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Instrumental Duet,Piano Instrumental Duet,Piano,Viola - Level 3 - Digital Download SKU: A0.786384 Composed by Horatio Spafford, Philip Bliss, and Pyotr Tchaikovsky. Arranged by Beka Wilson. Christian,Contemporary,Gospel,Romantic Period,Sacred. Score and parts. 7 pages. Beka Wilson #4632405. Published by Beka Wilson (A0.786384). Horatio Spafford’s hymn, written after the death of his four daughters in a shipwreck, has brought comfort to many in their dark times. This arrangement (in the setting of Tchaikovsky’s Swan Lake) would be great for a calm instrumental special before the sermon, or a comforting song at a funeral.7 pages (includes piano score and parts), approximately 3:14 (suggested 100bpm), intermediate levelThis arrangement is for alto clef instruments, but the following instrumentation is also available on Sheet Music Plus:Flute/oboe/violin: S0.587367Trumpet/clarinet/tenor sax: S0.587389Alto Sax: S0. 587393Horn: S0. 587405Cello/bassoon/trombone: S0. 587409For custom instrumentation (for example, flute/cello or alto sax/clarinet), contact me at bekmars10@gmail.com, and I can get something posted here on Sheet Music Plus.
It Is Well (in the setting of Swan Lake)
Alto, Piano

$9.99 9.54 € Alto, Piano PDF SheetMusicPlus

Piano,Viola - Level 3 - Digital Download SKU: A0.1169192 Composed by George Frideric Handel. Arranged by Austin Ralphson. Baroque,Classical,Wedding. Score and part. 5 pages. Austin Ralphson #769541. Published by Austin Ralphson (A0.1169192). Handel wrote this aria as the opening to the 1738 opera 'Serse'. Initially, the opera was a commercial failure, before it was later rediscovered and going on to become one of Handel's best-loved works. It is presented here as an intermediate-level solo with piano.This piece can either be played with a live pianist, or can be played along with the free backing track which is available from https://youtu.be/Mlvn0P1oD9M and also in the video screen above.You can also purchase all 5 beautiful solos together in a digital book for $9.99: https://armusiconline.com/b/7e06f
Largo from 'Xerxes' (Handel) - viola and piano with FREE BACKING TRACK
Alto, Piano

$3.99 3.81 € Alto, Piano PDF SheetMusicPlus

Piano,Viola - Level 2 - Digital Download SKU: A0.1036863 Composed by Hortense Beauharnais (1783 - 1837). Arranged by Pat Spence. Classical,Contest,Festival,Instructional,Patriotic. Score and part. 8 pages. Piper Publications #641887. Published by Piper Publications (A0.1036863). The two pieces, Partante pour La Syrie and Hirondelle are arrangements for viola and piano of composed by Hortense de Beauharnais who was Emperor Napoléon's step daughter.She married the Emperor's brother, Louis Napoléon. Their son was Napoléon III who, when he was made emperor made Partante pour La Syrie, France's national hymn before it was later replaced by the Marseillaise. The Partante pour La Syrie, Hortense's most popular work, was quoted by Camille Saint-Saens in 'Fossils' in his Carnival of the Animals. Hirondelle (Romance) is a beautiful slow sustained piece. Both pieces are suitable for players of early intermediate standard.
MARCH & ROMANCE for Viola & Piano
Alto, Piano

$8.00 7.64 € Alto, Piano PDF SheetMusicPlus

Piano,Viola - Level 3 - Digital Download SKU: A0.1036925 Composed by Hortense de Beauharnais (1783 - 1837). Arranged by Pat Spence. Instructional,Romantic Period. Score and part. 8 pages. Piper Publications #641918. Published by Piper Publications (A0.1036925). The two pieces, Partante pour La Syrie and Hirondelle are arrangements for viola and piano originally composed for violin by Hortense de Beauharnais who was Emperor Napoléon's step daughter.She married the Emperor's brother, Louis Napoléon. Their son was Napoléon III who, when he was made emperor made Partante pour La Syrie, France's national hymn before it was later replaced by the Marseillaise. The Partante pour La Syrie, Hortense's most popular work, was quoted by Camille Saint-Saens in 'Fossils' in his Carnival of the Animals. Hirondelle (Romance) is a beautiful slow sustained piece. Both pieces are suitable for players of early intermediate standard.
BEAUHARNAIS; PARTANTE POUR LA SYRIE
Alto, Piano

$10.00 9.54 € Alto, Piano PDF SheetMusicPlus

Piano,Viola - Level 3 - Digital Download SKU: A0.747039 By Elton John. By Bernie Taupin and Elton John. Arranged by Keith Terrett. Pop,Rock. Score and part. 6 pages. Keith Terrett #5946197. Published by Keith Terrett (A0.747039). Arranged for Viola & Piano, Sorry Seems to Be the Hardest Word is a song written by Elton John and Bernie Taupin. It was recorded by Elton John and released in 1976, both as a single and as part of the Blue Moves album. It was John's second single released by The Rocket Record Company. The song is a mournful ballad about a romantic relationship which is falling apart.The song also appeared the following year on Greatest Hits Volume II, though for copyright reasons it no longer appears on the current version of that album. It now appears on Greatest Hits 1976–1986, The Very Best of Elton John and in Greatest Hits 1970–2002, as well as a number of other compilations.The song was covered in 2002 by English boy band Blue for their second studio album, One Love (2002). The song was recorded as a collaboration with Elton John, and was the second single from the album. It peaked at number one on the UK Singles Chart on 15 December 2002 and also reached number one in Hungary and the Netherlands. It peaked within the top 10 in an additional 16 countries.In 2004, Elton John and Ray Charles performed the song on Charles' duet album, Genius Loves Company. It would turn out to be the last recording Charles ever did before his death that June. The duet was nominated for a Grammy Award for Best Pop Collaboration with Vocals. It was also performed by smooth jazz saxophonist Kenny G on the soprano saxophone featuring Richard Marx on his 2004 album At Last...The Duets Album later that year.The song was a Top 20 hit, reaching No. 11 in the United Kingdom, No. 6 in the United States and No. 3 in Canada. In addition, the song went to No. 1 on the US and Canadian Adult Contemporary charts. In the US, it was certified Gold on 25 January 1977 by the RIAA.The single was the lead single for the eight-track remix compilation Good Morning to the Night in collaboration with Australian remixer Pnau, which came out on 16 July 2012.
Sorry Seems To Be The Hardest Word
Alto, Piano
Elton John
$9.99 9.54 € Alto, Piano PDF SheetMusicPlus

Piano,Viola - Level 2 - Digital Download SKU: A0.1302613 Composed by Danny Elfman. Arranged by Milanov. Film/TV,Halloween. Score and part. 3 pages. Milanov #892235. Published by Milanov (A0.1302613). This is Halloween from The Nightmare Before Christmas, by Danny Elfman, for viola and piano accompaniment, easy intermediate, short version.This is Halloween from The Nightmare Before Christmas, composed by Danny Elfman, is a dark and whimsical musical masterpiece that captures the eerie and enchanting spirit of Halloween. With its hauntingly catchy melody and playful yet sinister lyrics, the song introduces the inhabitants of Halloween Town and sets the stage for Tim Burton's iconic animated film. Elfman's distinctive vocals as Jack Skellington and the eerie choir of ghoulish characters create a spine-tingling atmosphere, while the dynamic orchestration blends elements of rock and orchestral music to create a Halloween anthem that's both spooky and fun, making it an enduring favorite among fans of the film and the holiday alike.
This Is Halloween
Alto, Piano

$4.99 4.76 € Alto, Piano PDF SheetMusicPlus

Piano,Viola - Level 2 - Digital Download SKU: A0.587897 Composed by Various. Arranged by David McKeown. Christian,Easter,Sacred. Score and part. 26 pages. David McKeown #5037745. Published by David McKeown (A0.587897). 16 Favourite Easter Hymns for Solo Viola and Piano is a beautiful collection of well-known traditional Easter hymns. Both the Piano score and separate Viola part are included in the single PDF file.16 Favourite Easter Hymns for Solo Viola and Piano are simply arranged in easy keys and are fun to play for soloists with a year or two’s experience and above. The piano part is a little more difficult. Teachers and students alike will find 16 Favourite Easter Hymns for Solo Viola and Piano useful for building ensemble, reading and rhythmic skills.The hymns are in alphabetical order and are as follows…·     All Creatures of Our God and King, (Lasst Uns Erfreuen)·     All Hail the Power of Jesus Name, (Coronation)·     Before the Throne of God Above, (Before the Throne)·     Blessed Assurance, (Blessed Assurance)·     Christ the Lord is Risen Today, (Easter Hymn)·     Crown Him with Many Crowns, (Diademata)·     The Day of Resurrection, (Ellacombe)·     Just as I Am, (Woodworth)·     I Know that My Redeemer Lives, (Bradford)·     It is Well with My Soul, (Ville du Havre)·     A Mighty Fortress is Our God, (Ein Feste Burg)·     Nothing But the Blood of Jesus, (What Can Wash Away My Sin)·     There is a Green Hill Far Away, (The Green Hill)·     Thine Be the Glory, (Judas Maccabeus)·     Were You There? (Were You There?)·     When I Survey the Wondrous Cross, (Hamburg) There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203 
16 Favourite Easter Hymns for Solo Viola and Piano
Alto, Piano

$7.60 7.25 € Alto, Piano PDF SheetMusicPlus

Piano,Viola - Level 1 - Digital Download SKU: A0.1302598 Composed by Danny Elfman. Arranged by Milanov. Film/TV,Halloween. Score and part. 4 pages. Milanov #892219. Published by Milanov (A0.1302598). This is Halloween from The Nightmare Before Christmas, by Danny Elfman, for viola and piano accompaniment, easy beginner, short version.This is Halloween from The Nightmare Before Christmas, composed by Danny Elfman, is a dark and whimsical musical masterpiece that captures the eerie and enchanting spirit of Halloween. With its hauntingly catchy melody and playful yet sinister lyrics, the song introduces the inhabitants of Halloween Town and sets the stage for Tim Burton's iconic animated film. Elfman's distinctive vocals as Jack Skellington and the eerie choir of ghoulish characters create a spine-tingling atmosphere, while the dynamic orchestration blends elements of rock and orchestral music to create a Halloween anthem that's both spooky and fun, making it an enduring favorite among fans of the film and the holiday alike.
This Is Halloween
Alto, Piano

$4.99 4.76 € Alto, Piano PDF SheetMusicPlus

Piano,Viola - Level 4 - Digital Download SKU: A0.1032818 Composed by Daniell Mattern. Contemporary. Score and part. 58 pages. Daniell Mattern #5721229. Published by Daniell Mattern (A0.1032818). Sonata in a Simple Scale for Viola and PianoThe Simple Scale of the title is a series of alternating whole steps and half steps. There are three versions; any particular note will belong to two of the three. Thus, the two scales that include C go up either a whole step from C (C D Eb F F#…) or a half step (C C# D# E F#…); the third scale excludes C entirely (B C# D E F…). These scales allow for a variety of melodies, which often take on a modal character, and familiar chords, including major, minor, and diminished.Although the scale is simple, the Sonata is not for elementary players. The viola range goes to the C two octaves above middle C and there are occasional double and triple stops and stopped harmonics, and frequent meter changes. Also, the unusual scale does not fit the standard fingering patterns for either instrument. That said, the sonata is intended to be enjoyable for proficient, rather than virtuosic, players.In the introduction to the Sonata-Allegro movement, the viola explores motives and intervals, with subtle embellishment from the piano. These phrases build to a three-octave descending presentation of the simple scale; a trill then leads into the main theme. The piano sets up a jaunty accompaniment pattern, over which the viola plays the theme in measure-long segments. The second theme is a long, legato line in the viola that spans two octaves. The viola then sets up a two-measure ostinato, joined by a lumbering piano bass, before the piano treble floats on top with a melancholy closing theme. The development section plays mostly with the main theme, shifting meters as the two instruments engage in dialog. A bridging trill takes us into the recapitulation, but now the viola plays the jaunty accompaniment pattern, and the piano has the main theme. After the return of the second theme, varied in its accompaniment, the piano presents the ostinato of the closing theme, and the viola takes the melody, leading to a quiet and playful finish.In the second movement (Song), the piano begins a slow, rather dark theme, joined by the viola, and ending in a rising question that leads into the second section. Presented simply by the viola, this lilting 7/8 theme has a folk-song quality. It is repeated and embellished several times before the first theme returns, ending in a loud and angry exclamation.The Scherzo is a 6/8 whirlwind. The viola presents rapid repeated notes punctuated with three rising or falling notes; the piano enters gradually until both are giving a forceful statement. In the middle section, the viola sets up a whirling pattern with a drone, while the piano plays a dark version of the closing theme from the first movement. The first theme returns and the movement gallops to a rapid finish.The Rondo begins with an introduction that explores octaves and trills, leading into the main theme, with slightly dissonant 4/4 viola measures alternating with 7/8 answers in the piano. Bridging measures in 5/8 take us into a relaxed, waltz-like interlude of solo viola. A fast section with a touch of fugato follows, with the main theme presented in diminution by the viola at the end. This leads into a second interlude, this one exploring octaves, trills, and clusters in unmetered fragments that the instrumentalists play at their own tempos. The viola then emerges with a confident new theme, joined after a while by the piano. The main theme then returns in a rollicking 3/4 version that brings the piece to a close.
Sonata in a Simple Scale for Viola and Piano
Alto, Piano

$8.00 7.64 € Alto, Piano PDF SheetMusicPlus

Piano,Viola - Level 3 - Digital Download SKU: A0.967542 Composed by Traditional. Arranged by Lawrence H. Underwood. Christian,Christmas,Contemporary,Sacred. Score and part. 8 pages. Lawrence H Underwood #6141145. Published by Lawrence H Underwood (A0.967542). Arranged by veteran instrumental educator and performer, Lawrence Underwood, as the fourth installment in his A Christmas Portfolio series, this brand new setting of I Saw Three Ships is as much fun to play as it is to hear! The arrangement opens with a jaunty, nautical 6/8 feel before entering a lyrical section. The piece then shifts gears momentarily, heading into a 4/4 march feel before evoking a feel of the highlands as we return to 6/8, building in intensity until its dramatic conclusion. Suitable for use in church or as a showpiece in any holiday setting, this piece is sure to be an audience and performer favorite!
I Saw Three Ships for Solo Viola
Alto, Piano

$5.99 5.72 € Alto, Piano PDF SheetMusicPlus

Piano,Viola - Level 3 - Digital Download SKU: A0.549634 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 16 pages. Jmsgu3 #3516289. Published by jmsgu3 (A0.549634). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages. One of Beethoven's finest and most famous works. Program for a recital, church meditation or school program. Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano.    
Beethoven: Adagio from Sonata Pathetique for Viola & Piano
Alto, Piano

$24.95 23.81 € Alto, Piano PDF SheetMusicPlus


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