Composed by Udo Jurgens. Arranged by Uwe Roessler / Rössler / Rassler. 20th Century,Children,Film/TV,Instr uctional,Pop. Score and part. 4 pages. Uwe Roessler #694741. Published by Uwe Roessler

Cello,Piano - Level 4 - Digital Download SKU: A0.1493033 Composed by Clémence de Grandval. Arranged by Paul Wehage (édition). 19th Century,Chamber,Classical,Romantic Period. Score and part. 33 pages. Musik Fabrik Music Publishing #1069723. Published by Musik Fabrik Music Publishing (A0.1493033). Maria-Félicie-Clémence de Grandval (1828–1907) was born on January 28, 1828 at Saint-Rémy-des-Monts, France and died on January 15, 1907 in Paris.After the death of her mother, Louise Adèle du Temple de Mésières, her father the Baron de Reiset, a military officer remarried with an Englishwoman and moved his family to London. After beginning her musical studies privately, she studied the piano with the German composer Friedrich von Flotow, who was a family friend. Returning to France, she studied the piano briefly with Chopin and composition with Camille Saint-Saëns, who remember their first meeting: “I was 12 when I heard the vicomtesse de Grandval for the first time, who was 18. It was at a musical morning concert at the home of the violinist de Cuvillon. She sang a song of her own composition ‚La Source, in which she accompanied herself. I was struck by the fluidity of her playing, which purely and without useless inflections, was quite close to my way of viewing music. This unified and tranquil style came out of her studies with Chopin.” Camille Saint-Saëns: Quelques mots sur l’exécution des œuvres de Chopin, in: “Le courrier musical de Paris” 13 [1910], S. 386).  At first writing mostly sacred music, most of her public success was due to her comic operas: la Comtesse Eva, la Pénitente, Piccolino and Mazeppa. She also wrote orchestral music, chamber music, and over 60 songs (to poets such as Sully Prudhomme, Michel Carré, Henri Meilhac, Georges Hartmann, Charles Grandmougin and Louis Gallet.) She is chiefly known today for her music for wind instruments, especially for the oboe.

Cello,Piano - Level 3 - Digital Download SKU: A0.946162 Composed by PI. Tchaikovsky. Arranged by Logan K., Elisha R. Broadway,Christmas,Musical/Show,Romantic Period. Score and part. 6 pages. Logan Keeley #6115203. Published by Logan Keeley (A0.946162). Arrangement for cello and piano! Includes: full score, piano part, and cello part.

Cello and piano - intermediate to advanced - Digital Download SKU: S9.Q561888 Composed by Juliette Dantin. Downloadable. Schott Music - Digital #Q561888. Published by Schott Music - Digital (S9.Q561888).

Cello,Piano - Level 3 - Digital Download SKU: A0.1210966 Composed by John R. Daniels. Arranged by John R. Daniels. Classical,Contemporary,Jazz,Pop,Wedding. Score and part. 12 pages. John R. Daniels #808662. Published by John R. Daniels (A0.1210966). “Fascination With You� is a Mysteriously Romantic, Light Jazz Instrumental Solo with Piano Accompaniment for Cello. It has an easy jazz feel without being difficult. It's perfect for weddings, competition, even a church anthem. This arrangement can also be played by other C instruments in Bass Clef. “Fascination With You� is also available for instruments in other keys. Please search this site for “Fascination With You� for other instruments. If you don't see your instrument, email me at CustomMusic@Salt-Cellar-Creations to request a version for you (usually at NO CHARGE).

Cello,Piano - Level 5 - Digital Download SKU: A0.1459479 Composed by Franz Joseph Haydn, Johann Crüger, Joachim Neander, and Johann R. Ahle. Arranged by Joseph I. Corporon (ASCAP). Christian,Historic,Religious,Sacred,Traditional. Score and part. 11 pages. Joseph I. Corporon #1038432. Published by Joseph I. Corporon (A0.1459479). A Germanic Hymn Medley for Violoncello and Piano features five well know hymn tunes composed by Franz Joseph Haydn, Johann Crüger, Joachim Neander, and Johann R. Ahle:ST. ANTHONY'S CHORALENUN DANKETLOBE DEN HERRENUNSER HERRSCHERLIEBSTER JESUA reprise of ST. ANTHONY'S CHORALE at the end features the Piano playing the melody; the Violoncello accompanies with fast rising arpeggios and short section of descending octave triplets requiring thumb position. Two short sections of the reprise are written in tenor clef to aid in note reading.

Cello,Piano - Level 3 - Digital Download SKU: A0.844351 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan Cutchen. Christian,Gospel,Sacred,Spiritual. Score and part. 15 pages. Dan Cutchen Music #4281895. Published by Dan Cutchen Music (A0.844351). This arrangement of And Can It Be That I Should Gain? is for cello solo and piano.A theme and variation treatment is used.  For a piano background Mp3 track, search for: Cello - And Can It Be? Piano Accompaniment, Dan CutchenTime: approximately 6:00And Can It Be That I Should Gain? is a Christian hymn written by Charles Wesley. And Can It Be was written in 1738 to celebrate Wesley's conversion, which he regarded as having taken place on May 21 of that year.This beautiful hymn has been popular and enduring.And Can It Be That I Should Gain is perhaps one of the most joyfully poignant hymns penned by Charles Wesley (1707-1788). On Whitsunday (Pentecost), May 21, 1738, three days before his brother John experienced his heart strangely warmed,’ Charles was convalescing in the home of John Bray, a poor mechanic, when he heard a voice saying, In the name of Jesus of Nazareth, arise, and believe, and thou shalt be healed of all thy infirmities. The voice was most likely Mr. Bray’s sister who felt commanded to say these words in a dream.Anglican hymn writer Timothy Dudley-Smith, notes that the following then happened:Charles got out of bed and opening his Bible read from the Psalms: He have put a new song in my mouth, even praise unto our God, followed by the first verse of Isaiah 40, Comfort ye, comfort ye my people, saith your God. He wrote in his journal, I have found myself at peace with God, and rejoiced in the hope of love Christ (Dudley-Smith, 1987, 1).The statement from Mr. Bray’s sister sparked within Charles a conviction like he had never felt before. Moved and convicted in spirit, Charles wrestled with these words until he came to rest in his faith, knowing that it is by faith we are saved (Ephesians 2:8).Soon after this conversion experience, he wrote two hymns in celebration of the amazing love he had come to know: And Can It Be that I Should Gain and Where Shall My Wondering Soul Begin? (United Methodist Hymnal, 342)There has been some debate as to which hymn was written first, but most current scholarship accepts the latter as the first hymn written by Charles after his conversion experience. No matter its place in the chronology of Wesley's output, And Can It Be has been and remains one of his most remarkable hymns, expressing like no other the rapturous joy of receiving salvation.And Can It Be That I Should Gain. Hymnary.org, https://hymnary.org/text/and_can_it_be_that_i_should_gainDudley-Smith, Timothy. A Flame of Love: A Personal Choice of Charles Wesley’s Verse. London: Triangle SPCK, 1987.Timothy Dudley-Smith. And can it be that I should gain. The Canterbury Dictionary of Hymnology. Canterbury Press, accessed May 29, 2018, http://www.hymnology.co.uk/a/and-can-it-be-that-i-should-gain.Young, Carlton R. And Can It Be That I Should Gain. Companion to the United Methodist Hymnal. Abingdon Press, 1993.(Taken from: History of Hymns: And Can It Be That I Should Gain by DeAndre Johnson found at https://www.umcdiscipleship.org/resources)https://youtu.be/xCpG9mpfSFk

Cello and piano - intermediate - Digital Download SKU: S9.Q47123 Composed by Sebastian Lee. This edition: Sheet music. Schott Student Edition - Repertoire. Downloadable. Op. 112. Schott Music - Digital #Q47123. Published by Schott Music - Digital (S9.Q47123). Key: B minor.Sebastian Lee (1805–1887) wirkte als erfolgreicher Cellist und Pädagoge u.a. in Paris und Hamburg. Seine Schulwerke, Etüden und Duette werden bis heute im Unterricht verwendet. Daneben stammen auch zahlreiche Konzertstücke für Violoncello und Klavier aus Lees Feder. Die Gavotte op. 112 ist ein effektvoll und facettenreich stilisierter Tanz, der fortgeschrittene Schüler vor anspruchsvolle Aufgaben stellt. Dabei sind die Herausforderungen am Instrument und seinen technischen Möglichkeiten orientiert: So liegen beispielsweise die schnellen Sechzehntelfigurationen gut „in der Hand“, erzeugen aber gleichzeitig eine virtuose Wirkung. Voraussetzung für die Erarbeitung der Komposition sind der versierte Umgang mit Tonhöhen bis zur sechsten Lage, Erfahrungen mit Daumenlage und Flageoletts, Fertigkeiten im Spiel von Doppelgriffen und Verzierungen sowie eine gute Geläufigkeit der linken Hand. Musikalisch bietet die Gavotte die Möglichkeit, unterschiedliche Charaktere darzustellen: Es gilt, leichte „luftige“ Motive, breite energiegeladene Akkorde, aber auch schnelle virtuose Passagen zu gestalten. Der Klavierpart ist schlicht gesetzt und beschränkt sich weitgehend auf eine unterstützende Begleitfunktion. Diese Ausgabe ist Teil der Unterrichtsreihe Schott Student Edition, die vielfältiges Repertoire für Unterricht, Konzert und Prüfung in verschiedenen Schwierigkeitsgraden (von leicht bis schwer) bietet. Hierfür werden u.a. beliebte Standardwerke der Musikgeschichte in modernem und übersichtlichem Druckbild herausgeben. Zu vielen Stücken ist die Klavierbegleitung zum Download verfügbar. About Schott Student EditionThe Schott Student Edition gathers instrumental works for music lessons providing a unique and varied repertoire resource including standard teaching works, lesser known pieces which are perfectly suited to lessons as well as to student concerts and competitions.The repertoire is divided into levels 1-5, from very easy to difficult, and includes works from the Renaissance up to modern performance pieces. Each title is graded, from very easy works for beginners up to demanding pieces for more advanced students who are preparing for further study or examinations.Every work in the series has been carefully selected and edited by experienced music teachers. The editions also contain a wealth of information on the pieces as well as useful advice on studying, rehearsing and interpreting the works. The first titles to be published in the Schott Student Edition series contain works for violin, violoncello, flute, clarinet and recorder. Further editions are in preparation.

Violoncello & Piano - Grade 5 - Digital Download SKU: R0.45653 Un Chamois dans le Vignoble / A Chamois In The Vineyard. Composed by Miloslav R. Prochazka. Arranged by Jirka Kadlec. Violoncello & Piano. Score and parts. 10 pages. Duration 3'42. Editions Marc Reift - Digital #45653. Published by Editions Marc Reift - Digital (R0.45653).

Cello,Piano - Level 3 - Digital Download SKU: A0.1454400 Composed by Maurice Ravel. Arranged by Harry Walker. 19th Century,20th Century,Classical,Romantic Period. Score and part. 9 pages. SCORE EDITIONS #1033502. Published by SCORE EDITIONS (A0.1454400). La Pavane pour une infante défunte est à l'origine une pièce pour piano de Maurice Ravel composée en 1899 et dédiée à la princesse de Polignac. La création de la version pianistique eut lieu à Paris le 5 avril 1902 par le pianiste Ricardo Viñes. Son exécution dure environ six minutes. La Pavane a été orchestrée par Ravel en 1910. L'œuvre porte la référence M.19 dans le catalogue des œuvres du compositeur établi par le musicologue Marcel Marnat. In this version, the composition was arranged for Cello and Piano by Harry Walker.

Soprano, cor anglais, viola, cello and piano - difficult - Digital Download SKU: S9.Q6155 Composed by Christian Jost. This edition: score and parts. Downloadable, Score and parts. Duration 12 minutes. Schott Music - Digital #Q6155. Published by Schott Music - Digital (S9.Q6155). German.Ein Liebespaar, unter deren Gier der Boden nachgibt und deren Lust zu Treibholz wird: dies ist das Herz von Hans Thills Gedicht Paradox und stellt den ersten Moment der Inspiration für Christian Jost dar, diesem Text musikalische Gestalt zu verleihen. Die reduzierte Sprache des Gedichts, seine surreale erotische Welt, eröffnet Räume, in denen Sätze zu Romanen und einzelne Wörter zu endlosen Linien werden. Kompositorisch hat dies für Jost nicht nur die Möglichkeit geschaffen, eine Geschichte hinter der Geschichte zu erzählen, sondern auch jedes einzelen Wort in Klänge einzuschweißen, deren Richtung er bestimmt. Folgerichtig ist demnach im Text und nicht an ihm entlang komponiert worden. Was bedeutet: der ohnehin zerschnittenen Sprache wurde eine weitere Ebene hinzugefügt, indem die jeweiligen Textschwerpunkte in verschiedene Klangbilder gefasst wurden, deren Summe dann die Dramaturgie des Ganzen bestimmt hat. Dadurch haben sich größere atmosplärische Unterschiede und Spannungen ergeben, als das sehr lyrische Gedicht vermuten ließe. So aber konnte der Komponist eine Dichte an Ausdruck und Intensität entwickeln, die bereits im Text enthalten sind, auch wenn er sich in ein lyrisches Gewand verkleidet hat.

Cello,Piano - Level 2 - Digital Download SKU: A0.1220602 By Miley Cyrus. By Gregory Hein, Michael Pollack, and Miley Cyrus. Arranged by Daniel Nakamura. Disco,Hip-Hop,Instructional,Pop,R & B,Wedding. Score and part. 7 pages. Daniel Nakamura #816940. Published by Daniel Nakamura (A0.1220602). Arrangement for Cello with Easy Piano accompaniament with chords.

Cello,Piano - Level 2 - Digital Download SKU: A0.1239092 By Miley Cyrus. By Gregory Hein, Michael Pollack, and Miley Cyrus. Arranged by Daniel Nakamura. Disco,Hip-Hop,Instructional,Pop,R & B,Wedding. Score and part. 7 pages. Daniel Nakamura #816943. Published by Daniel Nakamura (A0.1239092). Arrangement for Cello with Easy Piano accompaniament.