Cello,Piano - Level 3 - Digital Download SKU: A0.1046448 By Keith Terrett. By Giacomo Puccini. Arranged by Keith Terrett. Classical,Opera,Romantic Period. Score and part. 5 pages. Keith Terrett #650969. Published by Keith Terrett (A0.1046448). Arranged for Cello & Piano, Quando me'n vo', also known as Musetta's Waltz, is a soprano aria, a waltz in act two of Puccini's 1896 opera La bohème. It is sung by Musetta, in the presence of her bohemian friends, hoping to reclaim the attention of her occasional boyfriend Marcello. This scene takes place at the Café Momus [fr]. Shortly after Mimì, Rodolfo, and their friends have taken seats for a drink, Marcello's former girlfriend, Musetta, shows up with her current patron, the elderly Alcindoro. They quarrel for a bit, then the episode begins as Musetta initiates her move on Marcello. She grabs the spotlight, musically speaking, for a short self-promoting aria (Quando me'n vo'). It is a song directed at the people in the café as much as at the audience in the theater.

Cello,Piano - Level 3 - Digital Download SKU: A0.565307 By Sharon Wilson. By Sharon Wilson. Arranged by Sharon Wilson. Contemporary,Easter,Holiday,Praise & Worship,Sacred. Score and part. 8 pages. Sharon Wilson #3872675. Published by Sharon Wilson (A0.565307). This original Scripture song based on Psalm 57 verses 1 and 7-10 is formatted as an instrumental duet (for a bass clef C-instrument with piano accompaniment). This arrangement is in the key of G major with the solo range (CELLO) of one octave; from the second B below middle C to the first B below middle C (B2 to B3). For the CELLO, all notes are playable in the first position making this piece an excellent choice for early-intermediate string players. The purchase price includes a 5-page combined score plus a 2-page solo score. Duration 3:00.This Psalm is a prayer written by David while in a cave when he was fleeing from Saul (1 Samuel 22). It is presented here as a song of meditation and praise, drawing the listeners into an atmosphere of prayer and trust in God. The beautiful, lyrical style of this instrumental piece creates an atmosphere of worship and is an ideal selection for any church setting. The lyrics (not included on the sheet music) were adapted from the King James Version (KJV) and the World English Version (WEB) and are printed below:Lyrics:VERSE 1Be merciful to me, O God, be merciful to me,For my soul takes refuge in you,In the shadow of your wings.Be merciful to me, O God, be merciful to me, For in the shadow of your wingsMy soul will always findRefuge, refuge, refuge in You.VERSE 2My heart is fixed on you, O God, my heart is fixed on you.I’ll sing and give you praises.I’ll wake up at dawn and give you thanks.I’ll sing your praises to all people,For your love is great.You loving kindness reaches far beyond the starry skies.Wake up, wake up, wake up and sing.ENDINGBe merciful to me, O God, be merciful to me,For my soul takes refuge in the shadow of your wings.For my soul takes refuge in the shadow of your wings.

Violin, cello and piano - difficult - Digital Download SKU: S9.Q6048 Composed by Joerg Widmann. This edition: score and parts. Downloadable, score and parts. Duration 30 minutes. Schott Music - Digital #Q6048. Published by Schott Music - Digital (S9.Q6048). This Piano Trio Passacaglia is the “junior� companion piece to my Cello Concerto Dunkle Saiten [Dark Strings], or more precisely to the concerto’s large-dimensional introductory section with the indication “Feierlich, schreitend� [solemnly, striding]. What in the Cello concerto then inescapably culminates in a catastrophe remains in this composition ostensibly largely conflict-free. This is in fact perhaps one of my most peaceful and conflict-free compositions; it consists of half an hour of almost exclusively tonal progressions. Here, passacaglia (stepping dance!) is taken literally: the step progressions themselves become the subject of the work. This also includes pausing, not being able to progress, feeling one’s way, stumbling and taking compulsive steps forward.As familiar as the harmonic surface of the structure appears, for me the natural adaptation of the musical flow was new to a similar degree. This is my attempt to produce a linear tonal band (a horizontal) exclusively with the aid of harmonic – i.e. vertical – progressions.- Jörg Widmann.