Cello and piano - advanced - Digital Download SKU: S9.Q52946 For piano and violoncello. Composed by Richard Strauss. This edition: score and part. Complete edition - piano - score - violoncello. Downloadable, Score and part. Duration 26 minutes. Schott Music - Digital #Q52946. Published by Schott Music - Digital (S9.Q52946). Key: F major.The Cello Sonata Op. 6 was composed over an apparently frequently interrupted period of three years, an extraordinarily long time for Strauss’s early creative phase. The compositional process spawned two independent versions of the work, the first of which is published for the first time on the basis of the text in the Critical Edition of the Works of Richard Strauss in the current edition as a practical musical text. The genesis of the two versions and the reasons for revision can only be reconstructed in part: only one of the surviving autographs bears a date and the second version only survives in printed form. What is more, Strauss did not communicate in greater detail on this composition in correspondence with his family and friends. There are enormous differences between the two versions of the Sonata: Strauss deleted the entire second and third movements Larghetto and Allegro vivace, replacing them with a newly composed Andante and Finale. In the first movement, Allegro con brio, Strauss retained the thematic-motivic material and compositionally complex passages such as the three-voice fugue in the development section (from bar 241 in the first version and bar 275 in the second version) almost intact in the new version of the sonata, but also undertook extensive alterations, particularly in the structure of the piano part, the motivic-thematic development of the movement and its harmony which became far more ambitious.12 Particular attention should be drawn to the repetitive accompaniment of the con espressione theme beginning in bar 32 and the significantly shorter development in the first version. The current printed edition of the first version of Richard Strauss’s Cello Sonata now makes it possible to follow Strauss’s compositional development during this period. The significance of the differences between the versions also mean that two sonata compositions for violoncello and piano by Richard Strauss with fundamental disparities in their underlying character are now available for performance. (from the foreword by the editors).

Violin, viola, cello and piano - intermediate to advanced - Digital Download SKU: S9.Q7090 Edited and supplemented by Joachim Draheim. Composed by Robert Schumann. This edition: score and parts. Downloadable, Score and parts. Duration 32' 25. Schott Music - Digital #Q7090. Published by Schott Music - Digital (S9.Q7090). Key: C minor.Schumann's early piano quartet composed in 1829 has not yet found its way into the concert repertoire, although it would be well-earned. This is due to the fact that the work has only been available in a version full of mistakes up to now. Our new edition by the renowned Schumann researcher Joachim Draheim is based not only on the autograph but also on Schumann's sketches, thus providing a convincing musical text for the first time. Missing pages of the autograph (end of the first movement, left-hand piano part in the minuet, etc.) have been completed for the first time with the help of parallel passages in a stylistically sensitive and accurate manner. A valuable addition to the repertoire on the occasion of the Schumann Year 2010.

Cello and piano - intermediate to advanced - Digital Download SKU: S9.Q6647 Composed by Johanna Senfter. This edition: Sheet music. Cello Library. Downloadable. Op. 79. Duration 18 minutes. Schott Music - Digital #Q6647. Published by Schott Music - Digital (S9.Q6647). Key: E flat major.The composer Johanna Senfter (1879-1961) from Oppenheim studied composition with Max Reger in Leipzig. Her expressive style is characterised by polyphonic settings and late-Romantic harmony. Sonate für Violoncello und Klavier Opus 79 was written by Johanna Senfter around 1935. But it was not before 1993 that the long forgotten cello sonata was released on CD for the first time. The current edition of the previously unpublished sonata, now presented by us, is based on the autograph kept at the library of the Cologne Hochschule für Musik. A rewarding concert piece for advanced cellists.

Cello,Piano - Level 4 - Digital Download SKU: A0.868901 Composed by Lev PULVER (1883 – 1970). Arranged by Sergei PICHUGIN. 20th Century,Concert,Jewish,Standards,World. Score and part. 15 pages. Really Good Music, LLC. #4811245. Published by Really Good Music, LLC. (A0.868901). This is the first publication of the Jewish Dance for cello solo and orchestra by Lev PULVER (1883 – 1970), based on the autograph manuscript of the score, realized and edited by Sergei Pichugin. The piano reduction of the composition has been made by the author. The piece was composed in 1942–43 in the midst of World War II. Presumably it was never performed since 1950, being completely forgotten. Jewish Dance is definitely among the masterpieces of Yiddish musical culture of the 20th century. Introductory text to the publication, written by Sergei Pichugin, includes a short biography of the composer and a description of the Jewish Dance.

Cello,Piano - Level 3 - Digital Download SKU: A0.1427906 Composed by Gaetano Donizetti. Arranged by Fabrizio Capitanio and Michele Galvagno. 19th Century,Chamber,Classical,Opera,Romantic Period. Score and part. 32 pages. Artistic Score Engraving di Galvagno Michele #1008651. Published by Artistic Score Engraving di Galvagno Michele (A0.1427906). Among all opera composers, Gaetano Donizetti (1797–1848) was perhaps the most prolific when it comes to chamber music. He composed sixteen string quartets, countless pages for piano (solo and four-hands), and several fantasia-style pieces for solo instrument and piano. The autograph of the Largo for cello and piano survived to this day thanks to virtuoso cellist Alfredo Piatti (1822—1901), in whose collection it safely rested until it could be unearthed once more. Crafted with meticulous attention to detail, this edition of the Largo brings the piece back to life, providing a comprehensive and accurate representation of the original manuscript. A thorough section of Critical Notes will let you compare the four existing sources and understand why this edition was needed.This edition comes in a bundle of full score and two separate cello part, one unedited, and one with performance suggestions by Michele Galvagno.

Cello,Piano - Level 4 - Digital Download SKU: A0.1162315 By Edward Elgar. By Edward Elgar. Arranged by Flavio Regis Cunha. 20th Century,Contest,Festival,Instructional,Romantic Period,Wedding. Score and part. 9 pages. Flavio Regis Cunha #762675. Published by Flavio Regis Cunha (A0.1162315). Salut D'Amour (Liebesgruss) for Violoncello and Piano - as played by YO YO MA and Kathryn Stott.Edward Elgar’s Salut d’amour is one of those pieces by the British composer that has a particularly haunting melody. Composed in 1888 for his future wife Caroline Alice Roberts, the work became an enormous success early on. There are numerous arrangements – but the only versions for which the autograph manuscripts survive are those for Violin and Piano, Piano solo and Violoncello and Piano. Up to now there has only been an arrangement of the cello part made by the original publisher, presumably with Elgar’s approval. This score was written based on the beautiful record 'Songs of the Arc of Life' by YO YO MA (cello) and Kathryn Stott (piano). Enjoy!Advanced Intermeiate level.Format: Concert, 9 x 12 inches.9 pages.

Cello and piano - intermediate - Digital Download SKU: S9.Q6322 Composed by Johann Christoph Friedrich Bach. This edition: Sheet music. Cello Library. Ein dankbares, nicht allzu schweres Stück für Unterricht und Konzert, das als wichtiges Bindeglied zu den Beethoven-Sonaten zu sehen ist. Downloadable. Schott Music - Digital #Q6322. Published by Schott Music - Digital (S9.Q6322). Key: A major.The autograph of this sonata, composed in 1789, was initially extant in Bückeburg under the title of 'Sonata per il Cembalo o Piano-Forte et Violoncello obligato' but was lost in the Second World War. The version then published was merely a substantially revised version which had been transposed to D major. Our new edition reconstructs the work's original state (in A major), taking the common performance practice principles of articulation and dynamics into account. A rewarding, yet fairly easy piece suitable for lessons and concerts which can be regarded as an important link to Beethoven's sonatas.