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Cello,Piano - Level 4 - Digital Download SKU: A0.511813 Composed by Han-Ki Kim. Children,Contemporary,Multicultural,Standards,World. Score and part. 13 pages. Han-Ki Kim #6600115. Published by Han-Ki Kim (A0.511813). The theme of the original song Byeoljigi composed by Junhee Lim consists of a 16-bar melody, but this composer rearranged it to a 16-bar melody.  the Korean pentatonic scale “Doremisola†is mostly used for the the melody. The overall framework is an introduction/theme and three variations/cadenza/finale/end. Through the theme, it creates a musical updraft until the second variation, and in the third variation, there is a relaxed atmosphere, and then a cadenza singing a conversation between a mother singing a lullaby and a baby enjoying in her dreams. The figure of the mother is the theme melody played with the G string, and the figure of the child is the cheerful high notes composed of the first five notes of the theme, “Mi re Do Re mi.†It then ends with a brilliant finale and a short ending. Attached music file is recorded by Violin, it's just for a referrence.
Lullaby Variation (For Cello and Piano)
Violoncelle, Piano

$5.20 4.97 € Violoncelle, Piano PDF SheetMusicPlus

Cello,Piano - Level 3 - Digital Download SKU: A0.844351 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan Cutchen. Christian,Gospel,Sacred,Spiritual. Score and part. 15 pages. Dan Cutchen Music #4281895. Published by Dan Cutchen Music (A0.844351). This arrangement of And Can It Be That I Should Gain? is for cello solo and piano.A theme and variation treatment is used.  For a piano background Mp3 track, search for: Cello - And Can It Be? Piano Accompaniment, Dan CutchenTime: approximately 6:00And Can It Be That I Should Gain? is a Christian hymn written by Charles Wesley. And Can It Be was written in 1738 to celebrate Wesley's conversion, which he regarded as having taken place on May 21 of that year.This beautiful hymn has been popular and enduring.And Can It Be That I Should Gain is perhaps one of the most joyfully poignant hymns penned by Charles Wesley (1707-1788). On Whitsunday (Pentecost), May 21, 1738, three days before his brother John experienced his heart strangely warmed,’ Charles was convalescing in the home of John Bray, a poor mechanic, when he heard a voice saying, In the name of Jesus of Nazareth, arise, and believe, and thou shalt be healed of all thy infirmities. The voice was most likely Mr. Bray’s sister who felt commanded to say these words in a dream.Anglican hymn writer Timothy Dudley-Smith, notes that the following then happened:Charles got out of bed and opening his Bible read from the Psalms: He have put a new song in my mouth, even praise unto our God, followed by the first verse of Isaiah 40, Comfort ye, comfort ye my people, saith your God. He wrote in his journal, I have found myself at peace with God, and rejoiced in the hope of love Christ (Dudley-Smith, 1987, 1).The statement from Mr. Bray’s sister sparked within Charles a conviction like he had never felt before. Moved and convicted in spirit, Charles wrestled with these words until he came to rest in his faith, knowing that it is by faith we are saved (Ephesians 2:8).Soon after this conversion experience, he wrote two hymns in celebration of the amazing love he had come to know: And Can It Be that I Should Gain and Where Shall My Wondering Soul Begin? (United Methodist Hymnal, 342)There has been some debate as to which hymn was written first, but most current scholarship accepts the latter as the first hymn written by Charles after his conversion experience. No matter its place in the chronology of Wesley's output, And Can It Be has been and remains one of his most remarkable hymns, expressing like no other the rapturous joy of receiving salvation.And Can It Be That I Should Gain. Hymnary.org, https://hymnary.org/text/and_can_it_be_that_i_should_gainDudley-Smith, Timothy. A Flame of Love: A Personal Choice of Charles Wesley’s Verse. London: Triangle SPCK, 1987.Timothy Dudley-Smith. And can it be that I should gain. The Canterbury Dictionary of Hymnology. Canterbury Press, accessed May 29, 2018, http://www.hymnology.co.uk/a/and-can-it-be-that-i-should-gain.Young, Carlton R. And Can It Be That I Should Gain. Companion to the United Methodist Hymnal. Abingdon Press, 1993.(Taken from: History of Hymns: And Can It Be That I Should Gain by DeAndre Johnson found at https://www.umcdiscipleship.org/resources)https://youtu.be/xCpG9mpfSFk
Cello - "And Can It Be?" Theme and Variations
Violoncelle, Piano

$6.00 5.73 € Violoncelle, Piano PDF SheetMusicPlus

Large Ensemble Cello,Tuba - Level 4 - Digital Download SKU: A0.889878 Composed by Gary Friedman. Contemporary,Jewish,Romantic Period. Score and parts. 66 pages. Gary Friedman #11999. Published by Gary Friedman (A0.889878). The original version for cello and piano was my first formal composition when I started composing in 1998. When my brother, Ralph, heard it, he cried and said that he wished that my parents could have heard it, too. The form and harmonies of this piece are mostly traditional, but there are a few surprises. There is a cantorial cello cadenza. A trumpet and tuba are added to the usual chamber orchestra with piano, just to play an Oh My Darling Clementine counter-melody in one variation but flute and bassoon have cues and can do this nicely. The recording of the beautifully expressive performance by Ken Hoppe and the College of Marin Symphony conducted by Tara Flandreau (who edited the string parts) is of such poor sound quality that I have uploaded the computer playback as the sound clip, which is of course quite mechanical sounding. However, if you would like to hear the live performance the YouTube link is ?v=6RHrLVqTyZg The cello and piano duet version is included in this package but is also sold separately for $5.00. Duration: 8 minutes Year: 1998.
Variations on Eliahu, a Passover Theme (for solo cello and orchestra)
Violoncelle, Piano

$40.00 38.22 € Violoncelle, Piano PDF SheetMusicPlus

Cello,Piano - Level 4 - Digital Download SKU: A0.1281610 By Ferdinand Ries. By Ferdinand Ries. 19th Century,Classical,Romantic Period. Score and part. 40 pages. Paladino Editions #872952. Published by Paladino Editions (A0.1281610). Trois Airs Russes Variés pour le Piano-forte et Violoncelle ou Violon Concertans, Op. 72, was written in 1812, while Ries was on tour in Russia with virtuoso cellist Bernhard Romberg. A virtuoso display piece for both instruments, it is a potpourri of three Russian tunes. Two cello parts are included in this edition by Cole Tutino and Martin Rummel: one as printed in the first edition, and one with fingerings and bowings by Martin Rummel.
Three Russian Airs With Variations, Op. 72
Violoncelle, Piano
Ferdinand Ries
$15.95 15.24 € Violoncelle, Piano PDF SheetMusicPlus


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