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Piano,Viola - Level 4 - Digital Download

SKU: A0.1493034

Composed by Clémence de Grandval. Arranged by Paul Wehage. 19th Century,Chamber,Classical,Romantic Period. Score and part. 33 pages. Musik Fabrik Music Publishing #1069724. Published by Musik Fabrik Music Publishing (A0.1493034).

Maria-Félicie-Clémence de Grandval (1828–1907) was born on January 28, 1828 at Saint-Rémy-des-Monts, France and died on January 15, 1907 in Paris.After the death of her mother, Louise Adèle du Temple de Mésières, her father the Baron de Reiset, a military officer remarried with an Englishwoman and moved his family to London. After beginning her musical studies privately, she studied the piano with the German composer Friedrich von Flotow, who was a family friend. Returning to France, she studied the piano briefly with Chopin and composition with Camille Saint-Saëns, who remember their first meeting: “I was 12 when I heard the vicomtesse de Grandval for the first time, who was 18. It was at a musical morning concert at the home of the violinist de Cuvillon. She sang a song of her own composition ‚La Source, in which she accompanied herself. I was struck by the fluidity of her playing, which purely and without useless inflections, was quite close to my way of viewing music. This unified and tranquil style came out of her studies with Chopin.” Camille Saint-Saëns: Quelques mots sur l’exécution des œuvres de Chopin, in: “Le courrier musical de Paris” 13 [1910], S. 386).  At first writing mostly sacred music, most of her public success was due to her comic operas: la Comtesse Eva, la Pénitente, Piccolino and Mazeppa. She also wrote orchestral music, chamber music, and over 60 songs (to poets such as Sully Prudhomme, Michel Carré, Henri Meilhac, Georges Hartmann, Charles Grandmougin and Louis Gallet.) She is chiefly known today for her music for wind instruments, especially for the oboe.

Trois pièces : Andante, Sérénade et Chant Serbe
Alto, Piano

$18.95 17.94 € Alto, Piano PDF SheetMusicPlus

Piano,Viola - Digital Download

SKU: A0.1459247

Composed by Jailton de Oliveira. 21st Century,Chamber,Classical,Contemporary. Score and part. 30 pages. Jailton de Oliveira #1038189. Published by Jailton de Oliveira (A0.1459247).

Momentos, for Viola and Piano

The work is divided into five parts: Part 1 is inspired in the sounds produced by the orchestra when tuning before each concert. There is emphasis on note A and the rhythms are out of phase. In Part 2 the viola “pizzicati” sounds are explored, in an atonal language, with intensive rhythmic dialogue between the two instruments. In Part 3 there is a vigorous rhythmic sense, with some metric changes and rhythmic contrasts, which sometimes, let the two instruments almost discordant with each other. In Part 4 is used the idea of an elastic time, that stretches and contracts. This idea is represented by a motif played by the viola. This motif is developed by a process of addition and subtraction of notes. Part 5 represents the idea of monotony, followed by try to break this monotony. This part begins with repeated elements that little by little, get transformed. Other elements appear, while the texture gets denser and the material presented by the viola acquire a degree of more virtuosity. Part 5 concludes with a brief rarefied texture.

Momentos
Alto, Piano

$18.99 17.98 € Alto, Piano PDF SheetMusicPlus






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