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Cello,Piano - Level 1 - Digital Download

SKU: A0.977627

By The Killers. By Brandon Flowers, Dave Keuning, Mark Stoermer, and Ronnie Vannucci. Arranged by Music Geeks Sheets, Bertie Webb. Pop,Rock. Score and part. 9 pages. Music Geeks Sheets #4621937. Published by Music Geeks Sheets (A0.977627).

What a tune! Everyone loves Mr. Brightside by The Killers and now you can play it too!

Full version of Mr. Brightside by The Killers arranged for solo easy cello with piano accompaniment.

Transposed up a semi-tone to D major and brought down the octave for easier playing this version of Mr. Brightside is perfect for a beginner cellist or intimidate looking for a little fun!

Immediate PDF download with both parts (piano score) included.

Original arrangement transcribed for Music Geeks Sheets. You won’t find this arrangement anywhere else!


We’d love to hear your playing! Send us your recordings at www.musicgeekssheets.com

Mr. Brightside Violoncelle, Piano
The Killers
$4.99 4.69 € Violoncelle, Piano PDF SheetMusicPlus

Cello,Piano - Level 3 - Digital Download

SKU: A0.977624

By The Killers. By Brandon Flowers, Dave Keuning, Mark Stoermer, and Ronnie Vannucci. Arranged by Music Geeks Sheets, Bertie Webb. Pop,Rock. Score and part. 9 pages. Music Geeks Sheets #4621929. Published by Music Geeks Sheets (A0.977624).

What a tune! Everyone loves Mr. Brightside by The Killers and now you can play it too!

Full version of Mr. Brightside by The Killers arranged for solo cello with piano accompaniment.

Transposed up a semi-tone to D major this version of Mr. Brightside is perfect for musicians of all abilities. Too high? Then check out our easy cello version, which is notated an octave lower!

Immediate PDF download with both parts (piano score) included.

Original arrangement transcribed for Music Geeks Sheets. You won’t find this arrangement anywhere else!


We’d love to hear your playing! Send us your recordings at www.musicgeekssheets.com

Mr. Brightside
Violoncelle, Piano
The Killers
$4.99 4.69 € Violoncelle, Piano PDF SheetMusicPlus

Cello,Piano - Level 2 - Digital Download

SKU: A0.834580

Composed by Albert Hague. Arranged by MAJOR SCORE PUBLISHING TM. Christmas,Film/TV,Holiday,Jazz,Pop. Score and part. 11 pages. Major Score Publishing #6169079. Published by Major Score Publishing (A0.834580).

You're a Mean One, Mr Grinch

Cello solo & piano (G min)


Cello Players look no further! This super fun to play authentic arrangement for Cello solo & piano accompaniment is exactly what you have been looking for! Our sneaky swing arrangement will delight both the listener and performers and is in the original key of G min! Our arrangement can also be performed on solo cello and with our FREE piano accompaniment on our YouTube channel below!

What's included in your premium sheet musid download?
Cello part: 2 pages
Piano part: 3 pages
Full Score: 5 pages

Piano Accompaniment (PLAY ALONG)

Website:
https://www.majorscorepublishing.com/

You're A Mean One, Mr. Grinch Violoncelle, Piano

$7.99 7.5 € Violoncelle, Piano PDF SheetMusicPlus

Cello,Piano - Level 3 - Digital Download

SKU: A0.844351

Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan Cutchen. Christian,Gospel,Sacred,Spiritual. Score and part. 15 pages. Dan Cutchen Music #4281895. Published by Dan Cutchen Music (A0.844351).

This arrangement of And Can It Be That I Should Gain? is for cello solo and piano.
A theme and variation treatment is used.  

For a piano background Mp3 track, search for:
Cello - And Can It Be? Piano Accompaniment, Dan Cutchen

Time: approximately 6:00

And Can It Be That I Should Gain? is a Christian hymn written by Charles Wesley. And Can It Be was written in 1738 to celebrate Wesley's conversion, which he regarded as having taken place on May 21 of that year.

This beautiful hymn has been popular and enduring.

And Can It Be That I Should Gain is perhaps one of the most joyfully poignant hymns penned by Charles Wesley (1707-1788). On Whitsunday (Pentecost), May 21, 1738, three days before his brother John experienced his heart strangely warmed,’ Charles was convalescing in the home of John Bray, a poor mechanic, when he heard a voice saying, In the name of Jesus of Nazareth, arise, and believe, and thou shalt be healed of all thy infirmities. The voice was most likely Mr. Bray’s sister who felt commanded to say these words in a dream.

Anglican hymn writer Timothy Dudley-Smith, notes that the following then happened:

Charles got out of bed and opening his Bible read from the Psalms: He have put a new song in my mouth, even praise unto our God, followed by the first verse of Isaiah 40, Comfort ye, comfort ye my people, saith your God. He wrote in his journal, I have found myself at peace with God, and rejoiced in the hope of love Christ (Dudley-Smith, 1987, 1).

The statement from Mr. Bray’s sister sparked within Charles a conviction like he had never felt before. Moved and convicted in spirit, Charles wrestled with these words until he came to rest in his faith, knowing that it is by faith we are saved (Ephesians 2:8).

Soon after this conversion experience, he wrote two hymns in celebration of the amazing love he had come to know: And Can It Be that I Should Gain and Where Shall My Wondering Soul Begin? (United Methodist Hymnal, 342)

There has been some debate as to which hymn was written first, but most current scholarship accepts the latter as the first hymn written by Charles after his conversion experience. No matter its place in the chronology of Wesley's output, And Can It Be has been and remains one of his most remarkable hymns, expressing like no other the rapturous joy of receiving salvation.


And Can It Be That I Should Gain. Hymnary.org, https://hymnary.org/text/and_can_it_be_that_i_should_gain

Dudley-Smith, Timothy. A Flame of Love: A Personal Choice of Charles Wesley’s Verse. London: Triangle SPCK, 1987.

Timothy Dudley-Smith. And can it be that I should gain. The Canterbury Dictionary of Hymnology. Canterbury Press, accessed May 29, 2018, http://www.hymnology.co.uk/a/and-can-it-be-that-i-should-gain.

Young, Carlton R. And Can It Be That I Should Gain. Companion to the United Methodist Hymnal. Abingdon Press, 1993.

(Taken from: History of Hymns: And Can It Be That I Should Gain by DeAndre Johnson found at https://www.umcdiscipleship.org/resources)

Cello - "And Can It Be?" Theme and Variations Violoncelle, Piano

$6.00 5.63 € Violoncelle, Piano PDF SheetMusicPlus

Cello,Piano - Level 3 - Digital Download

SKU: A0.586628

By Brooks Holmes. By Frederick Edward Weatherly. Arranged by Brooks Holmes. Celtic,Folk,Irish,Traditional. Score and part. 10 pages. Brooks Holmes #195920. Published by Brooks Holmes (A0.586628).

This arrangement in C features a beautiful descant on the 2nd verse. Perfectly scored for the intermediate level musician performing at Weddings, Funerals or other special events, this composition is easy to read, fun to play and sounds professional when performed. It is always an audience favorite and a “must have†for any working musician’s repertoire list. Check out Mr. Holmes’ YouTube performance for more details.

Danny Boy for Cello & Piano
Violoncelle, Piano
Brooks Holmes
$7.99 7.5 € Violoncelle, Piano PDF SheetMusicPlus

Cello,Piano - Level 3 - Digital Download

SKU: A0.1434273

By Taylor Swift. By Aaron Dessner and Taylor Swift. Arranged by MAJOR SCORE PUBLISHING TM. Pop,Rock,Singer/Songwriter. Score and part. 19 pages. Major Score Publishing #1014490. Published by Major Score Publishing (A0.1434273).

How Did It End? Taylor Swift

Cello solo with piano (Premium duet)


Cello players! Look no further! How Did It End? from the brand new
Talylor Swift hit featured on The Tortured Poets Department is now available! Play along with the original recording, solo, with our included piano accompaniment or with our FREE piano play along on our YouTube channel! Our arrangement is designed to deliver the authentic and enjoyable performance experience you are looking for! We have even included the background vocal lines in the piano accompaniment giving you that extra level of enjoyment to enhance your performance experience! This arrangement is a fantastic resource for smaller performances, recitals and gigs to being a great tool for music teachers and students! Enjoy!


Included in your premium sheet music
Cello: 2 pages
Piano: 7 pages
Full Score: 9 pages

FREE PIANO PLAY ALONG
Coming ASAP!

Other Cello sheet music on Hal Leonard Platforms:
Let it Go (Frozen) E MINOR
Let it Go (Frozen) F Minor - original key
Leave the Door Open (Silk Sonic)
I Will Survive (Gloria Gaynor)
Treasure (Bruno Mars)
New Rules (Dua Lipa)
Can't Stop the Feeling!
777 (Silk Sonic)
You're a Mean One, Mr Grinch

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How Did It End? Violoncelle, Piano
Taylor Swift
$8.99 8.44 € Violoncelle, Piano PDF SheetMusicPlus

Instrumental Duet Instrumental Duet,Piano,Viola - Level 3 - Digital Download

SKU: A0.511711

Composed by Han-Ki Kim. 20th Century,Contemporary,Multicultural,Standards,World. Score and parts. 27 pages. Han-Ki Kim #4629467. Published by Han-Ki Kim (A0.511711).

“Korean Simple Suite†No.1 For Viola and Piano Op.267

As far as melodies are concerned, all 5 movements mainly use the traditional 5 notes of Korea(Do, Re, Mi, Sol, La), and Originally, this music is composed for Violin and Piano and dedicated to Andreas Buschatz, the Concertmaster of Leipzig Gewandhaus in Germany.

1mov. Prologue-Greeting : This is a short song with a bright atmosphere in d minor in 3/4 time.2mov. Oriental Flute : In G major in 4/4 time, the natural harmonics of string instruments are partially used to describe the sound of oriental flute.  3mov. Cheerfulness : In D major in 8/12 time, tried to express Korean joy by using our traditional rhythms, Kutkuri Jajinmori  4mov. Sorrow : In 3/4 time G major, not in minor, but in major, expressing deep sorrow. 5mov. Finale-Festival : In d minor in 4/4 time, tried to describe the excitement of the festival atmosphere, and it was composed in a rondo style quoting korean traditional Children's nursery rhyme “Fox.â€

The music was world premiered on June 1, 2019 at the Seoul Arts Center (IBK Chamber Hall) by Professors Kyung-sun Lee(violin), and Hee-seung Joo(piano).

This music transcribed for Cello and Piano was a Competition Repertorie Requirement of Tennessee Cello Workshop(2021.2.26.-28), University of Tennessee, School of Music. Attached Music file is recorded with Violin and Piano, it’s just for a referrence. You Tube link-played by Orchestra.

Han-Ki Kim

 Violinist, Composer, He earned his Master’s degree from the Michigan State University(Majored in Violin). Kim has formerly been concertmaster of Daegu City Sym. Orchestra as well as for the Michigan State University Orchestra. He was an advising professor for the Czech Republic’s DobÅ™ichovice International Music Camp, and now Korean Suzuki Association.

Since 2004, his compositions have been periodically performed by I Musici. His compositions have also been performed and recorded by the Vienna Waltz Orchestra, in Austria, the French Chamber Orchestra in France, and the Sophia Chamber Orchestra in Russia. Mr. Kim is a former Dean of Changwon National University’s College of Performing Arts. Currently he teaches student as Emeritus professor of Changwon National University.

Korean Simple Suite No.1 (For Viola and Piano)
Violoncelle, Piano

$15.99 15.01 € Violoncelle, Piano PDF SheetMusicPlus






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