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Piano,Tuba - Level 2 - Digital Download SKU: A0.1267034 Composed by Ludwig van Beethoven. Arranged by Ander. 19th Century,Classical,Film/TV,March,Romantic Period. Score and part. 6 pages. Woods Only, Arrangements #859666. Published by Woods Only, Arrangements (A0.1267034). This Tuba and Piano arrangement was written to maintain the original work’s characteristics, for young music students entering symphonic music or professional musicians for recitals, repertoire, academic presentations, and didactic material. The transcription is faithful to the structure, with only one key change for comfortability. Ludwig van Beethoven’s Symphony No. 7 in A major Op. 92 was completed in 1812 and premiered in Vienna on December 8, 1813. The second movement Allegretto is a funeral march in everything but name. Symphony No. 7 was also used as the soundtrack to the film Knowing, directed by Alex Proyas and starring Nicolas Cage. Beethoven called Symphony No. 7 his “most excellent symphony,†and a music critic of the time reported it as the most melodically rich and comprehensible of all Beethoven’s symphonies.
Symphony No. 7 by Beethoven for Tuba and Piano
Tuba et Piano

$1.99 1.9 € Tuba et Piano PDF SheetMusicPlus

Piano,Tuba - Level 5 - Digital Download SKU: A0.1002836 Composed by Kyle Vanderburg. Contemporary. Score and part. 33 pages. NoteForge #6113517. Published by NoteForge (A0.1002836). I spent New Year's Eve 2018 in Nye, Montana, visiting family and friends. One of those friends is an imaging specialist who regaled us with an explanation of his most recent project, which he described as calibrating the moon. Specifically, he was talking about the NASA ARCSTONE mission to calibrate the moon's reflectance to use as an accurate reference, primarily in climate science. The idea is that we have all this data about global warming and atmospheric changes, and a lot of that data uses the brightness of the moon as a control variable, but we don't actually have a precise definition of how bright the moon is. Ever since I was a part of that conversation, I knew that I wanted calibrating the moon as a title, and everything that came after that plays with the idea of moon themes or of doing big impossible-sounding things. When Connor Challey approached me about writing for tuba, Calibrating the Moon was an obvious choice.The work opens with Syzygy, a term describing the straight line between the sun, moon, and Earth that occurs every new and full moon. The movement starts dark and brooding, moves to an energetic middle section, and returns to being mysterious, kind of like a lunar cycle. Fun fact: This movement's theme is actually a tuba setting of the phrase Calibrating the moon.The Second movement, Spectral Reflectance, is slow and shiny. NDSU was fortunate to have portfolio tubist (and Connor's mentor) Sam Pilafian as a visiting guest artist for several years, and I finished Syzygy around the time of his passing. I spent a lot of time thinking about Sam while putting the second movement together, and I quoted a couple of his favorite tuba concerti.The work ends with Libration. If you were to watch a time-lapse video of a lunar cycle, you'd notice that the moon not only transitions from new to full to new, but also sort of oscillates or wags. That's Libration. The movement is likewise off-kilter, playing with the listener's sense of time through alternating time signatures.https://kylevanderburg.com/music/calibrating-the-moon/
Calibrating the Moon - Tuba and Piano
Tuba et Piano

$14.99 14.32 € Tuba et Piano PDF SheetMusicPlus






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