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Cello,Piano - Level 3 - Digital Download SKU: A0.844351 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan Cutchen. Christian,Gospel,Sacred,Spiritual. Score and part. 15 pages. Dan Cutchen Music #4281895. Published by Dan Cutchen Music (A0.844351). This arrangement of And Can It Be That I Should Gain? is for cello solo and piano.A theme and variation treatment is used.  For a piano background Mp3 track, search for: Cello - And Can It Be? Piano Accompaniment, Dan CutchenTime: approximately 6:00And Can It Be That I Should Gain? is a Christian hymn written by Charles Wesley. And Can It Be was written in 1738 to celebrate Wesley's conversion, which he regarded as having taken place on May 21 of that year.This beautiful hymn has been popular and enduring.And Can It Be That I Should Gain is perhaps one of the most joyfully poignant hymns penned by Charles Wesley (1707-1788). On Whitsunday (Pentecost), May 21, 1738, three days before his brother John experienced his heart strangely warmed,’ Charles was convalescing in the home of John Bray, a poor mechanic, when he heard a voice saying, In the name of Jesus of Nazareth, arise, and believe, and thou shalt be healed of all thy infirmities. The voice was most likely Mr. Bray’s sister who felt commanded to say these words in a dream.Anglican hymn writer Timothy Dudley-Smith, notes that the following then happened:Charles got out of bed and opening his Bible read from the Psalms: He have put a new song in my mouth, even praise unto our God, followed by the first verse of Isaiah 40, Comfort ye, comfort ye my people, saith your God. He wrote in his journal, I have found myself at peace with God, and rejoiced in the hope of love Christ (Dudley-Smith, 1987, 1).The statement from Mr. Bray’s sister sparked within Charles a conviction like he had never felt before. Moved and convicted in spirit, Charles wrestled with these words until he came to rest in his faith, knowing that it is by faith we are saved (Ephesians 2:8).Soon after this conversion experience, he wrote two hymns in celebration of the amazing love he had come to know: And Can It Be that I Should Gain and Where Shall My Wondering Soul Begin? (United Methodist Hymnal, 342)There has been some debate as to which hymn was written first, but most current scholarship accepts the latter as the first hymn written by Charles after his conversion experience. No matter its place in the chronology of Wesley's output, And Can It Be has been and remains one of his most remarkable hymns, expressing like no other the rapturous joy of receiving salvation.And Can It Be That I Should Gain. Hymnary.org, https://hymnary.org/text/and_can_it_be_that_i_should_gainDudley-Smith, Timothy. A Flame of Love: A Personal Choice of Charles Wesley’s Verse. London: Triangle SPCK, 1987.Timothy Dudley-Smith. And can it be that I should gain. The Canterbury Dictionary of Hymnology. Canterbury Press, accessed May 29, 2018, http://www.hymnology.co.uk/a/and-can-it-be-that-i-should-gain.Young, Carlton R. And Can It Be That I Should Gain. Companion to the United Methodist Hymnal. Abingdon Press, 1993.(Taken from: History of Hymns: And Can It Be That I Should Gain by DeAndre Johnson found at https://www.umcdiscipleship.org/resources)https://youtu.be/xCpG9mpfSFk
Cello - "And Can It Be?" Theme and Variations
Violoncelle, Piano

$6.00 5.13 € Violoncelle, Piano PDF SheetMusicPlus

Cello,Piano - Level 3 - Digital Download SKU: A0.1222972 Composed by Camille Saint-Saens. Arranged by César Madeira. 19th Century,20th Century,Classical,Romantic Period,Wedding. Score and part. 6 pages. Sheet Music To Play Editions #819171. Published by Sheet Music To Play Editions (A0.1222972). The Swan (Le Cygne) 13º movement from The Carnival of the Animals Suite. Arrangement for Violoncello and Piano. With Individual Parts. Enjoy it!This file DOES NOT contain Full Score. Individual Parts only.Camille Saint-Saens (1835 - 1921) was a French composer, pianist and organist. He was one of the greatest composers of his day. He composed lots of music of different kinds. Among his best works are his Symphony no 3 (with organ) , Piano Concerto no 2, Violin Concerto no 3, Cello Concerto no 1, the opera Samson and Delilah and the Danse Macabre. His most popular work, however, is the Carnival of the Animals. Saint-Saens hated being thought of as the composer of the Carnival of the Animals. He said he had only written it for a bit of fun and he did not want anyone to perform it. Today it still remains one of the most popular pieces for children.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
The Swan (Le Cygne) by Saint-Saens - Cello and Piano (Individual Parts)
Violoncelle, Piano

$4.99 4.27 € Violoncelle, Piano PDF SheetMusicPlus

Cello,Piano - Level 3 - Digital Download SKU: A0.1222975 Composed by Camille Saint-Saens. Arranged by César Madeira. Children,Film/TV,Multicultural,Romantic Period,Wedding,World. Score and part. 6 pages. Sheet Music To Play Editions #819175. Published by Sheet Music To Play Editions (A0.1222975). The Swan (Le Cygne) 13º movement from The Carnival of the Animals Suite. Arrangement for Violoncello and Piano. With Full Score. Enjoy it!This file DOES NOT contain Individual Parts. Full Score only.Camille Saint-Saens (1835 - 1921) was a French composer, pianist and organist. He was one of the greatest composers of his day. He composed lots of music of different kinds. Among his best works are his Symphony no 3 (with organ) , Piano Concerto no 2, Violin Concerto no 3, Cello Concerto no 1, the opera Samson and Delilah and the Danse Macabre. His most popular work, however, is the Carnival of the Animals. Saint-Saens hated being thought of as the composer of the Carnival of the Animals. He said he had only written it for a bit of fun and he did not want anyone to perform it. Today it still remains one of the most popular pieces for children.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
The Swan (Le Cygne) by Saint-Saens - Cello and Piano (Full Score)
Violoncelle, Piano

$4.99 4.27 € Violoncelle, Piano PDF SheetMusicPlus

Cello,Piano - Level 2 - Digital Download SKU: A0.1222415 Composed by Giuseppe Giordani. Arranged by César Madeira. Children,Classical,Film/TV,Opera,Wedding. Score and part. 3 pages. Sheet Music To Play Editions #818681. Published by Sheet Music To Play Editions (A0.1222415). Caro Mio Ben (Come Once Again) by Giuseppe Giordani. Arrangement for Violoncello and Piano. With Full Score. Enjoy it!This file DOES NOT contain Individual Parts. Full Score only.Giuseppe Tommaso Giovanni Giordani (1751 - 1798) was an Italian composer, mainly of opera. Giordani's parents were Domenico Giordani and Anna Maria Tosato. He studied music in Naples with Domenico Cimarosa and Niccolò Antonio Zingarelli. In 1774 he was appointed as music director of the chapel of the Duomo of Naples. His first opera (L'Epponina) was released in 1779. His sacred drama La distruzione di Gerusalemme was a notable success at the Teatro San Carlo of Naples in 1787. He became maestro di cappella at the Cathedral of Fermo in 1791. Until recently, the popular aria Caro Mio Ben (1783) was ascribed to Giuseppe Tommaso Giovanni Giordani. However, scholars now consider Tommaso Giordani, or his father Giuseppe Giordani senior, more likely to be the aria's composer.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
Caro Mio Ben (Come Once Again) - Cello and Piano (Full Score)
Violoncelle, Piano

$4.99 4.27 € Violoncelle, Piano PDF SheetMusicPlus

Cello,Piano - Level 2 - Digital Download SKU: A0.1222412 Composed by Giuseppe Giordani. Arranged by César Madeira. Children,Classical,Early Music,Film/TV,Multicultural,World. Score and part. 4 pages. Sheet Music To Play Editions #818677. Published by Sheet Music To Play Editions (A0.1222412). Caro Mio Ben (Come Once Again) by Giuseppe Giordani. Arrangement for Violoncello and Piano. With Individual Parts. Enjoy it!This file DOES NOT contain Full Score. Individual Parts only.Giuseppe Tommaso Giovanni Giordani (1751 - 1798) was an Italian composer, mainly of opera. Giordani's parents were Domenico Giordani and Anna Maria Tosato. He studied music in Naples with Domenico Cimarosa and Niccolò Antonio Zingarelli. In 1774 he was appointed as music director of the chapel of the Duomo of Naples. His first opera (L'Epponina) was released in 1779. His sacred drama La distruzione di Gerusalemme was a notable success at the Teatro San Carlo of Naples in 1787. He became maestro di cappella at the Cathedral of Fermo in 1791. Until recently, the popular aria Caro Mio Ben (1783) was ascribed to Giuseppe Tommaso Giovanni Giordani. However, scholars now consider Tommaso Giordani, or his father Giuseppe Giordani senior, more likely to be the aria's composer.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
Caro Mio Ben (Come Once Again) - Cello and Piano (Individual Parts)
Violoncelle, Piano

$4.99 4.27 € Violoncelle, Piano PDF SheetMusicPlus

Cello,Piano - Level 4 - Digital Download SKU: A0.1304277 Composed by Edvard Grieg. Arranged by Rodrigo Faleiros. 19th Century,Chamber,Contest,Festival,Romantic Period. Score and part. 4 pages. Rodrigo Faleiros #893588. Published by Rodrigo Faleiros (A0.1304277). Unleash the captivating charm of Edvard Grieg's In the Hall of the Mountain King with our cello solo arrangement. This rendition contains a piano accompaniment and maintains the essence of the original while ensuring accessibility for players of all levels. This sheet music contains chord symbols. Whether you're a beginner or a seasoned pro, this piece offers a memorable solo experience, combining the essence of Grieg's masterpiece with suitability for all skill levels, making it perfect for personal enjoyment, recitals, or competitions.Don't miss other arrangements I've made for this and other classical works. You can check them all clicking here.
In the Hall of the Mountain King (for cello solo w/ piano accompaniment)
Violoncelle, Piano

$4.99 4.27 € Violoncelle, Piano PDF SheetMusicPlus

Cello,Piano - Level 4 - Digital Download SKU: A0.1304526 Composed by Edvard Grieg. Arranged by Rodrigo Faleiros. 19th Century,Chamber,Contest,Festival,Romantic Period. Score and part. 4 pages. Rodrigo Faleiros #893550. Published by Rodrigo Faleiros (A0.1304526). Unleash the captivating charm of Edvard Grieg's In the Hall of the Mountain King with our cello solo arrangement. This rendition contains a piano accompaniment and maintains the essence of the original while ensuring accessibility for players of all levels. Whether you're a beginner or a seasoned pro, this piece offers a memorable solo experience, combining the essence of Grieg's masterpiece with suitability for all skill levels, making it perfect for personal enjoyment, recitals, or competitions.Don't miss other arrangements I've made for this and other classical works. You can check them all clicking here.
In the Hall of the Mountain King (for cello solo w/ piano accompaniment)
Violoncelle, Piano

$4.99 4.27 € Violoncelle, Piano PDF SheetMusicPlus

Cello,Piano - Level 3 - Digital Download SKU: A0.1314243 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Contest,Festival,Historic,Romantic Period,Wedding. Score and part. 11 pages. Jmsgu3 #902984. Published by jmsgu3 (A0.1314243). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing. The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes. Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list. ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well. YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing. LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
Saint-Saëns: The Swan for Cello & Piano
Violoncelle, Piano

$32.95 28.16 € Violoncelle, Piano PDF SheetMusicPlus


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