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O How I Love Jesus - Cello Solo with Piano Accompaniment Violoncelle, Piano
Reba McEntire
$3.99 3.78 € Violoncelle, Piano PDF SheetMusicPlus

Cello,Piano - Level 1 - Digital Download

SKU: A0.548509

Composed by Wade. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 4 pages. Jmsgu3 #3388103. Published by jmsgu3 (A0.548509).

O Come All Ye Faithful arranged with new harmony for the final verse. Score: 3 pages, part: 1 page.

O Come, All Ye Faithful

O Come, All Ye Faithful is an English translation of the Latin Christmas carol Adeste Fideles. No one knows exactly who wrote it, but one theory is that it was originally composed by King John IV of Portugal (1604–1656) and revised by John F. Wade and John Reading. Nowadays, we usually attribute it to John Wade. The oldest manuscript from 1751, is owned by Stonyhurst College in Lancashire.

Lyrics

The English translation O Come, All Ye Faithful was certainly written by Frederick Oakeley, a Catholic priest in 1841. This translation is the most common in English speaking states. To begin with, the hymn had only four verses. Later, the verses grew to eight. Often, various verses are omitted because otherwise, the song is just too long. Some believe the first Latin lyrics were written by St. Bonaventure (13th century) or King John IV of Portugal in the 17th.  Though others think it was written by the Cistercian monks.  

King John IV

King John IV of Portugal was called The Musician King. He became king in 1640. In addition to performing the duties of a king, he was also a composer and music journalist. King John built a very large music library. Unfortunately, the library was ruined in 1755 because of the massive earthquake of Lisbon. In addition to his library, the king started a Music School that produced many accomplished musicians. The king also worked diligently to get instrumental music approved by the Vatican for use in his churches. Aside from his authorship of Adeste Fideles, he is famous for another popular choral setting of the Crux Fidelis, a prevalent Lenten hymn.

Performance in Context

As mentioned above, verses are sometimes left out because all eight verses would take too long to perform. More to the point though, some of the verses may be unsuitable for whatever of the church calendar they are intended. The eighth verse deals with the Epiphany, so it makes sense to sing this on Epiphany Sunday, but not other Sundays. Similarly, other verses are used according to whether the event is Midnight Mass or regular daytime Mass.

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O Come All Ye Faithful for Cello & Piano
Violoncelle, Piano

$24.95 23.67 € Violoncelle, Piano PDF SheetMusicPlus

Cello,Piano - Level 2 - Digital Download

SKU: A0.593083

Composed by Traditional. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Score and part. 4 pages. David McKeown #6415557. Published by David McKeown (A0.593083).

Cello,Piano - Level 3 - Digital Download

SKU: A0.1506704

Composed by Adolphe-Charles Adam. Arranged by Harry Walker. 19th Century,Chamber,Christmas,Contest,Festival,Holiday. Score and part. 12 pages. SCORE EDITIONS #1082067. Published by SCORE EDITIONS (A0.1506704).

Composed by Adolphe Adam in 1847, O Holy Night is one of the most beloved Christmas songs in classical music. The original lyrics, written in French by Placide Cappeau, were commissioned for a Christmas service in a small French town. In 1855, John Sullivan Dwight, an American abolitionist, translated the song into English. Dwight viewed the song’s message as a metaphor for the fight against slavery, which contributed to its popularity in the United States. In this version, the composition was arranged for Cello and Piano by Harry Walker.

O Holy Night (Adolphe Adam) for Cello and Piano
Violoncelle, Piano

$5.99 5.68 € Violoncelle, Piano PDF SheetMusicPlus

Cello,Piano - Level 2 - Digital Download

SKU: A0.1273338

By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Milanov. Film/TV,Singer/Songwriter. Score and part. 6 pages. Milanov #865491. Published by Milanov (A0.1273338).

What Was I Made For? From Barbie by Billie Eilish for cello and piano accompaniment. Easy intermediate. Chords.
What Was I Made For from Barbie by Billie Eilish is a melancholic ballad about feeling lost and uncertain about one's identity. The lyrics explore themes of existentialism, anxiety, and depression. The song's production is sparse and atmospheric, with Eilish's vocals taking center stage. The overall effect is a haunting and introspective track that will resonate with anyone who has ever felt lost or alone. The song ends with a sense of resignation, as Eilish sings, I guess I'll just keep on floating. However, the song's message is ultimately one of hope, as it suggests that even in the midst of uncertainty, there is still beauty to be found.

What Was I Made For?
Violoncelle, Piano
Billie Eilish
$5.99 5.68 € Violoncelle, Piano PDF SheetMusicPlus

Cello,Piano - Level 2 - Digital Download

SKU: A0.1273339

By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Milanov. Film/TV,Singer/Songwriter. Score and part. 6 pages. Milanov #865492. Published by Milanov (A0.1273339).

What Was I Made For? From Barbie by Billie Eilish for cello and piano accompaniment. Easy intermediate. 
What Was I Made For from Barbie by Billie Eilish is a melancholic ballad about feeling lost and uncertain about one's identity. The lyrics explore themes of existentialism, anxiety, and depression. The song's production is sparse and atmospheric, with Eilish's vocals taking center stage. The overall effect is a haunting and introspective track that will resonate with anyone who has ever felt lost or alone. The song ends with a sense of resignation, as Eilish sings, I guess I'll just keep on floating. However, the song's message is ultimately one of hope, as it suggests that even in the midst of uncertainty, there is still beauty to be found.

What Was I Made For?
Violoncelle, Piano
Billie Eilish
$5.99 5.68 € Violoncelle, Piano PDF SheetMusicPlus

Cello,Piano - Level 2 - Digital Download

SKU: A0.565953

By Sharon Wilson. By Folk Song, George Frideric Handel, Gustav Theodore Holst, James R. Murray, John Henry Hopkins Jr., Mykola Leontovich, and Traditional. Arranged by Sharon Wilson. Advent,Children,Christmas,Folk,Sacred. Score and part. 48 pages. Sharon Wilson #6601483. Published by Sharon Wilson (A0.565953).

This collection contains 10 Christmas Carols arranged as easy instrumental duets (for CELLO solo with PIANO accompaniment). From flowing and peaceful to bright and uplifting, these arrangements are a welcome addition to the repertoire for beginning string students. These beloved Christmas songs are equally enjoyed whether used for recitals, worship services, or to make practicing more interesting.

All notes for the CELLO in each song are playable in the first position making these arrangements an excellent choice for early-intermediate string players. For each song, there is a combined score (grand staff) with both parts on each page (CELLO and PIANO) plus a separate 1-staff score for the CELLO.

Each song is also available separately with accompanying preview pages and audio samples.

Song titles included in this collection:  
Angels We Have Heard on High
Away in a Manger
Bring a Torch, Jeannette, Isabella
Ding Dong! Merrily on High
In the Bleak Midwinter
Joy to the World
O Come, All Ye Faithful
O Come, O Come, Emmanuel
Ukrainian Bell Carol
We Three Kings

Visit Sharon Wilson's website:
https://www.sharonwilsonmusic.com/
Subscribe to her YouTube Channel: https://youtube.com/@SharonWilsonMusic

Cover Image Credit: Pixabay.com
Christmas Carols (A Collection of 10 Easy Cello Solos with Piano Accompaniment) Violoncelle, Piano
Sharon Wilson
$15.00 14.23 € Violoncelle, Piano PDF SheetMusicPlus

5 Romantic Songs for Cello and Piano - Book 2 Violoncelle, Piano

$9.99 9.48 € Violoncelle, Piano PDF SheetMusicPlus






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