Cello,Piano - Level 3 - Digital Download SKU: A0.549440 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 14 pages. Jmsgu3 #3494673. Published by jmsgu3 (A0.549440). Score: 7 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic operas such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, and 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883.    

Cello,Piano - Level 1 - Digital Download SKU: A0.1494224 Composed by Thomas Moore. Arranged by Alex Nunes Rodrigues. Folk. Score and part. 3 pages. Alex Rodrigues #1070837. Published by Alex Rodrigues (A0.1494224). The Last Rose of Summer is a work deeply rooted in Irish culture, originally penned as a poem by the renowned poet and composer Thomas Moore in 1805. Moore, regarded as Ireland’s national poet, was inspired by an 'Old Blush' rose while staying at Jenkinstown Castle in County Kilkenny, Ireland. The poem was published as part of his Irish Melodies collection between 1807 and 1834 and later set to music by fellow Irishman John Stevenson. The song gained widespread popularity and was incorporated into the opera Martha by the German composer Friedrich von Flotow, which premiered in 1847 in Vienna.This sheet music has been adapted for solo instrument, preserving the original melody by Moore and Stevenson in its essence. The simplicity of the arrangement allows the musician to highlight the purity of the melody, making it easier to perform while maintaining the piece's emotional character. This version is designed to be accessible for beginner to intermediate musicians, enabling an authentic interpretation that respects the traditional nuances of the work.The Last Rose of Summer captures the essence of melancholy and the passage of time—universal themes reflected in the farewell to the last vestige of a vibrant summer. The melody, paired with Moore’s poetry, evokes a profound sense of loss and longing, with the solitary rose serving as a metaphor for the fleeting nature of life and the seasons. The simplicity and beauty of this piece have made it a classic, perpetuating Irish tradition and touching the hearts of listeners worldwide.

Cello,Piano - Level 1 - Digital Download SKU: A0.1494237 Composed by Thomas Moore. Arranged by Alex Nunes Rodrigues. Folk. Score and part. 3 pages. Alex Rodrigues #1070838. Published by Alex Rodrigues (A0.1494237). The Last Rose of Summer is a work deeply rooted in Irish culture, originally penned as a poem by the renowned poet and composer Thomas Moore in 1805. Moore, regarded as Ireland’s national poet, was inspired by an 'Old Blush' rose while staying at Jenkinstown Castle in County Kilkenny, Ireland. The poem was published as part of his Irish Melodies collection between 1807 and 1834 and later set to music by fellow Irishman John Stevenson. The song gained widespread popularity and was incorporated into the opera Martha by the German composer Friedrich von Flotow, which premiered in 1847 in Vienna.This sheet music has been adapted for solo instrument, preserving the original melody by Moore and Stevenson in its essence. The simplicity of the arrangement allows the musician to highlight the purity of the melody, making it easier to perform while maintaining the piece's emotional character. This version is designed to be accessible for beginner to intermediate musicians, enabling an authentic interpretation that respects the traditional nuances of the work.The Last Rose of Summer captures the essence of melancholy and the passage of time—universal themes reflected in the farewell to the last vestige of a vibrant summer. The melody, paired with Moore’s poetry, evokes a profound sense of loss and longing, with the solitary rose serving as a metaphor for the fleeting nature of life and the seasons. The simplicity and beauty of this piece have made it a classic, perpetuating Irish tradition and touching the hearts of listeners worldwide.

Cello,Piano - Level 2 - Digital Download SKU: A0.951266 Composed by Michael Hoppe. 20th Century,Celtic,Concert,Romantic Period. Score and part. 2 pages. Chordially Yours Music #5723757. Published by Chordially Yours Music (A0.951266). Some Other Time from the album The Poet - Romances for Cello has been much requested and performed.It was originally recorded with cello and keyboards, and will work beautifully with piano.

Cello,Piano - Level 1 - Digital Download SKU: A0.1136205 Composed by Martin Luther. Arranged by Ander. Baroque,Christian,Religious,Renaissance,Sacred. Score and part. 6 pages. Woods Only, Arrangements #736228. Published by Woods Only, Arrangements (A0.1136205). This easy arrangement for violoncello and piano has been adapted to be simple to perform and understand, adapted for various levels of musical knowledge; from beginners to music professionals. It can be played freely due to the ease built into the piece in relation to the author's suggested interpretation. Recommended for performances at Christian ceremonies and liturgical events in churches, it also serves as a study of the Renaissance repertoire. A Mighty Fortress Is Our God or Ein feste Burg ist unser Gott is a hymn written by Martin Luther probably before 1529. The melody was also considered his work for a long time, but it was created at least with the collaboration of Johann Walter. The song is of great symbolic power for Protestantism; where it is also known as Deus noster refugium et virtus. Considered one of the most important hymns in the history of Christianity, it was considered by the Christian poet Johann Heirich Heine (1797-1856) to be the Marseillaise of the Reformation, in an allusion to the French national anthem.

Cello and piano - advanced - Digital Download SKU: S9.Q6732 Composed by Rodion Shchedrin. This edition: Sheet music. Cello Library. Downloadable. Duration 9 minutes. Schott Music - Digital #Q6732. Published by Schott Music - Digital (S9.Q6732). Deep Slavic emotions and gripping virtuosity - that's what characterizes many compositions by Rodion Shchedrin. Even if he has been a cosmopolitan for a long time, the Moscow-born composer nevertheless remains an originally Russian composer whose attachment to Russian music folklore and poetry has never been broken off. This tradition also shows in 'Belcanto', which was commissioned by the renowned Verbier Festival and premiered by the dedicatee Mischa Maisky, together with the composer on the piano. The cello part mainly maintains a cantabile character, while the piano accompanies and comments the vocal part with varied transparent sounds and figures.

Cello,Piano - Level 3 - Digital Download SKU: A0.576585 Composed by David Warin Solomons. 20th Century,Contemporary,World. Score and part. 11 pages. David Warin Solomons #38161. Published by David Warin Solomons (A0.576585). The Swallows is based on the poem by Gourgen Mahari, as translated from the Armenian by James Russell. The Armenian poet Gourgen Mahari, who died in the USSR in 1969 is lamenting his many compatriots who were exiled, dispossessed and killed during the 20th century (poem shown below)  Versions are available on this site for: voice, clarinet, flute, violin, alto saxophone, cello or cor anglais and guitar and for voice, clarinet, flute, violin, alto saxophone, cello or cor anglais and piano The sound sample is an electronic preview. The pdf file contain score and parts. The original song can be heard on youtube at: https://www.youtube.com/watch?v=vucw5zpeGzQ ï»¿  == The Swallows == Far in the distant Nile Valley down nameless highways unknown, where the Dead Sea`s gloomy ripples break,  straining on their way unfinished home,  with a song in their hearts, the swallows died,  unable to return.  Far in the distant Nile Valley down down nameless highways unknown.  They never came back to adorn the Spring with heady song,  to chant with the winds the green meadow, rebuild abandoned nests.  They died on distant mountains, plains afar, unable to return. Far away.  Can they subsist with the love of our hearts  or our gardens` blossoms gay or our joyous vernal rains?  They who died on the way unfinished home.  Far in the distant Nile Valley.  Unable to return.

Cello,Piano - Digital Download SKU: A0.1251900 By Scholler. By Scholler. Arranged by Scholler. Classical,Contemporary,Film/TV,Multicultural,New Age,World. Score and part. 3 pages. Scholler #846118. Published by Scholler (A0.1251900). Within the realm of neo-classical music, the piano and violoncello unite to create a harmonious alliance that captivates the listener's soul. Their melodic conversations form a gentle dialogue, evoking a profound sense of calmness and tranquility. The nuanced performance of each instrument showcases the technical virtuosity and emotive qualities inherent in this captivating genre.Embrace the transformative power of musicSchollermusic

Cello,Piano - Level 3 - Digital Download SKU: A0.1469201 By Michael Ware. By Frederick M. Lehman. Arranged by Michael Ware. Lent,Praise & Worship,Religious,Sacred,Traditional. Score and part. 7 pages. Michael Ware Music #1047221. Published by Michael Ware Music (A0.1469201). The Love of God is a cherished hymn which tells of the height and depth of God’s love for His children. It vividly and poetically speaks of the redeemed grace of Jesus. Michael Ware has crafted this beautiful arrangement for solo instrument and piano. Appropriate for a prelude or offertory in worship. Available for solo, flute, oboe, clarinet in Bb, violin, or cello. THIS IS THE CELLO ARRANGEMENT.

Cello,Piano - Level 3 - Digital Download SKU: A0.923251 Composed by Christina Rossetti, Gustav Holst, and Johann Pachelbel. Arranged by Lauri Wood. Christmas,Classical,Holiday,Romantic Period,Sacred. Score and part. 5 pages. Woodridge Music Studio, LLC #6615471. Published by Woodridge Music Studio, LLC (A0.923251). Pachelbel's Canon in D is the perfect setting for this well-loved carol so beautifully combined by the English poet Christina Rossetti and English composer Gustav Holst. For Advent services, holiday concerts, and recitals.

Cello,Piano - Level 2 - Digital Download SKU: A0.548673 Composed by Adam. Arranged by James M. Guthrie, ASCAP. Christmas. Score and part. 10 pages. Jmsgu3 #3410433. Published by jmsgu3 (A0.548673). Cantique de Noël The French composer Adolphe Adam was already famous as a composer of many successful ballets and operas. Then, in the 1840s, he wrote his most famous work - O Holy Night. The original song title was Minuit Chretiens or Cantique de Noël.  Placide Cappeau provided the original song lyrics. The song was first performed in Roquemaure by the opera singer Emily Laurey at midnight mass in 1847. It became very popular among the French, much like Silent Night was famous elsewhere. In 1850, John S. Dwight, a Unitarian minister and music teacher, translated the song into English.   Adolphe Adam Adam studied organ and composition at the Paris Conservatoire in his younger years. He also played the timpani in the Conservatoire orchestra. Adam used his savings and borrowed money to open a new opera house - the fourth opera house in Paris in 1847. Unfortunately, the Revolution of 1848 forced him to close. He taught composition at the Paris Conservatoire from 1849 until he died in 1856. Placide Cappeau The poet Cappeau was an advocate of the French Enlightenment philosopher Voltaire. Voltaire was renowned for criticizing the Catholic church, religious intolerance, and dogma in general. Consequently, Cappeau made the Redeemer figure in his song a kind of reformer of injustices, particularly the problem of original sin. To begin with, people recognized Cappeau's theology as eccentric, probably even doubtful. Theology In the earlier form of Minuit, the Christ figure descends to intervene with His Father's plan to punish humanity. Traditional doctrine pronounces that Christ came from love, not to intervene. This version also declares that Christ appeared to delete the original sin of Adam. Cappeau removed this part from his poem years later because he didn't believe it. He preferred to portray Christ as the reformer of disparity and unfairness. Before long, the writer/politician Alphonse de Lamartine called the Minuit the Marseillaise of religion. Most French churchmen agreed with this idea but did not consider it a tribute.    

Cello,Piano - Level 4 - Digital Download SKU: A0.1431535 Composed by Peter Williams. 21st Century,Classical,New Age. Score and part. 9 pages. Petemuso #1012010. Published by Petemuso (A0.1431535). This is a piece for cello and piano accompaniment inspired by the poem 'The Coming' by Welsh poet R.S.Thomas. It explores the themes of desolation and suffering intrinsic to the poem by representing them as a musical yearning expressed by the cello, empathetically supported by the piano.

Cello,Piano - Level 3 - Digital Download SKU: A0.549463 Composed by Aleksandr Scriabin (1871 - 1915). Arranged by James M. Guthrie. Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499715. Published by jmsgu3 (A0.549463). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors.  Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.

Cello,Piano - Level 2 - Digital Download SKU: A0.548655 Composed by James Pierpont. Arranged by James M. Guthrie, ASCAP. Christmas. Score and part. 8 pages. Jmsgu3 #3408191. Published by jmsgu3 (A0.548655). Jingle Bells arranged for cello & piano with a fancy final verse. Jingle Bells is perhaps the most famous songs in American music history. James L. Pierpont published the song as One Horse Open Sleigh in the late 1850’s. Since its introduction, people began to insist that Pierpont wrote it for a Sunday school choir. However, it seems unlikely that such a secular song would be considered appropriate during that historical period for Sunday school.Christmas Repertoire Pierpont wrote the song for the Thanksgiving holidays, but over time people began to think of it more as a Christmas song. Some choirs adopted it as part of their Christmas repertoire in the 1860s and 1870s. Jingle Bells was first recorded in 1889 on a wax cylinder. Origins No one knows where Pierpont composed the song. One theory suggests he wrote it in Medford Massachusetts in 1850. Sleigh races were certainly popular in 19th Century Massachusetts. To this day, a commemorative placard appears in Medford square claiming that it is the birthplace of Jingle Bells. Others suggest that he wrote it in Savannah, Georgia where he was an organist and music director at the Unitarian Church. This theory gains support from the copyright date of 1857. We know he was living in Savannah by then. Traffic Signals Horse-drawn sleighs are relatively quiet in the snow. Consequently, horses were usually equipped with bell-laden straps so as to avoid accidents at blind intersections. Sleigh drivers in 19th Century New England were constantly vigilant, listening for the sounds of approaching horse-drawn sleighs. The tune imitates the rhythm that the trotting horse bells produce. Social Context Jingle Bells was sung as a drinking song at local revelries: during the song folks would rhythmically jangle the ice in their glasses. A sleigh ride gave couples an opportunity to be alone together. The term Jingle bells is a poetic descriptive adjective referring specifically to the more accurate term sleigh bells. In many arrangements, sleigh bells are used to accentuate the rhythm during the song chorus.  Register for free lifetime updates and revisions at www.jamesguthrie.com

Cello,Piano - Level 2 - Digital Download SKU: A0.1455101 Composed by Frederic Chopin. Arranged by Iury Cardoso. 19th Century,Chamber,Classical,Romantic Period,Traditional. Score and part. 7 pages. Iury Cardoso #1034178. Published by Iury Cardoso (A0.1455101). Easy VIOLONCELLO (with PIANO) arrangement of the piece: Nocturne (Op.9 n.2) by Frédéric Chopin(Score and violoncello part: 7 pages)This arrangement of Chopin's Nocturne presents new musical textures and adaptation solutions to transform the original piece (composed for piano) into an easy version for VIOLONCELLO and PIANO. To help you learn this arrangement, the melodies and chords were made easier and the difficult parts were adapted, without losing the poetic beauty of the original song. Get Chopin's Nocturne sheet music now and play this masterpiece that captivates the soul with its timeless beauty.Other features of this sheet music:- Easy arrangement: made for beginner or intermediate level musicians (This is a more accessible version for music students).- Chord symbols included: but, if you prefer, there is also a version of this same arrangement without the chord symbols and without the piano on this website.- This arrangement is also a version for teacher/student duet: the students can be accompanied by their teacher playing the piano (the piano parts can be played on piano or electronic keyboard). - Other versions available: On this site, there is a version of this arrangement for VIOLONCELLO SOLO and also versions for VIOLONCELLO TRIO and STRING QUARTET/QUINTET (with or without piano accompaniment).See more arrangements by Iury Cardoso, thank you so much!easy nocturne chopin for violoncello and pianoeasy nocturne chopin sheet musiceasy version of nocturne op.9 n.2 for violoncello solo and pianoeasier version of nocturne op.9 n.2 for violoncello solo and pianonocturne chopin for violoncello solonocturne chopin violoncello and piano sheet musicnocturne easy violoncello and piano duetnocturne for violoncello beginnereasy violoncello chamber musicnocturne chopin but on the violoncelloeasy violoncello with piano nocturne sheet musiceasy violoncello and piano duetvioloncello and piano duet for beginnersvioloncello and piano duet sheet musiceasy violoncello sheet musicbeautiful violoncello sheet musicbeautiful violoncello sheet music for beginnersbeautiful violoncello and piano for beginnersnocturne for beginnerschopin for violoncello studentsnocturne chopin  best arrangement for violoncello and pianonocturne chopin  best easy arrangement for violoncello and pianonocturne chopin easy version for violoncellonocturne chopin easy version for violoncello and pianoeasy violoncelloeasy pianoteacher student duetchopin easy sheet music for violoncello solonocturne chopin best easy arrangement for violoncellonocturne chopin arrangement for easy violoncello solo with pianonocturne chopin for solo violoncelloromantic sheet music for violoncello and pianoeasy nocturne chopin for cello and pianoeasy nocturne chopin sheet musiceasy version of nocturne op.9 n.2 for cello solo and pianoeasier version of nocturne op.9 n.2 for cello solo and pianonocturne chopin for cello solonocturne chopin cello and piano sheet musicnocturne easy cello and piano duetnocturne for cello beginnereasy cello chamber musicnocturne chopin but on the celloeasy cello with piano nocturne sheet musiceasy cello and piano duetcello and piano duet for beginnerscello and piano duet sheet music.