Cello,Piano - Level 3 - Digital Download SKU: A0.1198336 By Pink. By Amy Wadge and David Hodges. Arranged by Samuel Sequeira. Pop,Singer/Songwriter. Score and part. 18 pages. Samuel Sequeira #797515. Published by Samuel Sequeira (A0.1198336). When I Get There - Pink - CelloPlay it at home, with friends, on class, for your teacher or studentPlay it on a public presentation.This arrangement of When I Get There by Pink for cello with piano accompaniment features the key of D Major and captures the emotional depth of the song. The cello part has been expertly crafted to include the vocal melody while also incorporating beautiful cello techniques, making it a joy to play for intermediate and advanced players. The piano accompaniment provides a rich harmonic texture. Whether you're a cellist looking to perform the song or a fan of Pink's music, this arrangement is sure to enchant. So come along for the journey and experience the power of When I Get There by Pink in a whole new way with this cello arrangement with piano accompaniment in the key of D Major.You can find me on:Instagram: @SamuelseqYouTube: @SamuelSeqMore arrangements on: Sam'S arrangementsThanks for listening, and happy playing!

Cello,Piano - Level 3 - Digital Download SKU: A0.1198337 By Pink. By Amy Wadge and David Hodges. Arranged by Samuel Sequeira. Pop,Singer/Songwriter. Score and part. 18 pages. Samuel Sequeira #797516. Published by Samuel Sequeira (A0.1198337). When I Get There - Pink - CelloPlay it at home, with friends, on class, for your teacher or studentPlay it on a public presentation.This arrangement of When I Get There by Pink for cello with piano accompaniment and chords features the key of D Major and captures the emotional depth of the song. The cello part has been expertly crafted to include the vocal melody while also incorporating beautiful cello techniques, making it a joy to play for intermediate and advanced players. The piano accompaniment provides a rich harmonic texture, while the guitar chords offer a deeper understanding of the underlying harmony. Whether you're a cellist looking to perform the song or a fan of Pink's music, this arrangement is sure to enchant. So come along for the journey and experience the power of When I Get There by Pink in a whole new way with this cello arrangement with piano accompaniment and chords in the key of D Major.You can find me on:Instagram: @SamuelseqYouTube: @SamuelSeqMore arrangements on: Sam'S arrangementsThanks for listening, and happy playing!

Cello,Piano - Level 3 - Digital Download SKU: A0.573175 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Holiday,Jazz,Love,Wedding. Score and part. 8 pages. James M Stevens Music ASCAP #4968139. Published by James M Stevens Music ASCAP (A0.573175). This is an original composition for Cello and Piano in a relaxing and romantic style in the key of G major. There is a separate cello part in the score and the piano part as seen can serve as a stand alone solo. The track as heard is available under It's When I See Your Smile Piano Track. James Michael Stevens is a prolific composer residing in Nashville, TN and serves as the Music Department Chairman of Welch College.

Cello,Piano - Digital Download SKU: A0.1061922 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Holiday,Jazz,Love,Wedding. Full Performance. Duration 178. James M Stevens Music ASCAP #4968131. Published by James M Stevens Music ASCAP (A0.1061922). This is a recording of the Cello and Piano demonstration performance of Stevens' It's When I See You Smile.

Instrumental Duet,Piano Cello,Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.1350277 Composed by Horatio Spafford, Philip P. Bliss. Arranged by John A. Dempsey. Christian,Easter,Praise & Worship,Sacred,Traditional. 18 pages. John A. Dempsey #935066. Published by John A. Dempsey (A0.1350277). An unforgettable hymn of comfort and assurance, this peaceful trio for two cellos and piano is recommended for traditional church services and other worship events (including funerals), as a prelude, postlude, an offertory, interlude, silent prayer accompaniment and special music.  Key: D major. 14 pages of music (that includes separate two-page parts for cello 1 and cello 2).          When peace like a river attendeth my way     When sorrows like sea billows roll;     Whatever my lot, Thou hast taught me to say     It is well, it is well with my soul.

Small Ensemble B-Flat Trumpet,Cello,Piano - Level 3 - Digital Download SKU: A0.1099383 Composed by Horatio Spafford and Philip P. Bliss. Arranged by John A. Dempsey. Christian,Easter,Praise & Worship,Sacred,Traditional. Score and parts. 18 pages. John A. Dempsey #703269. Published by John A. Dempsey (A0.1099383). An unforgettable hymn of comfort and assurance, this peaceful trio for Bb trumpet, cello and piano is recommended for traditional church services and other worship events (including funerals), as a prelude, postlude, an offertory, interlude, silent prayer accompaniment and special music. Key: Bb major. 14 pages of music (that includes separate two-page parts for trumpet and cello).          When peace like a river attendeth my way     When sorrows like sea billows roll;     Whatever my lot, Thou hast taught me to say     It is well, it is well with my soul.

Cello,Piano - Level 3 - Digital Download SKU: A0.617042 Composed by Emily D. Wilson. Arranged by Gary Lanier. Praise & Worship,Sacred. Score and part. 9 pages. The Lanier Company #4289167. Published by The Lanier Company (A0.617042). WHEN WE ALL GET TO HEAVEN is an arrangement for Cello and Piano of a popular old Gospel hymn. It works great for special music, worship services, or for the joy of presenting it in any situation where Gospel music is desired (9 pages).

Cello,Piano - Level 2 - Digital Download SKU: A0.593106 Composed by Traditional. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Score and part. 4 pages. David McKeown #6416319. Published by David McKeown (A0.593106). O When the Saints is a beautiful spiritual arranged here for Solo Cello and Piano.The origins of O When the Saints are unclear, though it was first recorded in 1923. A later instrumental recording by Louis Armstrong affirmed the song’s status as a jazz standard and created an ongoing association with the city of New Orleans. When the Saints Go Marching In was later performed by artists as diverse as Elvis Presley, Bing Crosby and Chuck Berry.

Cello,Piano - Level 1 - Digital Download SKU: A0.1266193 By Taylor Swift. By Taylor Swift. Arranged by BTmusic. 21st Century,Hip-Hop,Pop,R & B,Rock,Singer/Songwriter. Score and part. 14 pages. BTmusic #858939. Published by BTmusic (A0.1266193). This is a very nice arrangement for When Emma Falls in Love, by Taylos Swift, from Speak Now (Taylor's version) album, for Cello and Piano accompaniment.If you are a beginner at the Cello or a Taylor's fan, this sheet music of When Emma Falls in Love is perfect for what you are looking for. Enjoy it!

Cello,Piano - Level 1 - Digital Download SKU: A0.1266192 By Taylor Swift. By Taylor Swift. Arranged by BTmusic. 21st Century,Hip-Hop,Pop,R & B,Rock,Singer/Songwriter. Score and part. 14 pages. BTmusic #858938. Published by BTmusic (A0.1266192). This is a very nice arrangement for When Emma Falls in Love, by Taylos Swift, from Speak Now (Taylor's version) album, for Cello and Piano accompaniment, followed by Chord Symbols.If you are a beginner at the Cello or a Taylor's fan, this sheet music of When Emma Falls in Love is perfect for what you are looking for. Enjoy it!

Cello,Piano - Level 3 - Digital Download SKU: A0.844351 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan Cutchen. Christian,Gospel,Sacred,Spiritual. Score and part. 15 pages. Dan Cutchen Music #4281895. Published by Dan Cutchen Music (A0.844351). This arrangement of And Can It Be That I Should Gain? is for cello solo and piano.A theme and variation treatment is used.  For a piano background Mp3 track, search for: Cello - And Can It Be? Piano Accompaniment, Dan CutchenTime: approximately 6:00And Can It Be That I Should Gain? is a Christian hymn written by Charles Wesley. And Can It Be was written in 1738 to celebrate Wesley's conversion, which he regarded as having taken place on May 21 of that year.This beautiful hymn has been popular and enduring.And Can It Be That I Should Gain is perhaps one of the most joyfully poignant hymns penned by Charles Wesley (1707-1788). On Whitsunday (Pentecost), May 21, 1738, three days before his brother John experienced his heart strangely warmed,’ Charles was convalescing in the home of John Bray, a poor mechanic, when he heard a voice saying, In the name of Jesus of Nazareth, arise, and believe, and thou shalt be healed of all thy infirmities. The voice was most likely Mr. Bray’s sister who felt commanded to say these words in a dream.Anglican hymn writer Timothy Dudley-Smith, notes that the following then happened:Charles got out of bed and opening his Bible read from the Psalms: He have put a new song in my mouth, even praise unto our God, followed by the first verse of Isaiah 40, Comfort ye, comfort ye my people, saith your God. He wrote in his journal, I have found myself at peace with God, and rejoiced in the hope of love Christ (Dudley-Smith, 1987, 1).The statement from Mr. Bray’s sister sparked within Charles a conviction like he had never felt before. Moved and convicted in spirit, Charles wrestled with these words until he came to rest in his faith, knowing that it is by faith we are saved (Ephesians 2:8).Soon after this conversion experience, he wrote two hymns in celebration of the amazing love he had come to know: And Can It Be that I Should Gain and Where Shall My Wondering Soul Begin? (United Methodist Hymnal, 342)There has been some debate as to which hymn was written first, but most current scholarship accepts the latter as the first hymn written by Charles after his conversion experience. No matter its place in the chronology of Wesley's output, And Can It Be has been and remains one of his most remarkable hymns, expressing like no other the rapturous joy of receiving salvation.And Can It Be That I Should Gain. Hymnary.org, https://hymnary.org/text/and_can_it_be_that_i_should_gainDudley-Smith, Timothy. A Flame of Love: A Personal Choice of Charles Wesley’s Verse. London: Triangle SPCK, 1987.Timothy Dudley-Smith. And can it be that I should gain. The Canterbury Dictionary of Hymnology. Canterbury Press, accessed May 29, 2018, http://www.hymnology.co.uk/a/and-can-it-be-that-i-should-gain.Young, Carlton R. And Can It Be That I Should Gain. Companion to the United Methodist Hymnal. Abingdon Press, 1993.(Taken from: History of Hymns: And Can It Be That I Should Gain by DeAndre Johnson found at https://www.umcdiscipleship.org/resources)https://youtu.be/xCpG9mpfSFk

Cello,Piano - Level 2 - Digital Download SKU: A0.511666 Composed by R.Harkness. Arranged by Han-Ki Kim. Instructional,Sacred,Spiritual,Standards. Score and part. 6 pages. Han-Ki Kim #3915239. Published by Han-Ki Kim (A0.511666). When I fear my faith will fail is an arrangement for Cello and Piano of a popular old hymn tune. It works great for offertories, special music for a worship service, or for the Concert where inspirational music is desired. Arranger is very experienced(with I Musici), and his works are very loved world widely. And, especially, Shown Bowing sign will be very helpful to player.  

Cello,Piano - Level 4 - Digital Download SKU: A0.926747 Composed by Yuan-Chen Li. Contemporary,Standards,World. Score and part. 6 pages. Yuan-Chen Li #6866387. Published by Yuan-Chen Li (A0.926747).      Lullaby is the common theme running through three pieces for cello and piano, written for students of beginner, intermediate, and intermediate/advanced levels: Lullaby in D Key, Fantasia Lullaby, and When the Rainbow Says Goodnight. It takes students to consider color as a technical and formal expression that varieties of tone colors, as well as tonal centers, are explored. Originally modal, the tune by the aboriginal people takes the rocking baby as the inspiration and is embellished with a wide range of ornaments, string changes, and tonal centers, which are all relevant to Chinese traditional music and contemporary music.     CMTNC (Chinese Music Teachers Association of Northern California) Commission Series is a collection of musical works for a set of twelve pieces for violin, piano, cello, and clarinet (three pieces for each instrument written for beginner, intermediate, and intermediate/advanced students; with or without piano accompaniment). Through this series, student performers and their audiences are reminded of life experiences through the reminiscence and creative process of classic Chinese music literature and well-known folksongs.