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Cello,Piano - Level 4 - Digital Download SKU: A0.1197751 By Gabriel Fauré, Yo Yo Ma and Kathryn Stott. By Gabriel Faure. Arranged by Flavio Regis Cunha. Classical,Contest,Festival,Film/TV,Instructional,Romantic Period. Score and part. 6 pages. Flavio Regis Cunha #796933. Published by Flavio Regis Cunha (A0.1197751). Après un rêve (Op. 7, No. 1) for cello and piano (as played by Yo Yo Ma and Kathryn StottTrois mélodies is a set of mélodies for solo voice and piano, by Gabriel Fauré. It consists of Après un rêve (Op. 7, No. 1), one of Faure's most popular vocal pieces, Hymne (Op. 7, No. 2), and Barcarolle (Op. 7, No. 3). The songs were written between 1870 and 1877, and published in 1878. They were not, however, originally conceived together as a set of three; the opus number 7 was imposed on them retrospectively in the 1890s, almost 20 years after their first publications.[citation needed]Après un rêveIn Après un rêve (After a dream), a dream of romantic flight with a lover, away from the earth and towards the light, is described. However, upon awakening, the dreamer longs to return to the mysterious night and the ecstatic falsehood of his dream. The text of the poem is an anonymous Italian poem freely adapted into French by Romain Bussine.Intermediate.Format: Concert, 9 x 12 inches.6 pages.
Après un rêve" (Op. 7, No. 1) for cello and piano (as played by Yo Yo Ma and Kathryn Stott
Violoncelle, Piano
Gabriel Fauré, Yo Yo Ma and Kathryn Stott
$7.99 7.63 € Violoncelle, Piano PDF SheetMusicPlus

Cello,Piano - Level 2 - Digital Download SKU: A0.1303403 Composed by Gabriel Faure. Arranged by Harry Walker. 19th Century,Romantic Period. Score and part. 8 pages. SCORE EDITIONS #892977. Published by SCORE EDITIONS (A0.1303403). This mélodie is the first in a set of three songs, opus 7, which also comprises Hymne and Barcarolle respectively. All three were composed between 1870 and 1877, then collected and published in 1878 under the title Trois Mélodies. Not originally conceived as a song cycle, these three songs acquired this opus number much later, in the 1890s. The poem for Après un rêve was loosely adapted from an anonymous Italian text by Romain Bussine. It describes, in the form of a dream, the imaginary flight of two lovers who are head over heels in love, although the last verse brings the dreamer inexorably back to harsh reality as dawn is breaking.
Après un rêve (Fauré) for Cello and Piano
Violoncelle, Piano

$5.99 5.72 € Violoncelle, Piano PDF SheetMusicPlus

Cello and piano - intermediate - Digital Download SKU: S9.Q11671 Composed by George Goltermann. This edition: Sheet music. Cello Library. Downloadable. Op. 92/2. Schott Music - Digital #Q11671. Published by Schott Music - Digital (S9.Q11671). Key: G minor.Georg Goltermann (1824–1898) left a plethora of works for his instrument, including seven cello concertos which still play an important role in the cello literature of today. In addition, he composed a large number of character pieces, including romances, reveries, nocturnes and serenades. Rooted entirely in the romantic spirit of their time with regard to style, they are relatively short pieces of medium difficulty. It is not least due to its melodic and harmonic catchiness that the rather easy Rêverie in G minor Op. 92/2 enjoys great popularity both in lessons and in concerts. The expression marking 'Allegro appassionato' refers to the fundamental character of the piece which demands, in particular, an expressive vibrato rich in modulation.
Rêverie G minor
Violoncelle, Piano

$10.99 10.5 € Violoncelle, Piano PDF SheetMusicPlus

Bassoon, cello and piano - difficult - Digital Download SKU: S9.Q6353 Composed by Benjamin Schweitzer. This edition: performance score. Downloadable, performance score. Duration 13 minutes. Schott Music - Digital #Q6353. Published by Schott Music - Digital (S9.Q6353). Nausea (lat., seasickness, disgust) – Nenia (greek/lat., folksong, elegy, magical song): Two similar sounding terms, which offer, based on their ambiguity, lots of space to musical connotations. These subtitles of the two movements refer to a background idea of the piece – to bring musical gestures of anger on the one, mourning and desperation on the other hand together as close as possible. In both cases there are drudgingly dragged blocks of sound, circulating crumbles of motives, melodic fragments sometimes even reduced to single notes…. Nevertheless, in the end we can still hear an expanded relict of a drifty chant. Benjamin Schweitzer.
Für Fagott, Violoncell und Pianoforte
Violoncelle, Piano

$33.99 32.48 € Violoncelle, Piano PDF SheetMusicPlus


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