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Bass Clef Instrument,C Instrument,Cello,Euphonium,Instrumental Solo,Piano,Tuba - Level 3 - Digital Download SKU: A0.712073 Composed by William B. Bradbury. Arranged by Sandra Zylstra. Christian,Praise & Worship,Sacred. Score and individual part. 8 pages. Sandra dee zylstra #708329. Published by sandra dee zylstra (A0.712073). This hymn was written in the days of the Civil War and came about as Joseph Gilmore reflected on the words of Psalm 23. The tune was later set in motion by William Bradbury. Think about the first few verses of Psalm 23 as you play this well loved hymn. He Leadeth Me is arranged as an intermediate bass C instrument solo with piano accompaniment and a separate instrument part in the keys of D and A. (Approximately 3 minutes, 7 pages) You can look at other arrangements by Sandra Zylstra on Sheet Music Plus: http://www.sheetmusicplus.com/formats/singles/sandra-zylstra/600092+3001855 and at Piano Pronto: Composers Community https://pianopronto.com/composers-community/sandra-zylstra/ .
He Leadeth Me (bass C instrument solo)
Tuba et Piano

$4.25 4.08 € Tuba et Piano PDF SheetMusicPlus

Piano,Tuba - Level 1 - Digital Download SKU: A0.548701 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and part. 4 pages. Jmsgu3 #3411151. Published by jmsgu3 (A0.548701). A Tuba Christmas/Easter classic! Duration: 4:55 Score: 3 pg. Tuba part: 1 pg. Piano reads from the score. Schubert seems to have composed this piece as a song-setting. This is because he wanted to portray a poignant emotional event from a poem. The poem was Walter Scott's The Lady of the Lake. Consequently, this song became an integral part of Schubert's Song cycle. Therefore the cycle is called: the Lady of the Lake. In the poem, Ellen Douglas is the Lady of the Lake. The lake is probably Loch Katrine in the Scottish Highlands. First of all, Ellen goes with her father to stay in the Goblin's cave. They go because he earlier refused to join in a rebellion against King James. Roderick Dhu, the chief of the rebellious Alpine Clan, marches up the mountain with his army. But before the battle, he, first of all, hears Ellen singing. She is singing a prayer calling for help from the Virgin Mary. Schubert's piece was first performed at the castle of Countess Sophie Weissenwolff in Steyregg, Austria.  Schubert dedicated the arrangement to her, and as a result, she became famous as the lady of the lake.The incipit of Ellen's song is Ave Maria which is Latin for Hail Mary. It seems like this similarity led Schubert to adapt the melody to accommodate the Roman Catholic prayer Ave Maria. Consequently, the Latin version of Ave Maria finally became more famous than the original so that consequently many believe he wrote the Latin version first. Schubert Franz Schubert (1797–1828) was, in fact, a famous Austrian composer. Moreover, he composed during the late Classical and early Romantic periods. Schubert was comparatively prolific. He wrote more than 600 secular vocal works, seven symphonies, and, correspondingly, a massive amount of piano and chamber music. Critics agree, as a matter of fact, that his most famous works include his Piano Quintet in A major, D. 667 (also known as the Trout Quintet), the Symphony No. 8 in B minor, D. 759 (Unfinished Symphony), the last sonatas for piano (D. 958–960), and the song cycles Die schöne Müllerin (D. 795) and Winterreise (D. 911). Education Schubert was furthermore a musical child prodigy. He studied violin with his father as well as piano with his older brother. In addition, when Schubert was eleven he studied at Stadtkonvikt school, where he became familiar with the orchestral music of Haydn, Mozart, and likewise Beethoven. In due time he left school and returned home where he studied to become an educator; nevertheless, he continued studying composition with Antonio Salieri. Performance Eventually, Schubert was admitted to the Gesellschaft der Musikfreunde as a performer. This appointment straightaway established his name in Vienna as a composer and pianist. Finally, he gave his only composition recital in 1828. He died suddenly a few months later probably due to typhoid fever. Legacy Schubert’s music was by and large underappreciated while he was alive. There were all in all only a few enthusiasts in Vienna. After he died, however, interest in his work in fact increased. Felix Mendelssohn, Robert Schumann, Franz Liszt, Johannes Brahms, and other famous composers in due time discovered his compositions. Nowadays, historians rank Schubert expressly among the greatest composers of the era, and his music remains in general very popular.  
Schubert: Ave Maria for Tuba & Piano
Tuba et Piano

$29.95 28.77 € Tuba et Piano PDF SheetMusicPlus

Piano,Tuba - Level 1 - Digital Download SKU: A0.548724 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and part. 4 pages. Jmsgu3 #3411763. Published by jmsgu3 (A0.548724). Out of the Depths I Cry to You by Martin Luther. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Features the entire range of the instrument. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. The piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics, essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed pieces, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
Luther: Out of the Depths for Tuba & Piano
Tuba et Piano

$24.95 23.97 € Tuba et Piano PDF SheetMusicPlus

Piano,Tuba - Level 1 - Digital Download SKU: A0.548679 Composed by Adam. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 10 pages. Jmsgu3 #3410443. Published by jmsgu3 (A0.548679). Duration: 4:56. Score 5 pg. 44 ms. Solo part: 2 pg. Piano part: 3 pg.Cantique de Noël The French composer Adolphe Adam was already famous as a composer of many successful ballets and operas. Then, in the 1840’s he wrote his most famous work - O Holy Night. The original song title was Minuit Chretiens or Cantique de Noël.  Placide Cappeau provided the original song lyrics. The song was first performed in Roquemaure by the opera singer Emily Laurey at midnight mass in 1847. It became very popular among the French, much the way that Silent Night was famous elsewhere. In the 1850’s John S. Dwight, a Unitarian minister and music teacher translated the song into English.   Adolphe Adam In his younger years, Adam studied organ and composition at the Paris Conservatoire. He also played the timpani in the Conservatoire orchestra. Adam used his savings and borrowed money to open a new opera house - the fourth opera house in Paris in 1847. Unfortunately, the Revolution of 1848 forced him to close. He taught composition at the Paris Conservatoire from 1849 until his death in 1856. Placide Cappeau The poet Cappeau was an advocate of the French Enlightenment philosopher Voltaire.  Voltaire was renowned for criticizing the Catholic church, religious intolerance, and dogma in general. Consequently, Cappeau made the Redeemer figure in his song a kind of reformer of injustices, in particular, the problem of original sin. To begin with, people recognized Cappeau’s theology as eccentric, probably even doubtful. Theology In the earlier form of Minuit, the Christ figure descends to intervene with His Father’s plan to punish mankind.  Traditional doctrine pronounces that Christ came from love, not to intervene. This version also declares that Christ appeared to expunge the original sin of Adam. Cappeau removed this part from his poem years later, because he just didn’t believe it.  He preferred to portray Christ as the reformer of disparity and unfairness. Before long, the writer/politician Alphonse de Lamartine referred to the Minuit as the the Marseillaise of religion. Most French churchmen agreed with this idea but certainly did not consider it a tribute.  Register for free lifetime updates and revisions at www.jamesguthrie.com
O Holy Night for Tuba & Piano
Tuba et Piano

$24.95 23.97 € Tuba et Piano PDF SheetMusicPlus

Piano,Tuba - Level 3 - Digital Download SKU: A0.844354 Composed by PHILLIP BLISS. Arranged by Dan Cutchen. Christian,Easter,Gospel,Sacred. Score and part. 9 pages. Dan Cutchen Music #4297735. Published by Dan Cutchen Music (A0.844354). Man of Sorrows Theme and VariationsGreat Easter hymn by Phillip Bliss for solo tuba and piano.Concert C. Medium difficulty.Approximate time: 3:45For piano ACCOMPANIMENT track, copy and paste the following into the search bar:Tuba - Man of Sorrows ACCOMPANIMENT track, Dan Cutchen1 Man of sorrows what a name for the Son of God, who came ruined sinners to reclaim:Hallelujah, what a Savior!2 Bearing shame and scoffing rude, in my place condemned he stood, sealed my pardon with his blood:Hallelujah, what a Savior!3 Guilty, helpless, lost were we; blameless Lamb of God was he, sacrificed to set us free:Hallelujah, what a Savior!4 He was lifted up to die; It is finished was his cry; now in heaven exalted high:Hallelujah, what a Savior!5 When he comes, our glorious King, all his ransomed home to bring, then anew this song we'll sing:Hallelujah, what a Savior!https://youtu.be/h0ND4G2fzTU
Tuba - "Man of Sorrows" Theme and Variations
Tuba et Piano

$5.00 4.8 € Tuba et Piano PDF SheetMusicPlus

Instrumental Duet,Piano Instrumental Duet,Piano,Tuba - Level 5 - Digital Download SKU: A0.1033938 Composed by Nick Adkins. Classical,Contemporary. Score and parts. 56 pages. Nicholas Adkins #639254. Published by Nicholas Adkins (A0.1033938). The Road to New Andreas is the second piece in a narrative cycle of 3 pieces written for tuba as the main instrument. Unlike the piece that comes beforehand, this work is for two tubas and piano. Once the member of the caravan gets out of the mountain, he sees their destination ahead of them: the last city on Earth. He sees his caravan coming out of the mountain pass, and he runs to them, excited to see them. To get to the city, they must journey along a long and dangerous road to the city, which runs right through a gigantic forest that separates the mountain pass and the city. They have heard rumors of a giant monster that lives in the forest, but that he doesn't attack people on the road. I guess they will find out whether the rumor is true...
The Road to New Andreas
Tuba et Piano

$12.00 11.53 € Tuba et Piano PDF SheetMusicPlus

Piano,Tuba - Level 4 - Digital Download SKU: A0.1192000 Composed by Claude Debussy. Arranged by César Madeira. 19th Century,20th Century,Film/TV,Multicultural,Romantic Period,World. Score and part. 15 pages. Sheet Music To Play Editions #791504. Published by Sheet Music To Play Editions (A0.1192000). Clair de Lune by Debussy from Suite Bergamasque. Arrangement for Tuba and Piano. With Full Score and Individual Parts. Enjoy it!Claude Debussy (1862 - 1918) was a French composer. He is sometimes seen as the first Impressionist composer, although he vigorously rejected the term. He was among the most influential composers of the late 19th and early 20th centuries.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
Clair de Lune by Debussy - Tuba and Piano (Full Score and Parts)
Tuba et Piano

$8.99 8.64 € Tuba et Piano PDF SheetMusicPlus

Piano,Tuba - Level 2 - Digital Download SKU: A0.1200136 Composed by Robert Schumann. Arranged by César Madeira. 19th Century,Children,Classical,Multicultural,Romantic Period,World. Score and part. 6 pages. Sheet Music To Play Editions #798938. Published by Sheet Music To Play Editions (A0.1200136). Träumerei from Kinderszenen, Op.15 by Schumann. Arrangement for Tuba and Piano. With Full Score and Individual Parts. Enjoy it!Robert Schumann (1810 – 1856) was a German composer, pianist, and influential music critic. He is widely regarded as one of the greatest composers of the Romantic era. Schumann left the study of law, intending to pursue a career as a virtuoso pianist. His teacher, Friedrich Wieck, a German pianist, had assured him that he could become the finest pianist in Europe, but a hand injury ended this dream. Schumann then focused his musical energies on composing.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
Traumerei by Schumann - Tuba and Piano (Full Score and Parts)
Tuba et Piano

$7.99 7.67 € Tuba et Piano PDF SheetMusicPlus

Piano,Tuba - Level 2 - Digital Download SKU: A0.1267388 Composed by Luigi Boccherini. Arranged by Ander. Baroque,Classical,Traditional,Wedding. Score and part. 3 pages. Woods Only, Arrangements #859967. Published by Woods Only, Arrangements (A0.1267388). Adaptation for Tuba and Piano of Luigi Boccherini’s String Quintet in E major, Op. 11, No. 5, G 275. Ideal for beginner students in classical music with the help of a teacher. The original essence of the work was maintained, with adaptations in tonality and tessitura of the instruments. Can be used in professional and academic recitals, didactic material and repertoire for ensemble practice. Boccherini was born in Lucca, Italy, and became a cello virtuoso. He moved to Spain, where he worked with the Spanish royal family. The third movement of the quintet, minuet and trio, is famous and often played as an independent piece. The work is beautiful and has good partial writing for all instruments, with melodies and rhythms typical of Boccherini. Suitable for concerts and home performances.
Minuet by Boccherini for Tuba and Piano
Tuba et Piano

$1.99 1.91 € Tuba et Piano PDF SheetMusicPlus

Piano,Tuba - Level 3 - Digital Download SKU: A0.1456186 Composed by Gioachino Rossini. Arranged by César Madeira. 19th Century,Classical,Comedy,Opera,Romantic Period. Score and part. 33 pages. Sheet Music To Play Editions #1035336. Published by Sheet Music To Play Editions (A0.1456186). Largo al Factotum from Barbieri di Seviglia by Rossini. Arrangement for Tuba and Piano. With Full Score and Individual Parts. Enjoy it!Gioachino Antonio Rossini (1792 – 1868) was an Italian composer who gained fame for his 39 operas, although he also wrote many songs, some chamber music and piano pieces, and some sacred music. He set new standards for both comic and serious opera before retiring from large-scale composition while still in his thirties, at the height of his popularity.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
Largo al Factotum - Tuba and Piano (Full Score and Parts)
Tuba et Piano

$8.99 8.64 € Tuba et Piano PDF SheetMusicPlus

B-Flat Tuba,Piano - Level 3 - Digital Download SKU: A0.1367053 Composed by Stephen Sondheim. Arranged by Rodrigo Ramos. Broadway,Film/TV,Multicultural,Musical/Show,Singer/Songwriter,World. Score and part. 13 pages. Rodrigo Ramos #951397. Published by Rodrigo Ramos (A0.1367053). Being Alive is a song from the musical Company with music and lyrics by Stephen Sondheim. The song appears at the end of the second act and is sung by Robert, a 35-year-old bachelor at the center of the show, who ...realizes that being a lone wolf isn't all it's cracked up to be. He declares that he wants to take risks, to have fear, being heartbroken - or whatever happens when you decide to love and be loved. This arrangement is a sung version of the theme adapted for tuba solo and piano.
Being Alive
Tuba et Piano

$5.99 5.75 € Tuba et Piano PDF SheetMusicPlus

Piano,Tuba - Level 5 - Digital Download SKU: A0.1002836 Composed by Kyle Vanderburg. Contemporary. Score and part. 33 pages. NoteForge #6113517. Published by NoteForge (A0.1002836). I spent New Year's Eve 2018 in Nye, Montana, visiting family and friends. One of those friends is an imaging specialist who regaled us with an explanation of his most recent project, which he described as calibrating the moon. Specifically, he was talking about the NASA ARCSTONE mission to calibrate the moon's reflectance to use as an accurate reference, primarily in climate science. The idea is that we have all this data about global warming and atmospheric changes, and a lot of that data uses the brightness of the moon as a control variable, but we don't actually have a precise definition of how bright the moon is. Ever since I was a part of that conversation, I knew that I wanted calibrating the moon as a title, and everything that came after that plays with the idea of moon themes or of doing big impossible-sounding things. When Connor Challey approached me about writing for tuba, Calibrating the Moon was an obvious choice.The work opens with Syzygy, a term describing the straight line between the sun, moon, and Earth that occurs every new and full moon. The movement starts dark and brooding, moves to an energetic middle section, and returns to being mysterious, kind of like a lunar cycle. Fun fact: This movement's theme is actually a tuba setting of the phrase Calibrating the moon.The Second movement, Spectral Reflectance, is slow and shiny. NDSU was fortunate to have portfolio tubist (and Connor's mentor) Sam Pilafian as a visiting guest artist for several years, and I finished Syzygy around the time of his passing. I spent a lot of time thinking about Sam while putting the second movement together, and I quoted a couple of his favorite tuba concerti.The work ends with Libration. If you were to watch a time-lapse video of a lunar cycle, you'd notice that the moon not only transitions from new to full to new, but also sort of oscillates or wags. That's Libration. The movement is likewise off-kilter, playing with the listener's sense of time through alternating time signatures.https://kylevanderburg.com/music/calibrating-the-moon/
Calibrating the Moon - Tuba and Piano
Tuba et Piano

$14.99 14.4 € Tuba et Piano PDF SheetMusicPlus






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