Cello,Piano - Level 3 - Digital Download SKU: A0.844351 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan Cutchen. Christian,Gospel,Sacred,Spiritual. Score and part. 15 pages. Dan Cutchen Music #4281895. Published by Dan Cutchen Music (A0.844351). This arrangement of And Can It Be That I Should Gain? is for cello solo and piano.A theme and variation treatment is used.  For a piano background Mp3 track, search for: Cello - And Can It Be? Piano Accompaniment, Dan CutchenTime: approximately 6:00And Can It Be That I Should Gain? is a Christian hymn written by Charles Wesley. And Can It Be was written in 1738 to celebrate Wesley's conversion, which he regarded as having taken place on May 21 of that year.This beautiful hymn has been popular and enduring.And Can It Be That I Should Gain is perhaps one of the most joyfully poignant hymns penned by Charles Wesley (1707-1788). On Whitsunday (Pentecost), May 21, 1738, three days before his brother John experienced his heart strangely warmed,’ Charles was convalescing in the home of John Bray, a poor mechanic, when he heard a voice saying, In the name of Jesus of Nazareth, arise, and believe, and thou shalt be healed of all thy infirmities. The voice was most likely Mr. Bray’s sister who felt commanded to say these words in a dream.Anglican hymn writer Timothy Dudley-Smith, notes that the following then happened:Charles got out of bed and opening his Bible read from the Psalms: He have put a new song in my mouth, even praise unto our God, followed by the first verse of Isaiah 40, Comfort ye, comfort ye my people, saith your God. He wrote in his journal, I have found myself at peace with God, and rejoiced in the hope of love Christ (Dudley-Smith, 1987, 1).The statement from Mr. Bray’s sister sparked within Charles a conviction like he had never felt before. Moved and convicted in spirit, Charles wrestled with these words until he came to rest in his faith, knowing that it is by faith we are saved (Ephesians 2:8).Soon after this conversion experience, he wrote two hymns in celebration of the amazing love he had come to know: And Can It Be that I Should Gain and Where Shall My Wondering Soul Begin? (United Methodist Hymnal, 342)There has been some debate as to which hymn was written first, but most current scholarship accepts the latter as the first hymn written by Charles after his conversion experience. No matter its place in the chronology of Wesley's output, And Can It Be has been and remains one of his most remarkable hymns, expressing like no other the rapturous joy of receiving salvation.And Can It Be That I Should Gain. Hymnary.org, https://hymnary.org/text/and_can_it_be_that_i_should_gainDudley-Smith, Timothy. A Flame of Love: A Personal Choice of Charles Wesley’s Verse. London: Triangle SPCK, 1987.Timothy Dudley-Smith. And can it be that I should gain. The Canterbury Dictionary of Hymnology. Canterbury Press, accessed May 29, 2018, http://www.hymnology.co.uk/a/and-can-it-be-that-i-should-gain.Young, Carlton R. And Can It Be That I Should Gain. Companion to the United Methodist Hymnal. Abingdon Press, 1993.(Taken from: History of Hymns: And Can It Be That I Should Gain by DeAndre Johnson found at https://www.umcdiscipleship.org/resources)https://youtu.be/xCpG9mpfSFk

Cello,Piano - Level 2 - Digital Download SKU: A0.1502403 Composed by Johann Sebastian Bach. Arranged by Iury Cardoso. Baroque,Chamber,Christmas,Classical,Wedding. Score and part. 5 pages. Iury Cardoso #1078216. Published by Iury Cardoso (A0.1502403). Beautiful easy VIOLONCELLO and PIANO arrangement of the piece: Air (from Orchestral Suite No.3 in D major, BWV 1068) by Johann Sebastian Bach (Score and violoncello part: 5 pages)  This arrangement presentes a new adaptation solution to transform the original piece (composed for string orchestra) into an easier version for VIOLONCELLO and PIANO, with an easy-to-follow score to be played by music students. This Bach's Air is probably the most famous movement among Bach’s orchestral suites, and in this arrangement, the long melody line spins out its cantilena against a walking bass line and easy-to-play contrapuntal commentary played by the piano.  The chord symbols are present in the sheet music, allowing the duet to be accompanied by another harmonic instrument, or even for a better understanding of the harmonic structure of the piece. This music is ideal for recitals, rehearsals, concerts, weddings and also suitable for musical moments during Christmas, Easter and various holidays. Get Bach's Aria sheet music now and play this masterpiece that captivates the soul with its timeless beauty.  Other features of this sheet music: - Easy arrangement: made for beginner or intermediate level musicians (This is a more accessible version for music students). - Chord symbols included: but, if you prefer, there is also a version of this same arrangement without the chord symbols on this website. - This arrangement is also a version for teacher/student duet: the students can be accompanied by their teacher playing the piano (the piano parts can be played on piano or electronic keyboard). - Other versions available: On this site, there is a version of this arrangement for SOLO VIOLONCELLO and also versions for STRING QUARTET/QUINTET (with or without piano accompaniment).  See more arrangements by Iury Cardoso, thank you so much! air bach for cello and piano air on the G string bach easy cello and piano  easy air on the G string for cello and piano easier air on the G string for cello and piano     air bach cello and piano sheet music   air bach easy cello and piano   air on the G string cello for beginners   easy cello and piano chamber music   air bach but on cello and piano   air on the G string bach cello and piano version   air on the G string bach easy cello and piano arrangement   air on the G string bach easy violoncello and piano  Orchestral Suite No.3 in D major, BWV 1068  air bach sheet music   easy air on the G string for violoncello and piano  air on the G string violoncello for beginners   easy violoncello and piano chamber music   air bach but on violoncello and piano   air on the G string bach violoncello and piano version   air bach violoncello and piano best arrangement   easy violoncello and piano baroque sheet music   easy piano easy cello   air bach easier version   air on the G string sheet music   air on the G string arrangement for cello with piano   air bach for easy violoncello with piano   easy baroque sheet music for violoncello with piano   easy air on the G string for cello piano duet easy air bach sheet music   easy version of Air on the G string for cello piano   easy air bach violoncello piano sheet music   bach easy cello piano   air for cello and piano beginners   bach for cello students   air bach best easy arrangement for piano and violoncello air bach easy version for cello piano   bach easy sheet music for violoncello piano.

Cello,Piano - Level 2 - Digital Download SKU: A0.1502405 Composed by Johann Sebastian Bach. Arranged by Iury Cardoso. Baroque,Chamber,Christmas,Classical,Wedding. Score and part. 5 pages. Iury Cardoso #1078218. Published by Iury Cardoso (A0.1502405). Beautiful easy VIOLONCELLO and PIANO arrangement of the piece: Air (from Orchestral Suite No.3 in D major, BWV 1068) by Johann Sebastian Bach (Score and violoncello part: 5 pages)  This arrangement presentes a new adaptation solution to transform the original piece (composed for string orchestra) into an easier version for VIOLONCELLO and PIANO, with an easy-to-follow score to be played by music students. This Bach's Air is probably the most famous movement among Bach’s orchestral suites, and in this arrangement, the long melody line spins out its cantilena against a walking bass line and easy-to-play contrapuntal commentary played by the piano.  This music is ideal for recitals, rehearsals, concerts, weddings and also suitable for musical moments during Christmas, Easter and various holidays. Get Bach's Aria sheet music now and play this masterpiece that captivates the soul with its timeless beauty.  Other features of this sheet music: - Easy arrangement: made for beginner or intermediate level musicians (This is a more accessible version for music students). - Chord symbols not included: but, if you prefer, there is also a version of this same arrangement with the chord symbols on this website. - This arrangement is also a version for teacher/student duet: the students can be accompanied by their teacher playing the piano (the piano parts can be played on piano or electronic keyboard). - Other versions available: On this site, there is a version of this arrangement for SOLO VIOLONCELLO and also versions for STRING QUARTET/QUINTET (with or without piano accompaniment).  See more arrangements by Iury Cardoso, thank you so much! air bach for cello and piano air on the G string bach easy cello and piano  easy air on the G string for cello and piano easier air on the G string for cello and piano     air bach cello and piano sheet music   air bach easy cello and piano   air on the G string cello for beginners   easy cello and piano chamber music   air bach but on cello and piano   air on the G string bach cello and piano version   air on the G string bach easy cello and piano arrangement   air on the G string bach easy violoncello and piano  Orchestral Suite No.3 in D major, BWV 1068  air bach sheet music   easy air on the G string for violoncello and piano  air on the G string violoncello for beginners   easy violoncello and piano chamber music   air bach but on violoncello and piano   air on the G string bach violoncello and piano version   air bach violoncello and piano best arrangement   easy violoncello and piano baroque sheet music   easy piano easy cello   air bach easier version   air on the G string sheet music   air on the G string arrangement for cello with piano   air bach for easy violoncello with piano   easy baroque sheet music for violoncello with piano   easy air on the G string for cello piano duet easy air bach sheet music   easy version of Air on the G string for cello piano   easy air bach violoncello piano sheet music   bach easy cello piano   air for cello and piano beginners   bach for cello students   air bach best easy arrangement for piano and violoncello air bach easy version for cello piano   bach easy sheet music for violoncello piano.

Cello,Piano - Level 1 - Digital Download SKU: A0.548509 Composed by Wade. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 4 pages. Jmsgu3 #3388103. Published by jmsgu3 (A0.548509). O Come All Ye Faithful arranged with new harmony for the final verse. Score: 3 pages, part: 1 page. O Come, All Ye Faithful O Come, All Ye Faithful is an English translation of the Latin Christmas carol Adeste Fideles. No one knows exactly who wrote it, but one theory is that it was originally composed by King John IV of Portugal (1604–1656) and revised by John F. Wade and John Reading. Nowadays, we usually attribute it to John Wade. The oldest manuscript from 1751, is owned by Stonyhurst College in Lancashire. Lyrics The English translation O Come, All Ye Faithful was certainly written by Frederick Oakeley, a Catholic priest in 1841. This translation is the most common in English speaking states. To begin with, the hymn had only four verses. Later, the verses grew to eight. Often, various verses are omitted because otherwise, the song is just too long. Some believe the first Latin lyrics were written by St. Bonaventure (13th century) or King John IV of Portugal in the 17th.  Though others think it was written by the Cistercian monks.   King John IV King John IV of Portugal was called The Musician King. He became king in 1640. In addition to performing the duties of a king, he was also a composer and music journalist. King John built a very large music library. Unfortunately, the library was ruined in 1755 because of the massive earthquake of Lisbon. In addition to his library, the king started a Music School that produced many accomplished musicians. The king also worked diligently to get instrumental music approved by the Vatican for use in his churches. Aside from his authorship of Adeste Fideles, he is famous for another popular choral setting of the Crux Fidelis, a prevalent Lenten hymn. Performance in Context As mentioned above, verses are sometimes left out because all eight verses would take too long to perform. More to the point though, some of the verses may be unsuitable for whatever of the church calendar they are intended. The eighth verse deals with the Epiphany, so it makes sense to sing this on Epiphany Sunday, but not other Sundays. Similarly, other verses are used according to whether the event is Midnight Mass or regular daytime Mass.  Register for free lifetime updates and revisions at www.jamesguthrie.com

Piano Accompaniment, Cello - Early Intermediate - Digital Download Composed by Various. Arranged by Sharon Wilson. Christian, Folk, European, Christmas, Children's Music. Score, Solo Part. 61 pages. Published by Sharon Wilson

Cello,Piano - Level 4 - Digital Download SKU: A0.632673 Composed by Charles Strouse. Arranged by Fishel Pustilnik. Broadway. Score and part. 8 pages. F & N Enterprise #3077585. Published by F & N Enterprise (A0.632673). An excellent arrangement of famous Those Were The Days for Cello and Piano (Jazz/Pop Version). The composition is easy to read, fun to play and sound professional when performed. Arranged by Fishel Pustilnik, very well known as Composer/Publisher. His books Jazz & Pop Piano Paradise (Volumes 1-5) have become a commercial success and a hit with music teachers and students in Canada. (Thousands books already sold in Canada). They are also starting to enter the US, Brazil, Norway, Russia, Holland, Israel, Belgium, Sweden, Finland, Greece, Latvia and UK markets. This is a wonderful new publication. These pieces offer much appeal for the young pianist and excellent choice for a supplementary book for students from Grade 3 to 8. Lore Ruschiensky, Editor, (from review in The Canadian Music Teacher) Yesterday I spent at least two pleasure filled hours playing through your imaginatively inventive compositions. Congratulations! I trust students will decide to program your well crafted and entertaining works on recitals and examinations. Review from Dr. Jack Behrens, B.Sc. (Julliard), PH.D (Harvard), Director of Academic Studies, The Glenn Gould School I liked this book the best so far. Great work! You have a gift for melody and your arrangements are very playable. Congratulations on the 3rd Volume. Mark Carlstein, Hal Leonard, Keyboard Publications.

Cello,Piano - Level 2 - Digital Download SKU: A0.548655 Composed by James Pierpont. Arranged by James M. Guthrie, ASCAP. Christmas. Score and part. 8 pages. Jmsgu3 #3408191. Published by jmsgu3 (A0.548655). Jingle Bells arranged for cello & piano with a fancy final verse. Jingle Bells is perhaps the most famous songs in American music history. James L. Pierpont published the song as One Horse Open Sleigh in the late 1850’s. Since its introduction, people began to insist that Pierpont wrote it for a Sunday school choir. However, it seems unlikely that such a secular song would be considered appropriate during that historical period for Sunday school.Christmas Repertoire Pierpont wrote the song for the Thanksgiving holidays, but over time people began to think of it more as a Christmas song. Some choirs adopted it as part of their Christmas repertoire in the 1860s and 1870s. Jingle Bells was first recorded in 1889 on a wax cylinder. Origins No one knows where Pierpont composed the song. One theory suggests he wrote it in Medford Massachusetts in 1850. Sleigh races were certainly popular in 19th Century Massachusetts. To this day, a commemorative placard appears in Medford square claiming that it is the birthplace of Jingle Bells. Others suggest that he wrote it in Savannah, Georgia where he was an organist and music director at the Unitarian Church. This theory gains support from the copyright date of 1857. We know he was living in Savannah by then. Traffic Signals Horse-drawn sleighs are relatively quiet in the snow. Consequently, horses were usually equipped with bell-laden straps so as to avoid accidents at blind intersections. Sleigh drivers in 19th Century New England were constantly vigilant, listening for the sounds of approaching horse-drawn sleighs. The tune imitates the rhythm that the trotting horse bells produce. Social Context Jingle Bells was sung as a drinking song at local revelries: during the song folks would rhythmically jangle the ice in their glasses. A sleigh ride gave couples an opportunity to be alone together. The term Jingle bells is a poetic descriptive adjective referring specifically to the more accurate term sleigh bells. In many arrangements, sleigh bells are used to accentuate the rhythm during the song chorus.  Register for free lifetime updates and revisions at www.jamesguthrie.com