Piano,Trombone - Level 1 - Digital Download SKU: A0.638381 Composed by Georg Philipp Telemann. Arranged by Eugene Egorov. Classical. Score and part. 1 pages. Eugene Egorov #6237581. Published by Eugene Egorov (A0.638381).

Piano,Trombone - Level 4 - Digital Download SKU: A0.961360 Composed by Franz Strauss. Arranged by Philip Brink. Romantic Period. Score and part. 10 pages. Philip Brink #6139123. Published by Philip Brink (A0.961360). This has long been an absolute favorite for horn players and is often performed on tenor trombone. With this arrangement, bass Trombonists can perform this wonderful music, a standard of the Romantic era. To see a performance by the arranger, go to YouTube and look for https://www.youtube.com/watch?v=R7tqdWXWK4Q. This performance took place in February of 2020 in Salaya, Thailand during a visit I made there at the time.

Piano,Tenor Trombone - Level 3 - Digital Download SKU: A0.1511047 Composed by Phil Rawle. Classical,Contemporary. Score and part. 10 pages. Phillip Rawle #1086263. Published by Phillip Rawle (A0.1511047). A modern take on a Baroque style mimicking a Sarabande dance.It is a gentle piece in D minor. Quite easy to play and would be a refreshing compliment to any concert.

Piano,Tenor Trombone - Level 3 - Digital Download SKU: A0.1510740 Composed by Phil Rawle. Classical,Contemporary. Score and part. 9 pages. Phillip Rawle #1085943. Published by Phillip Rawle (A0.1510740). A Trombone Solo with Piano accompaniment. Written in a jazz style with modern chords. Not too difficult.

Piano,Trombone - Digital Download SKU: A0.961346 Composed by Sergei Rachmaninoff. Arranged by Phil Brink. 20th Century. Score and part. 7 pages. Philip Brink #4886321. Published by Philip Brink (A0.961346). The music emphasizes the resonant lower range of the bass trombone.

Piano,Trombone - Level 1 - Digital Download SKU: A0.1182600 By Dirk Quinn Band. By Charles Borrelli and Roger Courtland. Arranged by Marcony Carvalho. 20th Century,March,Patriotic,Traditional. Score and part. 2 pages. Zedas Couve #782346. Published by Zedas Couve (A0.1182600). The Eagles' Victory Song was the creation of Charles Borrelli and Richard Courtland Harrison, a Washington, D.C. music teacher and arranger for jazz guitarist Charlie Byrd. The song was mistakenly credited to R. Courtland by the Copyright office and in various editions of Eagles programs from the late 1950s through the 1960s.In 1963, Jerry Wolman purchased the Philadelphia Eagles. Wolman was a sports fan growing up and loved hearing the Washington Redskins' fight song Hail to the Redskins at games. Spawning from his admiration for the Redskins' song, Wolman searched for musicians to implement a team song for the Eagles, and founded The Philadelphia Eagles' Sound of Brass band in 1964. The group included 200 musicians and dancers, and was led by Arlen Saylor, who was appointed as the Eagles' entertainment director in 1966 and is credited with penning an arrangement of the fight song that the band played at home games during halftime in the 1960s. Wolman's push to popularize the fight song flew under the radar, however, and in 1969 the Sound of Brass band was discontinued.The song came back into light in 1997, when Bobby Mansure, founder of an unofficial Eagles pep band, asked team management to allow the band to play in the parking lot during home games. Management gave Mansure's pep band an audition, allowing them to play at two preseason games to gauge fan reaction. The song went over so well that Mansure and the band retained a permanent position as the official Philadelphia Eagles Pep Band.In 1998, following Mansure's reintroduction of the song, Eagles management attempted to rebuild its popularity among fans by changing some aspects of the song: they modified the key, changed the opening lyric from Fight, Eagles Fight to Fly, Eagles Fly, and re-marketed the song with that as the title. In addition, they appended the popular E-A-G-L-E-S chant—which had emerged in the 1980s—to the end of the song. While management planned to play the song throughout the 1998 season, the Eagles' poor performance that year caused them to hold off reintroducing the song until the following year. The Eagles fared better during their 1999 season, and subsequently, the fight song was played after every score.

Instrumental Duet,Piano Instrumental Duet,Piano,Trombone - Level 2 - Digital Download SKU: A0.622111 By Steve Green. By Greg Nelson and Phill McHugh. Arranged by Stephen DeCesare. Christian,Contemporary,Praise & Worship,Sacred. Score and parts. 14 pages. Exultet Music #3588345. Published by Exultet Music (A0.622111). The tender Christian anthem made popular by Christian artist Steve Green, has now been freshly arranged as a duet for Trombone with Piano accompaniment. Accessible and appropriate for any church or concert setting. Can be used at many times throughout the liturgical year.  .

Piano,Trombone - Level 2 - Digital Download SKU: A0.629028 By Steve Green. By Greg Nelson and Phill McHugh. Arranged by Stephen DeCesare. Christian,Contemporary,Praise & Worship,Sacred. Score and part. 11 pages. Exultet Music #6255973. Published by Exultet Music (A0.629028). The tender Christian anthem made popular by Christian artist Steve Green, has now been freshly arranged for a Trombone solo with Piano accompaniment. Accessible and appropriate for any church or concert setting. Can be used at many times throughout the liturgical year.

Piano,Trombone - Level 5 - Digital Download SKU: A0.792526 Composed by Georges Bizet. Arranged by Ralph Sauer. 20th Century,Classical,Romantic Period. Score and part. 44 pages. Gordon Cherry #5008317. Published by Gordon Cherry (A0.792526). The Chants du Rhin (Songs of the Rhine), a cycle of six pieces, based on poems by Joseph Méry, were written in 1865, and Bizet performed two of them on 16 April 1866 at a soirée of the Beaujolais Philharmonic Society. The songs are grouped symmetrically around La bohémienne as the central piece, framed by two meditatively yearning pieces (in E and D flat major) and two vividly exuberant ones (similarly in E and D flat major), with L’aurore serving as an introduction. In this cycle Bizet takes up the theme of the gypsy girl which had already entered European music in the operas The Bohemian Girl by the Irish composer Michael William Balfe and Verdi’s Il trovatore, as well as in Franz Liszt’s Hungarian Rhapsodies for piano. Bizet will return to it one year later in La jolie fille de Perth and ten years later in Carmen. The fourth piece Les confidences shows similarities in tonality, structure and motifs to the middle part of the third movement of Chopin’s Sonata in B minor.

Piano,Tenor Trombone - Level 5 - Digital Download SKU: A0.792226 Composed by Robert Schumann. Arranged by Sauer, Ralph. Classical,Romantic Period. Score and part. 28 pages. Gordon Cherry #4728863. Published by Gordon Cherry (A0.792226). There are three movements in Fantasy Pieces that make up Robert Schumann’s Opus 73. Completed in 1849, he linked each piece harmonically.  He directs the performers to follow on to the next section, indicating that these movements were intended as a whole. From a mood of delicate expression, through eloquent and lively to fiery and urgent, this is a compelling and intriguing work. The Fantasy Pieces are full of Romanticism and thoughtfulness to make it an important and entertaining work. This version has been skillfully arranged for Tenor Trombone and Piano by Ralph Sauer, formerly Principal Trombonist of the Los Angeles Philharmonic.

Piano,Trombone - Level 5 - Digital Download SKU: A0.792219 Composed by Robert Schumann. Arranged by Sauer, Ralph. Classical,Romantic Period. Score and part. 32 pages. Gordon Cherry #4728849. Published by Gordon Cherry (A0.792219). The Five Pieces in Folk Style by Schumann were originally written for Cello and Piano. They have been expertly transcribed for Tenor Trombone by Ralph Sauer, retired Principal Trombonist of the Los Angeles Philharmonic.  The 5 movements are in contrasting styles and work very well for Trombone.  Schumann was considered the Poet of the Romantics.  This music is expressive and full of robust and elegant phrases.  For moderately advanced performers.  The complete work is almost 17 minutes in length and can be a major work on your concert.

Instrumental Duet Instrumental Duet,Piano,Trombone - Level 4 - Digital Download SKU: A0.906987 Composed by Carl Philipp Emanuel Bach. Arranged by Anna Arazi. Baroque. Score and parts. 7 pages. Anna Arazi #2036311. Published by Anna Arazi (A0.906987). Adagio from Prussian Sonata No. 3 for Harpsichord by Carl Philipp Emanuel Bach, arranged by Anna Arazi for trombone and piano.

Piano,Trombone - Level 4 - Digital Download SKU: A0.551531 Composed by Carl Philipp Emanuel Bach (1714-1788). Arranged by James Guthrie, ASCAP. Classical,Instructional,Standards,Wedding. Score and part. 22 pages. Jmsgu3 #5309593. Published by jmsgu3 (A0.551531). Sonata Wq. 124 in E Minor: 1. Adagio 2. Allegro 3. Menuett & 2 VariationsCarl Philipp Emanuel Bach (1714-1788) was an influential composer who worked during a transition between the Baroque and Classical styles of music. His approach, empfindsamer Stil or sensitive style, applied the principles of rhetoric and drama to musical structures. The duets composed by C.P.E. Bach are significant because they showcase his unique style and are considered some of his most important works. They are known for their unpredictability and expressive qualities, which were a departure from his father's style, Johann Sebastian Bach. The historical context of C.P.E. Bach's Wq 124 Sonatas lies in the mid-18th century during the transition between the Baroque and Classical periods. This period was characterized by significant changes in musical style, with composers exploring new forms and expressive techniques. As a prominent figure of this era, C.P.E. Bach played a crucial role in shaping the emerging Classical style, and his keyboard sonatas, including the Wq 124 Sonatas, reflect the expressive and innovative characteristics of this transitional period. The Wq 124 Sonatas are a testament to Bach's unique musical language. Their historical significance lies in their contribution to the development of keyboard music during this pivotal period in music history.