Cello,Piano - Level 4 - Digital Download SKU: A0.1197751 By Gabriel Fauré, Yo Yo Ma and Kathryn Stott. By Gabriel Faure. Arranged by Flavio Regis Cunha. Classical,Contest,Festival,Film/TV,Instructional,Romantic Period. Score and part. 6 pages. Flavio Regis Cunha #796933. Published by Flavio Regis Cunha (A0.1197751). Après un rêve (Op. 7, No. 1) for cello and piano (as played by Yo Yo Ma and Kathryn StottTrois mélodies is a set of mélodies for solo voice and piano, by Gabriel Fauré. It consists of Après un rêve (Op. 7, No. 1), one of Faure's most popular vocal pieces, Hymne (Op. 7, No. 2), and Barcarolle (Op. 7, No. 3). The songs were written between 1870 and 1877, and published in 1878. They were not, however, originally conceived together as a set of three; the opus number 7 was imposed on them retrospectively in the 1890s, almost 20 years after their first publications.[citation needed]Après un rêveIn Après un rêve (After a dream), a dream of romantic flight with a lover, away from the earth and towards the light, is described. However, upon awakening, the dreamer longs to return to the mysterious night and the ecstatic falsehood of his dream. The text of the poem is an anonymous Italian poem freely adapted into French by Romain Bussine.Intermediate.Format: Concert, 9 x 12 inches.6 pages.

Cello,Piano - Level 2 - Digital Download SKU: A0.1303403 Composed by Gabriel Faure. Arranged by Harry Walker. 19th Century,Romantic Period. Score and part. 8 pages. SCORE EDITIONS #892977. Published by SCORE EDITIONS (A0.1303403). This mélodie is the first in a set of three songs, opus 7, which also comprises Hymne and Barcarolle respectively. All three were composed between 1870 and 1877, then collected and published in 1878 under the title Trois Mélodies. Not originally conceived as a song cycle, these three songs acquired this opus number much later, in the 1890s. The poem for Après un rêve was loosely adapted from an anonymous Italian text by Romain Bussine. It describes, in the form of a dream, the imaginary flight of two lovers who are head over heels in love, although the last verse brings the dreamer inexorably back to harsh reality as dawn is breaking.

Soprano, cor anglais, viola, cello and piano - difficult - Digital Download SKU: S9.Q6155 Composed by Christian Jost. This edition: score and parts. Downloadable, Score and parts. Duration 12 minutes. Schott Music - Digital #Q6155. Published by Schott Music - Digital (S9.Q6155). German.Ein Liebespaar, unter deren Gier der Boden nachgibt und deren Lust zu Treibholz wird: dies ist das Herz von Hans Thills Gedicht Paradox und stellt den ersten Moment der Inspiration für Christian Jost dar, diesem Text musikalische Gestalt zu verleihen. Die reduzierte Sprache des Gedichts, seine surreale erotische Welt, eröffnet Räume, in denen Sätze zu Romanen und einzelne Wörter zu endlosen Linien werden. Kompositorisch hat dies für Jost nicht nur die Möglichkeit geschaffen, eine Geschichte hinter der Geschichte zu erzählen, sondern auch jedes einzelen Wort in Klänge einzuschweißen, deren Richtung er bestimmt. Folgerichtig ist demnach im Text und nicht an ihm entlang komponiert worden. Was bedeutet: der ohnehin zerschnittenen Sprache wurde eine weitere Ebene hinzugefügt, indem die jeweiligen Textschwerpunkte in verschiedene Klangbilder gefasst wurden, deren Summe dann die Dramaturgie des Ganzen bestimmt hat. Dadurch haben sich größere atmosplärische Unterschiede und Spannungen ergeben, als das sehr lyrische Gedicht vermuten ließe. So aber konnte der Komponist eine Dichte an Ausdruck und Intensität entwickeln, die bereits im Text enthalten sind, auch wenn er sich in ein lyrisches Gewand verkleidet hat.

Cello,Piano - Digital Download SKU: A0.749797 Composed by Evelyn R. Larter, ASCAP. Arranged by Evelyn Larter Music. Christian,Sacred. Score and part. 8 pages. Evelyn R Larter #3135385. Published by Evelyn R Larter (A0.749797). This is a setting of two old hymn tunes, Retreat and Rockingham, originally arranged as a choral anthem with violin obbligato but here rearranged as a cello solo with piano. Also available as a violin solo, it is suitable as prelude or offertory music. The first tune, Retreat, is most commonly found in American hymnbooks for the hymn From Every Stormy Wind that Blows, hence the title, but in the United Kingdom mostly Communion hymns are sung to these melodies. Rockingham is often used as the tune for When I Survey the Wondrous Cross. If the title is to be printed in a church bulletin I recommend using whichever hymn is most familiar in the context as the title! A MIDI recording is provided. More information on my music may be found at www.evelynlartermusic.com or on my Facebook page for Evelyn Larter Music.

2 violins, viola, cello and piano - intermediate - Digital Download SKU: S9.Q48161 For piano quintet. Composed by Peteris Vasks. This edition: score and parts. Silence - prayer - peace - faith - religion - Mother Teresa. Downloadable, Score and parts. Duration 6 minutes. Schott Music - Digital #Q48161. Published by Schott Music - Digital (S9.Q48161). Gerne überraschte Mutter Teresa ihre Gesprächspartner damit, dass sie ihnen anstelle einer herkömmlichen Visitenkarte ein kleines Kärtchen überreichte, auf dem ein kurzer Text zu lesen war, beginnend mit der Zeile The fruit of silence is prayer. 2013 vertonte Pēteris Vasks dieses Friedensgebet der Mutter Teresa im Auftrag des Schleswig-Holstein Musik Festivals für gemischten Chor a cappella in Form eines dichtgewobenen elegischen Klangstroms. Die Fassungen für Klavierquintett und Streichquartett machen diese musikalische Ausformung von Mutter Teresas Worten nun auch ohne Chorbegleitung für zwei Traditionsgattungen der Kammermusik zugänglich.

Cello,Piano - Level 3 - Digital Download SKU: A0.844351 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan Cutchen. Christian,Gospel,Sacred,Spiritual. Score and part. 15 pages. Dan Cutchen Music #4281895. Published by Dan Cutchen Music (A0.844351). This arrangement of And Can It Be That I Should Gain? is for cello solo and piano.A theme and variation treatment is used.  For a piano background Mp3 track, search for: Cello - And Can It Be? Piano Accompaniment, Dan CutchenTime: approximately 6:00And Can It Be That I Should Gain? is a Christian hymn written by Charles Wesley. And Can It Be was written in 1738 to celebrate Wesley's conversion, which he regarded as having taken place on May 21 of that year.This beautiful hymn has been popular and enduring.And Can It Be That I Should Gain is perhaps one of the most joyfully poignant hymns penned by Charles Wesley (1707-1788). On Whitsunday (Pentecost), May 21, 1738, three days before his brother John experienced his heart strangely warmed,’ Charles was convalescing in the home of John Bray, a poor mechanic, when he heard a voice saying, In the name of Jesus of Nazareth, arise, and believe, and thou shalt be healed of all thy infirmities. The voice was most likely Mr. Bray’s sister who felt commanded to say these words in a dream.Anglican hymn writer Timothy Dudley-Smith, notes that the following then happened:Charles got out of bed and opening his Bible read from the Psalms: He have put a new song in my mouth, even praise unto our God, followed by the first verse of Isaiah 40, Comfort ye, comfort ye my people, saith your God. He wrote in his journal, I have found myself at peace with God, and rejoiced in the hope of love Christ (Dudley-Smith, 1987, 1).The statement from Mr. Bray’s sister sparked within Charles a conviction like he had never felt before. Moved and convicted in spirit, Charles wrestled with these words until he came to rest in his faith, knowing that it is by faith we are saved (Ephesians 2:8).Soon after this conversion experience, he wrote two hymns in celebration of the amazing love he had come to know: And Can It Be that I Should Gain and Where Shall My Wondering Soul Begin? (United Methodist Hymnal, 342)There has been some debate as to which hymn was written first, but most current scholarship accepts the latter as the first hymn written by Charles after his conversion experience. No matter its place in the chronology of Wesley's output, And Can It Be has been and remains one of his most remarkable hymns, expressing like no other the rapturous joy of receiving salvation.And Can It Be That I Should Gain. Hymnary.org, https://hymnary.org/text/and_can_it_be_that_i_should_gainDudley-Smith, Timothy. A Flame of Love: A Personal Choice of Charles Wesley’s Verse. London: Triangle SPCK, 1987.Timothy Dudley-Smith. And can it be that I should gain. The Canterbury Dictionary of Hymnology. Canterbury Press, accessed May 29, 2018, http://www.hymnology.co.uk/a/and-can-it-be-that-i-should-gain.Young, Carlton R. And Can It Be That I Should Gain. Companion to the United Methodist Hymnal. Abingdon Press, 1993.(Taken from: History of Hymns: And Can It Be That I Should Gain by DeAndre Johnson found at https://www.umcdiscipleship.org/resources)https://youtu.be/xCpG9mpfSFk