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Cello,Piano - Level 3 - Digital Download

SKU: A0.1269853

Composed by Felix Bartholdy Mendessohn. Arranged by André Nusa. 19th Century,Chamber,Romantic Period. Score and part. 7 pages. Andre_Nusa #862329. Published by Andre_Nusa (A0.1269853).

Experience the enchanting beauty of Mendelssohn's Song Without Words Op. 30 No. 6 with this exquisite arrangement for cello and piano. Immerse yourself in the lyrical melodies and emotive harmonies that have made this piece a beloved gem of the Romantic era. The cello takes center stage, its rich and expressive tone painting a vivid musical landscape, while the piano provides a supportive and harmonious accompaniment. Whether you're performing for an audience or savoring the beauty of this duet in the comfort of your own space, this arrangement for cello and piano will captivate both you and your listeners.

Song Without Words Op.30 No.6
Violoncelle, Piano

$4.99 4.47 € Violoncelle, Piano PDF SheetMusicPlus

Cello,Piano - Level 3 - Digital Download

SKU: A0.805650

By Edith Piaf. By Edith Piaf and Louiguy. Arranged by Marcus Martin. French,Pop. Score and part. 6 pages. Cornelius Edition (uk) #6666839. Published by Cornelius Edition (uk) (A0.805650).

La Vie en Rose was the signature song of popular French singer Édith Piaf. It was written in 1945 with lyrics by Ã‰dith Piaf, and a melody composed by Louiguy (Luis Guglielmi). 

The song became very popular in the US in 1950, with English lyrics (‘Take me to your heart again’) by David Mack, when seven recordings - made by Tony Martin, Paul Weston, Bing Crosby, Ralph Flanagan, Victor Young, Dean Martin, and Louis Armstrong - all reached the Billboard charts. 

This song has been covered by many other artists over the years, including Bette Midler, Donna Summer and a 2018 version by Lady Gaga.

This arrangement for Cello and Piano is very suitable for Recitals or as an Encore.

 

Take Me To Your Heart Again
Violoncelle, Piano
Edith Piaf
$5.50 4.93 € Violoncelle, Piano PDF SheetMusicPlus

Cello,Piano - Level 3 - Digital Download

SKU: A0.845291

By Elvis Presley. By George David Weiss, Hugo Peretti, and Luigi Creatore. Arranged by Phil Beaman. Film/TV,Pop,Rock,Wedding. Score and part. 4 pages. Phil Beaman #6681713. Published by Phil Beaman (A0.845291).

Can't Help Falling In Love was made famous by Elvis Presley on his album and film Blue Hawaii. My arrangement takes it from a 60's pop song to a gentle jazz ballad. It is totally reharmonized and has a fresh new feel. The melody is the same, except it has a new Time Signature. The song was originally in 6/8 but I have set it in 1/2 in order to get the pulse and phrasing I want. (Yes, 1 minim/half note per bar.) The original accompaniment was broken arpeggios, but now it is all about the rich new blocked chords. With repeats and a D.S. I have covered all 4 verses and bridges. Enjoy a fresh take on this forever classic. Great for weddings and nostalgic concerts.  
solo range 10th
solo part, Early Intermediate; piano part, Intermediate
available for several different instrument solos
3 pages score, 1 page part
2:00 minutes




Can't Help Falling In Love
Violoncelle, Piano
Elvis Presley
$5.99 5.37 € Violoncelle, Piano PDF SheetMusicPlus

Cello,Piano - Level 3 - Digital Download

SKU: A0.844351

Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan Cutchen. Christian,Gospel,Sacred,Spiritual. Score and part. 15 pages. Dan Cutchen Music #4281895. Published by Dan Cutchen Music (A0.844351).

This arrangement of And Can It Be That I Should Gain? is for cello solo and piano.
A theme and variation treatment is used.  

For a piano background Mp3 track, search for:
Cello - And Can It Be? Piano Accompaniment, Dan Cutchen

Time: approximately 6:00

And Can It Be That I Should Gain? is a Christian hymn written by Charles Wesley. And Can It Be was written in 1738 to celebrate Wesley's conversion, which he regarded as having taken place on May 21 of that year.

This beautiful hymn has been popular and enduring.

And Can It Be That I Should Gain is perhaps one of the most joyfully poignant hymns penned by Charles Wesley (1707-1788). On Whitsunday (Pentecost), May 21, 1738, three days before his brother John experienced his heart strangely warmed,’ Charles was convalescing in the home of John Bray, a poor mechanic, when he heard a voice saying, In the name of Jesus of Nazareth, arise, and believe, and thou shalt be healed of all thy infirmities. The voice was most likely Mr. Bray’s sister who felt commanded to say these words in a dream.

Anglican hymn writer Timothy Dudley-Smith, notes that the following then happened:

Charles got out of bed and opening his Bible read from the Psalms: He have put a new song in my mouth, even praise unto our God, followed by the first verse of Isaiah 40, Comfort ye, comfort ye my people, saith your God. He wrote in his journal, I have found myself at peace with God, and rejoiced in the hope of love Christ (Dudley-Smith, 1987, 1).

The statement from Mr. Bray’s sister sparked within Charles a conviction like he had never felt before. Moved and convicted in spirit, Charles wrestled with these words until he came to rest in his faith, knowing that it is by faith we are saved (Ephesians 2:8).

Soon after this conversion experience, he wrote two hymns in celebration of the amazing love he had come to know: And Can It Be that I Should Gain and Where Shall My Wondering Soul Begin? (United Methodist Hymnal, 342)

There has been some debate as to which hymn was written first, but most current scholarship accepts the latter as the first hymn written by Charles after his conversion experience. No matter its place in the chronology of Wesley's output, And Can It Be has been and remains one of his most remarkable hymns, expressing like no other the rapturous joy of receiving salvation.


And Can It Be That I Should Gain. Hymnary.org, https://hymnary.org/text/and_can_it_be_that_i_should_gain

Dudley-Smith, Timothy. A Flame of Love: A Personal Choice of Charles Wesley’s Verse. London: Triangle SPCK, 1987.

Timothy Dudley-Smith. And can it be that I should gain. The Canterbury Dictionary of Hymnology. Canterbury Press, accessed May 29, 2018, http://www.hymnology.co.uk/a/and-can-it-be-that-i-should-gain.

Young, Carlton R. And Can It Be That I Should Gain. Companion to the United Methodist Hymnal. Abingdon Press, 1993.

(Taken from: History of Hymns: And Can It Be That I Should Gain by DeAndre Johnson found at https://www.umcdiscipleship.org/resources)

Cello - "And Can It Be?" Theme and Variations Violoncelle, Piano

$6.00 5.38 € Violoncelle, Piano PDF SheetMusicPlus






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