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Piano,Trombone - Level 1 - Digital Download SKU: A0.964443 Composed by George Frideric Handel. Arranged by Leyandder Trustworthy. Baroque,Christian,Easter,Sacred,World. Score and part. 3 pages. Leyandder Trustworthy #6326895. Published by Leyandder Trustworthy (A0.964443). The Hallelujah (Aleluia) is part of the oratorio Messiah, which is the most famous work by the German composer Georg Friedrich Händel. Oratorio is a genre of musical composition basically sung, being widely used, besides the orchestra, vocal solos and choir. It generally narrates biblical themes.The Messiah (HWV 56, 1741) is an oratorio about the life of Jesus Christ, the Messiah. It has 51 movements divided into three parts: the Prophecies about Jesus' birth, the Passion, and the Resurrection. The Hallelujah is the 42nd movement, at the end of the second part, where all the joy over the Messiah's victory over death and sin is demonstrated.
Aleluia (HALLELUJAH), of the Messiah - for Alto Trombone and accompaniment
Trombone et Piano

$2.99 2.57 € Trombone et Piano PDF SheetMusicPlus

Piano,Trombone - Level 3 - Digital Download SKU: A0.594425 Composed by G F Handel. Arranged by David McKeown. Baroque,Christmas,Easter,Sacred. Score and part. 4 pages. David McKeown #6658365. Published by David McKeown (A0.594425). How Beautiful are the Feet is one of the best loved arias from G F Handel’s oratorio The Messiah. This version is arranged as a solo for Trombone with piano accompaniment.The original 1741 version of The Messiah presented How Beautiful are the Feet as a duet for two altos and choir, but in 1749 Handel revised the piece as a solo aria for soprano. This revision forms the basis for this arrangement. The text is taken directly from the book of Romans in the New Testament.Musicians at an intermediate standard will find this ideal for formal and informal concert performances. Total performance time is around two minutes. Click the link YouTube link to listen to a complete performance of the clarinet version of this arrangement.Teachers will enjoy using this arrangement as a fun way to approach expressive playing and phrasing. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
How Beautiful are the Feet, (from the Messiah), by Handel, for Solo Trombone and Piano
Trombone et Piano

$4.60 3.96 € Trombone et Piano PDF SheetMusicPlus

Piano,Trombone - Level 3 - Digital Download SKU: A0.549391 Composed by George Frideric Handel. Arranged by James M. Guthrie, ASCAP. Baroque,Sacred,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3492557. Published by jmsgu3 (A0.549391). Duration: 4:55, Score: 6 pages, Solo part: 1 page, piano part: 2 pages. A very famous aria (Ombra mai fu) from XerxesSuitable for any venue requiring meditative music. Excellent choice for a recital encore. Xerxes Xerxes is, in fact, an opera seria in three acts by Handel. Moreover, Handel conducted the premiere performance in London in 1738. Handel casts the opera in Persia in 470 BC. The part of Xerxes was indeed originally sung by a soprano castrato. Nowadays, the part is generally sung by a mezzo-soprano or conversely a counter-tenor. In the first place, Xerxes sings an opening aria, Ombra mai fu to a plane tree. Handel sets this aria to one of his most truly famous melodies. Although many refer to it traditionally as Handel’s Largo, Handel has, on the contrary, clearly marked Larghetto in the score. Handel Background George Frideric Handel (1685 - 1759) was born in Germany but eventually became a British citizen. Nonetheless, he was a famous Baroque composer. In fact, he became famous for his operas, oratorios, anthems, and organ concertos. Handel studied music and, by and large, worked as a composer in Germany and Italy before moving to London. Overall, Handel was very familiar with the contemporary music of Italy and Germany. Career in England It is important to realize that Italian opera was all the rage in England at the time. Moreover, Handel was really good at writing them. Therefore, he started not one but three opera companies in England. Alexander's Feast was a huge success in 1736, but Handel nevertheless began composing English choral works. After success with the Messiah in 1742) he certainly never again wrote an Italian opera. Consequently, he died in 1759, a treasured genius. Accordingly, the English government gave him full state honors at his funeral. Hence, he is buried in Westminster Abbey in London. Legacy Music historians agree that Handel was one of the greatest composers of the Baroque era.  To demonstrate, his works such as the Messiah, Water Music, and Music for the Royal Fireworks remain consistently popular up to the present time. He composed the coronation anthem, Zadok the Priest for the coronation of George II. Nevertheless, it has specifically been performed at every succeeding British coronation since. His oratorio Solomon has by all means also continued to be prevalent. As a matter of fact, Sinfonia from act 3 was featured in the 2012 London Olympics opening ceremony. Handel was particularly prolific. To enumerate, he wrote over forty operas.  Since the late 1960s, we have expressly experienced a revival of baroque music. Similarly, we have seen a pique of interest in historically informed musical performances. Since his death in 1779, interest in Handel's music has all in all, expanded.  
Handel: Largo from Xerxes for Trombone & Piano
Trombone et Piano

$32.95 28.35 € Trombone et Piano PDF SheetMusicPlus

Piano,Trombone - Level 3 - Digital Download SKU: A0.726102 Composed by Plainchant melody. Arranged by Todd Marchand. Advent,Christian,Sacred. Score and part. 10 pages. Con Spirito Music #6092177. Published by Con Spirito Music (A0.726102). “O Come, O Come Emmanuel†are the opening words of John Mason Neale’s (1818-1866) translation of the Medieval text, “Veni, Emmanuel,†with music arranged by Thomas Helmore (1811-1890), for The Hymnal Noted (London, 1856). The text of this most famous of Advent hymns is taken from various “‘O’ Antiphons,†verses sung or recited before and after the Magnificat during the evening Vespers service in the last week of Advent. Each antiphon is a name of Christ, and together they echo the foretelling of the long-expected Messiah by the prophet Isaiah.The origin of the music is uncertain. Some claim it to be from a 15th-century French processionale (hymnal, liturgical manual) for Franciscan nuns; others believe it to be of earlier, eighth-century Gregorian plainsong origins.This arrangement features both traditional and contemporary harmonies and a meditative original introduction prior to the opening presentation of the melody by trombone, which is echoed in countermelodies in later presentations.Includes both bass clef and Bb treble clef solo parts.©Copyright 2020 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. Visit www.conspiritomusic.com
Meditation on "Veni, Emmanuel" — trombone and piano or organ
Trombone et Piano

$6.00 5.16 € Trombone et Piano PDF SheetMusicPlus






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