Composed by Adolphe-Charles Adam (1803-1856). Arranged by James Michael Stevens. Christian, Sacred, General Worship, World, Christmas. Sheet Music Single. 7 pages. Published by James M Stevens Music ASCAP (S0.138505). - Sheet Music Single - Christian,Sacred,General Worship,World,Christmas - James M Stevens Music ASCAP

Small Ensemble Piano,Trombone - Level 3 - Digital Download

SKU: A0.573440

Composed by William Blake, Charles Hubert Parry. Arranged by James Michael Stevens. 20th Century,Contemporary,Multicultural,Sacred,World. Score and part. 8 pages. James M Stevens Music ASCAP #5732039. Published by James M Stevens Music ASCAP (A0.573440).

Written April 2, 2020, this is an original trumpet and piano arrangement of Jerusalem which is a well known and beloved English song written by William Blake and Charles Hubert Parry. There is a separate trumpet part in the score and the accompaniment track as heard is available under Jerusalem Piano Track in E Flat. James Michael Stevens is a prolific composer residing in Nashville, TN and serves as the Music Department Chairman of Welch College.

Piano,Trumpet - Level 2 - Digital Download

SKU: A0.810172

Composed by Johann Sebastian Bach, Charles Gounod. Arranged by Daniel C. M. Baroque,Concert,Romantic Period,Standards,Wedding. Score and part. 4 pages. Daniel C. M. #5320805. Published by Daniel C. M. (A0.810172).

This beautiful work of art is now arranged for C trumpet and piano. The melody and the accompaniment are basically the same as the original for violin and piano by Gounod. The pdf file includes the piano score and the trumpet part separately

Piano - Digital Download

SKU: A0.1062229

Composed by William Blake, Charles Hubert Parry. Arranged by James Michael Stevens. 20th Century,Contemporary,Graduation,Sacred,World. Full Performance. Duration 150. James M Stevens Music ASCAP #5732035. Published by James M Stevens Music ASCAP (A0.1062229).

This is the Trumpet and Piano demonstration performance of Stevens' arrangement of Jerusalem.

B-Flat Trumpet,Piano - Level 2 - Digital Download

SKU: A0.1310493

Composed by J S Bach-Gounod. Arranged by Colin Kirkpatrick. Instructional,Praise & Worship,Wedding. Score and part. 6 pages. Colin Kirkpatrick Publications #899556. Published by Colin Kirkpatrick Publications (A0.1310493).

This ever-popular piece is often performed at weddings, funerals and many other solemn ceremonial events. It has always been a favorite among instrumental players and often used in recitals or concert encores. This arrangement by Colin Kirkpatrick is ideal for the intermediate trumpet or cornet player. It is in concert C and the transposed trumpet range is from A below the treble staff to F sharp on the top line. 

In 1853, the well-known French composer Charles Gounod added his own melody over a rippling keyboard accompaniment which was a slightly adapted version of the Prelude No. 1 in C major, BWV846, from Book I of J. S. Bach's The Well-Tempered Clavier, published in 1722. The title of the “combined� piece was Méditation sur le Premier Prélude de Piano de S. Bach. Gounod’s original arrangement transposed Bach’s keyboard part from C major into F major and it was scored for violin (or cello), organ and piano. In 1859, the French music publishing company Jacques-Léopold Heugel brought out a vocal version based on the familiar Latin text. Ave Maria (Hail Mary) is a traditional Catholic prayer addressed to the Virgin Mary.

The version of Bach's prelude which Gounod used included the so-called Schwencke measure (m. 27 in this arrangement), a measure (bar) allegedly added by the German composer and pianist Christian Friedrich Gottlieb Schwencke (1767-1822) in an attempt to correct what was considered a harmonic weakness in the original. Whether there actually was a “harmonic weakness� (or possibly an error in the manuscript) remains a matter of conjecture but the fact remains that the most familiar-sounding version of this piece, recorded countless times by both singers and instrumentalists includes this Schwencke measure. It is therefore included in this arrangement.

Some published arrangements show minor inconsistencies in the rhythm of the melody. This arrangement uses the familiar rhythm of the Ave Maria version as it appeared in the 1859 edition.