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Piano,Trombone - Level 1 - Digital Download SKU: A0.1182600 By Dirk Quinn Band. By Charles Borrelli and Roger Courtland. Arranged by Marcony Carvalho. 20th Century,March,Patriotic,Traditional. Score and part. 2 pages. Zedas Couve #782346. Published by Zedas Couve (A0.1182600). The Eagles' Victory Song was the creation of Charles Borrelli and Richard Courtland Harrison, a Washington, D.C. music teacher and arranger for jazz guitarist Charlie Byrd. The song was mistakenly credited to R. Courtland by the Copyright office and in various editions of Eagles programs from the late 1950s through the 1960s.In 1963, Jerry Wolman purchased the Philadelphia Eagles. Wolman was a sports fan growing up and loved hearing the Washington Redskins' fight song Hail to the Redskins at games. Spawning from his admiration for the Redskins' song, Wolman searched for musicians to implement a team song for the Eagles, and founded The Philadelphia Eagles' Sound of Brass band in 1964. The group included 200 musicians and dancers, and was led by Arlen Saylor, who was appointed as the Eagles' entertainment director in 1966 and is credited with penning an arrangement of the fight song that the band played at home games during halftime in the 1960s. Wolman's push to popularize the fight song flew under the radar, however, and in 1969 the Sound of Brass band was discontinued.The song came back into light in 1997, when Bobby Mansure, founder of an unofficial Eagles pep band, asked team management to allow the band to play in the parking lot during home games. Management gave Mansure's pep band an audition, allowing them to play at two preseason games to gauge fan reaction. The song went over so well that Mansure and the band retained a permanent position as the official Philadelphia Eagles Pep Band.In 1998, following Mansure's reintroduction of the song, Eagles management attempted to rebuild its popularity among fans by changing some aspects of the song: they modified the key, changed the opening lyric from Fight, Eagles Fight to Fly, Eagles Fly, and re-marketed the song with that as the title. In addition, they appended the popular E-A-G-L-E-S chant—which had emerged in the 1980s—to the end of the song. While management planned to play the song throughout the 1998 season, the Eagles' poor performance that year caused them to hold off reintroducing the song until the following year. The Eagles fared better during their 1999 season, and subsequently, the fight song was played after every score.
Eagles' Victory Song
Trombone et Piano
Dirk Quinn Band
$4.99 4.32 € Trombone et Piano PDF SheetMusicPlus

Piano,Trombone - Level 1 - Digital Download SKU: A0.964544 Composed by Peter Ilyich Tchaikovsky. Arranged by Leyandder Trustworthy. Christmas,Easter,Romantic Period,Wedding,World. Score and part. 6 pages. Leyandder Trustworthy #6348533. Published by Leyandder Trustworthy (A0.964544). Swan Lake is a dramatic ballet in four acts by Russian composer Piotr Ilitch Tchaikovski and with the libretto by Vladimir Begitchev and Vasily Geltzer. Its premiere took place at the Bolshoi Theater in Moscow on February 20, 1877, and was a failure not because of the music, but because of the poor performance of the orchestra and dancers, as well as the choreography and set design. The ballet was commissioned by the Bolshoi Theater in 1876 and the composer soon began writing.
3 popular and easy themes by Tchaikovsky with accompaniment and chord symbols for Alto Trombone
Trombone et Piano

$4.99 4.32 € Trombone et Piano PDF SheetMusicPlus

Piano,Tenor Trombone - Level 4 - Digital Download SKU: A0.1335564 Composed by Alexander Burdiss. Contemporary. Score and part. 12 pages. Ars Nova Press #921400. Published by Ars Nova Press (A0.1335564). Too Much For Our Thirstby Alexander BurdissArranged for Trombone and PianoDedicated to Courtney CarmackPerformance Time: approx. 7:00This is an adaptation for trombone of a piece originally written for tuba. The Eyes of the Poor from Paris SpleenWritten by Charles Baudelaire, Translated by Arthur Symons Ah! you want to know why I hate you to-day. It will probably be less easy for you to understand than for me to explain it to you; for you are, I think, the most perfect example of feminine impenetrability that could possibly be found. We had spent a long day together, and it had seemed to me short. We had promised one another that we would think the same thoughts and that our two souls should become one soul; a dream which is not original, after all, except that, dreamed by all men, it has been realised by none. In the evening you were a little tired, and you sat down outside a new café at the corner of a new boulevard, still littered with plaster and already displaying proudly its unfinished splendours. The café glittered. The very gas put on all the fervency of a fresh start, and lighted up with its full force the blinding whiteness of the walls, the dazzling sheets of glass in the mirrors, the gilt of cornices and mouldings, the chubby-cheeked pages straining back from hounds in leash, the ladies laughing at the falcons on their wrists, the nymphs and goddesses carrying fruits and pies and game on their heads, the Hebes and Ganymedes holding out at arm's-length little jars of syrups or parti-coloured obelisks of ices; the whole of history and of mythology brought together to make a paradise for gluttons. Exactly opposite to us, in the roadway, stood a man of about forty years of age, with a weary face and a greyish beard, holding a little boy by one hand and carrying on the other arm a little fellow too weak to walk. He was taking the nurse-maid's place, and had brought his children out for a walk in the evening. All were in rags. The three faces were extraordinarily serious, and the six eyes stared fixedly at the new café with an equal admiration, differentiated in each according to age. The father's eyes said: How beautiful it is! how beautiful it is! One would think that all the gold of the poor world had found its way to these walls. The boy's eyes said: How beautiful it is! how beautiful it is! But that is a house which only people who are not like us can enter. As for the little one's eyes, they were too fascinated to express anything but stupid and utter joy. Song-writers say that pleasure ennobles the soul and softens the heart. The song was right that evening, so far as I was concerned. Not only was I touched by this family of eyes, but I felt rather ashamed of our glasses and decanters, so much too much for our thirst. I turned to look at you, dear love, that I might read my own thought in you; I gazed deep into your eyes, so beautiful and so strangely sweet, your green eyes that are the home of caprice and under the sovereignty of the Moon; and you said to me: Those people are insupportable to me with their staring saucer- eyes! Couldn't you tell the head waiter to send them away? So hard is it to understand one another, dearest, and so incommunicable is thought, even between people who are in love!
Too Much For Our Thirst (Trombone and Piano)
Trombone et Piano

$9.99 8.65 € Trombone et Piano PDF SheetMusicPlus

Piano,Trombone - Level 3 - Digital Download SKU: A0.524763 Composed by Gustav Holst, Christina Rossetti. Arranged by John A. Dempsey. Celtic,Christian,Christmas,Holiday,Irish,Sacred. Score and part. 12 pages. John A. Dempsey #6305357. Published by John A. Dempsey (A0.524763). Arranged as a vibrant duet for trombone and piano, this traditional English Christmas carol filled with snowy winter blessings is recommended for traditional Christmas church services and other worship events, including Christmas plays, pageants and programs as well as holiday recitals and Christmas concerts. Ā Suggested worship uses: prelude, postlude, offertory, interlude, Christmas play overture, silent prayer accompaniment and special music. Ā Key: F major. Ā 8 pages of music (that includes a separate two-page trombone part). Ā Ā  Ā  Ā What can I give Him, poor as I am?Ā  Ā  Ā If I were a shepherd, I would give a lamb.Ā  Ā  Ā If I were a wise man, I would do my partĀ  Ā  Ā But what can I give Him? Ā Give Him my heart.
In the Bleak Midwinter (Duet for Trombone and Piano)
Trombone et Piano

$6.99 6.05 € Trombone et Piano PDF SheetMusicPlus

Small Ensemble Horn,Piano,Trombone - Level 3 - Digital Download SKU: A0.524203 Composed by Gustav Holst. Arranged by John A. Dempsey. Celtic,Christian,Christmas,Holiday,Irish,Sacred. Score and parts. 16 pages. John A. Dempsey #4996315. Published by John A. Dempsey (A0.524203). A wintry landscape, a miracle, a wondrous season: all of these are evoked in this traditional English Christmas carol that's also popular among Celtic music fans. Ā Arranged as a jubilant trio for horn in F, trombone and piano, this snowy, atmospheric music is recommended for Christmas plays, pageants and programs, holiday recitals and Christmas concerts as well as traditional Christmas church services and other seasonal worship events. Ā Suggested worship uses: a prelude, postlude, an offertory, interlude, Christmas play overture, silent prayer accompaniment and special music. Ā 12 pages of music (that includes separate two-page parts for French horn and trombone). Ā Concert Key (Piano): F major. Ā Horn Key: C major. Ā Trombone Key: F major. Ā Horn/Trombone Level: Intermediate. Ā Piano Level: Late IntermediateĀ  Ā  Ā What can I give Him, poor as I am?Ā  Ā  Ā If I were a shepherd, I would give a lamb.Ā  Ā  Ā If I were a wise man, I would do my partĀ  Ā  Ā But what can I give Him? Ā Give Him my heart.
In the Bleak Midwinter (Trio for Horn in F, Trombone and Piano)
Trombone et Piano

$11.99 10.38 € Trombone et Piano PDF SheetMusicPlus

Small Ensemble B-Flat Clarinet,Piano,Trombone - Level 3 - Digital Download SKU: A0.524510 Composed by Gustav Holst, Christina Rossetti. Arranged by John A. Dempsey. Celtic,Christian,Christmas,Holiday,Irish,Sacred. Score and parts. 15 pages. John A. Dempsey #5866277. Published by John A. Dempsey (A0.524510). A wintry landscape, a miracle, a wondrous season: all these are evoked in this traditional English Christmas carol that's also popular among Celtic music fans. Arranged as a jubilant trio for Bb clarinet, trombone and piano, this snowy, atmospheric music is recommended for Christmas plays, pageants and programs as well as Christmas concerts, holiday recitals, traditional church services and other worship events, as a prelude, postlude, an offertory, interlude, Christmas play overture, silent prayer accompaniment and special music. Ā 11 pages of music (that includes separate two-page parts for clarinet and trombone). Ā Concert Key (Piano): F major. Ā Clarinet Key: G major. Ā Trombone Key: F major. Ā Clarinet/Trombone Level: Intermediate. Ā Piano Level: Late IntermediateĀ  Ā  Ā What can I give Him, poor as I am?Ā  Ā  Ā If I were a shepherd, I would give a lamb.Ā  Ā  Ā If I were a wise man, I would do my partĀ  Ā  Ā But what can I give Him? Ā Give Him my heart.
In the Bleak Midwinter (Trio for Clarinet, Trombone and Piano)
Trombone et Piano

$11.99 10.38 € Trombone et Piano PDF SheetMusicPlus






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