Cello,Piano - Level 3 - Digital Download SKU: A0.1214690 By Frank Sinatra. By George Gershwin and Ira Gershwin. Arranged by Alex Tinlin. 20th Century,Broadway,Film/TV,Jazz,Musical/Show,Standards. Score and part. 4 pages. Alex Tinlin #811677. Published by Alex Tinlin (A0.1214690). My arrangement for Cello and Piano of Gershwin's 'They can't take that away from me' from the movie 'Shall we dance' (1937).

Cello,Piano - Level 2 - Digital Download SKU: A0.1356680 By Stephen DeCesare. By Traditional. Arranged by Stephen DeCesare. Christian,Lent,Sacred,Standards,Traditional. Score and part. 8 pages. Exultet Music #941317. Published by Exultet Music (A0.1356680). The American Christian hymn that is mostly used during the season of Lent has been freshly arranged for a Cello solo with Piano accompaniment.  Accessible and appropriate for any church setting.  An accompaniment track is also available.

Cello,Piano - Digital Download SKU: A0.1090343 Composed by Connie Boss. Christian,Christmas,Spiritual. Accompaniment. Duration 139. Connie Boss #5989653. Published by Connie Boss (A0.1090343). This is a beautiful cello arrangement of a Christmas song. It's about Mary and Joseph finding out what path their lives were about to take. You can purchase the sheet music of this and also other arrangements including vocals on here. cdboss@cvalley.net for questions. Lyrics below:

Cello,Instrumental Solo,Piano - Level 4 - Digital Download SKU: A0.987858 Composed by Robert M. Greenberg. 20th Century,Contemporary. Score and individual part. 32 pages. Robert M. Greenberg #115605. Published by Robert M. Greenberg (A0.987858). Preferred Contact Information: RMonteverdi@comcast.net Performing Rights Organization: BMI Website: robertgreenbergmusic.com Facebook Band Page: facebook.com/RobertGreenbergMusic Video: https://mail.google.com/mail/?tab=wm#inbox/14f3cea616cb0a88?projector=1 Duration: ca. 12 minutes Year of composition: 2014 Program Note: I. Overture II. Nigun no. 9 III. Molad’ti IV. Gilu Hagalilim V. Y’mey Hanoar VI. The Gigue Is Up My apologies upfront for all the first person pronouns in this program note! A few years back, Nina Flyer asked me to write for her a piece of music that would contain or make reference to Jewish/Yiddish/Hebrew dance music and/or folk songs. The more I thought about it, the more difficult I realized the challenge would be. As best as I could tell, I had three options. Option one: I could set said dance music/songs for cello and piano, with the result being a series of arrangements: nice, but artlessly unoriginal (meaning dull). Option two: I could weave the tunes into a single narrative and in doing so write another version of Schlomo (a self-proclaimed Hebraic work for cello and orchestra by Ernst Bloch). Option three: I could make up my own ethnic-sounding melodies and either arrange them for cello and piano or weave them into some sort of Hebraic narrative: options one and two all over again. So I came up with option four. I selected four folk tunes (movements II, III, IV, and V) and composed a counter-melody to each. The first half of movements II, III, IV, and V set that counter-melody without any reference to the original folk tune. The second half of those movements then combines the counter-melody with the original tune (and thus the revelation, as the original tune is revealed). The generally two-part shape described above (excepting movement IV, which is A-B-A in structure) suggested Baroque binary dance form, and so I turned the piece into a sort of Baroque dance suite. It begins with a French Overture based on the counter-melodies of movement III and V, and concludes with a gigue based on the counter melodies of movements II and IV. The historical references are supposed to be tongue-in-cheek and I can only hope they will be taken that way. A thousand-and-one thanks to Nina Flyer and Lori Lack for their patience, hard work, and musical brilliance. Suite Revelation is dedicated – with the greatest respect and affection – to Nina Flyer.

Cello,Piano - Level 3 - Digital Download SKU: A0.771241 By Take That. By Gary Barlow, Howard Donald, Jason Orange, and Mark Owen. Arranged by Stuart McSweeney. Contemporary. Score and part. 5 pages. Stuart McSweeney #6285177. Published by Stuart McSweeney (A0.771241). Cello and Piano arrangement for Rule The World by Take That.  Similar titles available on my page.

Cello,Piano - Level 3 - Digital Download SKU: A0.844351 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan Cutchen. Christian,Gospel,Sacred,Spiritual. Score and part. 15 pages. Dan Cutchen Music #4281895. Published by Dan Cutchen Music (A0.844351). This arrangement of And Can It Be That I Should Gain? is for cello solo and piano.A theme and variation treatment is used.  For a piano background Mp3 track, search for: Cello - And Can It Be? Piano Accompaniment, Dan CutchenTime: approximately 6:00And Can It Be That I Should Gain? is a Christian hymn written by Charles Wesley. And Can It Be was written in 1738 to celebrate Wesley's conversion, which he regarded as having taken place on May 21 of that year.This beautiful hymn has been popular and enduring.And Can It Be That I Should Gain is perhaps one of the most joyfully poignant hymns penned by Charles Wesley (1707-1788). On Whitsunday (Pentecost), May 21, 1738, three days before his brother John experienced his heart strangely warmed,’ Charles was convalescing in the home of John Bray, a poor mechanic, when he heard a voice saying, In the name of Jesus of Nazareth, arise, and believe, and thou shalt be healed of all thy infirmities. The voice was most likely Mr. Bray’s sister who felt commanded to say these words in a dream.Anglican hymn writer Timothy Dudley-Smith, notes that the following then happened:Charles got out of bed and opening his Bible read from the Psalms: He have put a new song in my mouth, even praise unto our God, followed by the first verse of Isaiah 40, Comfort ye, comfort ye my people, saith your God. He wrote in his journal, I have found myself at peace with God, and rejoiced in the hope of love Christ (Dudley-Smith, 1987, 1).The statement from Mr. Bray’s sister sparked within Charles a conviction like he had never felt before. Moved and convicted in spirit, Charles wrestled with these words until he came to rest in his faith, knowing that it is by faith we are saved (Ephesians 2:8).Soon after this conversion experience, he wrote two hymns in celebration of the amazing love he had come to know: And Can It Be that I Should Gain and Where Shall My Wondering Soul Begin? (United Methodist Hymnal, 342)There has been some debate as to which hymn was written first, but most current scholarship accepts the latter as the first hymn written by Charles after his conversion experience. No matter its place in the chronology of Wesley's output, And Can It Be has been and remains one of his most remarkable hymns, expressing like no other the rapturous joy of receiving salvation.And Can It Be That I Should Gain. Hymnary.org, https://hymnary.org/text/and_can_it_be_that_i_should_gainDudley-Smith, Timothy. A Flame of Love: A Personal Choice of Charles Wesley’s Verse. London: Triangle SPCK, 1987.Timothy Dudley-Smith. And can it be that I should gain. The Canterbury Dictionary of Hymnology. Canterbury Press, accessed May 29, 2018, http://www.hymnology.co.uk/a/and-can-it-be-that-i-should-gain.Young, Carlton R. And Can It Be That I Should Gain. Companion to the United Methodist Hymnal. Abingdon Press, 1993.(Taken from: History of Hymns: And Can It Be That I Should Gain by DeAndre Johnson found at https://www.umcdiscipleship.org/resources)https://youtu.be/xCpG9mpfSFk

Cello,Piano - Level 3 - Digital Download SKU: A0.887267 Composed by Rowland Hugh Prichard. Arranged by Michelle Willis. Christian,Praise & Worship,Sacred. Score and part. 8 pages. Teton Music #3139261. Published by Teton Music (A0.887267). Michelle Willis’ instrumental arrangement takes the gentle Welsh hymn tune of Rowland H. Prichard and breathes a sense of dedication and devotion in following Jesus Christ. Tune name: Hyfrydol; known by the following hymn names:Alleluia! Sing to Jesus! Come, Thou Long-Expected JesusEarth was Given as a GardenBlue Boat HomeLove Divine, All Loves ExcellingLord of Glory, Who Hast Bought UsI Will Sing the Wondrous StoryJesus, I My Cross Have TakenYe that know the Lord is gracious

Cello,Piano - Level 2 - Digital Download SKU: A0.1219741 By Nat King Cole. By Eden Ahbez. Arranged by Michael Todd Kovell. 20th Century,Chamber,Classical,Jazz,Standards. Score and part. 4 pages. Phinney Music #816111. Published by Phinney Music (A0.1219741). Looking for a soulful and captivating interpretation of the classic jazz standard Nature Boy arranged for cello and piano in a more classical style that showcases the silky smooth tones of the cello as it takes on the iconic melody, while the piano provides a rich and beautiful accompaniment? Drawing on the rich musical heritage of classical music and the timeless appeal of Nat King Cole's iconic melody, this arrangement of Nature Boy for cello and piano is a true masterpiece of musical artistry, highlighting the beauty and elegance of the melody and infusing it with a fresh and modern sensibility. With the cello taking on the lead and providing the rich and varied melody, and the piano providing the intricate and harmonically rich accompaniment, this version of Nature Boy is a true tour de force of musicianship.What sets this arrangement apart from others on the market is its seamless integration of classical and contemporary styles, blending together the iconic melody with the innovative harmonies and nuanced accompaniment of a modern classical arrangement. The result is a truly unique and unforgettable listening experience that will transport listeners to another world and leave them spellbound.Whether you're a die-hard fan of classical music, a lover of Nat King Cole's, or simply crave a fresh and original take on a classic tune, this arrangement of Nature Boy for cello and piano is an essential addition to your collection. So why wait? Download it today and experience the power and beauty of this timeless song in a whole new way!

Cello,Piano - Level 3 - Digital Download SKU: A0.1222713 Composed by Michael Galasso. Arranged by Michael Todd Kovell. 20th Century,Chamber,Classical,Contemporary,Film/TV. Score and part. 5 pages. Phinney Music #818991. Published by Phinney Music (A0.1222713). Looking for an evocative and ethereal rendition of Michael Galasso's Angkor Wat Theme I from the acclaimed film In the Mood for Love that highlights the interplay between the cello and piano? Look no further than this stunning arrangement.Inspired by the rich cultural heritage of Southeast Asia and the atmospheric cinematography of Wong Kar-wai's masterpiece, this arrangement takes listeners on a journey of musical discovery and emotional depth, weaving together the haunting melodies and delicate harmonies of Galasso's original composition with the evocative timbre and resonant sound of the cello and piano. From the opening notes to the closing chord, this arrangement is a true feast for the senses, inviting listeners to experience the full beauty and power of Galasso's timeless piece.Whether you're a fan of film scores, classical music, or simply crave a new and original take on a beloved piece, this arrangement of Angkor Wat Theme I is sure to delight and inspire.So why wait? Download it today and discover the magic and beauty of Michael Galasso's Angkor Wat Theme I in a whole new way!

Cello,Piano - Level 3 - Digital Download SKU: A0.587599 Composed by Jeremiah Clarke. Arranged by David McKeown. Baroque,Concert,Instructional,Standards,Wedding. Score and part. 7 pages. David McKeown #4367468. Published by David McKeown (A0.587599). The Prince of Denmark’s March is better known nowadays as the Trumpet Voluntary and is often used in wedding ceremonies. It was in fact written for organ, with the melody played on thetrumpet stop.  Written around 1700, for many years this piece was mistakenly attributed to Henry Purcell. Only recently has it been established that the composer was Jeremiah Clarke, organist at St Paul’s Cathedral. It is somewhat ironic that this composer of a wedding mainstay was himself a victim of unrequited love. He consequently shot himself in the cathedral graveyard. This full version is arranged as a Solo for Cello and Piano; the performance time is around two and a half minutes. Of course, performers, especially at weddings, may wish to abridge and shorten the arrangement. This is easily done as the different sections are self-contained and the repeat may be ignored. The single pdf file contains both the score and the solo instrumental part. Musicians at an intermediate level and above will find this ideal for formal and informal performances, with both the solo and accompaniment enjoying melodic interest. Teachers will enjoy using this arrangement as a fun way to help with strict time, full tone and dynamics.The short sample here and the full length version on the youtube link are from the Clarinet version of this arrangement.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203  

Violin, viola, cello and piano - intermediate to advanced - Digital Download SKU: S9.Q7090 Edited and supplemented by Joachim Draheim. Composed by Robert Schumann. This edition: score and parts. Downloadable, Score and parts. Duration 32' 25. Schott Music - Digital #Q7090. Published by Schott Music - Digital (S9.Q7090). Key: C minor.Schumann's early piano quartet composed in 1829 has not yet found its way into the concert repertoire, although it would be well-earned. This is due to the fact that the work has only been available in a version full of mistakes up to now. Our new edition by the renowned Schumann researcher Joachim Draheim is based not only on the autograph but also on Schumann's sketches, thus providing a convincing musical text for the first time. Missing pages of the autograph (end of the first movement, left-hand piano part in the minuet, etc.) have been completed for the first time with the help of parallel passages in a stylistically sensitive and accurate manner. A valuable addition to the repertoire on the occasion of the Schumann Year 2010.

Cello,Piano - Level 3 - Digital Download SKU: A0.549329 By Barry Manilow. By Bruce Johnston. Arranged by James M. Guthrie, ASCAP. Contemporary,Rock. Score and part. 5 pages. Jmsgu3 #3486231. Published by jmsgu3 (A0.549329). Duration: ca. 3:00, score: 5 pages, solo part: 1 page, piano part: 2 pages.Very famous song suitable for church, recital or nightclub. I Write the Songs is a popular song written by Bruce Johnston in 1975 and made famous by Barry Manilow. Manilow's version reached number one on the Billboard Hot 100 chart in January 1976[2] after spending two weeks atop the Billboard adult contemporary chart in December 1975.[3] It won a Grammy Award for Song of the Year and was nominated for Record of the Year in 1977.[3] Billboard ranked it as the No. 13 song of 1976.[4]The original version was recorded by The Captain & Tennille, who worked with Johnston in the early 1970s with The Beach Boys. It appears on their 1975 album, Love Will Keep Us Together. The first release of I Write the Songs as a single was by then teen-idol David Cassidy from his 1975 solo album The Higher They Climb, which was also produced by Bruce Johnston. Cassidy's version reached #11 on the UK Singles Chart in August of that year.[5]Johnston has stated that, for him, the I in the song is God,[2] and that songs come from the spirit of creativity in all of us. He has said that the song is not about his Beach Boys bandmate Brian Wilson.[6]Manilow was initially reluctant to record the song, stating in his autobiography Sweet Life: The problem with the song was that if you didn't listen carefully to the lyric, you would think that the singer was singing about himself. It could be misinterpreted as a monumental ego trip.[3] After persuasion by Clive Davis, then president of Arista Records, Manilow recorded the song, and his version of I Write the Songs was the first single taken from the album Tryin' to Get the Feeling. It first charted on the Billboard Hot 100 on November 15, 1975, reaching the top of the chart nine weeks later, on January 17, 1976. Wikipedia

Cello,Piano - Level 3 - Digital Download SKU: A0.926744 Composed by Yuan-Chen Li. Contemporary,Standards,World. Score and part. 6 pages. Yuan-Chen Li #6866385. Published by Yuan-Chen Li (A0.926744).      Lullaby is the common theme running through three pieces for cello and piano, written for students of beginner, intermediate, and intermediate/advanced levels: Lullaby in D Key, Fantasia Lullaby, and When the Rainbow Says Goodnight. It takes students to consider color as a technical and formal expression that varieties of tone colors, as well as tonal centers, are explored. Originally modal, the tune by the aboriginal people takes the rocking baby as the inspiration and is embellished with a wide range of ornaments, string changes, and tonal centers, which are all relevant to Chinese traditional music and contemporary music.     CMTNC (Chinese Music Teachers Association of Northern California) Commission Series is a collection of musical works for a set of twelve pieces for violin, piano, cello, and clarinet (three pieces for each instrument written for beginner, intermediate, and intermediate/advanced students; with or without piano accompaniment). Through this series, student performers and their audiences are reminded of life experiences through the reminiscence and creative process of classic Chinese music literature and well-known folksongs.

Cello,Piano - Level 1 - Digital Download SKU: A0.926743 Composed by Yuan-Chen Li. Contemporary,Standards,World. Score and part. 6 pages. Yuan-Chen Li #6866383. Published by Yuan-Chen Li (A0.926743).       Lullaby is the common theme running through three pieces for cello and piano, written for students of beginner, intermediate, and intermediate/advanced levels: Lullaby in D Key, Fantasia Lullaby, and When the Rainbow Says Goodnight. It takes students to consider color as a technical and formal expression that varieties of tone colors, as well as tonal centers, are explored. Originally modal, the tune by the aboriginal people takes the rocking baby as the inspiration and is embellished with a wide range of ornaments, string changes, and tonal centers, which are all relevant to Chinese traditional music and contemporary music.     CMTNC (Chinese Music Teachers Association of Northern California) Commission Series is a collection of musical works for a set of twelve pieces for violin, piano, cello, and clarinet (three pieces for each instrument written for beginner, intermediate, and intermediate/advanced students; with or without piano accompaniment). Through this series, student performers and their audiences are reminded of life experiences through the reminiscence and creative process of classic Chinese music literature and well-known folksongs.