Cello,Piano - Level 1 - Digital Download SKU: A0.875035 Composed by Black American Spiritual. Arranged by Dr Jerry Nelson. Christian,Sacred,Spiritual. Score and part. 5 pages. Jerry Nelson #3691361. Published by Jerry Nelson (A0.875035). This lush arrangement recorded with the London Concert Orchestra,moves you gracefully from Challenge Level 1 thru 3 using Jerry Nelson's unique Dual Staff System.  Bonus (3 performance options):  Written Pno Accomp included, plus Chord Chart for live rhythm. Or perform with this spirited Orchestral Accompaniment Track (#SO.432357). Time  3:51   Visit www.JerryNelsonMusic.com for your FREE 16-minute Mega-Medley Arrangement and  Track.  Whether you play winds or strings or '88 keys', for a goldmine of awesome arrangements at multiple challenge levels, SEARCH Jerry Nelson (plus your instrument's name).  You may include a Title... or Genre (Ex:  Style, specific Holiday, Musical Period).

Cello,Piano - Level 2 - Digital Download SKU: A0.1239670 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Folk,March,Opera,Romantic Period. Score and part. 3 pages. Woods Only, Arrangements #835061. Published by Woods Only, Arrangements (A0.1239670). This arrangement adapted for violoncello and piano was written keeping the characteristics of the original work, in order to be performed by young music students who want to enter the symphonic music. Besides, it can also be used by professional musicians for recitals, repertoire, academic presentations and didactic material. The transcription remains faithful to the structure, with only one change in tone, so that it is comfortable for all the instruments in the formation, as well as being used as an activity in ensemble practice among musicians of different traditions.Beethoven's Turkish March (Op. 113) is the 4th movement of the operatic work: The Ruins of Athens, a set of incidental pieces written in 1812 by Ludwig van Beethoven, where the melody was originally written in 1809 as Theme with Six Variations for Piano, Op. 76. The work was written to accompany the play of the same name by August von Kotzebue, for the dedication of a new theater in Pest. Perhaps the best known part of the composition is the Marcia alla turca, In Latin America, this movement became known in Jean-Jacques Perrey's version (who titled it The Elephant never Forgets) since it was used as the opening theme of the successful Mexican TV comedy El Chavo del Ocho. The opening and the turkish march are often performed separately, and the other pieces in this set are not often heard.

Cello,Piano - Level 3 - Digital Download SKU: A0.844351 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan Cutchen. Christian,Gospel,Sacred,Spiritual. Score and part. 15 pages. Dan Cutchen Music #4281895. Published by Dan Cutchen Music (A0.844351). This arrangement of And Can It Be That I Should Gain? is for cello solo and piano.A theme and variation treatment is used.  For a piano background Mp3 track, search for: Cello - And Can It Be? Piano Accompaniment, Dan CutchenTime: approximately 6:00And Can It Be That I Should Gain? is a Christian hymn written by Charles Wesley. And Can It Be was written in 1738 to celebrate Wesley's conversion, which he regarded as having taken place on May 21 of that year.This beautiful hymn has been popular and enduring.And Can It Be That I Should Gain is perhaps one of the most joyfully poignant hymns penned by Charles Wesley (1707-1788). On Whitsunday (Pentecost), May 21, 1738, three days before his brother John experienced his heart strangely warmed,’ Charles was convalescing in the home of John Bray, a poor mechanic, when he heard a voice saying, In the name of Jesus of Nazareth, arise, and believe, and thou shalt be healed of all thy infirmities. The voice was most likely Mr. Bray’s sister who felt commanded to say these words in a dream.Anglican hymn writer Timothy Dudley-Smith, notes that the following then happened:Charles got out of bed and opening his Bible read from the Psalms: He have put a new song in my mouth, even praise unto our God, followed by the first verse of Isaiah 40, Comfort ye, comfort ye my people, saith your God. He wrote in his journal, I have found myself at peace with God, and rejoiced in the hope of love Christ (Dudley-Smith, 1987, 1).The statement from Mr. Bray’s sister sparked within Charles a conviction like he had never felt before. Moved and convicted in spirit, Charles wrestled with these words until he came to rest in his faith, knowing that it is by faith we are saved (Ephesians 2:8).Soon after this conversion experience, he wrote two hymns in celebration of the amazing love he had come to know: And Can It Be that I Should Gain and Where Shall My Wondering Soul Begin? (United Methodist Hymnal, 342)There has been some debate as to which hymn was written first, but most current scholarship accepts the latter as the first hymn written by Charles after his conversion experience. No matter its place in the chronology of Wesley's output, And Can It Be has been and remains one of his most remarkable hymns, expressing like no other the rapturous joy of receiving salvation.And Can It Be That I Should Gain. Hymnary.org, https://hymnary.org/text/and_can_it_be_that_i_should_gainDudley-Smith, Timothy. A Flame of Love: A Personal Choice of Charles Wesley’s Verse. London: Triangle SPCK, 1987.Timothy Dudley-Smith. And can it be that I should gain. The Canterbury Dictionary of Hymnology. Canterbury Press, accessed May 29, 2018, http://www.hymnology.co.uk/a/and-can-it-be-that-i-should-gain.Young, Carlton R. And Can It Be That I Should Gain. Companion to the United Methodist Hymnal. Abingdon Press, 1993.(Taken from: History of Hymns: And Can It Be That I Should Gain by DeAndre Johnson found at https://www.umcdiscipleship.org/resources)https://youtu.be/xCpG9mpfSFk

Cello,Piano - Level 3 - Digital Download SKU: A0.587657 Composed by Henry Purcell. Arranged by David McKeown. Baroque,Concert,Instructional,Standards,Wedding. Score and part. 7 pages. David McKeown #4728549. Published by David McKeown (A0.587657). The Trumpet Tune and Air was in fact written for organ, with the melody played on the trumpet stop.  Written around 1700, for many years this piece was attributed to Henry Purcell. But more recently many have questioned whether the composer was in fact Jeremiah Clarke, organist at St Paul’s Cathedral. What is known is that the piece was written for a semi-opera called The Island Princess, and that both men contributed music to the production. In recent years this piece has become a popular wedding favourite.This full version is arranged as a solo for Cello and Piano and the performance time is around two and a half minutes. Of course, performers, especially at weddings, may wish to abridge and shorten the arrangement. This is easily done as the different sections are self-contained and the repeat may be ignored. The short sample here and the full length version on the youtube link are from the Clarinet version of this arrangement.Musicians at an intermediate level and above will find this ideal for formal and informal performances. There are of course separate piano and instrumental parts included in downloaded the file.Teachers will enjoy using this arrangement as a fun way to help with strict time, full tone and dynamic contrast. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203  

Cello,Piano - Digital Download SKU: A0.1453200 By Barbara Arens. By Barbara Arens. Arranged by Barbara Arens. 21st Century,Contemporary,Contest,Festival,Instructional. Score and part. 65 pages. Barbara Arens #1032427. Published by Barbara Arens (A0.1453200). Written as encores, written to play with my daughter, Late Intermediate to Advanced Cellists and their Piano partners should have QUITE a lot of fun with these 9 pieces:Tango at 2 a.m.Under ThreatPiccadilly at NightSalamancaRondo alla TarantellaFire DanceWitches' DanceLondon Bridge RagTango at 2 a.m. & Rondo alla Tarantella were written for the composer's daughter - the videos are on Youtube.

Cello,Piano - Level 2 - Digital Download SKU: A0.597487 Composed by Franz Schubert. Arranged by Flavio Regis Cunha. Romantic Period,Wedding. Score and part. 8 pages. Flavio Regis Cunha #6208653. Published by Flavio Regis Cunha (A0.597487). Here we offer a beautiful easy arrangement written for cello and piano duet transposed to G Major from the original piece written in G flat Major. You, your student and your audience will love playing and hearing this waltz.Leopold Kupelweiser was the son of Johann Baptist Georg Kilian Kupelwieser (1760–1813), co-owner of a factory that produced tableware.[1] His talents were recognized at an early age by the sculptor Franz Anton von Zauner and by the time he was twelve, he was already attending the Academy of Fine Arts, Vienna.His brother was the theatrical director Joseph Kupelwieser, who wrote the libretto for Schubert's opera Fierrabras. With his brother, Joseph, he was a member of the Schubertianern (friends of Franz Schubert), a group that often got together for summers at the Schloss Atzenbrugg, west of Vienna. In 1826, Leopold married Maria Johanna Evangelista Augustina Stephania Theodora Lutz, an occasion which was marked by Schubert's composition, the Kupelwieser Waltz (never written down, but passed along by the family and later transcribed by Richard Strauss).

Cello and piano - easy to intermediate - Digital Download SKU: S9.Q11665 Arranged from the original version for Mandolin and Piano. Composed by Ludwig van Beethoven. Arranged by Julius Berger. This edition: Sheet music. Cello Library. Downloadable. Schott Music - Digital #Q11665. Published by Schott Music - Digital (S9.Q11665). Key: C minor.In 1796 Beethoven travelled to Prague where he met the Countess Josephine of Clary-Aldringen (later Countess Clamm-Gallas) who played the mandolin. For her, he wrote several works for mandolin and piano, four of which are still extant and have been arranged by Julius Berger for violoncello and piano. As Beethoven had written pieces for a mandolin tuned to G-D-A-E, it was unproblematic to transcribe them for the violoncello. The arrangements are written in the original keys and keep as close to the original as possible. These elegant works are little shining gems. Headed 'Adagio' and written in one movement at first, 'Sonatina' WoO 43a in the tragic C minor key with a bright C major section in the middle is followed by a marvellous 'Adagio ma non troppo' WoO 43b of religious depth.

Cello,Piano - Level 3 - Digital Download SKU: A0.1216978 Composed by Saint-Saëns, Camille (1835-1921). Arranged by Kamada, Mikio. 20th Century,Opera. Score and part. 9 pages. ACORDO Sheet Music #813507. Published by ACORDO Sheet Music (A0.1216978). The story of Samson and Delilah is found in the Old Testament. Gaza, an ancient city of Israel, was once ruled by the Philistines. However, the Hebrew hero Samson killed the governor of Gaza. In revenge, the Philistine beauty Delilah tempted Samson to reveal his weakness. This led to the aria Mon cœur s'ouvre à ta voix, sung at the climax of Delilah's seduction. The aria, written for a mezzo-soprano, beautifully expresses the seductive atmosphere and Delilah's intense passion. It's considered one of the finest arias in all opera.In the scores, the solo part plays both Delilah's and Samson's parts. In the duets period, Delilah's part is played by the piano and the solo instrument plays Samson's part. Samson's part is written in a lower range, emphasizing the contrast with Delilah's part.The piece is written in D-flat major, which can be challenging for some string players. Therefore, there is a version in G major.

Cello,Piano - Level 1 - Digital Download SKU: A0.837331 Composed by Garth M. Williams. Christmas,Sacred. Score and part. 6 pages. Garth M. Williams (Socan) #6591601. Published by Garth M. Williams (Socan) (A0.837331). THIS COMPOSITION IS WRITTEN FOR A  THE YOUNG CELLIST AS IT IS WRITTEN WITH FIRST POSITION IN MIND. MR WILLIAMS HAS WRITTEN AN ORIGINAL MELODY AND THAT MELODY IS JOINED BY THE CAROL THE FIRST NOWELLA GREAT PIECE FOR THE NEW CELLIST.

Cello,Piano - Level 1 - Digital Download SKU: A0.548509 Composed by Wade. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 4 pages. Jmsgu3 #3388103. Published by jmsgu3 (A0.548509). O Come All Ye Faithful arranged with new harmony for the final verse. Score: 3 pages, part: 1 page. O Come, All Ye Faithful O Come, All Ye Faithful is an English translation of the Latin Christmas carol Adeste Fideles. No one knows exactly who wrote it, but one theory is that it was originally composed by King John IV of Portugal (1604–1656) and revised by John F. Wade and John Reading. Nowadays, we usually attribute it to John Wade. The oldest manuscript from 1751, is owned by Stonyhurst College in Lancashire. Lyrics The English translation O Come, All Ye Faithful was certainly written by Frederick Oakeley, a Catholic priest in 1841. This translation is the most common in English speaking states. To begin with, the hymn had only four verses. Later, the verses grew to eight. Often, various verses are omitted because otherwise, the song is just too long. Some believe the first Latin lyrics were written by St. Bonaventure (13th century) or King John IV of Portugal in the 17th.  Though others think it was written by the Cistercian monks.   King John IV King John IV of Portugal was called The Musician King. He became king in 1640. In addition to performing the duties of a king, he was also a composer and music journalist. King John built a very large music library. Unfortunately, the library was ruined in 1755 because of the massive earthquake of Lisbon. In addition to his library, the king started a Music School that produced many accomplished musicians. The king also worked diligently to get instrumental music approved by the Vatican for use in his churches. Aside from his authorship of Adeste Fideles, he is famous for another popular choral setting of the Crux Fidelis, a prevalent Lenten hymn. Performance in Context As mentioned above, verses are sometimes left out because all eight verses would take too long to perform. More to the point though, some of the verses may be unsuitable for whatever of the church calendar they are intended. The eighth verse deals with the Epiphany, so it makes sense to sing this on Epiphany Sunday, but not other Sundays. Similarly, other verses are used according to whether the event is Midnight Mass or regular daytime Mass.  Register for free lifetime updates and revisions at www.jamesguthrie.com

Cello,Piano - Level 3 - Digital Download SKU: A0.1252822 By Maria Thompson Corley. By Maria Thompson Corley. Arranged by Maria Thompson Corley. 21st Century,Sacred. Score and part. 9 pages. Maria Thompson Corley #846622. Published by Maria Thompson Corley (A0.1252822). “Pax Aeternam� was written in memory of renowned composer Barbara York, a fellow Canadian whom I was blessed enough to meet in person through my interaction with Matt Brown. Though we connected many years into my collaborative piano career, Matt is the first tubist I ever worked with, and Barbara’s music was my favorite part of getting introduced to the tuba literature. I was thrilled to learn how much she appreciated my playing of her work.“How Beautiful� was written in memory of Matt’s son Eli, who had a congenital condition that took his life a few hours after he was born. This flawless piece of music, poignant yet never maudlin, provided the title for a recording Matt and I did of all of Barbara’s tuba output. It also threw down the gauntlet when Danny Rowland approached me, at Matt’s suggestion, about composing a piece. Danny mentioned loving “How Beautiful,� and intending to commission Barbara, who’d recently passed on. I’d never written for the tuba before, but felt absolutely no pressure. That’s a lie.Like “How Beautiful,� “Pax Aeternam� is in a major key; in my case, I wanted to evoke wistfulness rather than despair. Barbara’s path was full of suffering, and having lost a brother to prolonged illness, I’ve come to embrace the idea that death can be a sweet relief from pain. I tried to capture some of Barbara’s spirit, particularly in the middle section, and chose triple meter to give the outer sections a bit of “swing.� I don’t recall Barbara as a somber person, and I wanted to paint a portrait of someone who moved through life with a smile. I didn’t know her as well as many, but I always found her kind, generous, and unpretentious. I hope that this musical portrait does her justice.I created a cello transcription for a performance with Sara Male, my partner in Duo Chiaroscuro. This seemed appropriate, since “Still Waters Running Deep,� one of our signature pieces, is a transcription of the slow movement of Barbara’s bassoon sonata, created at our request by the composer.

Cello,Piano - Level 3 - Digital Download SKU: A0.1216982 Composed by Saint-Saëns, Camille (1835-1921). Arranged by Kamada, Mikio. 20th Century,Opera. Score and part. 9 pages. ACORDO Sheet Music #813511. Published by ACORDO Sheet Music (A0.1216982). The story of Samson and Delilah is found in the Old Testament. Gaza, an ancient city of Israel, was once ruled by the Philistines. However, the Hebrew hero Samson killed the governor of Gaza. In revenge, the Philistine beauty Delilah tempted Samson to reveal his weakness. This led to the aria Mon cœur s'ouvre à ta voix, sung at the climax of Delilah's seduction. The aria, written for a mezzo-soprano, beautifully expresses the seductive atmosphere and Delilah's intense passion. It's considered one of the finest arias in all opera.In the scores, the solo part plays both Delilah's and Samson's parts. In the duets period, Delilah's part is played by the piano and the solo instrument plays Samson's part. Samson's part is written in a lower range, emphasizing the contrast with Delilah's part.The original piece is written in D-flat major, which can be challenging for some string players. This version is transposed to G major for their convenience.

Cello,Piano - Level 3 - Digital Download SKU: A0.734806 By Judy Garland. By Harold Arlen. Arranged by Joseph Hasper. Film/TV. Score and part. 11 pages. Joseph Hasper #3541057. Published by Joseph Hasper (A0.734806). The perfect wedding song, and one of the best loved songs of the past 100 years! Scored for cello and piano, this is a uniquely modern classical piece that will satisfy audiences and performers alike. Key of F major, with cello range to C4 (an octave above middle C). Written in bass clef and tenor clef. Duration: 4'30.Over the Rainbowwas written for the movie The Wizard of Oz and was sung by actress Judy Garland, in her starring role as Dorothy Gale. It won the Academy Award for Best Original Song and became Garland's signature song, as well as one of the most enduring standards of the 20th century. The song is number one on the Songs of the Century list compiled by the Recording Industry Association of America and the National Endowment for the Arts. The American Film Institute also ranked the song the greatest movie song of all time on the list of AFI's 100 Years...100 Songs.For more solos like this, please visit our publisher page on Sheet Music Plus: https://www.sheetmusicplus.com/publishers/Joseph-Hasper/1563.

Cello,Piano - Level 3 - Digital Download SKU: A0.528550 Composed by Antonin Dvorak. Arranged by Diego Marani. Classical,Concert,Instructional,Romantic Period,Standards. Score and part. 5 pages. Diego Marani #6200327. Published by Diego Marani (A0.528550). Humoresques, Op. 101 (B. 187), is a piano cycle by the Czech composer Antonín Dvořák, written during the summer of 1894. One writer says the seventh Humoresque is probably the most famous small piano work ever written after Beethoven's Für Elise.This arrangement for Cello with Piano Accompaniment reflects faithfully the original for piano solo.