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Cello,Piano - Level 3 - Digital Download

SKU: A0.1314243

Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Contest,Festival,Historic,Romantic Period,Wedding. Score and part. 11 pages. Jmsgu3 #902984. Published by jmsgu3 (A0.1314243).

Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.

The Carnival of the Animals
The Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.

Saint-Saëns Background
Charles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.

Childhood
It is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.

Youth
A point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.

Criticism
On the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.

Legacy
Saint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.

Saint-Saëns: The Swan for Cello & Piano
Violoncelle, Piano

$32.95 31 € Violoncelle, Piano PDF SheetMusicPlus

Cello and piano - intermediate to advanced - Digital Download

SKU: S9.Q53291

Op. 71. Composed by Jacques Offenbach. Edited by Beverley Ellis and Rainer Mohrs. This edition: Sheet music. (c) 2020 Schott Music GmbH & Co. KG, Mainz. Classical. Downloadable. Op. 71. 15 pages. Schott Music - Digital #Q53291. Published by Schott Music - Digital (S9.Q53291).

English • German.

Jacques Offenbach, son of a Jewish cantor, was born in Cologne on 20.6.1819; he died in Paris on 5.10.1880. In 1833 his father took his fourteen-year-old son to the Paris Conservatoire, where the director Luigi Cherubini was impressed by his cello playing and accepted him as a student, even though foreign candidates were not normally admitted there. Offenbach then changed his first name ‘Jacob’ to ‘Jacques’. From 1835 he worked as a cellist at the Paris Opéra comique, making ends meet by teaching and performing. From 1850 to 1855 he was Director of Music at the Théâtre Français. He then found his own theatre to rent in Paris and put on highly successful productions of his operetta Orpheus in the Underworld (1858) and other stage works. During his lifetime he had twenty cello compositions published by Schott, among them the tutorial method Cours Méthodique de Duos pour deux Violoncelles op. 49 and various operatic arrangements for cello and piano based on themes by Bellini, Donizetti, Mozart and others - including this Fantaisie facile sur l’Opéra de Rossini: Le Barbier de Seville op. 71 in 1856 (plate no. 11461).

Fantaisie facile sur l’Opéra de Rossini “Le Barbier de Séville”
Violoncelle, Piano

$3.99 3.75 € Violoncelle, Piano PDF SheetMusicPlus

Cello and piano - Digital Download

SKU: BQ.979-0-50179-140-8

Composed by Ruggiero Leoncavallo. Edited by Stephen Begley. This edition: softcover. Bisel Classics. Score. With Text Language: English / German. 22 pages. Published by Bisel Classics - Digital (BQ.979-0-50179-140-8).

ISBN 9790501791408.

The renowned opera composer and librettist Leoncavallo was one of the most successful artists of his generation but he also spent a decade of his early career from the 1880's performing and earning a living in the cafes of Paris. The experience provided him with an invaluable lesson in popular tastes which he put to good use in these two attractive salon miniatures for piano and cello. Pieces of modest difficulty which invoke the spirit of the fin de siecle with a surfeit of warmth and charm.

Zwei Stucke: Brise de Mer und Serenade
Violoncelle, Piano

$16.95 15.95 € Violoncelle, Piano PDF SheetMusicPlus

Cello,Piano - Level 4 - Digital Download

SKU: A0.1281512

Composed by David Popper. 19th Century,Classical,Romantic Period. Score and part. 39 pages. Paladino Editions #872852. Published by Paladino Editions (A0.1281512).

Looking at David Popper’s Walzer-Suite, Op. 60, from the perspective of its surrounding opus numbers, it dates most probably from the late 1880s. As with so many others of his pieces, this suite was mainly written for his own performances. At the time of its composition Popper was still married to Sophie Menter and at the peak of his solo career. Besides the obvious similarities to the works of the Strauß dynasty, the musical language of Richard Strauss can already be found in Popper’s Waltz Suite. Like Josef Merk’s Valses Brillantes, Op. 6, the work is a series of waltzes framed by an introduction and a virtuoso finale which are linked by a mutual theme. This newly typeset edition provides two cello parts: one with Popper's original markings, and one with performance suggestions by Martin Rummel.

Walzer-Suite ("Waltz Suite") for Violoncello and Piano, Op. 60
Violoncelle, Piano

$19.95 18.77 € Violoncelle, Piano PDF SheetMusicPlus

Cello,Piano - Digital Download

SKU: A0.1251880

By Scholler. By Scholler. Arranged by Scholler. Classical,Contemporary,Multicultural,New Age,World. Score and part. 3 pages. Scholler #846098. Published by Scholler (A0.1251880).

Immerse yourself in the enchanting world of neo-classical piano and violoncello music, where calmness and peacefulness harmonize with dense and intricate harmonics. Let the gentle melodies and mesmerizing interplay transport you to a realm of serenity, where introspection and emotional resonance await. In this ethereal harmony, find solace, inspiration, and a renewed connection with your inner self.

The calmness and peacefulness of the composition provide a respite from the demands of daily life, offering a moment of reflection and rejuvenation. The dense harmonics, like a musical tapestry, envelop the listener, creating a sense of warmth and comfort that transcends the boundaries of time and space.

Embrace the transformative power of music

Schollermusic

Daemmerung Violoncelle, Piano
Scholler
$3.99 3.75 € Violoncelle, Piano PDF SheetMusicPlus

Cello,Piano - Digital Download

SKU: A0.805660

Composed by Max Bruch. Arranged by Marcus Martin. Concert,Jewish,Praise & Worship,Sacred. Score and part. 13 pages. Cornelius Edition (uk) #6703211. Published by Cornelius Edition (uk) (A0.805660).

German Composer Max Bruch (1838-1920) completed this work in 1880 whilst in Liverpool, England. It is dedicated to - and premiered by - Robert Hausmann, who had requested a cello piece from Bruch. The work is styled as an ‘Adagio on 2 Hebrew Melodies’. The first theme, which gives the work its title, imitates the voice of the cantor who chants the liturgy during the evening service on every Yom Kippur. The second theme is derived from English composer Isaac Nathan’s arrangement of Byron’s O weep for Those that Wept on Babel’s Stream and is given a more Schumannesque treatment in the tonic major key. 

Although originally scored for full orchestra, the work is frequently and effectively performed with piano accompaniment. It is a popular recital piece.

Kol Nidrei arranged for Cello and Piano
Violoncelle, Piano

$4.50 4.23 € Violoncelle, Piano PDF SheetMusicPlus

Offenbach - Can-Can - Cello and Piano (Full Score and Parts) Violoncelle, Piano

$8.99 8.46 € Violoncelle, Piano PDF SheetMusicPlus






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