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French Horn,Piano - Level 2 - Digital Download SKU: A0.1311533 Composed by G F Handel. Arranged by Colin Kirkpatrick. Baroque,Historic,Instructional,Opera. Score and part. 6 pages. Colin Kirkpatrick Publications #900540. Published by Colin Kirkpatrick Publications (A0.1311533). This piece is probably Handel’s best-known melody, although it began life as an operatic aria. The opera was called Xerxes, sometimes written Serses and pronounced something like “ZERT-seesâ€. It was commissioned by The King’s Theatre in London and composed by Handel (who had become naturalized British and lived in London at the time) around 1737 and 1738. The opera is loosely based on the real historical figure King Xerxes, who ruled from around 522-486 BC and was the fourth king of the Achaemenid Empire, a vast region that covered most of the present-day Middle East including modern Turkey.  The melody is often known simply as Handel’s Largo (despite being marked “Larghetto†in the musical score) and is the opening aria in the opera. Known by its opening line Ombra mai fu the aria is sung by Xerxes to a plane tree: “Tender and beautiful fronds of my beloved plane tree, let fate smile upon you...â€Although the melody has survived over the years, the opera itself was a complete failure when it was first performed at the King’s Theatre in London’s Haymarket in 1738. The style of the opera was not appreciated by London opera-goers and it generally received poor reviews. The audience may have been confused by the innovative nature of the work because Handel introduced unexpected comic elements into the plot.This arrangement for Horn in F (French horn) and piano is in B flat major. The lowest note in the horn part is the C just below the treble staff and the highest note is the F on the top line. The piano part has been kept as simple as possible.  
Largo (from Xerxes) for horn in F and piano
Cor et Piano

$3.25 2.79 € Cor et Piano PDF SheetMusicPlus

French Horn,Piano - Level 3 - Digital Download SKU: A0.1317994 By Emile Pessard. By Emile Pessard. Arranged by Andrew Lamb. 19th Century,Chamber,Praise & Worship,Sacred. Score and part. 23 pages. Andrew Lamb #906690. Published by Andrew Lamb (A0.1317994). 🎶 Immerse yourself in the sacred notes of Émile Pessard's O Salutaris with this enchanting Brass Solo adaptation designed for French Horn. 🇫🇷✨ Originally crafted as a sacred hymn for Church Services, this arrangement resonates with the divine essence of Pessard's composition. ðŸ™ðŸ“¯ The French Horn takes center stage, delivering a soulful rendition that captures the spirit of the original piece. 🌟 Additionally, a Tenor Horn transposition is seamlessly included, providing a versatile and flexible musical experience. 🎺🎼 With a medium difficulty level, this arrangement offers a perfect balance for intermediate musicians seeking a captivating challenge. 🌈 Whether you're planning a concert or aiming to enhance a religious service, this arrangement is your key to a harmonious and memorable performance. 🎵🔥 Let the timeless beauty of O Salutaris shine through in this adaptation, blending tradition and innovation in a musical journey like no other. 🌠👉 This arrangement, a testament to the enduring power of Pessard's composition! 📯✨🌟 Level of Difficulty: Medium🎭 Potential Uses: Ideal for concerts and religious services📌 Please like and subscribe for more videos and music arrangements. 🎶✨.
O Salutaris (Pessard arr. for French Horn Solo)
Cor et Piano
Emile Pessard
$5.00 4.29 € Cor et Piano PDF SheetMusicPlus

French Horn,Piano - Level 3 - Digital Download SKU: A0.549394 Composed by George Frideric Handel. Arranged by James M. Guthrie, ASCAP. Baroque,Sacred,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3492579. Published by jmsgu3 (A0.549394). Duration: 4:55, Score: 6 pages, Solo part: 1 page, piano part: 2 pages. A very famous aria (Ombra mai fu) from XerxesSuitable for any venue requiring meditative music. Excellent choice for a recital encore. Xerxes Xerxes is, in fact, an opera seria in three acts by Handel. Moreover, Handel conducted the premiere performance in London in 1738. Handel casts the opera in Persia in 470 BC. The part of Xerxes was indeed originally sung by a soprano castrato. Nowadays, the part is generally sung by a mezzo-soprano or conversely a counter-tenor. In the first place, Xerxes sings an opening aria, Ombra mai fu to a plane tree. Handel sets this aria to one of his most truly famous melodies. Although many people call it Handel’s Largo, Handel has, on the contrary, clearly marked Larghetto in the score. Handel Background George Frideric Handel (1685 - 1759) was born in Germany but eventually became a British citizen. Nonetheless, he was a famous Baroque composer. In fact, he became famous for his operas, oratorios, anthems, and organ concertos. Handel studied music and, by and large, worked as a composer in Germany and Italy before moving to London. Overall, Handel was very familiar with the contemporary music of Italy and Germany. Career in England It is important to realize that Italian opera was all the rage in England at the time. Moreover, Handel was really good at writing them. Therefore, he started not one but three opera companies in England. Alexander's Feast was a huge success in 1736, but Handel nevertheless began composing English choral works. After success with the Messiah in 1742) he certainly never again wrote an Italian opera. Consequently, he died in 1759, a treasured genius. Accordingly, the English government gave him full state honors at his funeral. Hence, he is buried in Westminster Abbey in London. Legacy Music historians agree that Handel was one of the greatest composers of the Baroque era.  To demonstrate, his works such as the Messiah, Water Music, and Music for the Royal Fireworks remain consistently popular up to the present time. He composed the coronation anthem, Zadok the Priest for the coronation of George II. Nevertheless, it has specifically been performed at every succeeding British coronation since. His oratorio Solomon has by all means also continued to be prevalent. As a matter of fact, Sinfonia from act 3 was featured in the 2012 London Olympics opening ceremony. Handel was particularly prolific. To enumerate, he wrote over forty operas.  Since the late 1960s, we have expressly experienced a revival of baroque music. Similarly, we have seen a pique of interest in historically informed musical performances. Since his death in 1779, interest in Handel's music has all in all, expanded.  
Handel: Largo from Xerxes for French Horn & Piano
Cor et Piano

$32.95 28.25 € Cor et Piano PDF SheetMusicPlus

French Horn,Piano - Level 3 - Digital Download SKU: A0.549653 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 16 pages. Jmsgu3 #3516943. Published by jmsgu3 (A0.549653). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages. One of Beethoven's finest and most famous works. Program for a recital, church meditation or school program. Bring your best espressivo and plan to rehearse the many subtle dynamic changes.Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano.     www.jamesguthrie.com.
Beethoven: Adagio from Sonata Pathetique for French Horn & Piano
Cor et Piano

$24.95 21.39 € Cor et Piano PDF SheetMusicPlus

French Horn,Piano - Level 3 - Digital Download SKU: A0.723281 Composed by Gustav Holst / John Wyeth. Arranged by Garrett Breeze. Christian,Concert,Contemporary,Graduation,Sacred. Score and part. 11 pages. Lagom Music #6083289. Published by Lagom Music (A0.723281). This beautiful solo arrangement is one of composer Garrett Breeze’s most memorable works as it seamlessly weaves together two of England’s most beloved hymn tunes: Nettleton and Thaxted. Nettleton is most commonly heard today as the tune for the popular hymn Come, Thou Fount of Every Blessing. Thaxted has a prominent place in classical repertoire as the focal point of Gustav Holst’s Jupiter from The Planets. Suitable for church services, weddings, graduations, and recitals.Visit https://garrettbreeze.com to read my blog and discover new music!
Come, Thou Fount of Every Blessing (Jupiter) - Solo French Horn & Piano
Cor et Piano

$5.99 5.14 € Cor et Piano PDF SheetMusicPlus






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