Cello,Piano - Level 2 - Digital Download SKU: A0.1231231 Composed by Alan Menken and Howard Ashman. Arranged by André Nusa. Broadway,Film/TV,Musical/Show,Singer/Songwriter. Score and part. 6 pages. Andre_Nusa #826916. Published by Andre_Nusa (A0.1231231). Immerse yourself in the bewitching melodies of Poor Unfortunate Souls from Disney's The Little Mermaid with this enchanting arrangement for piano and cello. This captivating sheet music brings the iconic song to life, allowing you to experience the magic and villainy of Ursula the Sea Witch. The piano part provides a rich and dramatic foundation, while the cello adds an expressive and soulful voice that intertwines with the melody.  Perfect for performances, recitals, or casual play, this arrangement allows you to showcase your musical skills and share the magic of The Little Mermaid with audiences. Each note brings the captivating story and memorable villainy of Ursula to life, creating a truly memorable and immersive musical experience. Unleash your musicality and embrace the dark allure of Poor Unfortunate Souls on piano and violoncello. Share the enchantment and intrigue of Ursula's character with fellow musicians, Disney enthusiasts, and fans of musical storytelling.

Cello and piano - Grade 4 - Digital Download SKU: DX.W29142VC Composed by Joseph Hart. Arranged by Rich Heffler. Key of g minor. Traditional. Score and part. 7 pages. David E. Smith - Digital Sheet Music #W29142VC. Published by David E. Smith - Digital Sheet Music (DX.W29142VC). Emotive setting of the early American classic. The opening is plaintive in the piano and then joined in with a counter-tune where it then presents the theme in a straight-forward manner. The next section uses the counter-theme again and then presents the theme in an embellished manner. Again the counter-theme is present followed by the embellished theme. After a brief interlude the piece picks up again with the counter-theme where it slowly and quietly settles in repose.

Cello,Piano - Level 1 - Digital Download SKU: A0.1320907 By Practicing with the Pros. By Traditional. Arranged by Stefanie Fife. Classical,Folk,Instructional,Spiritual,Traditional. Accompaniment. Duration 294. Stefanie Fife #909346. Published by Stefanie Fife (A0.1320907). I'm A Poor Wafarin' Stranger Practice Tracks:Cello Duet; Cello Part 2; Cello with Piano; Piano AccompanimentCompanion Sheet Music is ArrangeMe ID 909345 This MP3 recording, meant to be used in conjunction with the “Practicing with the Pros� American folk music sheet music series, (found on this website) is a powerful resource for developing sense of sound, intonation and rhythm.The student can play along with both parts of the duet or practice to the second cello part as recorded by studio cellist, Stefanie Fife. Her numerous credits include “Star Wars: Rogue One� and “Spiderman: No Way Home.� The young cellist can also have the fun of playing with the piano accompaniment version, as recorded by pianist Alan Steinberger. He can be heard on “Toy Story 4,� “Wish,� and countless other films.Arrangements by Stefanie Fife. Performed by Stefanie Fife and Alan SteinbergerProduced by Lemon Jam Inc. Published by Fife and Drum Publishing; ©2023; All rights reserved.  

Instrumental Duet Cello,Instrumental Duet,Piano - Level 2 - Digital Download SKU: A0.986764 Arranged by Johannes Bowman (BowString Music). Sacred. Score and parts. 9 pages. BowString Music #6400155. Published by BowString Music (A0.986764). This is a medley of popular hymns associated with the early history of the Church of Jesus Christ of Latter-Day Saints and the life of the Church's first prophet, Joseph Smith. The hymns included are Joseph Smith's First Prayer, A Poor Wayfaring Man of Grief and Praise to the Man. Composers of the original hymns: George Manwaring, George Coles, and traditional Scottish tune (altered)

Large Ensemble Cello,Tuba - Level 4 - Digital Download SKU: A0.889878 Composed by Gary Friedman. Contemporary,Jewish,Romantic Period. Score and parts. 66 pages. Gary Friedman #11999. Published by Gary Friedman (A0.889878). The original version for cello and piano was my first formal composition when I started composing in 1998. When my brother, Ralph, heard it, he cried and said that he wished that my parents could have heard it, too. The form and harmonies of this piece are mostly traditional, but there are a few surprises. There is a cantorial cello cadenza. A trumpet and tuba are added to the usual chamber orchestra with piano, just to play an Oh My Darling Clementine counter-melody in one variation but flute and bassoon have cues and can do this nicely. The recording of the beautifully expressive performance by Ken Hoppe and the College of Marin Symphony conducted by Tara Flandreau (who edited the string parts) is of such poor sound quality that I have uploaded the computer playback as the sound clip, which is of course quite mechanical sounding. However, if you would like to hear the live performance the YouTube link is ?v=6RHrLVqTyZg The cello and piano duet version is included in this package but is also sold separately for $5.00. Duration: 8 minutes Year: 1998.

Small Ensemble,Strings Cello,Piano - Level 2 - Digital Download SKU: A0.885855 Composed by Johansson, Malmsten, Meritahti, and Traditional. Arranged by Lauri Hamalainen. Children,Concert,Instructional,Standards. Score and parts. 26 pages. Suomi Music #4809947. Published by Suomi Music (A0.885855). 11 CHILDREN’S SONGS ARRANGED FOR PIANO QUINTET ARRANGED BY LAURI HÄMÄLÄINEN © VIOLIN FRIENDS 2019 The purpose of the Violin Friends music books is to inspire students and their friends to practice and perform music together with happy, pedagogical and fun music.  11 Children’s Songs arr. for piano quintet gives students the chance to play rhythmical variations of well-known melodies. The parts for strings are written in the first position except for the Poor Little Teddy where the cello line introduces playing in positions. The music can be performed with a string orchestra and piano soloists or with a traditional piano quintet. The part for 3rd violin can be used if there are no violas available.  THE SMALL TRAIN (Danish) POTPOURRI (American, French, German) OLD MCDONALD (American) IHAHAA (Finnish) FRÈRE JAQUES (French) SAMBA LELE (Brazilian) MARCH OF THE ELEPHANTS (Finnish) ITSY BITSY SPIDER (American) POOR LITTLE TEDDY (Finnish) PIPPI LONGSTOCKING (Swedish) RATI RITI RALLA (Finnish)  The family of Violin Friends consist of Violin and Viola Friends I- II, Eight Trios for Violin, Viola and String Trio, 12 Variations on Twinkle, Twinkle, Little Star by Mozart arr. for piano quartet and 11 Children’s Songs arr. for piano quintet.  For more info please visit www.violinfriends.com. 

Cello,Piano - Level 3 - Digital Download SKU: A0.844351 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan Cutchen. Christian,Gospel,Sacred,Spiritual. Score and part. 15 pages. Dan Cutchen Music #4281895. Published by Dan Cutchen Music (A0.844351). This arrangement of And Can It Be That I Should Gain? is for cello solo and piano.A theme and variation treatment is used.  For a piano background Mp3 track, search for: Cello - And Can It Be? Piano Accompaniment, Dan CutchenTime: approximately 6:00And Can It Be That I Should Gain? is a Christian hymn written by Charles Wesley. And Can It Be was written in 1738 to celebrate Wesley's conversion, which he regarded as having taken place on May 21 of that year.This beautiful hymn has been popular and enduring.And Can It Be That I Should Gain is perhaps one of the most joyfully poignant hymns penned by Charles Wesley (1707-1788). On Whitsunday (Pentecost), May 21, 1738, three days before his brother John experienced his heart strangely warmed,’ Charles was convalescing in the home of John Bray, a poor mechanic, when he heard a voice saying, In the name of Jesus of Nazareth, arise, and believe, and thou shalt be healed of all thy infirmities. The voice was most likely Mr. Bray’s sister who felt commanded to say these words in a dream.Anglican hymn writer Timothy Dudley-Smith, notes that the following then happened:Charles got out of bed and opening his Bible read from the Psalms: He have put a new song in my mouth, even praise unto our God, followed by the first verse of Isaiah 40, Comfort ye, comfort ye my people, saith your God. He wrote in his journal, I have found myself at peace with God, and rejoiced in the hope of love Christ (Dudley-Smith, 1987, 1).The statement from Mr. Bray’s sister sparked within Charles a conviction like he had never felt before. Moved and convicted in spirit, Charles wrestled with these words until he came to rest in his faith, knowing that it is by faith we are saved (Ephesians 2:8).Soon after this conversion experience, he wrote two hymns in celebration of the amazing love he had come to know: And Can It Be that I Should Gain and Where Shall My Wondering Soul Begin? (United Methodist Hymnal, 342)There has been some debate as to which hymn was written first, but most current scholarship accepts the latter as the first hymn written by Charles after his conversion experience. No matter its place in the chronology of Wesley's output, And Can It Be has been and remains one of his most remarkable hymns, expressing like no other the rapturous joy of receiving salvation.And Can It Be That I Should Gain. Hymnary.org, https://hymnary.org/text/and_can_it_be_that_i_should_gainDudley-Smith, Timothy. A Flame of Love: A Personal Choice of Charles Wesley’s Verse. London: Triangle SPCK, 1987.Timothy Dudley-Smith. And can it be that I should gain. The Canterbury Dictionary of Hymnology. Canterbury Press, accessed May 29, 2018, http://www.hymnology.co.uk/a/and-can-it-be-that-i-should-gain.Young, Carlton R. And Can It Be That I Should Gain. Companion to the United Methodist Hymnal. Abingdon Press, 1993.(Taken from: History of Hymns: And Can It Be That I Should Gain by DeAndre Johnson found at https://www.umcdiscipleship.org/resources)https://youtu.be/xCpG9mpfSFk