SKU: A0.957132

Iconic song by the band Queen, and eternalized in the voice of the late Freddie Mercury in a version for solo instrument and piano, being faithful to the original version, this arrangement brings to the performer and spectator a musical and nostalgic tone in relation to the hit of the 70s. Indicated for musicians who already have a good practice in the instrument, and can be played in public events, recitals or concerts.

SKU: A0.548505

The First Noel arranged for Tuba & Piano with new harmony for the final verse.

Origins

The First Noel is an English Christmas carol. Even more, it was probably written in the late Cornish Renaissance period. While other versions spell the title as Nowell, this is just a colloquial variation. Furthermore, Noel is an older word meaning Christmas. Therefore the First Noel translates as the First Christmas. First of all, Gilbert and Sandy published the earliest version. As a result, this version appears in the Carols Ancient and Modern songbook of 1823. William Sandy edited and arranged the book. Similarly, his partner Davies Gilbert edited and added the familiar extra verses. The First Noel: Tuba Version comes with new harmony in final verse for more energy and drive.

Stainer

Organist and composer Sir John Stainer published the most noteworthy customary arrangement in the 1870’s.  Stainer is above all famous for his songbook entitled: Christmas Carols New and Old (1871). This volume served as an important catalyst for reviving the English Christmas carol.  Other famous Stainer arrangements from this book are such titles as What Child Is This, God Rest Ye Merry Gentlemen, Good King Wenceslas, and I Saw Three Ships.

Diatonic Function

The melodic structure in the First Noel is uncommon among English folk tunes. It simply repeats one phrase twice then follows a variation refrain. All three phrases of the song end on the mediant scale degree. This is unusual because the diatonic function of the mediant is non-final compared to the more usual tonic or even dominant degrees. Consequently, this gives the song as kind of open-ended feeling – like maybe it never really ends.

Political Context

The Catholic clergy sang carols outside of the church in Latin. After the Protestant Reformation, the reformers thought it would be better for everyone to sing carols. They decided to bring music back to the common folk. So, they translated the lyrics from Latin into common language. Moreover, the Protestants wanted more control over the music in church than what the Vatican allowed. Protestant composers such as William Byrd composed complex polyphonic Christmas music that they called carols. Nonetheless, some famous folk carols were composed in this era. Eminent composers in the nineteenth century began to revise and adapt them. Consequently, they revived the English carol.

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SKU: A0.1315142

An exciting arrangement of eight popular swinging xmas carols arranged for solo Tuba & Piano; in an up-beat and somewhat jazzy manner. This challenging set of carols, offers Tubists and low brass players in general, something very different for those Christmas concerts and recitals, give them a go, and I am sure that you won’t be disappointed! Treble clef Eb & Bb parts are available on request via e-mail. HAVE FUN!

The set includes: Ding Dong Merrily On High, Silent Night,We Three Kings,Away in a Manger, Joy to the World, God Rest Ye Merry Gentlemen, Deck the Halls & Good King Wenceslas.

The Tuba part is all written out with jazz inflections and articulation included. The Piano part is all written out, but also includes the jazz chords for players who wish to comp. These Carols are playable by moderately advanced performers and are perfect for parties, church services, busking & recitals. Range is very moderate, nothing high at all.

Need an anthem fast? They are ALL in my store!All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible!

SKU: A0.821792

An early intermediate arrangement of a traditional Christmas carol for Eb Tuba and Piano accompaniment.

SKU: A0.821793

An early intermediate arrangement of a traditional Christmas carol for Eb Tuba (Treble) and Piano accompaniment.

SKU: A0.1385714

A concert solo or encore with piano accompaniment. A good encore is essential for a concert as it can be the show's highlight and leave a lasting impression on the audience. While encores were traditionally spontaneous, they have become a customary part of a concert's script, with performers often planning them. Encores allow artists to play fan favorites, respond to audience enthusiasm, and create a memorable conclusion to the show. They can also provide a break for the performers. However, some artists and concertgoers have disapproved of encores becoming a routine part of the show, as they can feel disingenuous when expected rather than spontaneous. Despite this, encores remain an expected and significant element of many live performances.

SKU: A0.1267388

Adaptation for Tuba and Piano of Luigi Boccherini’s String Quintet in E major, Op. 11, No. 5, G 275. Ideal for beginner students in classical music with the help of a teacher. The original essence of the work was maintained, with adaptations in tonality and tessitura of the instruments. Can be used in professional and academic recitals, didactic material and repertoire for ensemble practice. Boccherini was born in Lucca, Italy, and became a cello virtuoso. He moved to Spain, where he worked with the Spanish royal family. The third movement of the quintet, minuet and trio, is famous and often played as an independent piece. The work is beautiful and has good partial writing for all instruments, with melodies and rhythms typical of Boccherini. Suitable for concerts and home performances.

SKU: A0.901182

Brahms' lieder make up a large part of vocal repertoire for good reason. They are beautifully simple, presenting thoughtful melodies and rich harmonic material. Here, three of them have been arranged for solo tuba with piano accompaniment. The three lieder arranged here are as follows: 

1. Vom verwundeten Knaben (op. 14, no. 2) 
2. Schon war, das ich dir weihte (op. 95, no. 7) 
3. Das Madchen spricht (op. 107, no. 3) 

These three lieder make wonderful pieces to perform as a part of a recital, as they offer a beautiful easy listening experience. Additionally, they are also great to use as lyrical practice material for any player.

By purchasing here, you will receive a PDF of the score as well as the separate parts.

NOTE: The audio file associated with this piece is a MIDI sample. Therefore, it will not accurately reflect all interpretive elements of the music.