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Piano,Viola - Level 2 - Digital Download SKU: A0.939404 Composed by Robert Debbaut. 20th Century,Classical,Contemporary. Score and part. 26 pages. ROBERT DEBBAUT #6342197. Published by ROBERT DEBBAUT (A0.939404). Mozart set Christian Adolph Overbeck’s text to Komm, lieber Mai in January 1791 shortly before what would be his last birthday. Overbeck, a poet and lawyer and later Mayor of Lübeck, wrote a set of poems in 1776 under the title Fritzchen an den Mai (Fritz on the May). This song is highly regarded among the German art songs of the era. Mozart coupled it with two other songs under the title Sehnsucht nach dem Fruhlinge (Longing for Spring). Seemingly taken by his theme, Mozart uses it again in the finale of his last piano concerto, Piano Concerto No. 27 in B-flat Major, K. 595. Mozart’s three songs were published in a collection of children’s song by Ignaz Alberti. While the voice is supposed to be that of a child, it is really an adult’s longing for the flowering of Spring and the promise of new birth and, perhaps, new love.This set of variations were written as a recital work with a young violist (playable in first position) in mind.  They are abouyt five minutes in length.
Variations on a Theme of Mozart for Young Violist and Piano
Alto, Piano

$9.95 8.64 € Alto, Piano PDF SheetMusicPlus

Viola and small orchestra - Digital Download SKU: S9.Q5928 Composed by Heinz Holliger. This edition: piano reduction with solo part. Viola Library. Downloadable, Piano reduction with solo part. Duration 25 minutes. Schott Music - Digital #Q5928. Published by Schott Music - Digital (S9.Q5928). The title combines the words recitare and cantare, and thus this eloquent song embodies a renewed attempt to demonstrate the communicative power of music. The piece was written for Tabea Zimmermann and dedicated to her, while at the same time, in the tradition of a Lamento di Viola, commemorating the harpsichordist Christiane Jaccottet.2 (1. auch Picc., 2. auch Picc. und Altfl.) · 1 (auch Ob. d'am.) · Engl. Hr. · 2 (2. auch Bassklar.) · Kb.-Klar. (auch 2. Bassklar.) · 2 - 2 · 2 · 1 · 0 - P. S. (Glsp. · Marimba · Röhrengl. · sizzle-Beck. [auch mit Plastik-Reibestab] · Beck. · 2 Tamt. · 2 Gong · Wassergong · 3 Bong. · 2 Tomt. · gr. Tr. · Guiro · Mar. · Sandblock) (2 Spieler) - Hfe. · Cel. (auch Klav.) - Str. (5 · 0 · 0 · 4 · 3 [3. mit tiefem C]).
Recicanto
Alto, Piano

$41.99 36.47 € Alto, Piano PDF SheetMusicPlus

Piano,Viola - Level 1 - Digital Download SKU: A0.548726 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and part. 4 pages. Jmsgu3 #3411767. Published by jmsgu3 (A0.548726). Out of the Depths I Cry to You by Martin Luther. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. The piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics which are essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed compositions, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
Luther: Out of the Depths for Viola & Piano
Alto, Piano

$24.95 21.67 € Alto, Piano PDF SheetMusicPlus






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