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C Trumpet,Piano - Level 3 - Digital Download SKU: A0.1507086 Composed by Adolphe-Charles Adam. Arranged by Harry Walker. 19th Century,Chamber,Christmas,Contest,Festival,Holiday. Score and part. 12 pages. SCORE EDITIONS #1082474. Published by SCORE EDITIONS (A0.1507086). Composed by Adolphe Adam in 1847, O Holy Night is one of the most beloved Christmas songs in classical music. The original lyrics, written in French by Placide Cappeau, were commissioned for a Christmas service in a small French town. In 1855, John Sullivan Dwight, an American abolitionist, translated the song into English. Dwight viewed the song’s message as a metaphor for the fight against slavery, which contributed to its popularity in the United States. In this version, the composition was arranged for Trumpet in C and Piano by Harry Walker.
O Holy Night (Adolphe Adam) for Trumpet in C and Piano
Trompette, Piano

$5.99 5.14 € Trompette, Piano PDF SheetMusicPlus

Piano,Trumpet - Level 2 - Digital Download SKU: A0.763482 Composed by Charles C Converse. Arranged by Nigel Williams. Contemporary,Folk,Patriotic. Score and part. 8 pages. Nigel Williams #5789925. Published by Nigel Williams (A0.763482). The much loved American hymn What A Friend We Have In Jesus is arranged for the organ while The Last Post is played on either a trumpet, cornet or bugle. This unique arrangement will appeal across all denominations where this hymn is admired, the arrangement is ideal for any commemorative or memorial event, and also patriotic occasions where The Last Post is appropriate. The performance duration is approximately three minutes and the full score has a separate one-page trumpet part attached. Enjoy browsing on SMP my choral arrangements of Amazing Grace and Blessed Assurance, each with solo trumpet playing The Last Post.
What A Friend We Have In Jesus, with The Last Post, for Trumpet and Organ
Trompette, Piano

$7.99 6.86 € Trompette, Piano PDF SheetMusicPlus

B-Flat Trumpet,Piano - Level 1 - Digital Download SKU: A0.1182594 By Dirk Quinn Band. By Charles Borrelli and Roger Courtland. Arranged by Marcony Carvalho. 20th Century,Classical,March. Score and part. 2 pages. Zedas Couve #782339. Published by Zedas Couve (A0.1182594). The Eagles' Victory Song was the creation of Charles Borrelli and Richard Courtland Harrison, a Washington, D.C. music teacher and arranger for jazz guitarist Charlie Byrd. The song was mistakenly credited to R. Courtland by the Copyright office and in various editions of Eagles programs from the late 1950s through the 1960s.In 1963, Jerry Wolman purchased the Philadelphia Eagles. Wolman was a sports fan growing up and loved hearing the Washington Redskins' fight song Hail to the Redskins at games. Spawning from his admiration for the Redskins' song, Wolman searched for musicians to implement a team song for the Eagles, and founded The Philadelphia Eagles' Sound of Brass band in 1964. The group included 200 musicians and dancers, and was led by Arlen Saylor, who was appointed as the Eagles' entertainment director in 1966 and is credited with penning an arrangement of the fight song that the band played at home games during halftime in the 1960s. Wolman's push to popularize the fight song flew under the radar, however, and in 1969 the Sound of Brass band was discontinued.The song came back into light in 1997, when Bobby Mansure, founder of an unofficial Eagles pep band, asked team management to allow the band to play in the parking lot during home games. Management gave Mansure's pep band an audition, allowing them to play at two preseason games to gauge fan reaction. The song went over so well that Mansure and the band retained a permanent position as the official Philadelphia Eagles Pep Band.In 1998, following Mansure's reintroduction of the song, Eagles management attempted to rebuild its popularity among fans by changing some aspects of the song: they modified the key, changed the opening lyric from Fight, Eagles Fight to Fly, Eagles Fly, and re-marketed the song with that as the title. In addition, they appended the popular E-A-G-L-E-S chant—which had emerged in the 1980s—to the end of the song. While management planned to play the song throughout the 1998 season, the Eagles' poor performance that year caused them to hold off reintroducing the song until the following year. The Eagles fared better during their 1999 season, and subsequently, the fight song was played after every score.
Eagles' Victory Song
Trompette, Piano
Dirk Quinn Band
$4.99 4.28 € Trompette, Piano PDF SheetMusicPlus

B-Flat Trumpet,Piano - Level 2 - Digital Download SKU: A0.1310493 Composed by J S Bach-Gounod. Arranged by Colin Kirkpatrick. Instructional,Praise & Worship,Wedding. Score and part. 6 pages. Colin Kirkpatrick Publications #899556. Published by Colin Kirkpatrick Publications (A0.1310493). This ever-popular piece is often performed at weddings, funerals and many other solemn ceremonial events. It has always been a favorite among instrumental players and often used in recitals or concert encores. This arrangement by Colin Kirkpatrick is ideal for the intermediate trumpet or cornet player. It is in concert C and the transposed trumpet range is from A below the treble staff to F sharp on the top line. In 1853, the well-known French composer Charles Gounod added his own melody over a rippling keyboard accompaniment which was a slightly adapted version of the Prelude No. 1 in C major, BWV846, from Book I of J. S. Bach's The Well-Tempered Clavier, published in 1722. The title of the “combined†piece was Méditation sur le Premier Prélude de Piano de S. Bach. Gounod’s original arrangement transposed Bach’s keyboard part from C major into F major and it was scored for violin (or cello), organ and piano. In 1859, the French music publishing company Jacques-Léopold Heugel brought out a vocal version based on the familiar Latin text. Ave Maria (Hail Mary) is a traditional Catholic prayer addressed to the Virgin Mary.The version of Bach's prelude which Gounod used included the so-called Schwencke measure (m. 27 in this arrangement), a measure (bar) allegedly added by the German composer and pianist Christian Friedrich Gottlieb Schwencke (1767-1822) in an attempt to correct what was considered a harmonic weakness in the original. Whether there actually was a “harmonic weakness†(or possibly an error in the manuscript) remains a matter of conjecture but the fact remains that the most familiar-sounding version of this piece, recorded countless times by both singers and instrumentalists includes this Schwencke measure. It is therefore included in this arrangement.Some published arrangements show minor inconsistencies in the rhythm of the melody. This arrangement uses the familiar rhythm of the Ave Maria version as it appeared in the 1859 edition.
Bach-Gounod: Ave Maria for Trumpet (or Cornet) and Piano
Trompette, Piano

$7.95 6.82 € Trompette, Piano PDF SheetMusicPlus

B-Flat Trumpet,Piano - Level 3 - Digital Download SKU: A0.1143127 Composed by Charles-François Gounod. Arranged by Piacere Music Sheets. Instructional,Praise & Worship,Romantic Period,Standards,Wedding. Score and part. 12 pages. Piacere Music Sheets #743489. Published by Piacere Music Sheets (A0.1143127). Opus/Catalog Number: CG 89 Key/Tone: F major Movements/Sections: Andante semplice Year/Date of Composition: 1853 Difficulty: Grade 6/12 (Intermediate) Obs.: This piece is based on Gounod's original 1853 instrumental version of Ave Maria.Gounod's original instrumental version was set for violin and piano in the key of C Major. This score is a transcription for B-flat Trumpet and piano, set in the key of F Major. Gounod entitled this instrumental version Méditation sur le 1er Prélude de piano de J.S. Bach (Meditation on the first Piano Prelude by J.S. Bach). In Gounod's original edition, the diminuendo and piano in measures 28 and 29 are replaced by a sempre crescendo upon playing the piece for the second time. Included: Full score and separated parts for each instrument.
Gounod - Ave Maria Meditation in F Major - Intermediate
Trompette, Piano

$9.95 8.54 € Trompette, Piano PDF SheetMusicPlus






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