Piano,Viola - Level 3 - Digital Download SKU: A0.649854 Composed by Arban, Jean Baptiste. Arranged by Nick Lacanski. Concert,Instructional,Romantic Period,Standards. Score and part. 9 pages. Theupperstaff #6291755. Published by theupperstaff (A0.649854).

Piano,Viola - Level 2 - Digital Download SKU: A0.649863 Composed by Arban, Jean Baptiiste. Arranged by Nick Lacanski. Concert,Instructional,Romantic Period,Standards. Score and part. 6 pages. Theupperstaff #6292527. Published by theupperstaff (A0.649863).

Piano,Viola - Level 3 - Digital Download SKU: A0.649882 Composed by Arban, Jean Baptiste. Arranged by Nick Lacanski. Concert,Instructional,Romantic Period,Standards. Score and part. 13 pages. Theupperstaff #6293853. Published by theupperstaff (A0.649882).

Piano,Viola - Level 3 - Digital Download SKU: A0.649872 Composed by Arban, Jean Baptiste. Arranged by Nick Lacanski. Concert,Instructional,Romantic Period,Standards. Score and part. 6 pages. Theupperstaff #6292671. Published by theupperstaff (A0.649872).

Piano,Viola - Level 3 - Digital Download SKU: A0.1371463 Composed by Theodore Akimenko. Arranged by Paul Wood. Romantic Period. Score and part. 7 pages. MyMusicScores.com #955687. Published by MyMusicScores.com (A0.1371463). Akimenko's Eclogue, Op. 12 for viola and piano, originally published in 1901, captivates audiences with its exquisite charm. Composed by Russian musician Akimenko, this work has alternative versions for both English Horn and Violin.Dedicated to Theodor Niemann, the Eclogue unfolds with a hauntingly beautiful melody that envelops listeners in a poignant atmosphere.

Piano,Viola - Level 5 - Digital Download SKU: A0.886696 Composed by Panagiotis Theodossiou. Concert,Contemporary,Standards. Score and part. 76 pages. Panagiotis Theodossiou #3575307. Published by Panagiotis Theodossiou (A0.886696). Hellenic Suite, for viola and piano (2010)      I.Seashore Procession, Thalassaki (traditional tune from Dodekanisos)    II.Dance of the Youngsters, Pentozalis (traditional tune from Crete)    III.Litany in Spring, Egomia (from the Evening Service of Holly Epitaph)    IV.Dance of the Elders, Matoklada (rebetiko carsilama tune by Markos Vamvakaris)    V.Ancient Ritual, Orestes Stasimon (from Orestes Tragedy by Euripides)     VI.Dance of the Past, Dance (traditional tune from Heipiros)   VII.Homelands Lost, Mia Smyrnia stoPapathyri (traditional tune from Asia Minor)  VIII.Dance of the Future, Pyrihios (traditonal dances from Sera and Shereanit'sa  from Pontos)      Four laments, four dances. Eight scenes depicting Hellenic History from 6th century B.C., or even earlier, up to our days, based on fragments of ancient Greek music, folk and byzantine tradition and rebetiko song tunes as well. From Greece of the distand past, to Greece of the present and, maybe, to Greece of the years to come, Hellas of the Future.      The work is dedicated to the Greek Composer Giannis Konstantinidis. It has been performed by Andrea Hemmenway and Konstantinos Papadakis in Fall Arts Concert organised by Hellenic University Club of Philadelphia in The Ethical Society Hall of  Philadelphia in 2010. The same artists perfomed the work at Kendal Concert Hall in Kendal, Pennsylvania in 2011.       Version for violin and piano available. Excerpts of this version has been performed by Tania Sikelianou and Timos Gennatos at : Ellinikon Eidyllion, Selianitika, Aigion in 2011.                                                                                                https://www.youtube.com/watch?v=p85FLAegsfo&t=4s

Piano,Viola - Level 3 - Digital Download SKU: A0.727640 Composed by John Mason Neale, Melchior Teschner. Arranged by Carol Troutman Wiggins. Christian,Easter,Religious,Sacred,Traditional. Score and part. 4 pages. Carol Troutman Wiggins #6320751. Published by Carol Troutman Wiggins (A0.727640). Based on Matthew 21:1-11, this hymn describes the triumphal entry of Christ into Jerusalem and is perfect for Palm Sunday services and processionals. It is an English translation of Theodulph of Orleans’ Latin hymn Gloria, laus et honor written in 820. Late Intermediate level piano & intermediate instrument part Great for preludes, offertories, baptism, and general worship. Piano Track includes piano & instrumental part combined.

By Mikis Theodorakis. Arranged by Diego Marani. Individual Part, Score, Solo Part. 8 pages. Published by Diego Marani

Piano,Viola - Level 4 - Digital Download SKU: A0.1365788 Composed by Theodore Akimenko. Arranged by Paul Wood. 20th Century. Score and part. 8 pages. MyMusicScores.com #950134. Published by MyMusicScores.com (A0.1365788). Theodore Akimenko (1876–1945) was a Ukrainian-Canadian composer and pianist renowned for his significant contributions to the classical music landscape. Born in Kharkiv, Ukraine, Akimenko demonstrated prodigious musical talent from a young age, studying at the Moscow Conservatory under renowned composers like Sergei Taneyev and Sergei Rachmaninoff. His compositions encompass a wide range of genres, including symphonies, operas, chamber music, and piano works.Akimenko Romance for viola and piano was first published in 1902. The romance if full of charm and would make a great edition to any viola players audition or concert performance.

Piano,Viola - Level 2 - Digital Download SKU: A0.548681 Composed by Adam. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 10 pages. Jmsgu3 #3410447. Published by jmsgu3 (A0.548681). Duration: 4:56. Score 5 pg. 44 ms. Solo part: 2 pg. Piano part: 3 pg.Cantique de Noël The French composer Adolphe Adam was already famous as a composer of many successful ballets and operas. Then, in the 1840’s he wrote his most famous work - O Holy Night. The original song title was Minuit Chretiens or Cantique de Noël.  Placide Cappeau provided the original song lyrics. The song was first performed in Roquemaure by the opera singer Emily Laurey at midnight mass in 1847. It became very popular among the French, much the way that Silent Night was famous elsewhere. In the 1850’s John S. Dwight, a Unitarian minister and music teacher translated the song into English.   Adolphe Adam In his younger years, Adam studied organ and composition at the Paris Conservatoire. He also played the timpani in the Conservatoire orchestra. Adam used his savings and borrowed money to open a new opera house - the fourth opera house in Paris in 1847. Unfortunately, the Revolution of 1848 forced him to close. He taught composition at the Paris Conservatoire from 1849 until his death in 1856. Placide Cappeau The poet Cappeau was an advocate of the French Enlightenment philosopher Voltaire.  Voltaire was renowned for criticizing the Catholic church, religious intolerance, and dogma in general. Consequently, Cappeau made the Redeemer figure in his song a kind of reformer of injustices, in particular, the problem of original sin. To begin with, people recognized Cappeau’s theology as eccentric, probably even doubtful. Theology In the earlier form of Minuit, the Christ figure descends to intervene with His Father’s plan to punish mankind.  Traditional doctrine pronounces that Christ came from love, not to intervene. This version also declares that Christ appeared to expunge the original sin of Adam. Cappeau removed this part from his poem years later, because he just didn’t believe it.  He preferred to portray Christ as the reformer of disparity and unfairness. Before long, the writer/politician Alphonse de Lamartine referred to the Minuit as the the Marseillaise of religion. Most French churchmen agreed with this idea but certainly did not consider it a tribute.  Register for free lifetime updates and revisions at www.jamesguthrie.com

Piano,Viola - Level 2 - Digital Download SKU: A0.548654 Composed by James Pierpont. Arranged by James M. Guthrie, ASCAP. Christmas. Score and part. 9 pages. Jmsgu3 #3408171. Published by jmsgu3 (A0.548654). Jingle Bells arranged for viola & piano featuring a fancy 3rd verse. Jingle Bells is perhaps the most famous songs in American music history. James L. Pierpont published the song as One Horse Open Sleigh in the late 1850’s. Since its introduction, people began to insist that Pierpont wrote it for a Sunday school choir. However, it seems unlikely that such a secular song would be considered appropriate during that historical period for Sunday school.Christmas Repertoire Pierpont wrote the song for the Thanksgiving holidays, but over time people began to think of it more as a Christmas song. Some choirs adopted it as part of their Christmas repertoire in the 1860s and 1870s. Jingle Bells was first recorded in 1889 on a wax cylinder. Origins No one knows where Pierpont composed the song. One theory suggests he wrote it in Medford Massachusetts in 1850. Sleigh races were certainly popular in 19th Century Massachusetts. To this day, a commemorative placard appears in Medford square claiming that it is the birthplace of Jingle Bells. Others suggest that he wrote it in Savannah, Georgia where he was an organist and music director at the Unitarian Church. This theory gains support from the copyright date of 1857. We know he was living in Savannah by then. Traffic Signals Horse-drawn sleighs are relatively quiet in the snow. Consequently, horses were usually equipped with bell-laden straps so as to avoid accidents at blind intersections. Sleigh drivers in 19th Century New England were constantly vigilant, listening for the sounds of approaching horse-drawn sleighs. The tune imitates the rhythm that the trotting horse bells produce. Social Context Jingle Bells was sung as a drinking song at local revelries: during the song folks would rhythmically jangle the ice in their glasses. A sleigh ride gave couples an opportunity to be alone together. The term Jingle bells is a poetic descriptive adjective referring specifically to the more accurate term sleigh bells. In many arrangements, sleigh bells are used to accentuate the rhythm during the song chorus.  Register for free lifetime updates and revisions at www.jamesguthrie.com

Piano,Viola - Level 1 - Digital Download SKU: A0.548519 Composed by Wade. Arranged by James M. Guthrie, ASCAP. Christmas. Score and part. 6 pages. Jmsgu3 #3388141. Published by jmsgu3 (A0.548519). O Come All Ye Faithful arranged with new harmony for the final verse.  O Come, All Ye Faithful O Come, All Ye Faithful is an English translation of the Latin Christmas carol Adeste Fideles. No one knows exactly who wrote it. One theory holds that King John IV of Portugal (1604–1656) wrote it. Another theory says John F. Wade or John Reading wrote it. Nowadays, we usually attribute it to John Wade. Seems like Stonyhurst College in Lancashire owns the oldest manuscript. It is from the year 1751. Lyrics Frederick Oakeley, a Catholic priest in 1841, wrote the English translation. This translation is probably the most common in English-speaking states. To begin with, the hymn had only four verses. Later, the verses grew to eight. Music directors often cut various verses because otherwise, the song goes too long. Some believe that St. Bonaventure wrote the first Latin lyrics. Others hold that King John IV of Portugal is responsible. Yet even others think the Cistercian monks wrote them. King John IV His subjects called King John IV of Portugal The Musician King. He became king in 1640. In addition to performing the duties of a king, he composed and wrote as a music journalist. King John built a very large music library. Unfortunately, the massive earthquake in Lisbon ruined the library in 1755. In addition to building his library, the king started a Music School that produced many accomplished musicians. The king also worked diligently to get instrumental music approved by the Vatican for use in his churches. Aside from his authorship of Adeste Fideles, he is famous for another popular choral setting of the Crux Fidelis, a prevalent Lenten hymn. Performance in Context Verses are sometimes left out because all eight verses would take too long to perform. More to the point, though, some of the verses may be unsuitable for whatever church calendar they are intended. The eighth verse deals with the Epiphany, so it makes sense to sing this on Epiphany Sunday but not on other Sundays. Similarly, other verses are used for whether the event is Midnight Mass or regular daytime Mass.  

Piano,Viola - Level 1 - Digital Download SKU: A0.1425238 Composed by Francois Clement Theodore Dubois. Arranged by Kaiserin Rebecca. Christian,Praise & Worship,Religious,Sacred,Spiritual. Score and part. 2 pages. Kaiserin Rebecca #1006057. Published by Kaiserin Rebecca (A0.1425238). For viola solo and piano accompaniment with chords.Key: D major. Duration: 0'43.

Piano,Viola - Digital Download SKU: A0.833960 Composed by Akimenko, Theodore. Arranged by Nick M Lacanski. Romantic Period. Score and part. 13 pages. Theupperstaff #440766. Published by theupperstaff (A0.833960).

Piano,Viola - Level 3 - Digital Download SKU: A0.1151551 Composed by Ali Theodore, Anthony Mirabella, Douglas Davis, James Petrie, Jodie Shihadeh, Nikki Sorrentino, and Susan Paroff. Arranged by Thiago Marconato. Broadway,Film/TV,Musical/Show,Pop. Score and part. 3 pages. Thiago Marconato #751745. Published by Thiago Marconato (A0.1151551). Arrangement for viola and piano of the famous song from the series Julie and the Phantoms in F major (original key). The file includes full score and viola part.