Cello and piano - intermediate - Digital Download SKU: S9.Q49383 Composed by Cesar Antonovich Cui. This edition: Sheet music. Cesar cui - piano - violoncello. Schott Student Edition - Repertoire. Downloadable. Op. 50/9. Schott Music - Digital #Q49383. Published by Schott Music - Digital (S9.Q49383). German • English • French.Orientale by the Russian composer and music critic César Cui (1835–1918) comes from the cycle Kaleidoscope, a collection of 24 miniatures for violin and piano. The piece was arranged for numerous instrumentations, with the arrangement for cello being among the most popular. The miniature exudes an oriental charm, both melodically and rhythmically, and is a popular encore, not least due to its shortness. Estelle Revaz, an experienced concert cellist and teacher, edited the work, adding tips for modern cello lessons which make the first steps into cello playing easier and provide suggestions for the student's own interpretation. The edition is part of the Schott Student Edition series which offers varied literature at five different levels of difficulty (from 1-easy to 5-difficult) for instrumental lessons. Practical tips by teachers help to master the pieces and make the editions valuable additions to modern music lessons. Each edition of the series is available as printed edition or digital download edition (PDF). For many works, the piano accompaniment is available as playback version (MP3 download) as well. About Schott Student EditionThe Schott Student Edition gathers instrumental works for music lessons providing a unique and varied repertoire resource including standard teaching works, lesser known pieces which are perfectly suited to lessons as well as to student concerts and competitions.The repertoire is divided into levels 1-5, from very easy to difficult, and includes works from the Renaissance up to modern performance pieces. Each title is graded, from very easy works for beginners up to demanding pieces for more advanced students who are preparing for further study or examinations.Every work in the series has been carefully selected and edited by experienced music teachers. The editions also contain a wealth of information on the pieces as well as useful advice on studying, rehearsing and interpreting the works. The first titles to be published in the Schott Student Edition series contain works for violin, violoncello, flute, clarinet and recorder. Further editions are in preparation.

Cello,Piano - Level 2 - Digital Download SKU: A0.549838 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3554481. Published by jmsgu3 (A0.549838). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival               Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. &n.

Cello,Piano - Level 2 - Digital Download SKU: A0.1316427 By DaCapo Primary Music. By Peter Furniss. Children,Classical,Folk,Instructional,Traditional. Score and part. 68 pages. DaCapo Primary Music #905173. Published by DaCapo Primary Music (A0.1316427). Brilliant solos for beginner cello with piano accompaniments.The tunes in this collection of concert pieces have been adapted from traditional folk and children’s songs and given a whole new lease of life with entertaining and imaginative piano accompaniments.There are two versions of each piece – one technically easier than the other. The keys are those needed for early graded exams and there is scope to extend the key ranges and explore octave displacements, varied articulation, slurrings, different fingerings etc.These possibilities are not always marked in the score as it is hoped that the teacher can encourage pupils to bring their own ideas to each piece.The imaginative and varied piano parts give the performer much more than just a chord structure as support for their playing and the accompanying CD can be used once they are able to play the pieces with ease.Designed to be the first concert pieces for a beginner to be played with a pianist or at home with the CD, giving the audience entertaining music to listen to whilst giving the player a real sense of a serious performance.In Concert is the final workings of songs that were commissioned to teach music to children systematically using relative solfa.The songs (all old English folk songs) were reworded to make for entertaining material for children whilst they learn the basic elements and skills of music making. The songs are contained in The First DaCapo Songbook and are brought together as a singing performance in The Farmyard Suite. In Concert is the instrumental version of this.You can find more DaCapo pieces for young instrumentalists at DaCapo Music Shop

Cello,Piano - Level 4 - Digital Download SKU: A0.869857 Composed by Thomas Oboe Lee. 20th Century,Contemporary. Score and part. 54 pages. Thomas Oboe Lee #6416343. Published by Thomas Oboe Lee (A0.869857). I met Deok Yong Kim as a member of the Nico Quartet at the New England Conservatory of Music, in Boston, Massachusetts. She is an amazing cellist, and she has recorded four of my works since 2019.  Every time I hear her perform either in person or in the recordings I would exclaim, OMG!!!  Claire!!! She calls herself Claire here in America.  This is the second work I have written for her.  The first was Trio 803 (2020) for clarinet, cello and piano.  I am calling this one, a duo for cello and piano, Éclair, as a pun on her American name; plus I know Claire loves desserts!!!   Additionally, every time when I exclaim OMG!!!  Claire!!!, I feel like I have been struck by lightning.  LOL!!! Éclair (2021) is in six movements.  1. Allegro, TRIO 2. Moderato, TRIO  3. Adagio  4. Allegro 5. Molto allegro, TRIO 6. Adagio Enjoy!

Cello,Piano - Level 2 - Digital Download SKU: A0.548655 Composed by James Pierpont. Arranged by James M. Guthrie, ASCAP. Christmas. Score and part. 8 pages. Jmsgu3 #3408191. Published by jmsgu3 (A0.548655). Jingle Bells arranged for cello & piano with a fancy final verse. Jingle Bells is perhaps the most famous songs in American music history. James L. Pierpont published the song as One Horse Open Sleigh in the late 1850’s. Since its introduction, people began to insist that Pierpont wrote it for a Sunday school choir. However, it seems unlikely that such a secular song would be considered appropriate during that historical period for Sunday school.Christmas Repertoire Pierpont wrote the song for the Thanksgiving holidays, but over time people began to think of it more as a Christmas song. Some choirs adopted it as part of their Christmas repertoire in the 1860s and 1870s. Jingle Bells was first recorded in 1889 on a wax cylinder. Origins No one knows where Pierpont composed the song. One theory suggests he wrote it in Medford Massachusetts in 1850. Sleigh races were certainly popular in 19th Century Massachusetts. To this day, a commemorative placard appears in Medford square claiming that it is the birthplace of Jingle Bells. Others suggest that he wrote it in Savannah, Georgia where he was an organist and music director at the Unitarian Church. This theory gains support from the copyright date of 1857. We know he was living in Savannah by then. Traffic Signals Horse-drawn sleighs are relatively quiet in the snow. Consequently, horses were usually equipped with bell-laden straps so as to avoid accidents at blind intersections. Sleigh drivers in 19th Century New England were constantly vigilant, listening for the sounds of approaching horse-drawn sleighs. The tune imitates the rhythm that the trotting horse bells produce. Social Context Jingle Bells was sung as a drinking song at local revelries: during the song folks would rhythmically jangle the ice in their glasses. A sleigh ride gave couples an opportunity to be alone together. The term Jingle bells is a poetic descriptive adjective referring specifically to the more accurate term sleigh bells. In many arrangements, sleigh bells are used to accentuate the rhythm during the song chorus.  Register for free lifetime updates and revisions at www.jamesguthrie.com

Violin, viola, cello and piano - intermediate to advanced - Digital Download SKU: S9.Q7090 Edited and supplemented by Joachim Draheim. Composed by Robert Schumann. This edition: score and parts. Downloadable, Score and parts. Duration 32' 25. Schott Music - Digital #Q7090. Published by Schott Music - Digital (S9.Q7090). Key: C minor.Schumann's early piano quartet composed in 1829 has not yet found its way into the concert repertoire, although it would be well-earned. This is due to the fact that the work has only been available in a version full of mistakes up to now. Our new edition by the renowned Schumann researcher Joachim Draheim is based not only on the autograph but also on Schumann's sketches, thus providing a convincing musical text for the first time. Missing pages of the autograph (end of the first movement, left-hand piano part in the minuet, etc.) have been completed for the first time with the help of parallel passages in a stylistically sensitive and accurate manner. A valuable addition to the repertoire on the occasion of the Schumann Year 2010.

Cello,Piano - Level 5 - Digital Download SKU: A0.1503519 Composed by Ulrich Lehensteiner. 21st Century,Chamber,Classical,Contemporary. Score and part. 48 pages. Ulrich Lehensteiner #1078976. Published by Ulrich Lehensteiner (A0.1503519). A classically rooted, overall quite somber sonata, of which the first movement's gloomy mood is contrasted only by its famous middle movement, the Souvenir of Summer, with its pensive, reminiscing character, melancholic maj7- and maj9-harmonies and focus on its simple but concise melody.The third movement is, in typical Lehensteiner-fashion, a boisterous waltz that in its variety of rhythms, overabundant energetic drive and also technical demands toys around with the genre's established conception of light dance-music.The work's dedication is to the composer's late grandfather, who passed away shortly after its completion at the end of summer 2019, making its middle movement not only a Souvenir of Summer, but also of a person dearly beloved.Contains piano score + cello part.Duration: 20 minutes.

Cello,Piano - Level 3 - Digital Download SKU: A0.1252822 By Maria Thompson Corley. By Maria Thompson Corley. Arranged by Maria Thompson Corley. 21st Century,Sacred. Score and part. 9 pages. Maria Thompson Corley #846622. Published by Maria Thompson Corley (A0.1252822). “Pax Aeternam� was written in memory of renowned composer Barbara York, a fellow Canadian whom I was blessed enough to meet in person through my interaction with Matt Brown. Though we connected many years into my collaborative piano career, Matt is the first tubist I ever worked with, and Barbara’s music was my favorite part of getting introduced to the tuba literature. I was thrilled to learn how much she appreciated my playing of her work.“How Beautiful� was written in memory of Matt’s son Eli, who had a congenital condition that took his life a few hours after he was born. This flawless piece of music, poignant yet never maudlin, provided the title for a recording Matt and I did of all of Barbara’s tuba output. It also threw down the gauntlet when Danny Rowland approached me, at Matt’s suggestion, about composing a piece. Danny mentioned loving “How Beautiful,� and intending to commission Barbara, who’d recently passed on. I’d never written for the tuba before, but felt absolutely no pressure. That’s a lie.Like “How Beautiful,� “Pax Aeternam� is in a major key; in my case, I wanted to evoke wistfulness rather than despair. Barbara’s path was full of suffering, and having lost a brother to prolonged illness, I’ve come to embrace the idea that death can be a sweet relief from pain. I tried to capture some of Barbara’s spirit, particularly in the middle section, and chose triple meter to give the outer sections a bit of “swing.� I don’t recall Barbara as a somber person, and I wanted to paint a portrait of someone who moved through life with a smile. I didn’t know her as well as many, but I always found her kind, generous, and unpretentious. I hope that this musical portrait does her justice.I created a cello transcription for a performance with Sara Male, my partner in Duo Chiaroscuro. This seemed appropriate, since “Still Waters Running Deep,� one of our signature pieces, is a transcription of the slow movement of Barbara’s bassoon sonata, created at our request by the composer.

Cello,Piano - Level 2 - Digital Download SKU: A0.565554 By Sharon Wilson. By Friedrich F. Flemming. Arranged by Sharon Wilson. Baroque,Classical,Holiday,Praise & Worship,Sacred. Score and part. 6 pages. Sharon Wilson #4786491. Published by Sharon Wilson (A0.565554). Inspired by the stylings of the Baroque masters, this instrumental duet arrangement (for CELLO solo with PIANO accompaniment) weaves a classical sound throughout the familiar hymn tune FLEMMING. The lyrics typically associated with the tune were written by Elizabeth R. Charles and titled Praise Ye the Father. This bright and festive arrangement is equally fun for both performers as the piece creates a complex intertwining of patterns reminiscent of classical works.This arrangement includes two verses with the CELLO playing the melody throughout. All notes for the CELLO are playable in the first position making this arrangement an excellent choice for early-intermediate string players. The PIANO accompaniment is written for an intermediate player. The purchase price includes a 4-page combined score with both CELLO and PIANO parts on each page plus a separate 1-staff score for the CELLO solo (1 page).

Cello and piano - very easy to easy - Digital Download SKU: S9.Q47141 Composed by Marie Dare. This edition: Sheet music. Schott Student Edition - Repertoire. Downloadable. Schott Music - Digital #Q47141. Published by Schott Music - Digital (S9.Q47141). The Schott Student Edition presents motivational teaching repertoire in five levels, from easy to advanced. These editions feature easy-to-read printing along with tips and suggestions from highly experienced music educators. The Serenade & Valse by, the relatively unknown composer, Marie Dare is an attractive addition to the repertoire in the first years of study (Level 2) and can be played entirely in first position. The Gavotte op. 112 by Sebastian Lee is a multi-faceted work for intermediate students (Level 3). Musically the Gavotte offers the possibility to present different characters. The piano part is intentionally simple and is limited to a supporting accompaniment. About Schott Student EditionThe Schott Student Edition gathers instrumental works for music lessons providing a unique and varied repertoire resource including standard teaching works, lesser known pieces which are perfectly suited to lessons as well as to student concerts and competitions.The repertoire is divided into levels 1-5, from very easy to difficult, and includes works from the Renaissance up to modern performance pieces. Each title is graded, from very easy works for beginners up to demanding pieces for more advanced students who are preparing for further study or examinations.Every work in the series has been carefully selected and edited by experienced music teachers. The editions also contain a wealth of information on the pieces as well as useful advice on studying, rehearsing and interpreting the works. The first titles to be published in the Schott Student Edition series contain works for violin, violoncello, flute, clarinet and recorder. Further editions are in preparation.

Cello,Piano - Level 2 - Digital Download SKU: A0.1506796 By Stephen DeCesare. By Franz Xaver Gruber. Arranged by Stephen DeCesare. Christian,Christmas,Sacred,Standards,Traditional. Score and part. 14 pages. Exultet Music #1082167. Published by Exultet Music (A0.1506796). A new poem about the first Christmas in the style of Clement Clark Moore's 'Twas The Night Before Christmas is interspersed with Silent Night.  This harmonically lush version of Silent Night starts off as a tender 4/4 ballad then progresses to the a lullaby-like 6/8 for the second verse to a glorious 3/4 finale.  Scored for a Cello solo with Piano accompaniment.

Cello and piano - intermediate to advanced - Digital Download SKU: S9.Q41413 Composed by Nikolai Kapustin. This edition: score and part. Cello Library. Downloadable, score and part. Op. 63. Duration 21' 20. Schott Music - Digital #Q41413. Published by Schott Music - Digital (S9.Q41413). Nikolai Kapustin's (*1937) tonal language is somewhere in between modern and jazz music. In his compositions, he takes great delight in combining jazz elements with classical structures. His sonatas for cello are technically demanding, yet highly appealing to both musicians. The two Sonatas for Cello Op. 63 (CB 288) and Op. 84 (CB 289) are published for the first time.

Cello,Piano - Level 5 - Digital Download SKU: A0.1117669 Composed by Bernhard Cossmann (1822-1910). Arranged by Michele Galvagno. 19th Century,Chamber,Classical,Pop,Romantic Period. Score and part. 24 pages. Artistic Score Engraving di Galvagno Michele #719212. Published by Artistic Score Engraving di Galvagno Michele (A0.1117669). Bernhard Cossmann is mainly known for his technical exercises and, possibly, for his Concert Etudes, Op. 10. Few know that his first ever composition was a couplet of songs for cello and piano, a Swiss melody and a Neapolitan song. They both feature catchy melodies and attractive harmonies, so much that you will find yourself subconsciously singing them during your day. The cello part is technically demanding, and yet is of great pedagogical value for students approaching pieces that are already firmly established in the repertoire. This edition is presented as a score and part bundle. Full Catalogue: https://adobe.ly/3A574Eg Mailing list (newsletter, discounts, gifts): https://bit.ly/3ujFa4j.

Cello and piano - difficult - Digital Download SKU: S9.Q6378 For cello and piano. Composed by Alexander Goehr. This edition: score and part. Downloadable, score and part. Op. 77. Duration 22 minutes. Schott Music - Digital #Q6378. Published by Schott Music - Digital (S9.Q6378). Consisting of two movements, the first slow and lyrical, and the second based on a scherzo and trio principle, this delightfully contrasted and technically challenging piece would be the perfect contemporary addition to any cellist's repertoire.

Cello and piano - easy to intermediate - Digital Download SKU: S9.Q48910 6 Easy Concert Pieces. Composed by Arnold Trowell. This edition: Sheet music. Schott Student Edition - Repertoire. 6 leichte Stücke für Violoncello und Klavier. Downloadable. Op. 4/7-12. Schott Music - Digital #Q48910. Published by Schott Music - Digital (S9.Q48910). German • English • French.Born in New Zealand Arnold Trowell (1887-1966) came to Europe for his education, where he worked until his death as a composer, musician and educator. His pedagogically motivated compositions, such as 6 Morceaux op. 20, as well as the 12 morceaux faciles pour violoncelle op. 4, are still popular today. The editor Beverley Ellis has selected movements 7-12 from opus 4 for this edition, which are graded as medium difficulty. Technical tips and suggestions for the development and interpretation of the pieces are included with this edition. The first 6 movements from op. 4, which are much easier and can be played in the first years of cello lessons, are also available in the Schott Student Edition (SE 1024). About Schott Student EditionThe Schott Student Edition gathers instrumental works for music lessons providing a unique and varied repertoire resource including standard teaching works, lesser known pieces which are perfectly suited to lessons as well as to student concerts and competitions.The repertoire is divided into levels 1-5, from very easy to difficult, and includes works from the Renaissance up to modern performance pieces. Each title is graded, from very easy works for beginners up to demanding pieces for more advanced students who are preparing for further study or examinations.Every work in the series has been carefully selected and edited by experienced music teachers. The editions also contain a wealth of information on the pieces as well as useful advice on studying, rehearsing and interpreting the works. The first titles to be published in the Schott Student Edition series contain works for violin, violoncello, flute, clarinet and recorder. Further editions are in preparation.