Piano,Viola - Level 4 - Digital Download SKU: A0.932672 Composed by Franz Gruber, Harrison Millard. Arranged by Julie Jacobson. Christian,Christmas,Praise & Worship,Sacred. Score and part. 6 pages. Julie Jacobson #6609441. Published by Julie Jacobson (A0.932672). This emotional arrangement of the hymns Silent Night and Abide With Me, 'Tis Eventide will be an unforgettable addition to any Christmas program or church service. The arrangement begins prayerfully with Abide With Me, 'Tis Eventide then flows into a reverent rendition of Silent Night. The music then becomes desperate and pleading, finally climaxing triumphantly with the reminder that when one calls upon the Lord to abide with them in their night, He will always answer, All is calm, all is bright. Sleep in heavenly peace. Both viola and piano parts are advanced intermediate. Climax features double stops in the viola part that can easily be simplified with little sacrifice to expression.

Instrumental Duet,Piano Clarinet,Instrumental Duet,Piano,Viola - Level 3 - Digital Download SKU: A0.1255345 By Grant Horsley. By Grant Horsley. Arranged by Grant Horsley. Classical,Contest,Festival,Film/TV,Romantic Period,Wedding. 19 pages. Grant Horsley #848860. Published by Grant Horsley (A0.1255345). The name Nocturne (meaning of the night) was originally an ensemble piece in the 18th century in several movements used for for evening parties. Later In the 19thc it's one movement form, it was adopted by John Field and later popularised by Chopin. It generally has a tranquil lyrical melody and is very romantic and expressive. I have tried to keep these elements in this Nocturne. Written here for Clarinet in B flat, Viola and Piano, the parts are equally divided. Highest note top D flat ( clarinet once). Bowing for the viola has been left to the performer. It is written in the key of concert B flat minor it has a very gentle opening with harmonies evolving around a cycle of 5th's in places. The piece has three definite sections- the lyrical melody to begin with, a middle section building to a climax before a return to the 1st section. This is followed by a transitional contrasting section (poco piu mosso) wandering through a few keys to settle on an inner pedal tonic note chime. Gentle chords restore the opening once more- this opening theme climaxes towards the end and a gentle reflection of the opening bars concludes the piece. It is 4 mins 20 in length. Price is for the full score and parts.Set to intermediate level, but the whole score is on the youtube link for you to assess suitability. Versions for Flute Duet, Flute and Clarinet Duet and Solo Piano are also available, as is Flute, Bassoon and Piano ensemble.

Piano,Viola - Level 3 - Digital Download SKU: A0.586459 By Carolina Gaitan, Mauro Castillo, Adassa, Rhenzy. By Lin-Manuel Miranda. Arranged by Martin Lass. Broadway,Hip-Hop,Latin,Musical/Show,Pop,R & B. Score and part. 9 pages. MA Lass & I Lass #195752. Published by MA Lass & I Lass (A0.586459). In this Level 2.5 (Intermediate) arrangement, Martin Lass has arranged the hit song, We Don't Talk About Bruno, for solo viola and piano accompaniment. Guitar chords and chord boxes are included. We Don't Talk About Bruno is a song from Disney's 2021 animated feature film, Encanto, with music and lyrics written by Lin-Manuel Miranda. It was released by Walt Disney Records as part of the film's soundtrack in November, 2021. It has achieved many accolades and charted No. 1 or Top Ten across the world, including No. 1 on US Billboard Hot 100. Wikipedia notes that, musically, We Don't Talk About Bruno eschews Disney's traditional formula of a sentimental ballad performed by a solo character, opting for a subdued, mid-tempo tune blending Latin music styles such as salsa and guajira with pop, hip hop, dance and Broadway elements, sung by an ensemble and climaxing in a polyphonic outro. This arrangement has been specifically tailored for intermediate-level cello while retaining all of the original elements of the song, as well as some original interpretative elements. The lead line combines some of the different voices in the original song. The key have been changed from the original C minor to the more viola-friendly D minor.

Piano,Viola - Level 5 - Digital Download SKU: A0.754961 Composed by Sy Brandon. 20th Century,Contemporary. Score and part. 39 pages. Sy Brandon #3225909. Published by Sy Brandon (A0.754961). A three-movement sonata. The opening movement begins with an Adagio that leads into an Allegro with Hindemith-type harmony and counterpoint. The middle movement is a lyrical Adagio. A final Allegro in 6/8, 5/4 and 2/4 is a technical tour de force bringing a strong climax to the work.

Piano,Viola - Level 3 - Digital Download SKU: A0.1216985 Composed by Saint-Saëns, Camille (1835-1921). Arranged by Kamada, Mikio. 20th Century,Opera. Score and part. 9 pages. ACORDO Sheet Music #813513. Published by ACORDO Sheet Music (A0.1216985). The story of Samson and Delilah is found in the Old Testament. Gaza, an ancient city of Israel, was once ruled by the Philistines. However, the Hebrew hero Samson killed the governor of Gaza. In revenge, the Philistine beauty Delilah tempted Samson to reveal his weakness. This led to the aria Mon cœur s'ouvre à ta voix, sung at the climax of Delilah's seduction. The aria, written for a mezzo-soprano, beautifully expresses the seductive atmosphere and Delilah's intense passion. It's considered one of the finest arias in all opera.In the scores, the solo part plays both Delilah's and Samson's parts. In the duets period, Delilah's part is played by the piano and the solo instrument plays Samson's part. Samson's part is written in a lower range, emphasizing the contrast with Delilah's part.The original piece is written in D-flat major, which can be challenging for some string players. This version is transposed to G major for their convenience.

Piano,Viola - Level 4 - Digital Download SKU: A0.1013046 Composed by David E. Boelzner. Christian,Contemporary,Jewish,Sacred. Score and part. 9 pages. David E Boelzner #5898963. Published by David E Boelzner (A0.1013046). Abraham’s Walk is a reflection, for viola and piano, of the dramatic biblical story of God calling on Abraham to demonstrate his faith by sacrificing his son, Isaac. The beginning sets a peaceful mood with a quiet modal tune, first in piano and then viola, but somber chords intervene.  Then God calls to Abraham three times, each time louder, the last time thunderously.  After a pause, the viola captures Abraham’s stunned and then agitated response, as he processes what he’s being asked to do.  Tragically resolved, he begins the trudging walk to his son’s doom, which builds to a climax in both instruments, culminating in God’s calling again to Abraham, this time to stay his knife hand.

Piano,Viola - Level 3 - Digital Download SKU: A0.705308 By Climax. By Walter D. Nims. Arranged by Dominic Meccia. Contemporary. Score and part. 11 pages. Dominic Meccia #6201595. Published by Dominic Meccia (A0.705308).