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Piano,Viola - Level 3 - Digital Download SKU: A0.1216985 Composed by Saint-Saëns, Camille (1835-1921). Arranged by Kamada, Mikio. 20th Century,Opera. Score and part. 9 pages. ACORDO Sheet Music #813513. Published by ACORDO Sheet Music (A0.1216985). The story of Samson and Delilah is found in the Old Testament. Gaza, an ancient city of Israel, was once ruled by the Philistines. However, the Hebrew hero Samson killed the governor of Gaza. In revenge, the Philistine beauty Delilah tempted Samson to reveal his weakness. This led to the aria Mon cœur s'ouvre à ta voix, sung at the climax of Delilah's seduction. The aria, written for a mezzo-soprano, beautifully expresses the seductive atmosphere and Delilah's intense passion. It's considered one of the finest arias in all opera.In the scores, the solo part plays both Delilah's and Samson's parts. In the duets period, Delilah's part is played by the piano and the solo instrument plays Samson's part. Samson's part is written in a lower range, emphasizing the contrast with Delilah's part.The original piece is written in D-flat major, which can be challenging for some string players. This version is transposed to G major for their convenience.
Aria: 'Mon coeur s'ouvre à ta voix' from Samson et Dalila, Op. 47 in G Major (for Viola & Piano)
Alto, Piano

$7.20 6.97 € Alto, Piano PDF SheetMusicPlus

Piano,Viola - Level 4 - Digital Download SKU: A0.1013046 Composed by David E. Boelzner. Christian,Contemporary,Jewish,Sacred. Score and part. 9 pages. David E Boelzner #5898963. Published by David E Boelzner (A0.1013046). Abraham’s Walk is a reflection, for viola and piano, of the dramatic biblical story of God calling on Abraham to demonstrate his faith by sacrificing his son, Isaac. The beginning sets a peaceful mood with a quiet modal tune, first in piano and then viola, but somber chords intervene.  Then God calls to Abraham three times, each time louder, the last time thunderously.  After a pause, the viola captures Abraham’s stunned and then agitated response, as he processes what he’s being asked to do.  Tragically resolved, he begins the trudging walk to his son’s doom, which builds to a climax in both instruments, culminating in God’s calling again to Abraham, this time to stay his knife hand.
Abraham's Walk
Alto, Piano

$9.99 9.68 € Alto, Piano PDF SheetMusicPlus

Instrumental Duet,Piano Clarinet,Instrumental Duet,Piano,Viola - Level 3 - Digital Download SKU: A0.1255345 By Grant Horsley. By Grant Horsley. Arranged by Grant Horsley. Classical,Contest,Festival,Film/TV,Romantic Period,Wedding. 19 pages. Grant Horsley #848860. Published by Grant Horsley (A0.1255345). The name Nocturne (meaning of the night) was originally an ensemble piece in the 18th century in several movements used for for evening parties. Later In the 19thc it's one movement form, it was adopted by John Field and later popularised by Chopin. It generally has a tranquil lyrical melody and is very romantic and expressive. I have tried to keep these elements in this Nocturne. Written here for Clarinet in B flat, Viola and Piano, the parts are equally divided. Highest note top D flat ( clarinet once). Bowing for the viola has been left to the performer. It is written in the key of concert B flat minor it has a very gentle opening with harmonies evolving around a cycle of 5th's in places. The piece has three definite sections- the lyrical melody to begin with, a middle section building to a climax before a return to the 1st section. This is followed by a transitional contrasting section (poco piu mosso) wandering through a few keys to settle on an inner pedal tonic note chime. Gentle chords restore the opening once more- this opening theme climaxes towards the end and a gentle reflection of the opening bars concludes the piece. It is 4 mins 20 in length. Price is for the full score and parts.Set to intermediate level, but the whole score is on the youtube link for you to assess suitability. Versions for Flute Duet, Flute and Clarinet Duet and Solo Piano are also available, as is Flute, Bassoon and Piano ensemble.
Nocturne. Original For Clarinet, Viola and Piano.
Alto, Piano
Grant Horsley
$7.25 7.02 € Alto, Piano PDF SheetMusicPlus

Piano,Viola - Level 3 - Digital Download SKU: A0.1158973 By Bella Poarch. By Alina Paulsen, Bella Poarch, Blvsh, Danny Maisonneuve, Denarie B Poarch, Elie Rizk, Geoffrey Hufford, Graydon Fritzsching, Joshua Linne, Miranda Glory, Natania Lalwani, Nikolay Mohr, Stefan Max, Stefan Max Kornwebel, and Stefan Maxim. Arranged by Samuel Sequeira. Pop,Singer/Songwriter. Score and part. 11 pages. Samuel Sequeira #759216. Published by Samuel Sequeira (A0.1158973). Dolls - Bella Poarchs - ScorePlay it at home, with friends, on class, for your teacher or student Play it on a public presentation. More arrangements on the link: Sam'S arrangementsFor Viola and Piano with chords.Tonality: DmContact the Arranger:Youtube: @SamuelseqInstagram: @SamuelseqEmail: samyseq@gmail.com
Dolls
Alto, Piano
Bella Poarch
$4.99 4.83 € Alto, Piano PDF SheetMusicPlus

Piano,Viola - Level 1 - Digital Download SKU: A0.548726 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and part. 4 pages. Jmsgu3 #3411767. Published by jmsgu3 (A0.548726). Out of the Depths I Cry to You by Martin Luther. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. The piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics which are essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed compositions, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
Luther: Out of the Depths for Viola & Piano
Alto, Piano

$24.95 24.17 € Alto, Piano PDF SheetMusicPlus

Piano,Viola - Level 3 - Digital Download SKU: A0.586459 By Carolina Gaitan, Mauro Castillo, Adassa, Rhenzy. By Lin-Manuel Miranda. Arranged by Martin Lass. Broadway,Hip-Hop,Latin,Musical/Show,Pop,R & B. Score and part. 9 pages. MA Lass & I Lass #195752. Published by MA Lass & I Lass (A0.586459). In this Level 2.5 (Intermediate) arrangement, Martin Lass has arranged the hit song, We Don't Talk About Bruno, for solo viola and piano accompaniment. Guitar chords and chord boxes are included. We Don't Talk About Bruno is a song from Disney's 2021 animated feature film, Encanto, with music and lyrics written by Lin-Manuel Miranda. It was released by Walt Disney Records as part of the film's soundtrack in November, 2021. It has achieved many accolades and charted No. 1 or Top Ten across the world, including No. 1 on US Billboard Hot 100. Wikipedia notes that, musically, We Don't Talk About Bruno eschews Disney's traditional formula of a sentimental ballad performed by a solo character, opting for a subdued, mid-tempo tune blending Latin music styles such as salsa and guajira with pop, hip hop, dance and Broadway elements, sung by an ensemble and climaxing in a polyphonic outro. This arrangement has been specifically tailored for intermediate-level cello while retaining all of the original elements of the song, as well as some original interpretative elements. The lead line combines some of the different voices in the original song. The key have been changed from the original C minor to the more viola-friendly D minor.
We Don't Talk About Bruno
Alto, Piano
Carolina Gaitan, Mauro Castillo, Adassa, Rhenzy
$7.99 7.74 € Alto, Piano PDF SheetMusicPlus






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