Piano,Viola - Level 3 - Digital Download SKU: A0.720996 Composed by Max Reger. Arranged by Anne L Christopherson GRSM ARCM. 20th Century,Christmas,Sacred. Score and part. 3 pages. Music-Scores.com #3867439. Published by Music-Scores.com (A0.720996). Op.76, No.52. The Virgin's Slumber Song, Mary's Lullaby, or Maria Wiegenlied, is a gentle Christmas lullaby. Tree tops swaying and birds singing: Ah, baby, sleep dear one, slumber now. This arrangement is for Viola and Piano - F majorPlaying time about 1 minute 30 seconds.Arranged by Anne Christopherson at https://www.music-scores.com

Small Ensemble Piano Accompaniment,Viola,Violin - Level 3 - Digital Download SKU: A0.720998 Composed by Max Reger. Arranged by Anne L Christopherson GRSM ARCM. 20th Century,Christmas,Sacred. Score and parts. 5 pages. Music-Scores.com #3867443. Published by Music-Scores.com (A0.720998). Op.76, No.52. The Virgin's Slumber Song, Mary's Lullaby, or Maria Wiegenlied, is a gentle Christmas lullaby. Tree tops swaying and birds singing: Ah, baby, sleep dear one, slumber now. This arrangement is for Violin, Viola and Piano - F majorPlaying time about 1 minute 30 seconds.Arranged by Anne Christopherson at https://www.music-scores.com

Piano,Viola - Level 2 - Digital Download SKU: A0.628280 By Amy Grant. By Amy Grant and Chris Eaton. Arranged by Stephen DeCesare. Christian,Christmas,Contemporary,Praise & Worship,Sacred. Score and part. 10 pages. Exultet Music #6113979. Published by Exultet Music (A0.628280). Already a Christmas classic, the powerful and dramatic song by Amy Grant about what Mary, the Mother of Jesus could possibly have been thinking before she gave birth to the Savior of the World, has now been freshly arranged for a Viola solo with Piano accompaniment. Accessible and appropriate to be performed in any church or concert setting.

Instrumental Duet,Piano Instrumental Duet,Piano,Viola - Level 1 - Digital Download SKU: A0.1121436 Composed by Johann Sebastian Bach. Arranged by Ander. Baroque,Christmas,Easter,Sacred,Wedding. 6 pages. Woods Only, Arrangements #722610. Published by Woods Only, Arrangements (A0.1121436). This easy arrangement for viola and piano has been adapted to be simple to perform and understand the structure of the original work for various levels of musical knowledge. It can be played freely by beginning students because of the ease imposed on the piece. It is often performed at wedding ceremonies slowly and reverently, challenging the effect suggested by Bach in his original score for voices with trumpet, oboes, strings, and continuous bass. This is one of Bach's most beautiful cantatas, made famous by the Jesus the Joy of Men chorus. It was originally composed for Advent 1716 in Weimar. Years later, already in Leipzig, Advent was tempus clausum, there was no music in the churches. Bach then reworked it for the Feast of Mary's Visitation. It is the final chorale of the cantata Herz und Mund und Tat und Leben. Although it is the 32nd cantata composed by Bach, of those that have survived, it was given BWV 147 in the complete catalog of his works.

Piano,Viola - Level 3 - Digital Download SKU: A0.549550 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,World. Score and part. 16 pages. Jmsgu3 #3507495. Published by jmsgu3 (A0.549550). Duration: ca. 3:20, Score: 10 pages, solo part: 2 pages, piano part: 3 pages. A delicate masterpiece, not very difficult - suitable for a recital encore. Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions.  Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and BedÅ™ich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.Register for free lifetime revisions and updates at www.jamesguthrie.com

Piano,Viola - Level 3 - Digital Download SKU: A0.549528 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Contemporary,Romantic Period,Sacred,Standards. Score and part. 11 pages. Jmsgu3 #3505753. Published by jmsgu3 (A0.549528). Duration: ca. 3:40, Score: 5 pages, solo part: 2 pages, piano part: 3 pages. Super-famous instantly recognizable tune, not very difficult - suitable for a recital, funeral or church meditation. Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions.  Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and BedÅ™ich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.Register for free lifetime revisions and updates at www.jamesguthrie.com

Piano,Viola - Level 1 - Digital Download SKU: A0.562514 Composed by Traditional. Arranged by Samuel Stokes. Children,Concert,Folk,Instructional,Traditional. Score and part. 3 pages. SamuelStokesMusic.com #5799579. Published by SamuelStokesMusic.com (A0.562514). This is an arrangement of Mary Had a Little Lamb for beginning viola with optional piano accompaniment. It's great for beginner recitals! Learn more about Samuel Stokes at https://www.SamuelStokesMusic.com.

Piano,Viola - Level 1 - Digital Download SKU: A0.940682 Composed by Traditional, Children's song. Arranged by Valdir Maia. Children,Multicultural,World. Score and part. 4 pages. Valdir Maia #6862843. Published by Valdir Maia (A0.940682). A new arrangement for Mary had a little lamb, written for viola and piano. Listen to the audio file to know the arrangement.

Piano,Viola - Level 1 - Digital Download SKU: A0.1022606 Composed by Traditional. Arranged by Vitor Melo. Children,Folk,Instructional,Traditional. Score and part. 1 pages. Melo Music #627952. Published by Melo Music (A0.1022606). Mary Had a Little Lamb is a classic children's song. Writing for viola and piano. Both parts can be performed by beginning students. Key: D Major.

Cello,Piano,Viola - Level 4 - Digital Download SKU: A0.1337304 By Kathy Mattea. By Buddy Greene and Mark Lowry. Arranged by Phyllis Hopper. Advent,Christmas,Contemporary,Easter,Holiday. 14 pages. HopSez Productions #923117. Published by HopSez Productions (A0.1337304). This well-known contemporary Christian ballad is suitable for any sacred gathering; it's especially poignant during the Advent and Easter seasons. Intricate harmonic rhythms offset the melody in this lovely piece. Playing time: Around 3 minutesI'd love to hear from you! Feel free to submit feedback, ideas, and requests to phroglis@tutanota.com.

Composed by Tomaso Antonio Vitali, Léopold Charlier. Arranged by Austin Harning. Baroque, Concert, Instructional, Standards, World. Score and part. 21 pages. Austin Harning #5307723. Published by Austin Harning

Piano,Viola - Level 1 - Digital Download SKU: A0.1272036 Composed by Traditional. Arranged by Anu Holländer. Chamber,Children,Folk,Instructional,Traditional. Score and part. 3 pages. Anu H #864381. Published by Anu H (A0.1272036). My arrangements are for pedagogical use, and there is always piano involved. Easy and fun pieces for children to play together with a friend!

Piano,Viola - Level 4 - Digital Download SKU: A0.551513 Composed by Edvard Grieg. Arranged by James Guthrie, ASCAP. Concert,Halloween,Instructional,Romantic Period,Standards. Score and part. 62 pages. Jmsgu3 #5306365. Published by jmsgu3 (A0.551513). 1. Morning Mood, 2. Ase's Death, 3. Anitra's Dance, 4. In the Hall of the Mountain KingGrieg BackgroundIn the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions.  Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and BedÅ™ich Smetana in Bohemia.LegacyGrieg is celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen.Peer Gynt Suite No. 1 (Op. 46)Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain.Holberg Suite and Misc. SummaryIt must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.

Piano,Viola - Level 3 - Digital Download SKU: A0.1280592 Composed by Frederic Chopin. Arranged by Diego Marani. Classical,Instructional,Romantic Period,Standards,Wedding. Score and part. 10 pages. Diego Marani #872004. Published by Diego Marani (A0.1280592). One of the better known nocturnes, this piece has a rhythmic freedom that came to characterize Frédéric Chopin's later work. The piece is 85 measures long and in 6/4 meter is written in ternary form; after the primary theme, the secondary theme starts in measure 19, followed by a modified version of the primary theme in measure 70. The opening section moves into a contrasting middle section in the same key signature, which flows back to the opening material in a transitional passage. The reprise of the first section grows out of this, followed by a Picardy third ending.This arrangement for viola with piano accompaniment reflects faithfully the original and is suitable for any purpose and occasion.