By Mariah Carey. Arranged by MAJOR SCORE PUBLISHING TM. Score, Set of Parts. 20 pages. Published by Major Score Publishing

By Dua Lipa. Arranged by MAJOR SCORE PUBLISHING TM. Score, Set of Parts. 18 pages. Published by Major Score Publishing

Piano,Trombone - Level 5 - Digital Download SKU: A0.810983 Composed by Cherry Classics Music. Arranged by John, W., and Ware. 20th Century,Contemporary. Score and part. 63 pages. Gordon Cherry #4601711. Published by Gordon Cherry (A0.810983). This fine work has sat dormant for many years and has now come to light thanks to the efforts of Charlie Vernon, Bass Trombonist of the Chicago Symphony, who performed this virtuoso work as a young performer. The concerto is in the standard three movement form: Fast, slow, fast. This publication is a reduction from the original orchestral version (to be released at some point in the future). Here is a description of the Concerto by the composer, John W. Ware. I started on the trombone concerto in my junior year studying composition at Indiana University.  While working on it, I learned of an opportunity to make it sort of a thesis piece (though students didn't write a thesis in composition while an undergrad).  The original version was for trombone with string orchestra, and it was performed by the IU String Orchestra, conducted by Dr. Arthur Corra, with Robert Priez, trombone, as part of my senior composition recital.  I thought the performance was quite good (Priez played extraordinarily well), and the piece received a newspaper review in the Indiana Daily Student, in which the reviewer wrote that the work was almost too exciting.  I thought at the time that he had given me and my music a fine compliment.  I made a piano version of the accompaniment, shortening and tightening the first movement, for performances in 1966; I made a second revision in 1967 for a performance by E. J. Eaton, trombonist at the University of Tennessee at Martin, arriving at the form in which the work exists now. The first movement is in fairly normal sonata-allegro form, in the key of A minor.  It alternates between assertive and more thoughtful moods.   There is no introduction; the soloist enters immediately and dominates much of the movement. The main theme is--by some manipulation--a source for most of the other themes, and all of the themes are used in close proximity to each other, including contrapuntal combinations, especially near the end.  Originally the movement included a lengthy fugato, now much shortened and including a stretto that builds and subsides before a cadenza leading to a coda based on both the principal and secondary themes.  Key relations in this movement, as in the other two, are quite free and often chromatic, with frequent third-relations; but returns to the tonic at the end are emphatic.  The writing is challenging for both soloist and accompanist; the piece is substantial, requiring technique and stamina. The second movement is in F minor and is also built on both contrast and close relationships between the main and secondary themes.  The main theme is heard in the piano part before the soloist enters.  The mood is more lyric than in the first movement, but with dramatic episodes also.  In this movement are some definite derivations from themes in the first movement.  The ending is a sort of lengthened shadow of the opening. The finale returns to A minor, with themes slightly related to polonaise rhythms, but with strong echoes of first-movement themes.  Here, too, dramatic and lyric episodes alternate, with dotted rhythms frequently propelling the music forward.  The introduction is a brief and simple preparation for the solo entry.  Later in the movement, a very brief, slightly slower section is soon overtaken by the original tempo.  Toward the end, there is a second cadenza, again leading to a swift and energetic coda. The work is about 20 minutes in length and is appropriate for advanced performers.

Piano,Trombone - Level 1 - Digital Download SKU: A0.1126191 Composed by Johann Sebastian Bach. Arranged by Ander. Baroque,Christmas,Easter,Sacred,Wedding. Score and part. 6 pages. Woods Only, Arrangements #726890. Published by Woods Only, Arrangements (A0.1126191). This easy arrangement for trombone and piano has been adapted to be simple to perform and understand the structure of the original work for various levels of musical knowledge. It can be played freely by beginning students because of the ease imposed on the piece. It is often performed at wedding ceremonies slowly and reverently, challenging the effect suggested by Bach in his original score for voices with trumpet, oboes, strings, and continuous bass. This is one of Bach's most beautiful cantatas, made famous by the Jesus the Joy of Men chorus. It was originally composed for Advent 1716 in Weimar. Years later, already in Leipzig, Advent was tempus clausum, there was no music in the churches. Bach then reworked it for the Feast of Mary's Visitation. It is the final chorale of the cantata Herz und Mund und Tat und Leben. Although it is the 32nd cantata composed by Bach, of those that have survived, it was given BWV 147 in the complete catalog of his works.

Piano,Trombone - Level 1 - Digital Download SKU: A0.548492 Composed by Gruber. Arranged by James M. Guthrie, ASCAP. Christmas. Score and part. 3 pages. Jmsgu3 #3387069. Published by jmsgu3 (A0.548492). Silent Night with new harmony for the final verse! Score: 2 pg. Part: 1 pg. Silent Night Origins Father Joseph Mohr wrote the lyrics for a new Christmas Carol. He wanted the new carol for his Christmas Eve Mass. With only a couple of hours until the service, He asked organist and schoolteacher Franz Gruber to write a melody and simple accompaniment to go with the lyrics. The result is probably the most famous of all Christmas carols – Silent Night. First Performance Perhaps because the organ was undergoing repairs, or to make sure the accompaniment was easy enough, Mohr asked Gruber to write it for the guitar. Mohr played the guitar, and both Mohr and Gruber gave the world premiere performance at the Christmas Eve Mass in 1818 at St. Nicholas Church in Oberndorf in Salzburg. Original Score Eventually, the original score became lost, and consequently, Mohr's name was largely forgotten.  Though the public originally recognized Gruber as the composer, many people over time began rumors that a more famous composer was responsible. Thus, they floated the names of Haydn, Mozart, and even Beethoven. Authorities eventually settled the matter when a manuscript in Mohr’s handwriting turned up in 1820. Consequently, we learn that Mohr wrote the lyrics in 1816, and Gruber composed the melody in 1818. Popularity Nonetheless, Silent Night is still very popular. Singers have performed this song in nearly every genre and in multiple languages. Perhaps the most famous version is the one Bing Crosby crafted. This version is the third best-selling physical single recording in the history of recorded music. This particular recording was released in 1935 and sold at least 30 million copies. Only two songs have ever sold more. Elton John released Candle in the Wind in 1997 and sold 33 million copies. The record for most copies ever sold goes to Bing Crosby. He released White Christmas in 1942 and sold 50 million physical copies.  Register for free lifetime updates and revisions at www.jamesguthrie.com    

Piano,Tenor Trombone - Level 4 - Digital Download SKU: A0.1502105 Composed by Keiko Takashima. Classical,Contest,Festival. Score and part. 27 pages. FOSTERMUSIC.JP Digital Publishing #1077976. Published by FOSTERMUSIC.JP Digital Publishing (A0.1502105). THREE ANCIENT CAPITALS was originally written for Trombone Quartet Zipang in 2007. It was published just after its premiere in December of that year, and I am very glad that it has been played by a number of trombone quartets since then. Following its publication, a female trombonist uttered, “Although quartet is fun, it would be also enjoyable if it was played solo, wouldn’t it? “ and this brought the opportunity for this “solo trombone version” to be born.The whole work consists of three pieces. They were written based on my impression of each place when I visited them. 1. Kamakura: In the Hydrangea Temple I visited Meigetsu-in Temple, which is well-known as “Hydrangea Temple,” on a rainy day in June. There I saw colorful beautiful hydrangeas in full bloom, struck by gentle rain. The motif which is repeated many times in the piece represents each hydrangea. 2. Nara: Consecration of the Great Buddda Among the Great Buddhas all over, Rushana-butsu in Todai-ji Temple in Nara, which is 16 meters tall, is the most famous.I imagined the solemn scene of the Consecration Mass of Great Buddha. 3. Kyoto: The Golden Pavilion in the Sunset It was toward dusk when I visited the Rokuon-ji Temple, known as “Temple of Golden Pavilion,” which was built by Ashikaga Yoshimitsu, the third shogun in the Muromachi period. It shined like gold in the light reflected by the setting sun.It was fun for me to arrange the trombone quartet into solo trombone with piano, and I chose every single note carefully while building the relationship between the trombone and piano. I hope the audience will enjoy a different experience from the original quartet. I hope this work, born by Zipangu Quartet, will be loved by more people beyond the frame of its original setting. Performance Time: 12’00” PROFILE: Keiko Takashima Keiko Takashima was born in Takamatsu, Kagawa in 1962 and grew up mainly in Hiroshima.She began taking piano lessons at the age of four and enjoyed chorus as a club activity in junior and senior high school. She started learning harmony and composition theory while she was in high school and enrolled in the composition department at Tokyo University of the Arts of Music in 1982. After graduation, in the wake of providing new arrangements of CHANSON JAPONAISE (YUYAKE-KOYAKE) and FANTASIE (WARABE-UTA) as encore pieces for the Paris Trombone Quartet for their first tour to Japan, she has written many works for trombone.Her repertoire for trombone quartet includes PASSEPIED, MEMORIES, SQUARE DANCE, THREE ANCIENT CAPITALS, THE INTERSECTION OF CROSSING PATHS, SONG OF HOMETOWN, JAPANESE FOUR SEASONS, DOGWOOD PRAYER, and BEYOND THE SANDY HILL. She also wrote for solo trombone and piano: FANTASY ON ITSUKI LULLABY, which is included in Mr. Michel Becquet’s solo album, as well as BREEZE IN THE HEARTS - BLOOM IN THE WORLD, IN THE QUIET OF THE NIGHT, and HEAR THE SPRING CALLING. Her choral works are TOKI-SOBA (for mixed chorus) based on Japanese comic storytelling, LOVE IN KYOTO (suite for female chorus, lyrics by Madoka Mayuzumi), and FLOWER TIDING (lyrics by Urara Takahashi). PIANO RECITAL STORY, a suite for piano, is also on sale at PTNA Musse.jp (a music delivery service on the Internet).Ms. Takashima also wrote the fanfares for the opening and closing ceremonies at the National Sports Festival, held in Hiroshima in 1998. She is a regular member of the the Piano Teachers’ National Association of Japan.*The YouTube sample is a performance of oboe d'amore for reference of the music.

Piano,Tenor Trombone - Level 4 - Digital Download SKU: A0.1335564 Composed by Alexander Burdiss. Contemporary. Score and part. 12 pages. Ars Nova Press #921400. Published by Ars Nova Press (A0.1335564). Too Much For Our Thirstby Alexander BurdissArranged for Trombone and PianoDedicated to Courtney CarmackPerformance Time: approx. 7:00This is an adaptation for trombone of a piece originally written for tuba. The Eyes of the Poor from Paris SpleenWritten by Charles Baudelaire, Translated by Arthur Symons Ah! you want to know why I hate you to-day. It will probably be less easy for you to understand than for me to explain it to you; for you are, I think, the most perfect example of feminine impenetrability that could possibly be found. We had spent a long day together, and it had seemed to me short. We had promised one another that we would think the same thoughts and that our two souls should become one soul; a dream which is not original, after all, except that, dreamed by all men, it has been realised by none. In the evening you were a little tired, and you sat down outside a new café at the corner of a new boulevard, still littered with plaster and already displaying proudly its unfinished splendours. The café glittered. The very gas put on all the fervency of a fresh start, and lighted up with its full force the blinding whiteness of the walls, the dazzling sheets of glass in the mirrors, the gilt of cornices and mouldings, the chubby-cheeked pages straining back from hounds in leash, the ladies laughing at the falcons on their wrists, the nymphs and goddesses carrying fruits and pies and game on their heads, the Hebes and Ganymedes holding out at arm's-length little jars of syrups or parti-coloured obelisks of ices; the whole of history and of mythology brought together to make a paradise for gluttons. Exactly opposite to us, in the roadway, stood a man of about forty years of age, with a weary face and a greyish beard, holding a little boy by one hand and carrying on the other arm a little fellow too weak to walk. He was taking the nurse-maid's place, and had brought his children out for a walk in the evening. All were in rags. The three faces were extraordinarily serious, and the six eyes stared fixedly at the new café with an equal admiration, differentiated in each according to age. The father's eyes said: How beautiful it is! how beautiful it is! One would think that all the gold of the poor world had found its way to these walls. The boy's eyes said: How beautiful it is! how beautiful it is! But that is a house which only people who are not like us can enter. As for the little one's eyes, they were too fascinated to express anything but stupid and utter joy. Song-writers say that pleasure ennobles the soul and softens the heart. The song was right that evening, so far as I was concerned. Not only was I touched by this family of eyes, but I felt rather ashamed of our glasses and decanters, so much too much for our thirst. I turned to look at you, dear love, that I might read my own thought in you; I gazed deep into your eyes, so beautiful and so strangely sweet, your green eyes that are the home of caprice and under the sovereignty of the Moon; and you said to me: Those people are insupportable to me with their staring saucer- eyes! Couldn't you tell the head waiter to send them away? So hard is it to understand one another, dearest, and so incommunicable is thought, even between people who are in love!

Piano,Trombone - Level 3 - Digital Download SKU: A0.1490772 By Josh Groban. By Edith Piaf and Marguerite Monnot. Arranged by Glauco Fernandes. Film/TV,Jazz,Singer/Songwriter,Wedding. Score and part. 4 pages. Glauco Fernandes #1067532. Published by Glauco Fernandes (A0.1490772). Hymne à l'amour, originally performed by the legendary Édith Piaf and famously covered by Celine Dion at the opening of the 2024 Paris Olympics, is now available as a sheet music arrangement. This iconic French song captures the essence of deep emotion and romantic expression, and our arrangement makes it accessible for musicians of all skill levels.Édith Piaf's original performance set the standard for heartfelt renditions, and Celine Dion's recent spotlight at the Olympics has introduced it to a new generation. Whether you are preparing for a concert or playing for personal pleasure, this sheet music is perfectly suited for any musical setting.Tags: Hymne à l'amour, Édith Piaf, Celine Dion, Paris Olympics, sheet music, piano arrangement, French song, romantic music.

Piano,Trombone - Level 5 - Digital Download SKU: A0.792309 Composed by Saint-Saëns, Camille. Arranged by Sauer, Ralph. 20th Century,Classical,Romantic Period. Score and part. 3 pages. Gordon Cherry #4804499. Published by Gordon Cherry (A0.792309). Le Rossignol or the Nightingale is originally a vocalise for Soprano solo from Saint-Saën's incidental music for the play, Parysatis written in 1902. This 4-5 minute work is all about mood. Mr. Sauer uses the original key of B-flat, which lays perfectly for all of the bird-like calls that are in phrases which are slurred. The music has a lot of ad lib. tempo sections which gives the performer plenty of time to create that magic call of the Nightingale. Early writers thought it was the female that sang, but in fact it is the male. The Nightingale usually sings at night or just before dawn when other birds are silent and has a strong spontaneous song with an impressive range of trills and whistles.

Instrumental Duet,Piano Instrumental Duet,Piano,Trombone - Level 4 - Digital Download SKU: A0.928596 Composed by Johannes Brahms. Arranged by P. F. Strohm. Classical,Contest,Festival,Instructional,Romantic Period,Standards. Score and parts. 12 pages. Pete Strohm Music #6672697. Published by Pete Strohm Music (A0.928596). Johannes Brahms' Hungarian Dance No. 5, expertly arranged by American composer P. F. Strohm for a trio consisting of two tenor trombones and piano. Brahms was enthralled with the rhythms and melodies of Hungarian music. He originally wrote his 21 Hungarian Dances for piano four-hands, and loved performing them for his friends. P. F. Strohm has placed the first six of these musical gems into a new setting of two trombones and piano, drawing from the original piano score; from the violin and piano arrangements made by Brahms' friend, Joseph Joachim; and from Brahms' own solo piano arrangements. These new arrangements are for skilled performers on all parts. Written for and dedicated to Mark Kellogg and Larry Zalkind at the Eastman School of Music, the dances are excellent for recitals and contests, and make wonderful encores. Performance time for Hungarian Dance No. 5 for Two Trombones and Piano is 3:00. Difficulty is Medium-Advanced. Member, ASCAP

Piano,Trombone - Level 1 - Digital Download SKU: A0.548748 By Cat Stevens. By Cat Stevens. Arranged by James M. Guthrie, ASCAP. Rock. Score and part. 11 pages. Jmsgu3 #3415223. Published by jmsgu3 (A0.548748). Very strong arrangement for Easter. Duration: 2:48. 84 ms. Score: 7 pg. Solo part 1 pg. piano part 3 pg. Morning Has Broken is a popular and well-known Christian hymn first published in 1931. It has words by English author Eleanor Farjeon and was inspired by the village of Alfriston in East Sussex, then set to a traditional Scottish Gaelic tune known as Bunessan [1] (it shares this tune with the 19th century Christmas Carol Child in the Manger[2]). It is often sung in children's services and in Funeral services.[3] English pop musician and folk singer Cat Stevens included a version on his 1971 album Teaser and the Firecat. The song became identified with Stevens due to the popularity of this recording. It reached number six on the U.S. Billboard Hot 100, number one on the U.S. easy listening chartin 1972,[4] and number four on the Canadian RPM Magazine charts. The hymn originally appeared in the second edition of Songs of Praise (published in 1931), to the tune Bunessan, composed in the Scottish Islands. In Songs of Praise Discussed, the editor, Percy Dearmer, explains that as there was need for a hymn to give thanks for each day, English poet and children's author Eleanor Farjeon had been asked to make a poem to fit the lovely Scottish tune. A slight variation on the original hymn, also written by Eleanor Farjeon, can be found in the form of a poem contributed to the anthology Children's Bells, under Farjeon's new title, A Morning Song (For the First Day of Spring), published by Oxford University Press in 1957. The song is noted in 9/4 time but with a 3/4 feel. Bunessan had been found in L. McBean's Songs and Hymns of the Gael, published in 1900.[5] Before Farjeon's words, the tune was used as a Christmas carol, which began Child in the manger, Infant of Mary, translated from the Scottish Gaelic lyrics written by Mary MacDonald. The English-language Roman Catholic hymnal also uses the tune for the James Quinn hymns, Christ Be Beside Me and This Day God Gives Me, both of which were adapted from the traditional Irish hymn St. Patrick's Breastplate. Another Christian hymn, Baptized In Water, borrows the tune. -Wikipedia  

Instrumental Duet Instrumental Duet,Piano,Tenor Trombone - Level 5 - Digital Download SKU: A0.792524 Composed by Robert Schumann. Arranged by Jaime Morales-Matos. 20th Century,Classical,Romantic Period. Score and parts. 21 pages. Gordon Cherry #5008299. Published by Gordon Cherry (A0.792524). Originally written for Cello and Piano, Opus 70 was edited by Schumann for the Horn in 1849. The original title of the work was Romance and Allegro and is one of the first major works of importance for the valve horn. In arranging this work for Tenor Trombone, Mr. Morales-Matos has transposed the key down a third into F major from A-flat making the highest note a D. This exquisite piece of music is about 9 minutes in length and suitable for advanced performers.

Instrumental Duet,Piano Instrumental Duet,Piano,Trombone - Level 4 - Digital Download SKU: A0.928182 Composed by Johannes Brahms. Arranged by P. F. Strohm. Classical,Contest,Festival,Instructional,Romantic Period. Score and parts. 80 pages. Pete Strohm Music #6758789. Published by Pete Strohm Music (A0.928182). The first six of Johannes Brahms' Hungarian Dances, expertly arranged by American composer P. F. Strohm for a trio consisting of two tenor trombones and piano. Brahms was enthralled with the rhythms and melodies of Hungarian music. He originally wrote his 21 Hungarian Dances for piano four-hands, and loved performing them for his friends. P. F. Strohm has placed the first six of these musical gems into a new setting of two trombones and piano, drawing from the original piano score; from the violin and piano arrangements made by Brahms' friend, Joseph Joachim; and from Brahms' own solo piano arrangements. These new arrangements are for skilled performers on all parts. Written for and dedicated to Mark Kellogg and Larry Zalkind at the Eastman School of Music, the dances are excellent for recitals and contests, and make wonderful encores. The individual dances are three to five minutes long. Performance time for the complete set of Six Hungarian Dances for Two Trombones and Piano would be about 21:00. You can watch and hear the score video for each of the Six Hungarian Dances on this site or on my YouTube channel, as well as by visiting https://petestrohm.com. Difficulty is Medium-Advanced. Member, ASCAP

Instrumental Duet,Piano Instrumental Duet,Piano,Trombone - Level 4 - Digital Download SKU: A0.928593 Composed by Johannes Brahms. Arranged by P. F. Strohm. Classical,Contest,Festival,Instructional,Romantic Period,Standards. Score and parts. 18 pages. Pete Strohm Music #6672669. Published by Pete Strohm Music (A0.928593). Johannes Brahms' Hungarian Dance No. 1, expertly arranged by American composer P. F. Strohm for a trio consisting of two tenor trombones and piano. Brahms was enthralled with the rhythms and melodies of Hungarian music. He originally wrote his 21 Hungarian Dances for piano four-hands, and loved performing them for his friends. P. F. Strohm has placed the first six of these musical gems into a new setting of two trombones and piano, drawing from the original piano score; from the violin and piano arrangements made by Brahms' friend, Joseph Joachim; and from Brahms' own solo piano arrangements. These new arrangements are for skilled performers on all parts. Written for and dedicated to Mark Kellogg and Larry Zalkind at the Eastman School of Music, the dances are excellent for recitals and contests, and make wonderful encores. Performance time for Hungarian Dance No. 1 for Two Trombones and Piano is 3:27. Difficulty is Medium-Advanced. Member, ASCAP

Piano,Trombone - Level 3 - Digital Download SKU: A0.1490771 By Josh Groban. By Edith Piaf and Marguerite Monnot. Arranged by Glauco Fernandes. Film/TV,Jazz,Singer/Songwriter,Wedding. Score and part. 4 pages. Glauco Fernandes #1067531. Published by Glauco Fernandes (A0.1490771). Hymne à l'amour, originally performed by the legendary Édith Piaf and famously covered by Celine Dion at the opening of the 2024 Paris Olympics, is now available as a sheet music arrangement. This iconic French song captures the essence of deep emotion and romantic expression, and our arrangement makes it accessible for musicians of all skill levels.Édith Piaf's original performance set the standard for heartfelt renditions, and Celine Dion's recent spotlight at the Olympics has introduced it to a new generation. Whether you are preparing for a concert or playing for personal pleasure, this sheet music is perfectly suited for any musical setting.Tags: Hymne à l'amour, Édith Piaf, Celine Dion, Paris Olympics, sheet music, piano arrangement, French song, romantic music.