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Brass Quartet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.554036 By The Beatles. By John Lennon, John Winston Lennon, Paul James Mccartney, and Paul McCartney. Arranged by Ray Thompson. Rock. 13 pages. RayThompsonMusic #6520925. Published by RayThompsonMusic (A0.554036). When I'm Sixty-Four is a song by the English rock band the Beatles, written by Paul McCartney (credited to Lennon–McCartney) and released on their 1967 album Sgt. Pepper's Lonely Hearts Club Band. It was one of the first songs written by McCartney, who wrote it when he was 14. The song was recorded in a different key than the final recording; it was sped up at the request of McCartney to make his voice sound younger. It prominently features a trio of clarinets (two regular clarinets and one bass clarinet) throughout.Arranged brass quartet: 2 tpts, hn and tbn, with tuba part as substitute for tbn.
When I'm Sixty-four
Quatuor de Cuivres
The Beatles
$17.95 17.45 € Quatuor de Cuivres PDF SheetMusicPlus

Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1104138 Composed by H.W. Petrie. Arranged by F. Leslie Smith. 19th Century,Children,Comedy,Pop,Wedding. 28 pages. Sweetwater Brass Press #707372. Published by Sweetwater Brass Press (A0.1104138).       Howard W. Petrie was a composer of popular music active in the late 19th and early 20th centuries. One of his most popular songs was “I Don’t Want to Play in Your Yard,†published early in his career, 1894. The song underwent a revival in the mid-1950s when Peggy Lee recorded it. It also figured prominently in the popular 1981 film Reds. Lyrics are credited to Philip Wingate, and his first verse sets up the story. Two little girls were next-door neighbors and best of friends. One day, however, a quarrel arose and “hot tears were shared.†One announced, “You can’t play in our yard.†The reply of the other forms the familiar chorus: I don't want to play in your yard, I don't like you any more, You'll be sorry when you see me sliding down our cellar door, You can't holler down our rain-barrel, you can't climb our apple tree, I don't want to play in your yard, if you won't be good to me.       The second verse tells of the reconciliation. The two girls miss each other. They kiss and make up and remain friends “all thro’ life.†But “in sweet dreams of childhood†we still remember the controversy of the yard.       This version features the group's Trumpets somewhat taking the roles of the two little girls. It retains the F major key in which it was written, changes tempo four times (in addition to a few rallentando/a tempo instructions) and includes two short, rather simple cadenzas, one for each Trumpet. It starts (rather incongruously!) with the eight 4/4 measures of “Mary, Mary, Quite Contrary†then transitions to ¾ for the remainder of the piece.       Trumpets predominate with melody and lead. However Horn and Trombone do occasionally come to the fore to provide introductions, call-and-response figures and recapitulations. Both Trumpets play a few notes above their staff—G# and A—but for the most part, all instruments perform within their normal playing range. Performance time is about three and a half minutes to perform.       Completed in 2022, performance time runs about 3 minutes, 34 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge. He would like to receive your suggestions, comments, corrections and criticisms. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.).
I Don’t Want to Play in Your Yard: Trumpet Feature
Quatuor de Cuivres

$7.95 7.73 € Quatuor de Cuivres PDF SheetMusicPlus

Brass Quartet Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.807933 By The Beatles. By John Lennon and Paul McCartney. Arranged by Ray Thompson. 20th Century,Pop. 10 pages. RayThompsonMusic #414967. Published by RayThompsonMusic (A0.807933). Arranged standrard brass quartet: 2 tpts, tbn, tuba. Alt. horn in F for trombone. Transposed into Bb from original A to aid brass players.Melody and guitar break given to 1st trumpet. Trombone and 2nd take middle section. Tuba covers bass guitarGreat fun with mixed time sigs!! Good Morning Good Morning is a song by the English rock band the Beatles from their 1967 album Sgt. Pepper's Lonely Hearts Club Band. It was written by John Lennon and credited to Lennon–McCartney. Inspiration for the song came to Lennon from a television commercial for Kellogg's Corn Flakes.Another reference to contemporary television was the lyric It's time for tea and Meet the Wife, referring to the BBC sitcom. Lennon himself was critical of the track. It's a throwaway, a piece of garbage, I always thought, he once said. I always had the TV on very low in the background when I was writing, and it came over, and then I wrote the songThe song is played at 117 beats per minute, has an unusual rhythmic feel, and uses different time signatures. Beats are played in groups of 2, 3 and 4, and time signature changes frequently. Parts with 5/4 and 4/4 bars alternate, with 3/4 transitions.Most of the song uses simple time, where the beats are divided into two, but the middle eight sections use compound time, where the beats are divided into triplets.
Good Morning Good Morning
Quatuor de Cuivres
The Beatles
$17.95 17.45 € Quatuor de Cuivres PDF SheetMusicPlus

Horn,Trombone,Trumpet,Tuba - Digital Download SKU: A0.1140386 By Herbie Hancock. By Herbie Hancock. Arranged by John Fries. 20th Century,Jazz,Pop,Standards. 12 pages. John Fries #740641. Published by John Fries (A0.1140386). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer.  Growing up in the '40s and '50s in Chicago, Herbie Hancock was around street vendors, including the watermelon men, who peddled the fruit. This provided the title and musical inspiration for the song. Hancock wrote: In reflecting on my childhood, I recalled the cry of the watermelon man making his rounds through the back streets and alleys of Chicago's South Side. The wheels of his wagon beat out the rhythm on the cobblestones. This is one of the most famous jazz compositions ever recorded. Hancock was just 22 when he released it on his first album, Takin' Off.
Watermelon Man
Quatuor de Cuivres
Herbie Hancock
$12.99 12.63 € Quatuor de Cuivres PDF SheetMusicPlus

Brass Quartet Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.1278080 By Vanessa Mae. By David La Flamme and Linda La Flamme. Arranged by Jeff Tincher. Folk,Rock,Singer/Songwriter. 31 pages. Jeff Tincher #869771. Published by Jeff Tincher (A0.1278080). When you think of the music of the 60s and the Love And Peace Generation, this one comes at the top of the list. It is still one of my favorite songs of all time. Written by the husband and wife team (sidenote, David's second wife was also named Linda), this song will put you at ease just listening to it. I decided to do this piece in tribute to David La Flamme, co-writer and leader of It's A Beautiful Day band, who passed away 8/10/23. In the original key from It's A Beautiful Day's self-titled LP. Duration = 6:42. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing/.
White Bird
Quatuor de Cuivres
Vanessa Mae
$12.99 12.63 € Quatuor de Cuivres PDF SheetMusicPlus

Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.1117524 By Gloria Gaynor. By Harry Simeone, Henry Onorati, and Katherine K. Davis. Arranged by Stephen Jenkins. 19th Century,Christian,Christmas,Classical,Comedy. 39 pages. Edition BlechMafia #719069. Published by edition BlechMafia (A0.1117524). Weihnachtsboléro - Little Drummer Boy in the style of Ravel's Boléro After promising a friend to undertake that task of combining Little Drummer Boy with Ravel's Boléro I soon came across a small but rather significant problem: Boléro is in 3/4 whereas Little Drummer Boy is in 4/4. Thankfully, Little Drummer Boy works extremely well transformed into 6/8 and this produces a wonderful juxtaposition when combined with the virtually static 3/4 rhythm of Boléro. Boléro is a masterwork of skillful orchestration and enthralling harmony, which results in an incredible crescendo - which lasts for a quarter of an hour! My aim was to achieve this same effect, however in a much shorter time frame! Essentially, this arrangement is based on the structure of Boléro, using elements of Ravel’s harmonic and orchestrational ideas. The importance of the second, contrasting melody is not forgotten, with the famous trombone solo combined with fragments of Jingle Bells and ... voilà! This arrangement is most effective with a snare drum, but it works well without. Duration ca 5:00 Alternative transpositions are provided: Trumpet 1 in D (recommended), Bb and C Trumpet 2 in Bb and C Horn in F / alt. Flugelhorn in Bb Trombone in C (Bass Clef) and Bb (Treble Clef) For alternative transpositions or any other questions, contact me here: stephen@blechmafia.de.
The Little Drummer Boy
Quatuor de Cuivres
Gloria Gaynor
$20.00 19.44 € Quatuor de Cuivres PDF SheetMusicPlus

Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1373909 Composed by Charles Villiers Stanford. Arranged by Peet du Toit. A Cappella. 9 pages. Peet du Toit #958391. Published by Peet du Toit (A0.1373909). The Blue Bird is a partsong (Op. 119 No. 3) composed by Charles Villiers Stanford in 1910. It is set to the words of L'Oiseau Bleu, a poem by Mary Elizabeth Coleridge, which depicts a bluebird in flight over a lake. The Blue Bird is the third of Stanford's Eight Part Songs which are all settings of texts by Coleridge. It is one of Stanford's most renowned partsongs and has been recorded by ensembles including The Cambridge Singers, Oxford Camerata, and Tenebrae.The lake lay blue below the hill.O'er it, as I looked, there flewAcross the waters, cold and still,A bird whose wings were palest blue.When played delicately on brass instruments, it sounds really great too.The sky above was blue at last,The sky beneath me blue in blue.A moment, ere the bird had passed,It caught his image as he flew.
The Blue Bird
Quatuor de Cuivres

$17.00 16.53 € Quatuor de Cuivres PDF SheetMusicPlus






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