EUROPE
1720 articles USA
10 articles DIGITAL
82 articles (à imprimer)
Partitions Digitales
Partitions à imprimer
82 partitions trouvées

<  1 16 31 ....76 > 

Cello,Piano - Level 4 - Digital Download

SKU: A0.1257383

Composed by Frederic Chopin. Arranged by Franchomme. Romantic Period. Score and part. 8 pages. MyMusicScores.com #850716. Published by MyMusicScores.com (A0.1257383).

Frédéric Chopin, the renowned composer and virtuoso pianist of the Romantic era, shared a deep and lasting friendship with the cellist and composer Auguste Franchomme. Born in 1808, Franchomme was a talented musician whose profound understanding of the cello captivated Chopin. The two artists collaborated extensively, creating beautiful chamber music pieces that showcased their remarkable musical rapport. Their friendship spanned several decades and remained unbreakable, as they supported and inspired each other creatively. The compositions they crafted together stand as a testament to the profound connection they shared, forever immortalizing their musical legacy and the enduring bond between two kindred spirits.

Here is an arrangement of Chopin’s Nocturne Op. 15 for cello and piano by Franchomme.

The PDF file contains the piano score and cello part.

Chopin Nocturne Op 15 arr. A Franchomme for Cello & Piano Violoncelle, Piano

$4.99 4.79 € Violoncelle, Piano PDF SheetMusicPlus

Cello,Piano - Level 3 - Digital Download

SKU: A0.1495081

Composed by Ruggiero Leoncavallo. Arranged by Colin Kirkpatrick. 19th Century,Romantic Period. Score and part. 10 pages. Colin Kirkpatrick Publications #1071645. Published by Colin Kirkpatrick Publications (A0.1495081).

When Leoncavallo’s beautiful solo piece Brise de Mer (“Sea Breeze”) was first published in Berlin in 1906, he was already an established opera composer, largely due to his first opera Pagliacci, which had become an international success. An Impromptu is an informal piece usually for solo instrument. This French word can be translated loosely as “off-hand” and it’s used to describe relatively short pieces which sometimes have a partly improvised style, a simple structure and an emphasis on melody. Piano pieces entitled Impromptu first appeared in the early 19th century and remained popular for decades. 

This is a simplified edition of the piece edited by Colin Kirkpatrick. The work has been transposed down to D major from the original E major. The cello part remains unchanged and the bowing and phrasing are identical to the original edition. The music uses the entire cello range in both bass and tenor clefs and the highest note is the high D above the tenor staff (D5). This note appears only twice in the entire piece. The piano part has been simplified by reducing the number of notes in many of the chords, especially those played by the left hand. This is a lovely cello piece which deserves to be heard more often, with its lyrical melody, elegant changes of harmony and contrasting moods. It would make an excellent item for a cello recital.

Ruggiero Leoncavallo: Brise de Mer for Cello and Piano Violoncelle, Piano

$11.99 11.52 € Violoncelle, Piano PDF SheetMusicPlus

Cello,Piano - Level 3 - Digital Download

SKU: A0.844351

Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan Cutchen. Christian,Gospel,Sacred,Spiritual. Score and part. 15 pages. Dan Cutchen Music #4281895. Published by Dan Cutchen Music (A0.844351).

This arrangement of And Can It Be That I Should Gain? is for cello solo and piano.
A theme and variation treatment is used.  

For a piano background Mp3 track, search for:
Cello - And Can It Be? Piano Accompaniment, Dan Cutchen

Time: approximately 6:00

And Can It Be That I Should Gain? is a Christian hymn written by Charles Wesley. And Can It Be was written in 1738 to celebrate Wesley's conversion, which he regarded as having taken place on May 21 of that year.

This beautiful hymn has been popular and enduring.

And Can It Be That I Should Gain is perhaps one of the most joyfully poignant hymns penned by Charles Wesley (1707-1788). On Whitsunday (Pentecost), May 21, 1738, three days before his brother John experienced his heart strangely warmed,’ Charles was convalescing in the home of John Bray, a poor mechanic, when he heard a voice saying, In the name of Jesus of Nazareth, arise, and believe, and thou shalt be healed of all thy infirmities. The voice was most likely Mr. Bray’s sister who felt commanded to say these words in a dream.

Anglican hymn writer Timothy Dudley-Smith, notes that the following then happened:

Charles got out of bed and opening his Bible read from the Psalms: He have put a new song in my mouth, even praise unto our God, followed by the first verse of Isaiah 40, Comfort ye, comfort ye my people, saith your God. He wrote in his journal, I have found myself at peace with God, and rejoiced in the hope of love Christ (Dudley-Smith, 1987, 1).

The statement from Mr. Bray’s sister sparked within Charles a conviction like he had never felt before. Moved and convicted in spirit, Charles wrestled with these words until he came to rest in his faith, knowing that it is by faith we are saved (Ephesians 2:8).

Soon after this conversion experience, he wrote two hymns in celebration of the amazing love he had come to know: And Can It Be that I Should Gain and Where Shall My Wondering Soul Begin? (United Methodist Hymnal, 342)

There has been some debate as to which hymn was written first, but most current scholarship accepts the latter as the first hymn written by Charles after his conversion experience. No matter its place in the chronology of Wesley's output, And Can It Be has been and remains one of his most remarkable hymns, expressing like no other the rapturous joy of receiving salvation.


And Can It Be That I Should Gain. Hymnary.org, https://hymnary.org/text/and_can_it_be_that_i_should_gain

Dudley-Smith, Timothy. A Flame of Love: A Personal Choice of Charles Wesley’s Verse. London: Triangle SPCK, 1987.

Timothy Dudley-Smith. And can it be that I should gain. The Canterbury Dictionary of Hymnology. Canterbury Press, accessed May 29, 2018, http://www.hymnology.co.uk/a/and-can-it-be-that-i-should-gain.

Young, Carlton R. And Can It Be That I Should Gain. Companion to the United Methodist Hymnal. Abingdon Press, 1993.

(Taken from: History of Hymns: And Can It Be That I Should Gain by DeAndre Johnson found at https://www.umcdiscipleship.org/resources)

Cello - "And Can It Be?" Theme and Variations Violoncelle, Piano

$6.00 5.76 € Violoncelle, Piano PDF SheetMusicPlus

Cello,Piano - Level 2 - Digital Download

SKU: A0.565496

By Sharon Wilson. By Traditional. Arranged by Sharon Wilson. Children,Christmas,Folk,Multicultural,Traditional,World. Score and part. 8 pages. Sharon Wilson #4638867. Published by Sharon Wilson (A0.565496).

Here is a festive duet arrangement (for CELLO solo with PIANO accompaniment) of the popular English carol We Wish You a Merry Christmas. The CELLO leads with the melody for most of the song except for 4 measures during the second time through the chorus where the PIANO takes the lead with the melody. This arrangement begins with the PIANO playing mellow broken chords, then for the second verse, the PIANO adds a bit of syncopation creating a fuller, upbeat sound for the remainder of the piece.

All notes for the CELLO are playable in the first position making this arrangement an excellent choice for early-intermediate string players. The PIANO accompaniment is written for an intermediate player. This quick-paced and bright arrangement will be a valuable addition to your holiday repertoire.

The purchase price includes a 5-page combined score with both CELLO and PIANO parts on each page plus a separate 1-staff score for the CELLO solo (2 pages).

This arrangement is one of the 10 songs in the collection Holiday Classics (A Collection of 10 Easy Cello Solos with Piano Accompaniment).

We Wish You a Merry Christmas (Easy Cello Solo with Piano Accompaniment) Violoncelle, Piano
Sharon Wilson
$4.99 4.79 € Violoncelle, Piano PDF SheetMusicPlus

Cello,Piano - Level 4 - Digital Download

SKU: A0.791186

By Lady Gaga. By Hillary Lindsey, Lori McKenna, Natalie Hemby, Stefani (Lady Gaga) Germanotta, and Stefani Germanotta. Arranged by Kevin P Holdgate. Pop. Score and part. 8 pages. Kevin P Holdgate #5354903. Published by Kevin P Holdgate (A0.791186).

KPHMS Solo Collection

Lady Gaga - for Brass?!! Really??

This is a great song and works really well as an instrumental solo for brass instruments. It comes from the 2018 remake of the film 'A Star is Born' and is sung originally by Lady Gaga.

I was asked to do an arrangement of the song for a young lady to sing with Boobs & Brass. I was struck by the quality of the words and the music and immediately thought of it as a great addition to the solo repertoire.

In terms of standard, I would judge this to be around Grades 5 to 6 ABRSM/Trinity and makes for an interesting challenge away from the grading syllabus.

Always Remember Us This Way Violoncelle, Piano
Lady Gaga
$4.99 4.79 € Violoncelle, Piano PDF SheetMusicPlus

Cello,Piano - Level 3 - Digital Download

SKU: A0.587613

Composed by Felix Bartholdy Mendelssohn. Arranged by David McKeown. Classical,Concert,Romantic Period,Standards,Wedding. Score and part. 9 pages. David McKeown #4403670. Published by David McKeown (A0.587613).

Felix Mendelssohn’s Wedding March was originally written in 1842 as incidental music to Shakespeare’s famousplay, Midsummer Night’s Dream. When Queen Victoria’s daughter used the music for her marriage in 1858, it became instantly popular and has remained a wedding favourite ever since.

This version is arranged for Solo Cello and Piano and the performance time is around three and a half minutes. Of course, performers, especially at weddings, may wish to abridge and shorten the arrangement. This is easily done as the different sections are self-contained and interchangeable. Repeats may also be ignored. Both the full length youtube performance and the short audio sample are from the Clarinet version off this arrangement.

The solo part is intermediate level, while the piano accompaniment suits an advanced intermediate player.Both will find this ideal for formal and informal performances, with both parts enjoying melodic interest.

Teachers will enjoy using this arrangement as a fun way to help with building dynamic range and stamina.

There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203

Wedding March by Mendelssohn, for Solo Cello and Piano Violoncelle, Piano

$4.60 4.42 € Violoncelle, Piano PDF SheetMusicPlus

Cello and piano - intermediate to advanced - Digital Download

SKU: S9.Q53297

Romance sans paroles. Composed by Ethel Harraden. Edited by Beverley Ellis and Rainer Mohrs. This edition: Sheet music. (c) 2020 Schott Music GmbH & Co. KG, Mainz. Classical. Downloadable. 5 pages. Schott Music - Digital #Q53297. Published by Schott Music - Digital (S9.Q53297).

English • German.

Ethel Harraden was born in Islington, London, in 1857; she died in Leamington Spa in 1917. She is said to have begun composing music from the age of five. She went on to study piano and composition at the Royal Academy of Music in London and then embarked on a successful career as a pianist and composer of songs, operettas and other stage works. Several of her operettas were performed on stage in London to great acclaim. Following her marriage in 1892 she moved to Leamington Spa, where she was kept increasingly busy with social obligations but nevertheless remained active as a performer and composer. This short piece Tristesse with the subtitle Romance sans Paroles is an expressive and lyrical salon piece. It was published in 1886 as plate no. 24181.

Tristesse Violoncelle, Piano

$3.99 3.83 € Violoncelle, Piano PDF SheetMusicPlus


<  1 16 31 ....76 > 




Partitions Gratuites
Acheter des Partitions Musicales
Acheter des Partitions Digitales à Imprimer
Acheter des Instruments de Musique

© 2000 - 2024

Accueil - Version intégrale