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French Horn,Piano - Level 3 - Digital Download SKU: A0.549653 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 16 pages. Jmsgu3 #3516943. Published by jmsgu3 (A0.549653). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages. One of Beethoven's finest and most famous works. Program for a recital, church meditation or school program. Bring your best espressivo and plan to rehearse the many subtle dynamic changes.Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano.     www.jamesguthrie.com.
Beethoven: Adagio from Sonata Pathetique for French Horn & Piano
Cor et Piano

$24.95 21.15 € Cor et Piano PDF SheetMusicPlus

Horn in F and piano - easy to intermediate - Digital Download SKU: S9.Q48012 Composed by Erik Satie. Arranged by Wolfgang Birtel. This edition: Sheet music. Edition Schott - Single Edition. Downloadable. Schott Music - Digital #Q48012. Published by Schott Music - Digital (S9.Q48012). The music scene took notice of Erik Satie all of a sudden: The world premiere of his ballet 'Parade' in 1917 caused quite a scandal. The production divided the music scene of Paris, yet made the composer widely known. Satie who hardly had had any solid musical training developed a new musical style, in deliberate rejection of the 'Wagnérisme' of his time, the perfect example being his '3 Gymnopédies' of 1888 the first of which was here arranged for a solo instrument with piano accompaniment: Thanks to its easy playability, it can also be used for educational purposes.
Gymnopédie No. 1
Cor et Piano

$4.99 4.23 € Cor et Piano PDF SheetMusicPlus

French Horn,Piano - Level 3 - Digital Download SKU: A0.1249630 Composed by Maurice Ravel. Arranged by Rodrigo Faleiros. 20th Century,Chamber,Contest,Festival,Romantic Period,Wedding. Score and part. 5 pages. Rodrigo Faleiros #844025. Published by Rodrigo Faleiros (A0.1249630). In this arrangement, the uplifting mood of the original composition is captured, as the solo french horn takes center stage with a melody divided into two parts—radiant in a major key and infused with intriguing accidentals. The piano accompaniment gracefully supports the french horn, simplifying Ravel's beautiful dissonances. With accessible yet expressive qualities, this arrangement allows intermediate-level musicians to fully embrace the captivating melody, creating a harmonious musical experience that resonates with the original's timeless allure, showcasing the power of music to transcend skill levels and evoke profound emotions.
Bolero
Cor et Piano

$2.99 2.54 € Cor et Piano PDF SheetMusicPlus

French Horn,Piano - Level 5 - Digital Download SKU: A0.1418445 Composed by Enrique Granados. Arranged by Ralph Sauer. 19th Century,Romantic Period. Score and part. 10 pages. Gordon Cherry #1000013. Published by Gordon Cherry (A0.1418445). Enrique Granados was a Spanish composer whose music had the unique style of his homeland burned into his soul. He was also a very talented painter in the style of Goya. The Two Spanish Dances are named Oriental and Fandango. They are taken from the 12 Danzas Españolas, Volume I from 1890, for Piano. Mr. Sauer has brilliantly taken the Solo Piano part and divided it between Solo Horn and Piano. Performers will enjoy working on this style of Spanish Nationalist music of which there is none in the Solo repertoire.The two dances are about six and a half minutes in length and can be performed by advanced musicians.
Two Spanish Dances for Horn and Piano
Cor et Piano

$25.00 21.2 € Cor et Piano PDF SheetMusicPlus

French Horn,Piano - Level 5 - Digital Download SKU: A0.1416184 Composed by Robert Schumann. Arranged by Layne Anspach. Classical. Score and part. 62 pages. Songburd Music #997868. Published by Songburd Music (A0.1416184). ROBERT SCHUMANN was a German pianist, music critic and one of the great composers of the Romantic Period who, in an earlier part of his career, was generally critical of the compositional works for piano and voice of his day, and consequently the greater number of his compositions throughout the 1830s were written mostly for piano.  Then came the year of 1840, considered to be Schumann’s liedarjahr (year of song), when he composed nearly half of his life’s best-known works, featuring some of the greatest liederkreis (song cycles) ever written for voice and piano.  One of his widely celebrated song cycles is the well-known Dichterliebe, Op. 48, which is based on a fanciful story of a knight who experiences rejection and love lost, giving us an insight into Schumann’s interests as a ballad writer, melding dramatic irony with his introspective nature and musical style. Schumann’s talent for combining dramatic lyrics with pleasing melodies is clearly seen in the moving lieder (songs) of his repertoire, and his Dichterliebe (A Poet’s Love) is thought to be the paramount work among his song cycles.  Achieved in part by drawing upon the lyric poetry of Heinrich Heine, a German author, poet and literary critic whose political activism among the Junges Deutschland (Young Germans) of the 1830s and 1840s instigated at one point the banning of his works in Germany, leading him to become an expatriate who spent his final years living in Paris, France. Notably, the Romantic Period in Germany is thought to have had its roots in the Sturm und Drang (Storm and Stress) of the late 1700s and was certainly influenced to some degree by the French Revolution, which contrasted itself to the rationalism of the fading period of the Age of Enlightenment.  Thus, the ideological movement of the Young Germans, and its reactive stance to the Romanticism of the era, adds some contrast to Heine’s lyric poetry, which expressed personal emotions and the irony of love, solidified in his Buch der Lieder (Book of Songs) that was published in 1827. Divided into five sections, Heine’s Book of Songs dealt with issues of unrequited love, romanticism, and introspection, and it was from the more than 60 poems of the lyrical cycle Lyrisches Intermezzo (Lyrical Intermezzo) that Schumann found inspiration for his noteworthy song cycle, selecting 16 of Heine’s lyric poems for his Dichterliebe.  For this arrangement, German lyrics are included to assist the performer in connecting the music to the thoughts, feelings, and specific moments expressed in the words that might otherwise be lost if not aligned with the music.  Noting that changes in mood or tone of the music are better understood when aligned with the words, and by including the lyrics, the performer can phrase a passage while having a guide to see the end of the musical line. Romantic lieder allows for rubato in performance, as playing the piece exactly as written on the page will result in a less inspiring rendition.  To match the horn’s register with the vocal line, the piano part required alterations by moving some notation higher in the register.
Dichterliebe
Cor et Piano

$54.99 46.63 € Cor et Piano PDF SheetMusicPlus

French Horn,Piano - Level 3 - Digital Download SKU: A0.1249629 Composed by Maurice Ravel. Arranged by Rodrigo Faleiros. 20th Century,Chamber,Contest,Festival,Romantic Period,Wedding. Score and part. 5 pages. Rodrigo Faleiros #844024. Published by Rodrigo Faleiros (A0.1249629). In this arrangement, the uplifting mood of the original composition is captured, as the solo french horn takes center stage with a melody divided into two parts—radiant in a major key and infused with intriguing accidentals. The piano accompaniment (notated with chords) gracefully supports the french horn, simplifying Ravel's beautiful dissonances. With accessible yet expressive qualities, this arrangement allows intermediate-level musicians to fully embrace the captivating melody, creating a harmonious musical experience that resonates with the original's timeless allure, showcasing the power of music to transcend skill levels and evoke profound emotions.
Bolero
Cor et Piano

$2.99 2.54 € Cor et Piano PDF SheetMusicPlus






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