Cello,Piano - Level 3 - Digital Download SKU: A0.528550 Composed by Antonin Dvorak. Arranged by Diego Marani. Classical,Concert,Instructional,Romantic Period,Standards. Score and part. 5 pages. Diego Marani #6200327. Published by Diego Marani (A0.528550). Humoresques, Op. 101 (B. 187), is a piano cycle by the Czech composer Antonín Dvořák, written during the summer of 1894. One writer says the seventh Humoresque is probably the most famous small piano work ever written after Beethoven's Für Elise.This arrangement for Cello with Piano Accompaniment reflects faithfully the original for piano solo.

Cello,Piano - Level 3 - Digital Download SKU: A0.528415 Composed by Frederic Chopin. Arranged by Diego Marani. Classical,Concert,Instructional,Romantic Period,Standards. Score and part. 5 pages. Diego Marani #5983829. Published by Diego Marani (A0.528415). Chopin composed his best-known Nocturne in E-flat major, Op. 9, No. 2 when he was around twenty years old. This well-known nocturne is in rounded binary form (A, A, B, A, B, A) with coda, C. The A and B sections become increasingly ornamented with each recurrence. Nocturne in E-flat major opens with a legato melody, mostly played piano, containing graceful upward leaps which becomes increasingly wide as the line unfolds. This melody is heard again three times during the piece. With each repetition, it is varied by ever more elaborate decorative tones and trills.This arrangement for Cello with Piano Accompaniment reflects faithfully the original.

Cello,Piano - Level 1 - Digital Download SKU: A0.548509 Composed by Wade. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 4 pages. Jmsgu3 #3388103. Published by jmsgu3 (A0.548509). O Come All Ye Faithful arranged with new harmony for the final verse. Score: 3 pages, part: 1 page. O Come, All Ye Faithful O Come, All Ye Faithful is an English translation of the Latin Christmas carol Adeste Fideles. No one knows exactly who wrote it, but one theory is that it was originally composed by King John IV of Portugal (1604–1656) and revised by John F. Wade and John Reading. Nowadays, we usually attribute it to John Wade. The oldest manuscript from 1751, is owned by Stonyhurst College in Lancashire. Lyrics The English translation O Come, All Ye Faithful was certainly written by Frederick Oakeley, a Catholic priest in 1841. This translation is the most common in English speaking states. To begin with, the hymn had only four verses. Later, the verses grew to eight. Often, various verses are omitted because otherwise, the song is just too long. Some believe the first Latin lyrics were written by St. Bonaventure (13th century) or King John IV of Portugal in the 17th.  Though others think it was written by the Cistercian monks.   King John IV King John IV of Portugal was called The Musician King. He became king in 1640. In addition to performing the duties of a king, he was also a composer and music journalist. King John built a very large music library. Unfortunately, the library was ruined in 1755 because of the massive earthquake of Lisbon. In addition to his library, the king started a Music School that produced many accomplished musicians. The king also worked diligently to get instrumental music approved by the Vatican for use in his churches. Aside from his authorship of Adeste Fideles, he is famous for another popular choral setting of the Crux Fidelis, a prevalent Lenten hymn. Performance in Context As mentioned above, verses are sometimes left out because all eight verses would take too long to perform. More to the point though, some of the verses may be unsuitable for whatever of the church calendar they are intended. The eighth verse deals with the Epiphany, so it makes sense to sing this on Epiphany Sunday, but not other Sundays. Similarly, other verses are used according to whether the event is Midnight Mass or regular daytime Mass.  Register for free lifetime updates and revisions at www.jamesguthrie.com

Cello,Piano - Level 2 - Digital Download SKU: A0.1240302 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Folk,March,Opera,Romantic Period. Score and part. 6 pages. Woods Only, Arrangements #835672. Published by Woods Only, Arrangements (A0.1240302). This arrangement adapted for violoncello and piano was written keeping the characteristics of the original work, in order to be performed by young music students who want to enter the symphonic music. Besides, it can also be used by professional musicians, for recitals, repertoire, academic presentations and didactic material. As much as it is a funeral march, it is well suited for any musical performance occasion. The transcription is faithful to the structure, with only one change of key, so that it is comfortable for all the instruments in the formation, as well as for use in ensemble practice between musicians of different traditions.Ludwig van Beethoven began concentrated work on his Symphony No. 7 in A major Op. 92 in 1811, it was completed in 1812, and was dedicated to Count Moritz von Fries, and premiered in Vienna on December 8, 1813. It is considered a remarkable example of the more ebullient side of Beethoven's compositional personality and evidence that even after the onset of deafness, he still found cause for musical optimism. The second movement Allegretto is a funeral march in everything but name. Often several contrasting melodic ideas are made to coexist, as if Beethoven were imagining several processions converging on the cemetery at the same time. As he was working on this symphony during the years of the Napoleonic Wars, this experience was probably within his experience. It was also used as the soundtrack to the film Knowing, by director Alex Proyas and starring Nicolas Cage, where it is used in the final scene of the film. Beethoven called Symphony No. 7 his most excellent symphony, and a music critic of the time reported, this symphony is the most melodically rich and the most pleasing and comprehensible of all Beethoven's symphonies..

Cello,Piano - Level 3 - Digital Download SKU: A0.528339 Composed by Wolfgang Amadeus Mozart. Arranged by Diego Marani. Classical,Concert,Instructional,Standards,Wedding. Score and part. 31 pages. Diego Marani #5771815. Published by Diego Marani (A0.528339). Eine kleine Nachtmusik (Serenade No. 13 for strings in G major), K. 525, is a 1787 composition for a chamber ensemble by Wolfgang Amadeus Mozart. The German title means a little serenade, though it is often rendered more literally but less accurately as a little night music. Probably it is the most popular of all Mozart's works.This arrangement for Cello faithfully reproduces the original for string orchestra and includes all the four movements (Allegro, Romance, Minuet, Rondo) of the composition.

Cello,Piano - Level 3 - Digital Download SKU: A0.528336 Composed by Wolfgang Amadeus Mozart. Arranged by Diego Marani. Classical,Concert,Instructional,Standards,Wedding. Score and part. 11 pages. Diego Marani #5765249. Published by Diego Marani (A0.528336). Eine kleine Nachtmusik (Serenade No. 13 for strings in G major), K. 525, is a 1787 composition for a chamber ensemble by Wolfgang Amadeus Mozart. The German title means a little serenade, though it is often rendered more literally but less accurately as a little night music. Probably it is the most popular of all Mozart's works.This arrangement for Cello faithfully reproduces the original for string orchestra and includes the first movement (Allegro) of the composition.

Cello,Piano - Level 3 - Digital Download SKU: A0.528182 Composed by Ludwig van Beethoven. Arranged by Diego Marani. Classical,Concert,Instructional,Romantic Period,Standards. Score and part. 12 pages. Diego Marani #5191045. Published by Diego Marani (A0.528182). Beethoven’s two romances for violin are the closest of siblings: No. 2 is in F Major, while No. 1 is in G Major. Both were dedicated to the same violin virtuoso, Ignaz Schuppanzigh. Musically, No. 2 shares the stately pace and singing quality of No. 1, as well as its rondo structure, which allows Beethoven to repeat the theme with additional material at each iteration. Some listeners hear the melancholy of lost love in this romance’s languorous melody, while others hear a more philosophical musing, poetic and contemplative.Originally composed for violin and orchestra, this arrangement is a faithful transcription for cello and piano.