cello and orchestra by Ernst Bloch). Option three: I could make up my own ethnic-sounding melodies and either arrange them for cello and piano or weave them into some sort of Hebraic narrative: options one and two all over again. So I came up with option four. I selected four folk tunes (movements II, III, IV, and V) and composed a counter-melody to each. The first half of movements II, III, IV, and V set that counter-melody without any reference to the original folk tune. The second half of those movements then combines the counter-melody with the original tune (and thus the revelation, as the original tune is revealed). The generally two-part shape described above (excepting movement IV, which is A-B-A in structure) suggested Baroque binary dance form, and so I turned the piece into a sort of Baroque dance suite. It begins with a French Overture based on the counter-melodies of movement III and V, and concludes with a gigue based on the counter melodies of movements II and IV. The historical references are supposed to be tongue-in-cheek and I can only hope they will be taken that way. A thousand-and-one thanks to Nina Flyer and Lori Lack for their patience, hard work, and musical brilliance. Suite Revelation is dedicated – with the greatest respect and affection – to Nina Flyer.

Cello,Piano - Level 3 - Digital Download

SKU: A0.791169

By Stevie Wonder. By Stevie Wonder. Arranged by Kevin P Holdgate. Pop,Soul. Score and part. 8 pages. Kevin P Holdgate #5334897. Published by Kevin P Holdgate (A0.791169).

KPHMS 'Solo' Collection

All in Love Is Fair is taken from Stevie Wonder's sixteenth studio album, Innervisions, released on August 3, 1973. All Music's Matthew Greenwald found All in Love Is Fair to be among Wonder's finest ballad statements, which contained one of the most graceful and memorable hooks from the era

This arrangement is based on the Barbara Streisand version of the song which was recorded in 1974 and appeared on her multi-award-winning album 'The Way We Were',

Rhythmically this arrangement is approximately Grade 5 ABRSM/Trinity and makes for an interesting challenge away from the grading syllabus.

There are versions of this arrangement available for a variety of solo instruments and also versions as a vocal with Brass Band and a 10 piece brass ensemble.

Cello,Piano - Level 4 - Digital Download

SKU: A0.1436332

Composed by Traditional. Arranged by David Warin Solomons. Classical,Contemporary,Traditional. Score and part. 6 pages. David Warin Solomons #1016440. Published by David Warin Solomons (A0.1436332).

Based on the old Scottish ballad Gilderoy, about a handsome highwayman who was eventually betrayed by his mistress.

The pdf contains score and separate cello part.

The last, the dreaded hour is come,
That bears my love from me:
I hear the dead note of the drum,
I mark the fatal tree.
The bell has toll'd; it shakes my heart;
The trumpet speaks thy name:
And must my Gilderoy depart,
To bear a death of shame!

No bosom trembles for thy doom;
No mourner wipes a tear;
The gallows' foot is all they tomb,
The sledge is all thy bier.
Oh Gilderoy! I bethought we then
So soon, so sad to part,
When first in Roslin's lovely glen
You triumph'd o'er my heart?

Your locks they glitter'd to the sheen,
Your hunter garb was trim;
And graceful was the ribbon green,
That bound your many limb!
Ah! little thought I to deplore
Those limbs in fetters bound;
Or hear, upon the scaffold floor,
The midnight hammer sound.

Ye cruel, cruel, that combined
The guiltless to pursue;
My Gilderoy was ever kind,
He could not injure you!
A long adieu! but where shall fly
Thy widow all forlorn,
When ev'ry mean and cruel eye
Regards my wo with scorn?

Yes! they will mock thy widow's tears,
And hate thine orphan boy;
Alas! his infant beauty wears
The form of Gilderoy.
Then will I seek the dreary mound
That wraps thy mouldering clay,
And weep and linger on the ground,
And sigh my heart away.

Cello,Piano - Level 2 - Digital Download

SKU: A0.550915

Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 12 pages. Jmsgu3 #4888259. Published by jmsgu3 (A0.550915).

This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 7 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. 

Ave Maria

Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals.

Bach Overview

First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.

 History

Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.

 Style

It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top.

Revival              

Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.

 Voyager

NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.

Bassoon, cello and piano - difficult - Digital Download

SKU: S9.Q6353

Composed by Benjamin Schweitzer. This edition: performance score. Downloadable, performance score. Duration 13 minutes. Schott Music - Digital #Q6353. Published by Schott Music - Digital (S9.Q6353).

Nausea (lat., seasickness, disgust) – Nenia (greek/lat., folksong, elegy, magical song): Two similar sounding terms, which offer, based on their ambiguity, lots of space to musical connotations. These subtitles of the two movements refer to a background idea of the piece – to bring musical gestures of anger on the one, mourning and desperation on the other hand together as close as possible. In both cases there are drudgingly dragged blocks of sound, circulating crumbles of motives, melodic fragments sometimes even reduced to single notes…. Nevertheless, in the end we can still hear an expanded relict of a drifty chant. Benjamin Schweitzer.