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Cello,Piano - Level 3 - Digital Download SKU: A0.1251939 Composed by Johann Sebastian Bach. Arranged by André Nusa. Baroque. Score and part. 13 pages. Andre_Nusa #846159. Published by Andre_Nusa (A0.1251939). Immerse yourself in the timeless beauty of Bach's Aria BWV 130 with this exquisite arrangement for cello and piano. The rich and expressive melodies of this aria come to life as the cello and piano blend in perfect harmony. Experience the depth and emotional resonance of Bach's composition as you navigate the intricate passages and delicate nuances of the music. This arrangement showcases the versatility of the cello, allowing its warm and lyrical tones to soar above the accompaniment of the piano. Dive into the enchanting world of Bach's Aria BWV 130 and let the cello and piano transport you to a place of musical bliss. Perfect for recitals, concerts, or personal enjoyment, this arrangement is a must-have for any lover of classical music.
Aria BWV 130
Violoncelle, Piano

$5.99 5.11 € Violoncelle, Piano PDF SheetMusicPlus

Cello,Piano - Level 3 - Digital Download SKU: A0.1216978 Composed by Saint-Saëns, Camille (1835-1921). Arranged by Kamada, Mikio. 20th Century,Opera. Score and part. 9 pages. ACORDO Sheet Music #813507. Published by ACORDO Sheet Music (A0.1216978). The story of Samson and Delilah is found in the Old Testament. Gaza, an ancient city of Israel, was once ruled by the Philistines. However, the Hebrew hero Samson killed the governor of Gaza. In revenge, the Philistine beauty Delilah tempted Samson to reveal his weakness. This led to the aria Mon cœur s'ouvre à ta voix, sung at the climax of Delilah's seduction. The aria, written for a mezzo-soprano, beautifully expresses the seductive atmosphere and Delilah's intense passion. It's considered one of the finest arias in all opera.In the scores, the solo part plays both Delilah's and Samson's parts. In the duets period, Delilah's part is played by the piano and the solo instrument plays Samson's part. Samson's part is written in a lower range, emphasizing the contrast with Delilah's part.The piece is written in D-flat major, which can be challenging for some string players. Therefore, there is a version in G major.
Aria: 'Mon coeur s'ouvre à ta voix' (Act II) from Samson et Dalila, Op. 47 (arr. for Cello & Piano)
Violoncelle, Piano

$7.20 6.14 € Violoncelle, Piano PDF SheetMusicPlus

Cello,Piano - Level 3 - Digital Download SKU: A0.1216982 Composed by Saint-Saëns, Camille (1835-1921). Arranged by Kamada, Mikio. 20th Century,Opera. Score and part. 9 pages. ACORDO Sheet Music #813511. Published by ACORDO Sheet Music (A0.1216982). The story of Samson and Delilah is found in the Old Testament. Gaza, an ancient city of Israel, was once ruled by the Philistines. However, the Hebrew hero Samson killed the governor of Gaza. In revenge, the Philistine beauty Delilah tempted Samson to reveal his weakness. This led to the aria Mon cœur s'ouvre à ta voix, sung at the climax of Delilah's seduction. The aria, written for a mezzo-soprano, beautifully expresses the seductive atmosphere and Delilah's intense passion. It's considered one of the finest arias in all opera.In the scores, the solo part plays both Delilah's and Samson's parts. In the duets period, Delilah's part is played by the piano and the solo instrument plays Samson's part. Samson's part is written in a lower range, emphasizing the contrast with Delilah's part.The original piece is written in D-flat major, which can be challenging for some string players. This version is transposed to G major for their convenience.
Aria: 'Mon coeur s'ouvre à ta voix' from Samson et Dalila, Op. 47 in G Major (for Cello & Piano)
Violoncelle, Piano

$7.20 6.14 € Violoncelle, Piano PDF SheetMusicPlus

Cello,Piano - Level 2 - Digital Download SKU: A0.550915 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 12 pages. Jmsgu3 #4888259. Published by jmsgu3 (A0.550915). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 7 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores.  Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival               Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
Bach-Gounod: Ave Maria, Schwencke version for Cello & Piano
Violoncelle, Piano

$32.95 28.1 € Violoncelle, Piano PDF SheetMusicPlus

Cello,Piano - Level 3 - Digital Download SKU: A0.844351 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan Cutchen. Christian,Gospel,Sacred,Spiritual. Score and part. 15 pages. Dan Cutchen Music #4281895. Published by Dan Cutchen Music (A0.844351). This arrangement of And Can It Be That I Should Gain? is for cello solo and piano.A theme and variation treatment is used.  For a piano background Mp3 track, search for: Cello - And Can It Be? Piano Accompaniment, Dan CutchenTime: approximately 6:00And Can It Be That I Should Gain? is a Christian hymn written by Charles Wesley. And Can It Be was written in 1738 to celebrate Wesley's conversion, which he regarded as having taken place on May 21 of that year.This beautiful hymn has been popular and enduring.And Can It Be That I Should Gain is perhaps one of the most joyfully poignant hymns penned by Charles Wesley (1707-1788). On Whitsunday (Pentecost), May 21, 1738, three days before his brother John experienced his heart strangely warmed,’ Charles was convalescing in the home of John Bray, a poor mechanic, when he heard a voice saying, In the name of Jesus of Nazareth, arise, and believe, and thou shalt be healed of all thy infirmities. The voice was most likely Mr. Bray’s sister who felt commanded to say these words in a dream.Anglican hymn writer Timothy Dudley-Smith, notes that the following then happened:Charles got out of bed and opening his Bible read from the Psalms: He have put a new song in my mouth, even praise unto our God, followed by the first verse of Isaiah 40, Comfort ye, comfort ye my people, saith your God. He wrote in his journal, I have found myself at peace with God, and rejoiced in the hope of love Christ (Dudley-Smith, 1987, 1).The statement from Mr. Bray’s sister sparked within Charles a conviction like he had never felt before. Moved and convicted in spirit, Charles wrestled with these words until he came to rest in his faith, knowing that it is by faith we are saved (Ephesians 2:8).Soon after this conversion experience, he wrote two hymns in celebration of the amazing love he had come to know: And Can It Be that I Should Gain and Where Shall My Wondering Soul Begin? (United Methodist Hymnal, 342)There has been some debate as to which hymn was written first, but most current scholarship accepts the latter as the first hymn written by Charles after his conversion experience. No matter its place in the chronology of Wesley's output, And Can It Be has been and remains one of his most remarkable hymns, expressing like no other the rapturous joy of receiving salvation.And Can It Be That I Should Gain. Hymnary.org, https://hymnary.org/text/and_can_it_be_that_i_should_gainDudley-Smith, Timothy. A Flame of Love: A Personal Choice of Charles Wesley’s Verse. London: Triangle SPCK, 1987.Timothy Dudley-Smith. And can it be that I should gain. The Canterbury Dictionary of Hymnology. Canterbury Press, accessed May 29, 2018, http://www.hymnology.co.uk/a/and-can-it-be-that-i-should-gain.Young, Carlton R. And Can It Be That I Should Gain. Companion to the United Methodist Hymnal. Abingdon Press, 1993.(Taken from: History of Hymns: And Can It Be That I Should Gain by DeAndre Johnson found at https://www.umcdiscipleship.org/resources)https://youtu.be/xCpG9mpfSFk
Cello - "And Can It Be?" Theme and Variations
Violoncelle, Piano

$6.00 5.12 € Violoncelle, Piano PDF SheetMusicPlus

Cello,Piano - Level 3 - Digital Download SKU: A0.528448 Composed by Johannes Brahms. Arranged by Diego Marani. Classical,Concert,Instructional,Romantic Period,Standards. Score and part. 20 pages. Diego Marani #6017031. Published by Diego Marani (A0.528448). The Hungarian Dances (German: Ungarische Tänze) by Johannes Brahms (WoO 1), are a set of 21 lively dance tunes based mostly on Hungarian themes, completed in 1879. They are among Brahms's most popular works and were the most profitable for him. The better-known Hungarian Dances include Nos. 1 and 5, the latter of which was based on the csárdás Bártfai emlék (Memories of Bártfa) by Hungarian composer Béla Kéler, which Brahms mistakenly thought was a traditional folksong.This arrangement for cello with piano accompaniment reflects faithfully the originals.
Hungarian Dances Nos. 1-5 for Cello and Piano
Violoncelle, Piano

$14.99 12.79 € Violoncelle, Piano PDF SheetMusicPlus

Cello,Piano - Level 3 - Digital Download SKU: A0.528435 Composed by Johannes Brahms. Arranged by Diego Marani. Classical,Concert,Instructional,Romantic Period,Standards. Score and part. 9 pages. Diego Marani #6014243. Published by Diego Marani (A0.528435). The Hungarian Dances (German: Ungarische Tänze) by Johannes Brahms (WoO 1), are a set of 21 lively dance tunes based mostly on Hungarian themes, completed in 1879. They are among Brahms's most popular works and were the most profitable for him. The better-known Hungarian Dances include Nos. 1 and 5, the latter of which was based on the csárdás Bártfai emlék (Memories of Bártfa) by Hungarian composer Béla Kéler, which Brahms mistakenly thought was a traditional folksong.This arrangement for Cello with piano accompaniment reflects faithfully the original.
Hungarian Dance No. 5 for Cello and Piano
Violoncelle, Piano

$8.90 7.59 € Violoncelle, Piano PDF SheetMusicPlus

Cello,Piano - Level 2 - Digital Download SKU: A0.1309609 Composed by Johannes Brahms. Arranged by Rika K. 19th Century,Chamber,Folk,Romantic Period,Traditional. Score and part. 2 pages. Rika K. #898777. Published by Rika K. (A0.1309609). We present the sheet music for the arrangement of Johannes Brahms’ Hungarian Dance No. 5, adapted for Violoncello and Piano. This piece, one of Brahms’ most popular, was inspired by the Hungarian folk dance Czárdás. It has now been simplified to cater to a variety of musicians and settings. Ideal for music teachers seeking enriching teaching material, parents wishing to introduce their children to this classic repertoire, or professional musicians looking for a practical piece for quick performances. This arrangement is also perfect for academic recitals or public events. Take this opportunity to delve into the rich history of classical music and experience the joy of playing a work by one of the world’s greatest composers. Don’t miss the chance to add this essential sheet music to your musical collection. Get your arrangement of Hungarian Dance No. 5 now!
Hungarian Dance No. 5 by Brahms for Cello and Piano
Violoncelle, Piano

$3.99 3.4 € Violoncelle, Piano PDF SheetMusicPlus

Cello,Piano - Level 2 - Digital Download SKU: A0.1309608 Composed by Johannes Brahms. Arranged by Rika K. 19th Century,Chamber,Folk,Romantic Period,Traditional. Score and part. 2 pages. Rika K. #898776. Published by Rika K. (A0.1309608). We present the sheet music for the arrangement of Johannes Brahms’ Hungarian Dance No. 5, adapted for Violoncello and Piano with Chords. This piece, one of Brahms’ most popular, was inspired by the Hungarian folk dance Czárdás. It has now been simplified to cater to a variety of musicians and settings. Ideal for music teachers seeking enriching teaching material, parents wishing to introduce their children to this classic repertoire, or professional musicians looking for a practical piece for quick performances. This arrangement is also perfect for academic recitals or public events. Take this opportunity to delve into the rich history of classical music and experience the joy of playing a work by one of the world’s greatest composers. Don’t miss the chance to add this essential sheet music to your musical collection. Get your arrangement of Hungarian Dance No. 5 now!
Hungarian Dance No. 5 by Brahms for Violoncello and Piano with Chords
Violoncelle, Piano

$3.99 3.4 € Violoncelle, Piano PDF SheetMusicPlus

Cello,Piano - Level 2 - Digital Download SKU: A0.1396881 Composed by Johannes Brahms. Arranged by Rika K. 19th Century,Chamber,Folk,Romantic Period,Traditional. Score and part. 3 pages. Rika K. #980225. Published by Rika K. (A0.1396881). We present the sheet music for the arrangement of Johannes Brahms’ Hungarian Dance No. 5, adapted for Cello and Piano.This piece, one of Brahms’ most popular, was inspired by the Hungarian folk dance Czárdás. It has now been simplified to cater to a variety of musicians and settings. Ideal for music teachers looking for enriching teaching material, parents wishing to introduce their children to this classic repertoire, or professional musicians looking for a practical piece for quick performances. This arrangement is also perfect for academic recitals or public events. Take this opportunity to delve into the rich history of classical music and experience the joy of playing a work by one of the world’s greatest composers.Don’t miss the chance to add this essential sheet music to your musical collection. Get your arrangement of Hungarian Dance No. 5 now!
Hungarian Dance No. 5 by Brahms for Cello and Piano
Violoncelle, Piano

$3.99 3.4 € Violoncelle, Piano PDF SheetMusicPlus


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