Cello and piano - Grade 5 - Digital Download SKU: DX.W29116VC Composed by Horatio G. Spafford. Arranged by Rich Heffler. Key of G. Traditional. Score and part. 4 pages. David E. Smith - Digital Sheet Music #W29116VC. Published by David E. Smith - Digital Sheet Music (DX.W29116VC). Traditional setting, slightly contemporary- begins with piano in a motif of the theme. The first section is a stylized rendition of the theme. Then, it continues in the chorus much the same. A transition becomes freer in rhythm and harmony. It then repeats back to the opening sections and then moves to the coda where the piece ends in a solemn fashion.

Cello,Piano - Level 3 - Digital Download SKU: A0.615073 Composed by Traditional Swedish Folk Melody. Arranged by Gary Lanier. Praise & Worship,Sacred. Score and part. 12 pages. The Lanier Company #2837077. Published by The Lanier Company (A0.615073). THEN SINGS MY SOUL is an arrangement for Cello 1 & 2 with Piano of an old Swedish Folk melody. It is often associated with the hymn How Great Thou Art. It works great for offertories, special music in worship services or for the joy of playing in any situation where inspirational music is desired (12 pages with cover). A mp3 Piano Accompaniment (aka Rehearsal Track) is also available, listed as: THEN SINGS MY SOUL (Piano Accompaniment for Cello 1 & 2).

Cello,Piano - Level 2 - Digital Download SKU: A0.1320029 By The Beatles. By George Harrison, John Lennon, Paul McCartney, and Richard Starkey. Arranged by Leo Silva. 20th Century,Pop,Rock. Score and part. 4 pages. MP Sheet Music #908584. Published by MP Sheet Music (A0.1320029). Now and Then (also called I Don't Want to Lose You or Miss You) is a song by British band The Beatles originally recorded as a solo piano/vocal demo by John Lennon in 1979. After After Lennon's death, it was considered as a potential third reunion single by his former band the Beatles for their 1995 autobiographical documentary project The Beatles Anthology, following Free as a Bird and Real Love, but was shelved until 2022. The song was released on November 2, 2023.

Cello,Piano - Level 3 - Digital Download SKU: A0.844351 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan Cutchen. Christian,Gospel,Sacred,Spiritual. Score and part. 15 pages. Dan Cutchen Music #4281895. Published by Dan Cutchen Music (A0.844351). This arrangement of And Can It Be That I Should Gain? is for cello solo and piano.A theme and variation treatment is used.  For a piano background Mp3 track, search for: Cello - And Can It Be? Piano Accompaniment, Dan CutchenTime: approximately 6:00And Can It Be That I Should Gain? is a Christian hymn written by Charles Wesley. And Can It Be was written in 1738 to celebrate Wesley's conversion, which he regarded as having taken place on May 21 of that year.This beautiful hymn has been popular and enduring.And Can It Be That I Should Gain is perhaps one of the most joyfully poignant hymns penned by Charles Wesley (1707-1788). On Whitsunday (Pentecost), May 21, 1738, three days before his brother John experienced his heart strangely warmed,’ Charles was convalescing in the home of John Bray, a poor mechanic, when he heard a voice saying, In the name of Jesus of Nazareth, arise, and believe, and thou shalt be healed of all thy infirmities. The voice was most likely Mr. Bray’s sister who felt commanded to say these words in a dream.Anglican hymn writer Timothy Dudley-Smith, notes that the following then happened:Charles got out of bed and opening his Bible read from the Psalms: He have put a new song in my mouth, even praise unto our God, followed by the first verse of Isaiah 40, Comfort ye, comfort ye my people, saith your God. He wrote in his journal, I have found myself at peace with God, and rejoiced in the hope of love Christ (Dudley-Smith, 1987, 1).The statement from Mr. Bray’s sister sparked within Charles a conviction like he had never felt before. Moved and convicted in spirit, Charles wrestled with these words until he came to rest in his faith, knowing that it is by faith we are saved (Ephesians 2:8).Soon after this conversion experience, he wrote two hymns in celebration of the amazing love he had come to know: And Can It Be that I Should Gain and Where Shall My Wondering Soul Begin? (United Methodist Hymnal, 342)There has been some debate as to which hymn was written first, but most current scholarship accepts the latter as the first hymn written by Charles after his conversion experience. No matter its place in the chronology of Wesley's output, And Can It Be has been and remains one of his most remarkable hymns, expressing like no other the rapturous joy of receiving salvation.And Can It Be That I Should Gain. Hymnary.org, https://hymnary.org/text/and_can_it_be_that_i_should_gainDudley-Smith, Timothy. A Flame of Love: A Personal Choice of Charles Wesley’s Verse. London: Triangle SPCK, 1987.Timothy Dudley-Smith. And can it be that I should gain. The Canterbury Dictionary of Hymnology. Canterbury Press, accessed May 29, 2018, http://www.hymnology.co.uk/a/and-can-it-be-that-i-should-gain.Young, Carlton R. And Can It Be That I Should Gain. Companion to the United Methodist Hymnal. Abingdon Press, 1993.(Taken from: History of Hymns: And Can It Be That I Should Gain by DeAndre Johnson found at https://www.umcdiscipleship.org/resources)https://youtu.be/xCpG9mpfSFk

Cello,Piano - Level 3 - Digital Download SKU: A0.1434273 By Taylor Swift. By Aaron Dessner and Taylor Swift. Arranged by MAJOR SCORE PUBLISHING TM. Pop,Rock,Singer/Songwriter. Score and part. 19 pages. Major Score Publishing #1014490. Published by Major Score Publishing (A0.1434273). How Did It End? Taylor Swift Cello solo with piano (Premium duet) Cello players! Look no further! How Did It End? from the brand new Talylor Swift hit featured on The Tortured Poets Department is now available! Play along with the original recording, solo, with our included piano accompaniment or with our FREE piano play along on our YouTube channel! Our arrangement is designed to deliver the authentic and enjoyable performance experience you are looking for! We have even included the background vocal lines in the piano accompaniment giving you that extra level of enjoyment to enhance your performance experience! This arrangement is a fantastic resource for smaller performances, recitals and gigs to being a great tool for music teachers and students! Enjoy!Included in your premium sheet musicCello: 2 pagesPiano: 7 pagesFull Score: 9 pagesFREE PIANO PLAY ALONGComing ASAP!Other Cello sheet music on Hal Leonard Platforms:Let it Go (Frozen) E MINORLet it Go (Frozen) F Minor - original keyLeave the Door Open (Silk Sonic)I Will Survive (Gloria Gaynor)Treasure (Bruno Mars)New Rules (Dua Lipa)Can't Stop the Feeling!777 (Silk Sonic)You're a Mean One, Mr GrinchFollow us today!Instagram@majorscorepublishingYouTube@majorscorepublishingWebsitehttps://www.majorscorepublishing.com/

Cello,Piano - Level 3 - Digital Download SKU: A0.931149 Composed by Tim Janof. Baroque,Children,Contemporary. Score and part. 11 pages. Tim Janof #6865125. Published by Tim Janof (A0.931149). Cricket is a piece for cello and piano, composed by Tim Janof, about, well, crickets. Enjoy the chirping, cricket fugue, and much more. Two thirds of the piece are the same note for the cello! Listen how the piece starts with one cricket and slowly becomes a large group of them. Then listen to a fugue section, using one of the cricket motives. Then it returns to pure cricketness.

Cello,Piano - Level 2 - Digital Download SKU: A0.1507341 Composed by Franz Xaver Gruber. Arranged by Harry Walker. 19th Century,Chamber,Christmas,Contest,Festival,Holiday. Score and part. 9 pages. SCORE EDITIONS #1082744. Published by SCORE EDITIONS (A0.1507341). Silent Night is one of the most cherished and widely performed Christmas carols across the globe. Composed in 1818 by Franz Xaver Gruber with lyrics by Father Joseph Mohr, the carol was first performed on Christmas Eve in the small Austrian village of Oberndorf. Since then, it has become a universal symbol of peace, hope, and unity, translated into over 300 languages and dialects. In this version, the composition was arranged for Cello and Piano by Harry Walker.

Cello,Piano - Level 3 - Digital Download SKU: A0.834671 By Bruno Mars. By Ari Levine, Bruno Mars, Christopher Acito, Fredrick Brown, Philip Lawrence, and Thibaut Berland. Arranged by MAJOR SCORE PUBLISHING TM. Pop,R & B. Score and part. 12 pages. Major Score Publishing #6334437. Published by Major Score Publishing (A0.834671). Look no further! Instrumentalists! Are you looking for a highly detailed & professional arrangement of Treasure as performed by Bruno Mars? - then this is the arrangement for you! Put together specifically for an authentic performance to satisfy both the performers & listening audience, this arrangement is ideal for concerts, intimate performances, recitals, cabarets, auditions, teaching & more! The melody has been written out in a highly detailed instrumental part accompanied by the piano accompaniment which is modeled around the original groove, chords & bass line (also containing some harmonies from the original recording). The piano accompaniment also doubles as a full score containing all elements of the arrangement which is in the original key of Eb Major as performed by Bruno Mars.  If you are looking for this song in a different key please reach out and we can transpose it for you and offer it on sheet music plus!

Cello,Piano - Level 2 - Digital Download SKU: A0.1239670 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Folk,March,Opera,Romantic Period. Score and part. 3 pages. Woods Only, Arrangements #835061. Published by Woods Only, Arrangements (A0.1239670). This arrangement adapted for violoncello and piano was written keeping the characteristics of the original work, in order to be performed by young music students who want to enter the symphonic music. Besides, it can also be used by professional musicians for recitals, repertoire, academic presentations and didactic material. The transcription remains faithful to the structure, with only one change in tone, so that it is comfortable for all the instruments in the formation, as well as being used as an activity in ensemble practice among musicians of different traditions.Beethoven's Turkish March (Op. 113) is the 4th movement of the operatic work: The Ruins of Athens, a set of incidental pieces written in 1812 by Ludwig van Beethoven, where the melody was originally written in 1809 as Theme with Six Variations for Piano, Op. 76. The work was written to accompany the play of the same name by August von Kotzebue, for the dedication of a new theater in Pest. Perhaps the best known part of the composition is the Marcia alla turca, In Latin America, this movement became known in Jean-Jacques Perrey's version (who titled it The Elephant never Forgets) since it was used as the opening theme of the successful Mexican TV comedy El Chavo del Ocho. The opening and the turkish march are often performed separately, and the other pieces in this set are not often heard.

Cello and piano - advanced - Digital Download SKU: S9.Q6880 Morceau de concert. Composed by Peter Ilyich Tchaikovsky. This edition: Sheet music. Cello Library. Downloadable. Op. 62. Schott Music - Digital #Q6880. Published by Schott Music - Digital (S9.Q6880). Key: B minor.Apart from the famous Rococo Variations, Pyotr I. Tchaikovsky composed another work for solo violoncello: Pezzo capriccioso, Opus 62. It is dedicated to Brandoukoff (Brandukov) with whom he had performed this little virtuoso piece for the first time at the famous salon of the Benardaky family in February 1888. The soloist himself suggested a few minor changes in the solo part. Even Maurice Gendron, the great cello virtuoso and teacher, attended to the work once again, not only 'bedighting' the solo part in a virtuoso manner but also adding a cadenza, an extended recapitulation and a lengthened ending to the Pezzo. The present edition enables the performer to get an accurate picture of the different versions and layers. The fingerings, bowing indications and interpretational aids - except for in the added parts - are by Maurice Gendron.

Cello and piano - Grade 4 - Digital Download SKU: DX.W29142VC Composed by Joseph Hart. Arranged by Rich Heffler. Key of g minor. Traditional. Score and part. 7 pages. David E. Smith - Digital Sheet Music #W29142VC. Published by David E. Smith - Digital Sheet Music (DX.W29142VC). Emotive setting of the early American classic. The opening is plaintive in the piano and then joined in with a counter-tune where it then presents the theme in a straight-forward manner. The next section uses the counter-theme again and then presents the theme in an embellished manner. Again the counter-theme is present followed by the embellished theme. After a brief interlude the piece picks up again with the counter-theme where it slowly and quietly settles in repose.

Cello,Piano - Level 3 - Digital Download SKU: A0.549329 By Barry Manilow. By Bruce Johnston. Arranged by James M. Guthrie, ASCAP. Contemporary,Rock. Score and part. 5 pages. Jmsgu3 #3486231. Published by jmsgu3 (A0.549329). Duration: ca. 3:00, score: 5 pages, solo part: 1 page, piano part: 2 pages.Very famous song suitable for church, recital or nightclub. I Write the Songs is a popular song written by Bruce Johnston in 1975 and made famous by Barry Manilow. Manilow's version reached number one on the Billboard Hot 100 chart in January 1976[2] after spending two weeks atop the Billboard adult contemporary chart in December 1975.[3] It won a Grammy Award for Song of the Year and was nominated for Record of the Year in 1977.[3] Billboard ranked it as the No. 13 song of 1976.[4]The original version was recorded by The Captain & Tennille, who worked with Johnston in the early 1970s with The Beach Boys. It appears on their 1975 album, Love Will Keep Us Together. The first release of I Write the Songs as a single was by then teen-idol David Cassidy from his 1975 solo album The Higher They Climb, which was also produced by Bruce Johnston. Cassidy's version reached #11 on the UK Singles Chart in August of that year.[5]Johnston has stated that, for him, the I in the song is God,[2] and that songs come from the spirit of creativity in all of us. He has said that the song is not about his Beach Boys bandmate Brian Wilson.[6]Manilow was initially reluctant to record the song, stating in his autobiography Sweet Life: The problem with the song was that if you didn't listen carefully to the lyric, you would think that the singer was singing about himself. It could be misinterpreted as a monumental ego trip.[3] After persuasion by Clive Davis, then president of Arista Records, Manilow recorded the song, and his version of I Write the Songs was the first single taken from the album Tryin' to Get the Feeling. It first charted on the Billboard Hot 100 on November 15, 1975, reaching the top of the chart nine weeks later, on January 17, 1976. Wikipedia

Cello,Piano - Level 4 - Digital Download SKU: A0.511813 Composed by Han-Ki Kim. Children,Contemporary,Multicultural,Standards,World. Score and part. 13 pages. Han-Ki Kim #6600115. Published by Han-Ki Kim (A0.511813). The theme of the original song Byeoljigi composed by Junhee Lim consists of a 16-bar melody, but this composer rearranged it to a 16-bar melody.  the Korean pentatonic scale “Doremisolaâ€� is mostly used for the the melody. The overall framework is an introduction/theme and three variations/cadenza/finale/end. Through the theme, it creates a musical updraft until the second variation, and in the third variation, there is a relaxed atmosphere, and then a cadenza singing a conversation between a mother singing a lullaby and a baby enjoying in her dreams. The figure of the mother is the theme melody played with the G string, and the figure of the child is the cheerful high notes composed of the first five notes of the theme, “Mi re Do Re mi.â€� It then ends with a brilliant finale and a short ending. Attached music file is recorded by Violin, it's just for a referrence.