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Piano,Viola - Level 4 - Digital Download SKU: A0.1466109 By Brian Buda. By Robert Lowry. Arranged by Brian Buda. Christian,Religious,Sacred,Traditional,Wedding. Score and part. 12 pages. Budaful music #1044713. Published by budaful music (A0.1466109). For the instrumentalist looking to add a beautifully calming song to thier wedding prelude setlist repetroire or the church musician looking for a thrilling offertory, consider this arrangement of Here Is Love for solo Viola or optional duet (both parts included, duet part is easier). There are 4 verses implemented in this approx. 4:11 minute piece but there are 2 alternate timings suggested to cut the arrangement short if desired, bringing it down to either 3 or 2 verses.
Here Is Love - Viola solo (opt. duet)
Alto, Piano
Brian Buda
$5.99 5.11 € Alto, Piano PDF SheetMusicPlus

Piano,Viola - Level 3 - Digital Download SKU: A0.617347 Composed by J. B. F. WRIGHT, Traditional, and W. B. STEVENS. Arranged by Gary Lanier. Christian,Gospel,Praise & Worship,Sacred. Score and part. 23 pages. The Lanier Company #4885135. Published by The Lanier Company (A0.617347). 3 GREAT GOSPEL SONGS by Gary Lanier is for Viola with Piano. The songs titles are (1) Farther Along, (2) Precious Memories, & (3) Will The Circle Be Unbroken. All for the price of 2. Ideal for offertories, special music for worship services, or for the joy of playing in any situation where Gospel music is desired (23 pages).A mp3 Piano Accompaniment (aka Rehearsal Track) is also available for each individual song listed as:
3 GREAT GOSPEL SONGS (for Viola with Piano - Instrument Part included)
Alto, Piano

$11.98 10.22 € Alto, Piano PDF SheetMusicPlus

Piano,Viola - Level 2 - Digital Download SKU: A0.549217 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Holiday,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3468034. Published by jmsgu3 (A0.549217). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.   Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.   Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands            Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and indeed the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival               Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.  
Bach: Bist du bei mir BWV 508 for Viola & Piano
Alto, Piano

$32.95 28.1 € Alto, Piano PDF SheetMusicPlus

Instrumental Duet,Piano Cello,Instrumental Duet,Piano,Viola - Level 3 - Digital Download SKU: A0.916582 Composed by Johann Sebastian Bach. Arranged by Steve Newman. Baroque,Standards. Score and parts. 31 pages. Steve newman #3388849. Published by steve newman (A0.916582). Brandenburg 6 is a unique composition because of its original instrumentation (2 lead violas + string orchestra), and because of the nature of the first movement- that starts with a canon for the 2 violas playing the same line just one eighth note apart! Its fun to play, but hard to get the needed players to make it happen.  So here is a reduction where the violist plays the first viola part, and a keyboard does the second viola part plus a reduced version of the backing strings.   This  piano reduction is meant to accompany a violist playing the original first viola part.  If you want an excellent contemporary typesetting of the first viola part,  you can get it at the Free Scores website-  http://www.free-scores.com/download-sheet-music.php?pdf=43649      PLAY ALONG MP3’s There are mp3 files ‘in the cloud’  which you can download and use to practice with.  They use the stereo capability to have the soloist on one channel, and the keyboard on the other.  This way you can tune out your part if you want,  or leave it in, at a volume of your choice.  The tempo of the ‘playalong’ tracks can be adusted to your choice by using readily available playback software for instance, Roni music-https://www.ronimusic.com/,  or even websites that do it for you online.  Also,  even very inexpensive mp3 players in the under $20 range nowadays provide playback with adjustable tempo.  The mp3 files can be downloaded from-https://app.box.com/s/xpkqc7xpkhlixbf56tsahqu3tkt83gpo  xml files are also available if you have a notation program and want to customize the score or the sound files.  Steve Newman              Nov 2017                          newmans@cruzio.com
BRANDENBURG CONCERTO #6 Reduction for one Viola accompanied by Keyboard
Alto, Piano

$4.00 3.41 € Alto, Piano PDF SheetMusicPlus

Piano,Viola - Level 3 - Digital Download SKU: A0.549462 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499711. Published by jmsgu3 (A0.549462). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors.  Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
Scriabin: Prelude Op. 11 No. 2 for Viola & Piano
Alto, Piano

$19.95 17.02 € Alto, Piano PDF SheetMusicPlus

Viola and piano - easy to intermediate - Digital Download SKU: S9.Q21298 Composed by Eduard Puetz. Arranged by Wolfgang Birtel. This edition: Sheet music. Edition Schott - Single Edition. Downloadable. Schott Music - Digital #Q21298. Published by Schott Music - Digital (S9.Q21298). Overcoming the boundaries between 'serious' and entertaining music was what mattered to the musician Eduard Pütz (1911–2000). His compositions therefore include stylistic features of jazz and pop music. Many of his works were written for children and young instrumentalists to offer them a break from the monotony of classical sonatinas and studies. 'Blue Waltz' is such a treat – very easy to play, it carefully helps the player to open a listening ear for jazz sounds. The arrangement for accompanied melodic instrument is also suitable for beginner's lessons and the first ensemble playing.
Blue Waltz
Alto, Piano

$4.99 4.26 € Alto, Piano PDF SheetMusicPlus


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