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Small Ensemble Piano,Viola - Level 4 - Digital Download SKU: A0.824117 Composed by George Gershwin. Arranged by Tim TK Murray. Concert,Jazz. Score and parts. 17 pages. TK (Tim) Murray #5778811. Published by TK (Tim) Murray (A0.824117). It Ain't Necessarily So is a song from 'Porgy & Bess' by the Gershwin Brothers. It's incredibly catchy and Jazzy and is brought to life in this charismatic arrangement for 3 Violas/Viola Trio or Viola Group & Piano which is also influenced by the brilliant Heifitz arrangement. Equally good for three individual players as well as a violin group it will get the audience jumping to their feet applaudingOriginally from Glasgow, Timothy studied at the Royal College of Music, London and the Banff Centre, Canada. He was the Pianist for the Isis Piano Trio and Ballet Creations and is now in demand as an accompanist and chamber musician having performed with artists such as Dame Sarah Connolly and Tasmin Little. He has toured widely internationally and has recorded for BBC Radio 3 and Classic FM as well as TV appearances in Russia and Egypt. Murray’s compositions have been recorded by The Fibbonnaci Sequence and Piers Lane among others with reviews such as ‘Corruscating’ (Independent) and ‘Highly imaginative’ (The Sunday Times). Contact; tkmurraycomp@aol.com
Gershwin - 'It Ain't Necessarily So' - 3 Violas Viola Trio Viola Group & Piano
Alto, Piano

$6.95 6.73 € Alto, Piano PDF SheetMusicPlus

Piano,Viola - Level 1 - Digital Download SKU: A0.548482 Composed by Mueller. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 3 pages. Jmsgu3 #3386547. Published by jmsgu3 (A0.548482). Traditional Christmas song arranged for Viola & Piano. Third verse features new harmony. Score: 2 pg. Part: 1 pg.Away in a Manger Away in a Manger is a popular Christmas song published originally sometime in the later 19th century and performed throughout the world. In England, it is considered one of the two most popular carols of all time; a 1996 poll ranked it as a tie for second place. To begin with, many thought it was written by Martin Luther, but now the song is considered to be absolutely American. The most common musical arrangements are by William Kirkpatrick (1895) and James R. Murray (1887). The melody was first published, as Luther's Cradle Hymn, by James R. Murray. Then, came a confusing series of explanations about how Martin Luther wrote the song. Murray even went so far as to suggest that Luther wrote it for his children. As a result, the song has become known as simply Mueller. Nobody knows who this Mueller actually is, but the name stuck. Popularity By the 1880’s the cradle song was being performed in church. By the 1990’s the song was becoming the most popular Christmas song of all time. It was sung in school, in church, and at home by nearly everyone. Other musical settings The first musical setting published with the lyrics appeared in the Little Children's Book for Schools and Families (1885). The title was Away in a Manger. This edition is the first one not to attribute the song to Martin Luther. Charles H. Gabriel was the first arranger to present the third verse. He also composed and published a large number of different arrangements of the song. In one of his settings, he supplies a chorus for each verse with asleep sung in canon. Another prevalent accompaniment uses the lyrics to an old Normandy carol. Register for free lifetime updates and revisions of this product at www.jamesguthrie.com
Away In A Manger: for Viola & Piano
Alto, Piano
the 1880’s the cradle song was being performed in church
$24.95 24.17 € Alto, Piano PDF SheetMusicPlus

Piano,Viola - Level 5 - Digital Download SKU: A0.1039822 Composed by David M. Sterrett. Classical,Contemporary,Sacred. Score and part. 49 pages. David Sterrett Music #644666. Published by David Sterrett Music (A0.1039822). This piece depicts the story of the Penitent Thief, one of the two other men who hung on a cross beside Jesus, as told in the Bible: One of the thieves who were hanged by Jesus was hurling abuse at him, saying, 'Are you not the Christ? Save yourself and us!' But the other answered, and rebuking him, said, 'Do you not even fear God, since you are under the same sentence of condemnation? We indeed are suffering justly, for we are receiving what we deserve for our deeds; but this man has done nothing wrong.' And he was saying, 'Jesus, remember me when you come into your kingdom!' And Jesus said to him, 'Truly I say to you, today you will be with me in Paradise.' (Luke 23:39-43) I initially set out to portray the scene from a narrative perspective. As I began composing and felt the story resonate more and more with my own spiritual experiences, I decided to shift the focus onto what I imagined the emotional and spiritual experiences of the Penitent Thief were during this brief but transformative interaction with Jesus right before death. While the passage does not describe his internal experience, I imagine that Jesus’ extension of kindness and mercy, along with the promise “Today you will be with me in Paradise,†profoundly impacted him. In composing this, I hoped to convey that transformative encounter. Ultimately, The Penitent Thief depicts an experience familiar to many Christians: that of a lost and broken soul discovering Jesus offers the truth and salvation they long for. To capture the element of dialog, I envisioned the Viola as the Penitent Thief and the Piano as Jesus. Each has a distinct theme/motif. On the cross, the Penitent Thief is consumed by shame, sorrow, and fear of death. His demeanor shifts between moments of quiet contemplation and visceral emotional outbursts. Facing imminent death, he yearns for redemption and truth. He looks at Jesus hanging next to him, blameless and holy. He feels admiration and praise and is overcome by penitence and humility. He calls out, half in desperation, half in worship: “Jesus, remember me when you come into your Kingdom…†Jesus, moved by his penitence and belief, responds with kindness and mercy, extending salvation: Today you will be with me in Paradise.†The Penitent Thief imagines Paradise and hopes for this to hold true. His hope becomes briefly overshadowed by lingering doubt and fear. Silence falls. Then, as the hour of death arrives, the man reaches out again and clings to Jesus’ promise, this time with more desperation. His soul suddenly becomes filled with joy, finding the fulfillment of longing, bound with Christ, and knowing that he will soon be at rest in Paradise. At peace, the man gazes upward, gives his final sputtering breath, and his soul departs this world.
Penitent Thief, The (for viola and piano)
Alto, Piano

$24.99 24.21 € Alto, Piano PDF SheetMusicPlus

Small Ensemble Piano,Viola,Violin - Level 3 - Digital Download SKU: A0.524489 Composed by William Henry Monk, Giacomo Puccini. Arranged by John A. Dempsey. Christian,Classical,Sacred,Traditional,Wedding. Score and parts. 19 pages. John A. Dempsey #5798747. Published by John A. Dempsey (A0.524489). This trio for violin, viola and piano contains both dramatic bursts of praise and quiet, prayerful moments of reflection.  Recommended for church services and other worship events, as a prelude, postlude, an offertory or special music.  A unique mix of the classic hymn Abide with Me and Puccini's lavish Nessun Dorma (from Turandot), this arrangement also shines as a wedding prelude as well as a performance piece for concerts and recitals.  15 pages of music (that includes separate two-page parts for violin and viola).  Key: D major.  Violin/Viola Level: Intermediate.  Piano Level: Advanced Intermediate.
Abide with Me (Trio for Violin, Viola and Piano)
Alto, Piano

$11.99 11.61 € Alto, Piano PDF SheetMusicPlus

Piano,Viola - Level 3 - Digital Download SKU: A0.523633 Composed by William Henry Monk, Giacomo Puccini. Arranged by John A. Dempsey. Christian,Sacred,Spiritual,Traditional,Wedding. Score and part. 14 pages. John A. Dempsey #3621881. Published by John A. Dempsey (A0.523633). This duet for viola and piano has both dramatic bursts of praise and quiet, prayerful moments of reflection.  It's recommended as a prelude, an offertory or special music for worship events and church services.  Also popular as a wedding prelude and a performance piece for recitals and concerts.  10 pages of music (that includes a separate two-page viola part).  The incidental music is Puccini's lavish Nessun Dorma from Turandot.  Concert Key: D major.  Viola Level: Intermediate.  Piano Level: Advanced Intermediate.
Abide with Me (Viola and Piano)
Alto, Piano

$6.99 6.77 € Alto, Piano PDF SheetMusicPlus






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